Mstov is an alacritous kooky tech display typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

A hand drawn font thats perfect for kids cards, scrap-booking and photo annotation etc.. Full set of alternative characters included. Comes with CSS and HTML code plus all web compatible formats.

Soin Sans is a geometric sans-serif typeface inspired by the design of Futura. (All packages including OTF & TTF file format) Soin Sans Pro Version : http://www.myfonts.com/fonts/stawix/soin-sans-pro

Contains the 19 months of the Maya solar year (in outline and silhouette mode) as well as the 19 Maya numerals. NOTE: this font comes with an interpretation guide in pdf format.

Some words from the designer, Frantisek Storm... Designed by Josef Tyfa in 1959, digitalized by F. Storm in 1996. This Roman and Italic are well-known perhaps to all Czech graphic artists and typographers ever since their release. Although this type face in some details is under the sway of the period of its rise, its importance is timeless, in contradistinction to other famous types dating from the turn of the sixties which were found, after some time, to be trite. The italics live their own life, only their upper-case letters have the same expression as the basic design. Thin and fragile, they work excellently, emphasizing certain parts in the text by their perfect contrast of expression. When seen from a distance they are a little bit darker than the Roman face. Tyfa Roman was released in 1960 by Grafotechna in Prague for hot setting. Later on, Berthold produced letter matrices - "rulers" for Staromat devices, used for manual photosetting of display alphabets. In the eighties it was available on dry transfers of Transotype and today it is offered also by ITC. The meticulously executed designs of the individual letters in the 288 point size are arranged into a set of signs on a cardboard of about B2 in size. The yellowed paper reveals retouches by white paint on the ink. Blue lines mark the baseline, the capital line, the ascender and descender lines and the central verticals of the letters. With regard to the format of the flat scanner, the designs had to be reduced, with the use of a camera, to the format A4, i.e. to the upper-case letter height of about 30 mm. These were then scanned in 600 dpi resolution and read as a bitmap template to the FontStudio programme. The newly created bold type faces derive from Tyfa's designs of the letters "a", "n", "p", the darkness of which was increased further, approximately by 3%, to enhance their emphasizing function. The text designs have hairstrokes thickened by one third; the contrast between thin and thick strokes has been modified, in order to improve legibility, in sizes under 12 points. We have used electronic interpolation to produce the semi-bold designs. Josef Tyfa himself recommends to choose a somewhat darker design than the basic one for printing of books.

Every day we are faced with designing on small screens and new formats; This is where condensed fonts have great potential, as they make the most of tight spaces in big headlines. Manchester Condensed is a typeface family designed by Vástago to be applied in large headlines in different formats, such as web, editorial or packaging. Just to mention a few. Different Manchester weights enhance performance at large type sizes, providing hierarchy and imposing style with its elongated shapes. Its use in capital letters is remarkable and fits perfectly into very precise diagramming spaces.

Introducing the Inflate PTx font family, a delightful and playful typeface collection that embodies the buoyant spirit of celebration and festivity. This font can be use in old and new apps that use/read fonts, because it's format (old school format :)), not OpenType SVG format. To install fast on the PC: right click in the OpenType file, then "Install". But if you want to open the file, please be pacient. It takes time to open and read the OpenType file depending of the capacity of your PC. The Inflate PTx font family is tailor-made for creative projects, from birthday party invitations and children's book illustrations to social media graphics for Instagram or themed event posters. Its rounded edges and bubbly forms infuse any design with an infectious sense of joy and lightheartedness, making it an ideal choice for those seeking a playful and festive typographic solution.

In designing the Calvino typeface family Andrea Tartarelli set himself the challenge to follow the principles expressed by the Italian writer Italo Calvino in his masterpiece Six memos for the next millenium. Exactitude and visibility are translated typographically through the reference to sixteen century garalde typography and its controlled, highly legible letterforms. To balance this formal rigour, lightness and quickness were added by letting the design be inspired by the calligraphic hand, following the lesson of Gudrun Zapf. The idea of multiplicity was kept central, developing Calvino in a range of weights encompassing both display and text use cases, and then expanding the design space with the inclusion of a display sub-family, Calvino Grande, to provide users with a full typographic palette to cover all editorial needs. Sharing the same formal structure, Calvino Grande sports condensed proportions, sharper details and tighter metrics. Both Calvino and Calvino Grande are complemented with a set of italic letterforms, with differences in design and slant to better work at different point size. All the 34 weights of the Calvino family come with a extended Latin and Cyrillic charset, covering over two hundred languages, and all equipped with a wide range of open type features including positional numerals, alternate forms, and stylistic sets. Four variable typefaces are also included in the full package, for any need of fine-tuning the typeface grade of weight. Special thanks go to Laurène Girbal for the help in developing the regular weight. • Suggested uses: Calvino aims to provide users with a full typography palette to cover all editorial needs. Perfect for contemporary branding and logo design, dynamic packaging and countless other projects. • 38 styles: 9 weights + 9 italics, 2 different styles + 4 variable fonts. • 779 glyphs in each weight. • Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Discretionary Ligatures, Denominators, Fractions, Kerning, Standard Ligatures, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Oldstyle Figures, Ordinals, Proportional Figures, Stylistic Alternates, Scientific Inferiors, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Subscript, Superscript, Tabular Figures, Slashed Zero • 203 Languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Lombard, Lithuanian, Tsonga, Jamaican, Dholuo, Galician, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Norse, Slovio (Latin), Volapük.

Volken is a heavy bold sans-serif font. This font is perfect for various projects, clean, and easy to read. what you get: · Alphabet · Number and Punctuation · Lettering format font · Include Multilingual support.

Moyers typeface is Vintage Design, old-fashioned, elegant. This font good for vintage design, Display, t-shirt, logo, labels, posters and etc. Features: -Uppercase -Lowercase -Numerals -Basic punctuations Available in OTF formats. Thanks!

FranklinGothicHandCond is another part of a series of hand-drawn fonts from way back in time – before computers changed the way we worked in advertising. When I was in advertising – before computers – a very time consuming part of my daily work was sketching headlines. I used to be able to sketch headlines in Franklin Gothic, Times, Futura, Helvetica and several scripts. We had a kind of huge inverted camera – which we called Lucy. We projected the alphabet onto a sheet of transparent paper, outlined the letters with a fineliner and then filled them in. It was very tedious work, but the resulting headline had its own charm and we had a permanent race going on who was best and fastest. I won most of the time! They used to call me the fastest "Magic Marker" this side of the Atlantic. Great days, just like today! Your sentimental type designer from the past, Gert Wiescher.

Technical Stencil VP is the stenciled version of Technical Standard VP and the two typefaces can be used either on their own or together seamlessly. The initial inspiration for their design came from examining the various types of precisely machined labels on tools from cameras to cars, which need to be perfectly legible at all sizes. The unique streamlined look such processes achieve was carefully reinterpreted and the resulting fonts are at the same time robust and stylish, both universal and unique. Technical Stencil VP includes ten distinct styles, offering great versatility. All styles in this family include an extensive Latin character set, the Greek alphabet, multiple sets of numerals, a large set of punctuation marks, and other symbols. With 1120 glyphs in each style, it guarantees full support for all Latin languages. To make the family even more powerful, twenty OpenType features are included, such as multiple vertical positions, diagonal fractional forms, optional slashed zeros, separate old-style and lining figures, small capitals, and contextual alternates.

Just as the camera adds weight to human faces, serifs can add weight to typographic faces. Rod McDonald trimmed and adjusted his new Egyptian Slate design as it emerged from its sans serif predecessor, the Slate typeface family. Slate is a great sans serif design, and the addition of his Egyptian Slate to your typeface library will make it even more versatile. Egyptian Slate is a solid and stylish slab serif design that will look superb in the spotlight of your choosing. Available in six weights – from a svelte light to a commanding black – each upright member of the Egyptian Slate family has a complementary italic. Egyptian Slate fonts are available as either OpenType Std or OpenType Pro fonts; the later options offers an extended character set that supports most Central European and many Eastern European languages. Egyptian Slate™ font field guide including best practices, font pairings and alternatives. Featured in: Best Fonts for Logos, Best Fonts for Websites

Manicuore is a hand-drawn typeface inspired by Italian movie posters by the prolific movie poster artist Symeoni (a.k.a. Sandro Simeoni). Being a talented and skilled painter, portraitist and illustrator, Symeoni enjoyed a long and fruitful career and was remarkably productive during the sixties and seventies. He counts over 3,000 works to his credit, which truly fed the imagination of several generations. This all-caps font brings different lettershapes on upper and lower case slots, which work as alternates, providing handy options to spice up your compositions. When using it in OpenType savvy applications just turn on contextual alternates feature to instantly cycle lettershapes – a one click way for adding spontaneity while also preventing neighbor double letters from using the same glyph. To put the icing on the cake, Manicuore brings a cool set of graphic elements that match the typeface look and feel. An inspiring toolbox for creative lettering designs. Now... Lights! Camera! Action!

FranklinGothicHandBold is another part of a series of hand-drawn fonts from way back in time – before computers changed the way we worked in advertising. When I was in advertising – before computers – a very time consuming part of my daily work was sketching headlines. I used to be able to sketch headlines in Franklin Gothic, Times, Futura, Helvetica and several scripts. We had a kind of huge inverted camera – which we called Lucy. We projected the alphabet onto a sheet of transparent paper, outlined the letters with a fineliner and then filled them in. It was very tedious work, but the resulting headline had its own charm and we had a permanent race going on who was best and fastest. I won most of the time! They used to call me the fastest "Magic Marker" this side of the Atlantic. Great days, just like today! Your sentimental type designer from the past Gert Wiescher

Bodoni Terracina is a legible, fun-formal script face, with lots of curls. Sometimes script faces are hard to read. Sometimes being formal means that there’s no personality and there’s no fun. Enter Terracina: one of the masterpieces of font design. Some of the most personable italics ever carved. Includes powerful new features for: • Dates • Pricings • Addresses Not is only Terracina formal but fun, it’s also fun to use! In a program like Adobe Indesign or Illustrator, just highlight a word and see lots of fun options. Bodoni himself etched these symbols, and his fun-loving personality shines through. As a semi-script, it can go together with many script fonts, but it is more readable. When you need something equal parts elegant and whimsical, Terracina strikes a perfect balance to let the fun shine through, such as for holiday designs or fairytales. Terracina is a subheads font, but Bodoni also used it for paragraphs. So Terracina works well doing subhead paragraphs, especially when contrasting with the mood of the first font. And because of the swash variety, it works well for setting German and other European languages. CAL Bodoni Terracina is a member of our Origins Series. Origin Fonts are designed to be true to the original designer's intentions and fonts. Our Bodoni origin fonts ARE Bodoni fonts, not imitations or interpretations. They were drawn by Bodoni, our team just expanded it for modern use. For Terracina, Bodoni's original weight is the "Quasi-Lite" option, all other weights have been meticulously matched by the CAL Origins Team.

Anubis, the first DSType font at MyFonts is back in an improved Pro version. AnubisPro, a slab serif font with a contemporary feel, with Central Europe diacritics, swashes and ligatures, available in OpenType format.

Bold, graphic and with a strong vertical emphasis. Built from simple geometric shapes, Zeno is similar to some of Joseph Albers’ Bauhaus experiments, though with attention paid to normalising the lettershapes to improve readability.

Introducing, Gilded Majestic- a high contrast bold script with a touch of quirky looks. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

The Rouged is a display script. This typeface has bold monoline which make it looks stand out, and the unique swashes make you easy to create a nice logotype or cool lettering. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

With a gentle, modulating effect and very neat from a formal point of view, Botija is ideal for medium sized texts: it is a font family with a unique style. Created initially as a reinterpretation of Bodoni, it maintains a sharp vertical axis and a medium level of contrast, suitable to function in smaller bodies and featuring subtle details which stand out in medium-sized bodies of text.

P22 Cigno is a new digitization of the 1950s Italian typeface by Aldo Novarese for the Nebiolo foundry. This semi-formal script has a definite mid-century European flavor suitable for menus, invitations and poster work. Along with the accurate rendition of the regular weight, designer Colin Kahn has added a lighter companion font for another variation on Cigno. Both fonts feature a full Western European character set.

Sagitha Serif attracts such a subtle, clean, feminine, sensual, glamorous, simple and very readable typeface. The classic style is perfect to apply in various formal forms such as invitations, labels, menus, Logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels Sagitha Serif also features a strong neoclassical serif typeface with high contrast, cool, stylish and unique look with alternative fonts, Ligatures, and multilingual support

Radiance Autumn is organic hand drawn with stylish style. This type of font perfectly made to be applied especially in cartoon or child theme which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Mysterious is a bit of an unusual font. It looks old fashioned, but it comes with cool stylistic alternates, it could be a didone, but it is not (really), it looks formal, but it is rather scary. Mysterious was more or less based on the titling pages of 17th century atlases and my own twisted imagination. It comes with a whole bunch of ligatures and stylistic alternates, plus extensive language support.

Vonder is an awesome vintage font. It has three different styles (Regular, Rough, Stamped). This font really match for your project with retro/vintage theme, Perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Univerza Sans was developed to mark the hundredth anniversery of University of Ljubljana. The style is influenced by the combination of Slovenian avantgarde with some recognizable forms that are known for Slovenian typography. Multifunctional use for identity system, formal communication, wayfinding, academic and scientific articles in order to share the institution’s spirit of knowledge, creativity, diversity and belonging. It speaks Central European languages, feels official but looks attractive and recognizable.

Very thin fluid strokes and high speed letters form this casual script entitled TCF Plana. TCF Plana is elegant and functional, expressive yet harmonious, with more bounce and irregularity of rhythm than usual formal script typefaces. TCF Plana was executed with a ball-point pen and then digitised so it would convincingly mimic handwriting by using a plethora of contextual alternates which makes the words look much more natural and beautiful.

Renulyia is a cute handwriting font that features a playful and casual style. It has a personal and unique touch, with strokes that mimic the look of hand-written letters. This font is perfect for adding a touch of cuteness to your designs, such as invitations, posters, or social media posts. The font is versatile and can be used for various projects, from informal to more formal ones.

Lastari – a Bold Slab Serif Display Typeface. This typeface has many alternatives with swashes that can make your lettering/logotype more attractive. This font is suitable for logos and various other formal forms, such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, makeup, stationery, novels, labels, or advertising. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Makeads, a typeface exuding subtle authority, brings a touch of seriousness to the creative palette. Rooted in the foundations of Bauhaus aesthetics, this font effortlessly balances boldness and sophistication. The supertight kerning and unique texture contrast strike an air of balance between formal and casual, making it an ideal choice for projects that demand a touch of gravitas. Makeads is the silent powerhouse that commands attention without raising its voice.

Uncial Antiqua Pro is a hybrid type combining the styles of Uncial & Half Uncial letterforms in a formal text form. Signature letterforms to the styles are not sacrificed, yet readability is surprisingly maintained. The SmallCaps and extensive figure sets expand the range of usability & appeal. Opentype features include: - SmallCaps. - Full set of Inferiors/Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figures. - Stylistic Alts for Caps to SmallCaps conversion.

David and Sovhie is a formal script, and is ideal for wedding invitations, magazines, social media, restaurant menus, greeting cards, birthday invitations, feature headings and more. This font comes with a complete set of lowercase and uppercase letters, various punctuation marks, numbers and multilingual support. David and Sovhie includes 304 glyphs, uppercase and lowercase characters with ligature, numbers, many punctuation marks and up to 4 alternatives for each character.

Olive Wildheart is sophisticated script based on manual hand writing. This typeface comes with 2 style fonts which you can choose from. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Mormont is a reverse display font with classic looks. This type of font perfectly made to be applied especially in storybook children or child theme which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Wackets is a standout script with a touch of vintage look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded

The latest Wiliam Grobal, our new and fun font collection. It combines modern, fun, and formal together. It contains so many alternatives and binders that you can use them to have more fun in your projects. is ideal for branding or packaging projects that require a unique and fun feel. To access alternative glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS and Adobe Indesign.

The addition of serifs to an existing typeface can drastically change the look and feel of a design. Sign Card JNL and its oblique version is just such a treatment of Sign Shop JNL. By adding the serifs, there is not only a brand-new Art Deco typeface possessing a regal and formal style, but a distant resemblance to a Russian Cyrillic font with its mechanical form and function.

Byzantus is a versatile blackletter-inspired font that was designed primarily with legibility in mind. Byzantus can be used in many situations that could use a bit of style, whether it be an informal concert poster, or a more formal wedding invitation. Its versatility allows Byzantus to shine in many applications. Byzantus also works well not only as an uppercase/lowercase font, but also as an all caps font.

An online image of a grid page [circa 1930s] showing teachers how they and their students could create cut-out letters and numbers inspired Poster Project JNL. The typeface is available in both regular and oblique versions. A crude, yet charming simplicity to the lettering can help replicate old time school bulletin boards and posters, or simply provide a less formal typographic approach when that is needed for a project.