To canoodle means to hug and kiss passionately. I leave the rest to your imagination. Canoodle is also a very adorable font - some would even go as far as calling it kissable. It is an all caps typeface, but upper and lower case differ and love to mix and match. I won’t guarantee a spot of canoodling if you use this font, but who knows, maybe you’ll get lucky. Canoodle speaks many tongues.

Senza is a contemporary, neutral, all-purpose sans serif family designed by Elena Albertoni. It was specially designed for the use on screen. With open shapes and large x-heights Senza guarantees high legibility for body text in small sizes. Senza ’s character-set covers all European languages written in Latin alphabet including real small caps, ligatures, proportional and tabular figures. Senza comes in four weights from Light to Black with matching italics.

First designed for chilean newspaper La Tercera in 2010, Acta family is a clean and fresh type system, while conservative enough for newspaper setting. The complete Acta Type System contains Acta and Acta Display both with six weights with matching italics; Acta Symbols with an amazing collection of symbols specially designed for newspapers and magazines and Acta Poster, a heavyweight version, elegant and eye catching in three styles with plenty of ligatures and alternates.

The Rundeck perfectly represents crafted stuff of serif display. This project was inspired by a beautiful retro music poster. The product includes 4 styles (regular, smooth, rough and texture). This matches applies in some designs such as the logotype, poster, label, badge, packaging, branding, and more custom design. Rundeck includes : 4 style typefaces (regular, smooth, rough and texture) Uppercase, lowercase, numeral, punctuation and symbol Multilingual PUA Encoded Thank you for your support and choosing us.

Match and Kerosene is proud to present its debut font, Slab Sheriff. The design was inspired by Caslon's Italian type work from the early 1800s and a general love for western and heavy slab serif fonts. Slab Sheriff is an all-caps font, but there are display options easily accessed in any program using the lowercase glyphs. There are 2 ampersands as well; one of which can be accessed in the Stylistic Alternate OpenType Feature.

BR Segma is a geometric sans-serif type family of 8 weights plus matching italics. Geometric precision and modern utility create a contemporary modern aesthetic, while open apertures, and low contrast strokes provide a comfortable reading experience. Segma builds upon geometric traditions but remains firmly in the present. BR Segma provides advanced typographic support with features such as case sensitive forms, fractions, slashed zeros and multiple figure sets. For custom enquiries please contact: mail@brinktype.com

Cheddar Gothic is a hand drawn, 8 style typeface family including Sans, Serif, Slab, and Stencil with Italics that all include 92 matching catchwords and icons to add variety and interest. Great for a variety of uses: packaging, posters, t-shirts, stamps, branding, headlines, etc. An all caps family, simply switch between upper and lowercase for alternates. Lowercase offers a classic, condensed look; uppercase adds a little more character, including extended crossbars and sliced terminals.

First designed for chilean newspaper La Tercera in 2010, Acta family is a clean and fresh type system, while enough conservative for newspaper setting. The complete Acta Type System contains Acta and Acta Display both with six weights with matching italics; Acta Symbols with an amazing collection of symbols specially designed for newspapers and magazines and Acta Poster, a heavyweight version, elegant and eye catching in three styles with plenty of ligatures and alternates.

Kersa is a stylish handwritten brush font. It is a nice choice for creating eye-catching logos, branding, and quotes. It has beautiful and well-balanced characters and as a result, it matches a wide pool of designs. Add it to your most creative ideas and notice how it makes them come alive! You’ll get : Basic Latin A-Z & a-z. Numbers, symbols, and punctuations Swashes & Ligatures Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank You.

Anguita Sans is a condensed sans serif font family of 8 weights with matching italics- 16 styles in all. The font is characterized by rounded terminals, a large x-height and a condensed structure, which allows you to create a good vertical rhythm. Anguita Sans is a stylish and versatile typeface perfectly suitable for a wide range of applications- especially titles and short lines of text, in both print and digital media.

Introducing our new "Svarga", Elegant Fashionable Typeface with Unique, Classy and Stylish. Svarga Typeface is a classy and elegant serif typeface – This font is both modern and nostalgic and works great for logos, magazine, social media. Already matched up and ready to be used together for your next design! For those of you who are needing a touch of elegant, stylish, classy, chic and modernity for your designs, this font was created for you!

Suffragette, an all-caps typeface introduced for the branding of the Hermitage Hotel in Nashville, is inspired by the Hotel’s Beaux-Arts architecture injected with a healthy 2020’s aesthetic. This unique roman capital design, with its sans serif-medium contrast shapes and slightly pronounced serifs, is the perfect match for luxury packaging and high-end couture. If your brand wants to project elegance with a playful edge, Suffragette is the font for you!

MIRUMIR is a variable display grotesk typeface which has latin, cyrillic and hebrew scripts. It comes in 16 weights and its matching italics It contains 451 characters. Designed with powerful opentype features in mind. Each weight includes extended language support (+ Cyrillic), fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate, newspaper, display, magazines as well as for editorial design.

Foundry Form Sans and Serif were drawn concurrently with matching proportions for harmonious use. Although designed to complement each other both families function independently. The Foundry Form Sans characters have a strong horizontal emphasis for readability; open counters to improve legibility at small sizes; and slightly condensed proportions to ensure economic use of space. Foundry Form Sans has a simplicity of design approach balanced with just enough character to achieve a unique, timeless look.

Dramatic Style is a delicate, elegant and flowing handwritten font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

Moderna Sans, a modern sans-serif inspired by the American culture, is a clean and contemporary interpretation of American Gothic typefaces like "Alternate Gothic". Moderna Sans comes in 5 weights, with matching italics, and 3 widths—condensed, standard and extended. The font's character set supports over 200 Latin-based languages. Moderna Sans is an excellent choice for branding and corporate design and a versatile 3-width workhorse suitable for newspaper or magazine headlines and subheadings.

Povetarac Sans font family is part of Povetarac Superfamily together with Povetarac Didone and Povetarac Didone. Available in 6 weights with matching italics, Povetarac Sans relays on lively uppercase proportions that took inspiration from vintage typefaces. It is well balanced, elegant and fully recognizable sans serif family. With sharp overhang, Povetarac Sans works pretty well in all situations – from editorial use to branding, websites or just titles. Comes with Fractions and extended Latin character map.

Lookey Here JNL is an "Alphading" - a term coined by Jeffrey N. Levine to describe dingbat fonts containing both images and letters and/or numbers. This one - partially based on the classic "Kilroy" icon from the World War II era is a newer, cleaner reworking of one of Jeff's early freeware fonts. The typeface used inside the images is Casual Lunch JNL, so you can match this text for a particular project. Limited character set.

Fireside is a logo font with sharp edge that will make your logo and design looks more futuristic and edgy. With the unique characteristic lowercase, this font will make your logo even more stunning. You can use this font for any purpose, especially to make logo e-sport. You can mix and match the uppercase and lowercase to make your logo more advanced. This font also comes with number, symbol, and multilingual support!

introducing LOVELY PURPLE - catchy and quirky handwritten - LOVELY PURPLE is natural handwritten font. It is great for quotes, card, banner, book, cutting, silhouette, social media content and anything of craft project. Lowercase and uppercase are matching each other, so you can combine them as you want. I created some ligatures to make it look so natural. Features: - Uppercase - Lowercase - Number & punctuations - Multilingual - PUA encoded I hope you love it... regards, Abo Daniel Studio

Ancient Olympian god of the sea, brother of Zeus; Poseidon is the bearer of a trident, the three pronged spear of tunny fishers and is drawn along by monstrous sea creatures-half horse, half serpent. Around him travels an entire retinue of dolphines, nereids, seals and different spirits of the sea. Likewise, the Poseidon font family is accompanied by the waved serifs and flourishes that enable its character to retell these ancient Greek myths.

Magis® is a modern sans serif with a geometric touch. It comes in 18 weights, 9 uprights, matching italics, and variable font. Magis® bringing energy and making it suitable for modern design. Designed with powerful OpenType features in mind. Each weight includes extended language support (+ Cyrillic), arrows, ligatures, and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as editorial design.

In the Dynamic Seventies, "prismatic" typefaces were all the rage, and few were more popular than variants of Paul Renner's Futura and the Herbert Bayer-inspired Bauhaus. This family of fonts features Futura-like forms in the uppercase and Bauhaus-like forms in the lowercase, so you can mix or match to create just the perfect headline. As always, all versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Monumentum is a font that matches its name, it is wide and large. It creates an atmosphere of significance, perseverance and seriousness. Its application is very wide. With 5 scales and great language support, everything is limited only by your imagination. Perfect for covers, logos, text, posters, banners, merch, headlines, and much more. If you find an error or an error in kerning somewhere, write to me and I will fix it: bunineugene@gmail.com

Jerhiyof is a delicate, elegant and flowing handwritten font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

Sofia Carolyn is a Modern Monoline Script Font. Sofia Carolyn is a delicate, elegant and flowing handwritten font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. Fall in love with its incredibly versatile style and use it to create spectacular designs! Sofia Carolyn also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Phillips Muler is a matching font duo, consisting serif font styles and paired with signature fonts that we make like hand scratches, so that it looks natural. Phillips Muler is perfect for all types of your business projects such as: logo design, business cards, greeting cards, magazines, newspapers, social media design, watermarks and more. Multilingual support - spread your message globally AÀÁÂÃÄÅCÇDÐEÈÉÌÍÎÏIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸÆßÞþ Encoded PUA Characters Fonts are fully accessible without additional design software. Happy designing...! Thanks.

Bengawan is a modern, elegant, beautiful script. It has beautiful characters and it's perfect for project such as logos, wedding invitation, posters, social media headlines, birthday cards and also match with other design project. Bengawan comes with natural ligatures and extra alternates that can make your project more beautiful and elegant. Features: - Natural Ligatures - More Extra Alternates - PUA Encoded - Multilanguage Support Thank You For Download. Have question(s)? drop here: fajry.al.fatih13@gmail.com Thank You

🏆 Selected for Tipos Latinos 7 with a Certificate of Excellence. With semi-rounded terminals, Graviola is soft and friendly. The family consists of 16 fonts, from Thin to Black and matching italics. While the intermediate ones are suited for body text, the extreme weights look specially beautiful at display sizes. Each font contains 530+ glyphs, supporting more than 90 languages. Stylistic sets provide alternates in two groupings (a, v, w, y and G, g, &).

The font EXTRAKT references the grotesque fonts and elementary typography as developed at the Bauhaus (ITC Bauhaus, Futura). Extract originated from a child's game: How many matches are needed to write the word EXTRAKT? (https://hof3.com/arbeitsweise/extrahieren) In the development of the typeface "EXTRAKT", the design principle of reducing the letters to the most necessary strokes was central. In addition to the reference to Bauhaus, EXTRAKT also has a futuristic feel. ("The Expanse")

The font collection is called "Homkiges", it is a display font for logotype. These collections contain script and sans serif font. Every font comes with 4 style typefaces (regular, rounded, rough and stamp). Homkiges give more extras 3 pack illustrations (shoe, tailor and barber). This script font includes some alternates and ligatures. The Homkiges matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design.

Massillo is a delicate, elegant and flowing handwritten font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

Welcome King Hoshun, a display font with a superhero style ready to take your projects to a higher level. If you need a strong, bold, and action-packed theme like those in movies, games, or bold designs, King Hoshun is the right choice. With King Hoshun in attendance, your designs will be in the spotlight. Each letter is filled with strength and heroism that will make an unforgettable impact on the audience. The impressive and bold look of this font will make your message feel even more powerful and compelling. Not only does it look impressive, but King Hoshun also offers special features that enrich your creativity. With the available ligatures and alternative characters, you can explore unique and interesting typography combinations. Plus, this font supports multiple languages, so you can present a strong and inspiring message to a global audience. Join the power of King Hoshun and let your projects light up the world. With its bold superhero style and superior features, this font will give your designs an unforgettable impression. Don’t miss the chance to own King Hoshun and create amazing works that amaze and inspire. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Picture this: the smell of freshly-grilled shiitake mushroom burgers wafting through the air, the sound of sizzling plant-based steaks on the grill, and a cold drink in your hand. It’s barbecue season, and you want your message to sizzle just as much as your food. Enter Charbroiled, the scorched and antiqued typeface that will take your design to the next level. Inspired by the classic American Italic from 1902, Charbroiled has a rustic and natural design that will add panache to any message. But Charbroiled isn’t just any old font. Custom letter pairings are automatically swapped to achieve a more genuine look, giving your design that extra edge. With its bold and distinctive style, Charbroiled will make your message stand out in any setting. So fire up the grill, crack open a cold one, and let Charbroiled do the talking. Whether it’s for a barbecue invitation, a restaurant menu, or a summer sale flyer, Charbroiled will give your message the perfect touch of authenticity and style. Get your message across with Charbroiled, and make your design sizzle! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

DT Decopolis Hotel is a sharply stylised Sans Serif Art Deco font, crafted with a wide oval, dissected and contrasted against precision straight edges and pixel sharp corners. The Capitals have a raised centre line, aligning with the tall lowercase height. A nostalgic looking Art Deco font referencing the 1920's to 1940's during the Golden age of Hollywood, Art Moderne and the rise of luxury items from 100 years ago. Totally geometric with great variations in glyph widths designed to attract attention and create Headlines. DT Decopolis Hotel is a display font with clean simple lines, intended to create a sleek elegance that displays the sophistication of a by-gone era. With both upper and lower-case, this font is Great for Logotypes, Headlines, Strap-lines and smaller descriptive text to give that authentic Art Deco look and feel. Evoking the Art Deco Era of the Great Gatsby, glamorous Hotels and Movie Theatres of the period. Packed with over 500 glyphs, you will enjoy the uniqueness of this typeface! Inspired by 1920's Art Deco, Artisual Deco is a 2020's celebration dedicated to the hundred-year-old history of geometric design. This retro typeface will be the perfect fit for your logo designs or graphic project. DT Decopolis Hotel is a perfect choice for designs with a luxurious but minimalist look and feel. Useful in headlines, logos or product packaging it will match perfectly against sloped script fonts. The typeface works perfectly in both All-Caps or full Upper and lower case. Use with Contextual/Standard Ligatures turned on when possible. to allow the letters to match their neighbours. This will also enable larger Caps for the first letter of a new sentence.

Apparently, Lexicon is the most expensive font in the world. ‘Skiart Lexiconic’ has been on a long growing path getting to where it is now. This font family was originally inspired by the san serif font ‘Skia’, by Mathew Carter for Apple. ‘Skiart’ was designed to feel more like a serifed font, but without any actual serifs. It took a small step between sans serif and serif fonts. Next on the path towards a serif font came Skiart Serif Mini, with tiny serifs added. This was a true serif font, although they were subtle. Then came ‘Skiart Serif Leaf’. and now... We present to you... DT Skiart Lexiconic. Having evolved from the Skiart family, we chose to give it the serifed styling of Lexicon. This is no way a copy or clone of Lexicon. It still has the basic bones of the original Skiart font, but the position, shape and size of the serifs were very much influenced by the world famous Lexicon font. DT Skiart Lexiconic is not the most expensive font in the world.

Escalope is a hand-drawn font with a quirky and unique personality: low midline, unicase, all-caps, matching icons, textures, and the playful Stylistic Sets. 'Escalope Soft' has smooth outlines and sharp terminals. 'Escalope Crust One' is relatively clean but rugged, with an ink stamp outcome. 'Escalope Crust Two' is harsh in texture, with large coarse grains in its jagged outlines. 'Escalope Crust Three' is rather heavy-built, stout, defined, and less grainy. This type family has three alternating alphabets that slightly differ from one another. Thanks to the Contextual Alternates, the alphabets are automatically replaced, in turn, repeatedly to avoid the same letterforms and textures appearing next to each other. Stylistic Sets are also available. SS01 has underlined characters, SS02 has double-underlined characters, and SS03 has a mixture of graphic ornaments. These Sets can be used separately or combined. If the Contextual Alternates are running, the Stylistic Sets will alternate automatically. Escalope includes a set of 150 icons consistent with the four styles of the typeface. They share weight, texture, and font characteristics for a perfect match.

Matthew Carter has been refining his design for Alisal for so long, he says, that when he was asked to complete the design for the Monotype Library, it was almost as if he were doing a historical revival of his own typeface. The illusion even extended to changes in his work process: although he now does all his preliminary and final drawing on screen, the first trial renderings of Alisal were done as pencil renderings. Alisal is best classified as an Italian old style design. Originally created between the late 15th and mid-16th centuries in northern Italy, the true Italian old styles were some of the first roman types. They tend to be the most calligraphic of serifed faces, with the axis of their curved strokes inclined to the left, as if drawn with a flat-tipped pen or brush. These designs offer sturdy, free-flowing and heavily bracketed serifs, short descenders, and a modest contrast in stroke weight. Alisal has nearly all the classic Italian old style character traits, plus a few quirks of its own. It is calligraphic in nature, with more of a pen-drawn quality than faces like Palatino or Goudy Old Style. It is more rough-hewn than either Goudy's Kennerley or Benton's Cloister, and is generally heavier in weight than most of the other Italian old style designs. One place where Alisal makes a clean break with traditional old style designs is in the serifs. While sturdy and clearly reflecting pen-drawn strokes, Alisal's serifs have no bracketing and appear to be straight strokes crossing the main vertical. Like Caslon or Trajanus, Alisal is a handsome design when viewed as a block of copy. Ascenders are tall and elegant, and serve as a counterpoint to the robust strength of the rest of the design. Alisal is available as a small family of roman and bold with a complementary italic for the basic roman weight, providing all that is needed for the majority of text typography. Alisal is not as well-known as some of Carter's other typefaces, but this lovely and long-incubated design was certainly worth the wait.

Montarsi is a typeface designed by Jeremy Dooley, inspired by Arabic calligraphy and contemporary design trends. The letters are fluid and graceful, inspired by the curves and swirls of Arabic script. Montarsi is a bold, contemporary calligraphic face with broad strokes and high contrast. It has a variety of styles and weights to give you an extensive range of design options. This font family, which includes eight weights, is ideal for producing brief texts for editorial, fashion, branding, magazine, television, window displays, and other media applications. Small caps, old-style figures, and width variations are also included. It's ideal for writing brief sentences because of the increased x-height. Montarsi is a classic spirit reinvented in a modern language, influenced by the delicate curves of letters and the way ink glides across paper. We especially thank Lucas Azevedo and ikern.

Porkshop is a font of retro vintage flavor with a hefty dose of immigrant-influenced naive typography. It's fundamentally inspired by an old-but-still-prominent "Pork Shop" sign in Manhattan. I like to think that this font was made by a signmaker's apprentice who didn't yet have a grasp on the subtleties of elegant letterforms, but put his gusto into perfectly sharp serifs. While pointy little serifs are cool, the real shine of this font comes from the imaginative combination of uppercase and lowercase shapes. This unique mixture in the lowercase reminds me of an indeterminate European accent in the big city. Big and strong and easy to understand. Best rendered in 3-foot tall metal type, Porkshop works well in print and on screens, too. The Bolds and Italics are brand new in 2011.