Oboni, how are you. I am fine, thank you! This little song is what you will hear in Ghana and Togo. The white people are called Oboni and the black people are the Amebo. We'll bring both cultures together!

Introducing our latest Vintage Slab called Redzein Retro Display Slab with vintage taste can make your logotype become more interesting. inspired by the decorative arts and architecture movement. Redzein fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more.

Introducing our latest Sketch Display Slab called Sketchup Display Slab with Sketch taste can make your logotype become more interesting. inspired by the decorative arts and architecture movement Sketchup fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more.

In his book, Brushstroke and Freestyle Alphabets, Dan X. Solo called this fabulous fifties face Maidstone Script. Somewhat less willowy than the original, this version is still righteously retro, and takes its name from a collision between a poodle skirt and pedalpushers, two fifties fashion statements. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Inkster breaks all the rules. The serifs vary from letter to letter, if they have any serifs at all. The upper and lower case letters intermingle and the contrasting characters bounce all over the baseline. Loosely based on the character shapes of Frisco, I developed a tightly spaced calligraphic version and called it Inkster. Use this artistic font when youre looking for a distinctive style!

A postcard for a 1952 DeSoto automobile, combined with the (non)sensibilities of legendary British lettering artist Cecil Wade, yielded this slightly tacky and thoroughly wacky gaggle of letters. Use liberally whenever levity, brevity (the soul of wit), or a bit of mischief is called for. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

This font was inspired by the so-called Litterarum latinarum, quas italicas, cursoriasque vocant, scribendum Ratio (Louvain 1540), a manual intended for calligraphers by the well known scientist Gerhard Mercator. It was a magnificent “Cancellaresca corsiva” design, enriched with many alternates, final loops and ligatures. We have added a lot of accented and other characters required for modern use that did not exist in the original.

Dapplegrim is a Norwegian fairytale collected by Peter Christen Asbjørnsen and Jørgen Moe in their book ‘Norske Folkeeventyr’. The story is about a boy who inherits a big horse (called Dapplegrim, or Grimsborken in Norwegian) and sets off to rescue the king’s daughter from a nasty troll. Dapplegrim is a handmade fairytale font. Use it for your book covers, product packaging and fairytale collections!

This rather quirky typeface is based on a design by Collette and Dufour, originally called "Independant", for the Maison Plantin foundry of Belgium. Ultramodern (by 1930s standards, at least) and ultrabold, it takes up a lot of real estate, and commands a lot of attention while doing so. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Introducing our latest called Suntage Retro Display Sans with 4 Style vintage taste can make your logotype become more interesting. inspired by the Retro Poster arts and architecture movement Suntage fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, and more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more.

During trips to the Miami Beach Public Library as a youth, Jeff Levine first caught sight of the signs made with a product called the Webway Sign Cabinet, manufactured by the Holes- Webway company of St. Cloud, MN. Having purchased an old set, Jeff has carefully re-drawn the alphabet and unique contrasting numbers from the original assortment, adding in an extended character set to his font.

Inspired by quick handwritten graffiti tagging around city, we are make this graffiti typeface called Gangstown. This font comes with contextual and stylistic alternates that way easy to use, multilingual glyphs, and swashes too. Create your uniquely mix combination with swashes and alternates. Your project will look cool while using this for project like tagging, product package, ads, title, headlines, logo, stickers, apparel, etc.

Artistic Venture Typeface, Inspirated those bold wide letters you see on. computer screen, movie futureistic with combine classic , Well, some of them have these strong or hooks on the ends of the letters. But, there's also this new style of font that's super cool and futuristic. It's called a Artistic Venture Typeface. There Include : All Caps Opentype Feature Alternate Character Ligature Multilanguage Thank You

Franklin Gothic Hand Demi Shadow is another one in my series of hand-drawn fonts from way back in time – before computers changed the way we worked in advertising. This one was especially used for what we called "pork-belly-ads": ads for food-stores! I think it is very useful for all kinds of advertising that demands a lot of bang! Your powerful typedesigner Gert Wiescher

One of countless variations possible from the modular lettering system called "Super Veloz", developed by Spanish type designer Joan Trouchut-Blanchard in the 1930s. The name is a play on the old G.I. acronymn FUBAR, translated politely as "fouled up beyond all recognition". Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

This elegant offering is based on a typeface originally called "Design", from Barnhart Brothers & Spindler’s Specimen Catalog Number 9, published in the first decade of the twentieth century. This version has been fine-tuned to set tight, and is suitable for headlines, subheads, and limited amounts of body copy. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

TpLlum is a typeface designed by TwoPoints for a festival in Barcelona called ‘Montjuïc de Nit’. Llum means light in Catalan. In the Montjuïc de Nit project the font was used in white over a dark grey background, letting the light of a backlit poster shine through. For this purpose the typeface had to be very bright, which was made possible by its heavy cut.

Although not credited, the inspiration for this typeface, originally called "Dancer", has all the earmarks of the work of legendary lettering artist Alf Becker. Creepy and kooky, mysterious and spooky, but not in the least ooky, this monocase face is just what the doctor ordered; Dr Frankenstein, that is. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Hexonu is a weird, awkward, monospaced font family. In place of true lower-case letters, it has a second set of capitals that, through the magic of the OpenType contextual alternatives (calt) feature, automatically alternates with the set on the upper-case keys. If one wants to use only one set of letters, the contextual alternatives must be turned off and character spacing adjusted. Hexonu is another effort to create a font with alternating sets of letters (see PoultySign, Lentzers, and Caltic for others). The base shape for forming the letters is a lopsided hexagon that resembles an old coffin. In four of the six family members, the alternating shape is a distorted hour-glass. In the other two, coffin shapes heads-up alternate with coffin shapes heads-down. The family was created as an experiment with the calt feature and not for any particular use. It does not work as text but its bizarreness makes it appropriate for some poster and signage applications.

Ponderosa font is a joint work of the typeface designers K.B. Chansler, C. Crossgrove and C. Twombly, who also created Rosewood, Zebrawood and Pepperwood together. As the name suggests, it is so-called wood type. The origins of this kind of typeface can be found in the early 19th century. Called Italian or Italienne, these typefaces quickly became very popular. They are distinguished by square serifs whose width is larger than the stroke width of the characters. When the letters are set together, the heavy serifs build dark horizontal bands. The distinguishing characteristic of Ponderosa lies in its extremely fine figures between heavy serifs. The designers approached the boundaries of the impossible with this contrast. The typeface is reminiscent of the Wild West with its shootouts and heroes as well as of the 1970s with their platform shoes and wild hair-dos. When used carefully in headlines, Ponderosa font will surely attract attention.

Baltimore Type Foundry released its Antique Geometric series by 1883, including it that year on advance sheets for their 1886 Specimen Book, shortly after the firm was taken over by Charles J. Cary. We have chosen to call our version of the face “Baltimore Geometric” because we like the name better. The Central Type Foundry-Boston Type Foundry combine followed with a similar typeface in 1884, using an engraving machine to cut directly into matrices (Gray page 124). It was called simply “Geometric”. As noted in the write-up for HiH font Teutonia, a number of similar typeface designs have appeared over the years. The simplicity of concept is inviting and certainly fits nicely with some of the intellectual theories that developed in the early twentieth century, like the De Stijl and Constructivist movements. This font is useful in conveying an image that is logical and mechanical, implying a high degree of functionality.

• Algarabía "Joy" is a provocative and multilingual text face designed by Leonardo Vázquez. • It was created for a mexican magazine with the same name that uses it as the body text font, and now it's released for the public. • In 1397, Frederic Goudy's was asked to draw a face for the exclusive use of the University of California Press at Berkeley. The font was called California. In 1983 a digital version of this typeface was created by Aaron Burns and it was called ITC Berkeley. • Algarabía is inspired by ITC Berkeley, it keeps the calligraphic touch and weight, but it presents certain features in its design that might result unexpected, yet at the same time they are invisible when used as body text and provides the typeface its unique own personality. • Small Caps and Small caps italic, Included in each version. • Ideal for magazines, Art books or any editorial purposes where legibility and originality are needed.

I was immediately fascinated with the font, Breitfette Unziale, used for Erol Büyükburç's Hop Dedik album cover when I discovered this album. I designed a completely brand new typeface that is inspired by it called Erol Unziale but I also wanted to digitize and revive this typeface since I couldn’t find a digital version of it anywhere online. I took some liberties with the original font and customized it to my liking. Here is my interpretation of Walter Haettenschweiler's font through digitization.

Gecan, our newest font, is now available. This display font is designed in a straightforward and approachable style. The letters have a beautiful curve to them, giving them a lovely appearance when used. This style is ideal for any design that calls for a contemporary or handcrafted feel. Logos, labels, packaging, greeting cards, comics, banners, titles, and more can all benefit from it. of course, your various design projects will be perfect and extraordinary. Start using our fonts for your extraordinary projects.

The font is called "Rustic Printed", it is sans serif display with vintage themes. The font comes with 2 style typefaces (regular and stamp). This font include different width of alternates glyphs. The Rustic Printed matches applies in some designs such as the logotype, poster, label, badge, packaging, branding, and more custom design. Rustic Printed includes : 2 style typefaces (regular and stamp) Uppercase, lowercase, numeral, symbol and punctuation Alternates Multilingual PUA Encoded Thank you for your support and choosing us.

Introducing the logo font called Yackien. This font is made for branding and logo font purposes, but still elegant for other design projects. In the Indonesian language Yackien (yakin) means believing, trust, and convincing. So Yackien can give off an aura of trust, believe, convincing in your brand's logo and designs. What's the included: - Yackien font and swash - Yackien logo doodles - Multilingual, support 27 languages - PUA encoded - Opentype features I hope you enjoy using Yackien. Please let me know at java.indonesian@yahoo.com if you have any questions.

Himawari means ‘Sunflower’ in Japanese. It was raining while I worked on this font, so I needly something to cheer me up - like bright yellow sunflowers! Himawari Script is a nice and neat handmade font, which was (more or less) inspired by an older font of mine, called mama Bear and, like the font it was modeled on, was made with a bamboo pen and Chinese ink. Himawari Script comes with some swashes and a cute smiling sunflower (just enable Stylistic Alternates and hit *).

Pomerans is a redo of an old font of mine called Suco De Laranja. Since the original font had a citrusy name, I decided to name this reincarnation Pomerans, which means ‘Seville Orange’ in Dutch. I doubt that there are many Dutch people who actually know what a pomerans is! Pomerans is a handmade, all caps font. I kept the look and feel of the original font, but I cleaned up the glyphs, added new glyphs and added additional language support (including Vietnamese and Sami).

Both fonts of the Remus family are complete redesigns of turn-of-the-century fonts. The regular style is based upon an inhouse design of Schelter & Giesecke in 1889, called Romanisch. This font was adopted by other German foundries and slightly modified and a bold version was added. Due to their proportions, these fonts fit perfectly into narrow columns, and still they are very legible. In January 2023, an Italic style was added. Here too it is recommended to use both ligature features Standard and Discretionary.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Pilot Point is based on an older font found in Dan X. Solo’s book on Circus Type; the designation fits perfectly. The font gets its name from a small town in Northeast Texas, where several scenes from Arthur Penn’s Bonnie and Clyde were filmed. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Proudly present the newest product called Craved Story Font. In the design process added engraving to every detail of the font character to create a stylish and elegant impression so your design project can make more outstanding. Craved Story Font is also perfect for use in vintage-style projects. In the package of this product, you'll get engraved and solid font so you can mix and match for your project. f you have a technical issue don't hesitate to contact me. Thanks and have a nice day.

When drawing a new font, there is a time when the final form is found – almost – but the curves are not slick and clean yet, that's what I call the "raw" form. Raw – no sweeteners added! In this family I tried to redefine this moment in type development for the eternally beautiful "Franklin Gothic". I call the design "Franklin Gothic Raw", not to be confounded with "rough". The family can be used like any good normal typeface, you hardly see any difference to a conventionally cut "Franklin Gothic" in small sizes. The charm of the design becomes obvious the bigger it becomes, then it enhances your design with its imperfections in the outline. "Franklin Gothic Raw" is therefore an extremely versatile family. I created the cuts, that I considered necessary for the seasoned designer who knows what he's doing. Enjoy!

Elle is a geometric sans in three weights with rounded stroke terminals and circular forms. Classy, elegant and modern, with just a hint of the future. Inspired by a single-weight Typositor headline typeface from the early 1970s called Pipeline.

Introducing a new clean signatures script called Bresley. Bresley came with open type features such contextual alternates, stylistic alternates, ligature, good for signature logo, wedding invitation, romantic quote, logotype, poster, social media kit, book cover, tshirt design, packaging and any more.

It's important to realize that each of us is unique. I wish Ring Stag will emphasize it. Single but ready for anything. The new Ring Stag is bolder, more dynamic and masculine. New addition to the big family called Ring!

Barnhart Bros. and Spindler called this Faust Text when they introduced it in 1898. A quarter of a century later, they brought back a number of obsolete faces and renamed them. This one became Missal Text in their 1923 catalog.

Headline Modified, also called "Modified Gothic" by some type manufacturers, has a large stroke contrast and very small, pointed serifs. Curved characters feature a brushstroke appearance. Our version is based on a typeface designed by the Hamilton Manufacturing Company around 1897.

Introducing a new layered typeface called Dreadful. Inspired from classic horror movie and vintage comic. Dreadful typeface best uses for headings, Logo type, quotes, apparel design, invitations, flyer, poster, greeting cards, product packaging, book cover, printed quotes, cover album, movie, etc.

In the days of wood type, suppliers offered words such as 'and', 'at', 'for', 'each' and numerous others as stock cuts called "catch words". This collection of twenty-six were re-drawn using a vintage type catalog page as a model.

Crayon fonts are fantastic! I've always thought it looked so cool with fonts that simulate writing with crayons...but the fonts has always been limited in letters! But that’s where my Pigeon Wing font stands out! Using the smart techniques of the OpenType thing called “Stylistic alternates”, you get 8 different versions of each letter! Yes EIGHT different versions that cycle as you write! That means words with the same letter appearing several times, cycles through the different versions! Besides that, the font is loaded with multi language support! What’s not to like! :)