Mercenary is a geometric font family made up of seven weights with italics. Great for almost any use, Mercenary is a versatile workhorse typeface. Mercenary has a neutral feel, allowing it to be used on numerous projects across different platforms.

‘Black Orchestra’ is a black letter font inspired by heavy metal. This font consists of uppercase and lowercase and is supported by ‘Latin extended’ which allows wider use of this font. This font will turn any horror project into a standout!

Introducing. Smile Darling: Modern and classic style that allows your project to be more beautiful to look at. Perfect for branding, social media posts, magazines, wedding invitations and more. Features: Uppercase, Lowercase, Numeral, Punctuation, Multilingual, Ligature, Alternates & PUA Encoded. Thanks.

Floris was developed on a four-dimensional grid of several axes or parameters: weight, width, x-height and ascender/descender height. This makes it possible to allow for fast customization – i.e., the design of Floris versions made according to customers’ specifications.

Meet Veronia! An elegant, handwritten mono-line font family designed by Cindy Kinash and Callie Hegstrom. Available in four weights, with floral elements and decorative alternate letters. Veronia is perfect for stationery, greeting cards, invitations, magazines and websites and more.

Misty - a two weight wild west style serif with numerous alternatives, swashes and irregular alternatives for numerous characters in SC style. Interchanging regular characters with alternatives and vice versa, it allow you to do slightly strange inscriptions. Plus deco style.

Realiztix is a playful, handmade font which is perfect for branding, clothing, logos, projects, headlines, posters and packaging. Realiztix allow unique and versatile design options and is equipped with multilingual accents, so it can be used in several Latin languages.

ABTS Aviator is a font inspired by the 1950s and mixed with letterforms of the Art Deco era of design. It's simple, yet stylish and modern, yet retro. A nice mix of personality and geometry allowing for a variety of applications.

Marquee is a family of two fonts, containing both faceted and solid characters which can be layered to effect 3D, dimensional and translucent marquee-style typography, allowing for the creation of headlines reminiscent of classic theater and motion picture marquee signage.

Handy Andy Andy Lethbridge had only just completed his graphic design BA at the University of Portsmouth when he was spotted by Jason, who’d seen Andy’s exquisite hand lettering at his degree show and on Instagram. Keen to push the handwritten theme further, having recently launched a digitally-created, chalky script font (FS Sammy), Jason offered Andy a job and the chance to develop a suite of more stylised, truly hand-drawn fonts. Andy duly got out his pads, pencils and pens, and started experimenting with styles and textures. Magic followed. Imperfection perfected Most ‘handwritten’ typefaces are created entirely digitally. Not FS Shepton. From the start, the intention was to create a collection of alphabets of similar character but different texture and style – 100% hand-drawn and purposely imperfect, with the kind of inconsistent, organic shapes and textures of market stall signs, dashed off in chalk or paint. FS Shepton Regular, drawn with a wet brush pen, is solid with a rough outer edge and a casual but controlled feel. The dry brush used to create FS Shepton Light gives it more inner texture and a more formal, slanted, calligraphic style. FS Shepton Bold, drawn using a wider, looser dry brush pen, has a woody grain in the middle of its broad strokes and greater solidity where the brush moves more slowly. Fresh as a daisy Think of FS Shepton not as a family of three weights of the same font so much as a collection of three fonts penned by the same author. All of them – the light, regular and bold – were created independently as display fonts that offer something different to labelling, packaging, point-of-sale and advertising. Lovingly crafted by hand, they’re a good match for products and settings that share the same artisinal qualities: organic foods, drinks and healthcare products, as well as premium chocolate, coffee and condiments.

Albion’s Marker No.1, as the name suggests is the first in a series of ‘Marker Pen’ typefaces- merging good type design practice with deliberately casual and hand-drawn letter forms. Inspired by the great classic typefaces such as Bembo and Caslon, the design of Marker No.1 offers a unique blend of legibility and relaxed randomness.

Here's a great old face from the H. W. Caslon foundry in London; a real workhorse. The lowercase is eminently readable, so you can set entire paragraphs to good effect. We don't recommend it for setting all caps, but we did take time to kern it well; so you won't get a jumble of ovelapping letters if you do.

Jaggers is a handwritten typeface based on the letterforms Caslon. It may be hard to see the resemblance between these two since Jaggers is such a unique font. Its casual appearance is charming and easy to read. Jaggers has an expanded character set including European letters and symbols! This font is definitely one of Victory"s best.

Big, thick and chunky, Bastinado is imposing, but the bat-like, scalloped edges give it a sinister presence. Bastinado is an ancient Asian method of torture in which the bottoms of the victim's feet are beaten until he can no longer walk. This font looks like it wants to catch other fonts in a dark alley.

Fairground was created by calligrapher Rachel Yallop using a vintage nib and ink. This gives it a light flourishing feel, combining the formal penmanship of calligraphy with something a little more informal at the same time. It’s a delicate font with a full range of upper and lowercase alternate characters. Oh, and it has ligatures too!

Linotype Auferstehung is part of the Take Type Library, selected from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. German designer Johannes Plass was influenced by historic broken letter faces, particularly Caslon Gotisch, although the rounded corners give the font a handwritten look. Linotype Auferstehung is particularly good for headlines in larger point sizes.

FIREBIRD regular, outline and bold, is an 3 font system that can be layered in different ways to create a infinite title effects used commonly in poster and 3D logo design. Firebird’s layer combinations give you complete control in producing styles like, outline, 3D, beveled. It can be used alone and/or in layered and allows you adjust leading and kerning. Each font contains the similar metrics, so when your title is set, copy and paste-in-place to create layers of different weights/styles to build out your desired effect. Firebird works great in any graphics application that allows you to utilize layers or 3D effects.

Brogue was designed to be a display typeface, but it can be used for a small body of text. At its core it is an uncial influenced typeface that has been allowed to stray from its roots. Embracing other alphabets, Brogue mixes in some unexpected letterforms that really give it a quirky and unusual look. Because Brogue is unicase it allows the designer to mix and match the roman, italic, upper and lowercase letters together for a truly unique design. Brogue's character set will support the following languages: Azerbaijani (Latin), Belarusian (Latin), Czech, Danish, Dutch, English, Esperanto, Finnish, French, German, Hungarian, Iclandic, Italian, Polish, Portuguese, Romanian, Slovac, Spanish, Swedish, and Turkish

SILVER CHISEL Regular, Outline and Bevel, is an 3-font system that can be layered in different ways to create a infinite title effects used commonly in poster and 3D logo design. Silver Chisel’s layer combinations give you complete control in producing styles like, outline, 3D, beveled. It can be used alone and/or in layered and allows you adjust leading and kerning. Each font contains the similar metrics, so when your title is set, copy and paste-in-place to create layers of different weights/styles to build out your desired effect. Silver Chisel works great in any graphics application that allows you to utilize layers or 3D effects.

STEEL regular, outline and bold, is a 3-font system that can be layered in different ways to create infinite title effects used commonly in poster and 3D logo design. Steel’s layer combinations give you complete control in producing styles like outline, 3D, and beveled. It can be used alone and/or in layers, and allows you adjust leading and kerning. Each font has similar metrics, so when your title is set, copy and paste-in-place to create layers of different weights/styles to build out your desired effect. Steel works great in any graphics application that allows you to utilize layers or 3D effects.

Isaac Newton, father of the theory of gravity, used several forms of handwriting in his life, in numerous texts about numerous scientific subjects. Here, we propose a handwritten font, using a particularly legible script form, coming from texts written in 1672, the year he presented a new reflecting telescope to the Royal Society. It is a Pro font containing Western, Eastern, Central and Northern European, Icelandic, Baltic, and Turkish diacritics. The alternates and ligatures allow the font to look as closely as possible to the real thing. The features allow OTF software to vary the characters of a word automatically, with no more work than selecting contextual alternates and standard ligatures.

Peckham Press is a bold hand-pressed typefamily, with a raw aesthetic and solid industrial style. The font brings a spirit of street culture, with its defiant shapes, rough edges and unadulterated imperfections. It works best in strong design, and situations that require an authentic voice. This font is handmade and includes full original texture with density variants and original nicks and grit, with access options to suit different needs. The vector format allows the textured affect show up on any program, no additional software or updates required.Peckham Press supports a wide range of latin languages and paired with it's diverse flexibility allows it to handle projects of any size.

I started designing Volupia in 2004 and the main goal was to create a very casual font with some characteristics than we can find in some old commercial advertisements. After designing the basic character set I decided to go OpenType because it would allow me to go deep into the script, correcting the balance of the spaces and the kerning, along with the possibility to create Ligatures and Swashes. The result is a typeface ideal for use in very big sizes. Volupia includes Small Caps, Ligatures, Fractions, CE Characters, Swashes and Alternates. The ligatures and the ending swashes allow the user to make the text more calligraphic and personal.

Thanks for checking out Cautions Brush! A fabulously fun yet elegant script font with tons of energy, allowing you to create beautiful hand-made typography in an instant. With extra bouncy curves & loops, Cautions Brush is guaranteed to make your text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, headers and whatever your imagination holds. What's really awesome is that Cautions Brush comes with a complete set of lowercase alternates, which allows you to create even more authentic custom-feel text. Another great feature is the bonus ornaments font, which allows you to add some really unique and elegant finishing touches to your script text. Cautions Family includes 2 font files; Cautions Brush• A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation. Cautions extras • A set of hand-drawn swashes & doodles, the perfect finishing touch to underline your Cautions Brush text & doodles for perfect lettering logos. Simply install this as a separate font, select it from your font menu and type any A-Z, a-z & 0-9 character to create a swash & Doodles.

Quase is a very free interpretation of the types found in the “Specimen of Printing Types” by William Caslon from 1785. We didn’t want to follow any of the models introduced in the Specimens, but rather gather a series of typographic aspects that we found useful and interesting from the several sizes and styles available and then give them consistency and new proportions so they could fit our very own purpose. We wanted to start with Caslon and then transform it into an editorial typeface, hence the increase of the x-height and the radical reduction of the ascenders and descenders. Despite the Display, Headline and Text fonts we also wanted to make a single weight Poster version with, inspired by the mechanical script introduced in the Double-Pica Script, to be used in magazines or as a complementary display typeface.

Quase is a very free interpretation of the types found in the “Specimen of Printing Types” by William Caslon from 1785. We didn’t want to follow any of the models introduced in the Specimens, but rather gather a series of typographic aspects that we found useful and interesting from the several sizes and styles available and then give them consistency and new proportions so they could fit our very own purpose. We wanted to start with Caslon and then transform it into an editorial typeface, hence the increase of the x-height and the radical reduction of the ascenders and descenders. Despite the Display, Headline and Text fonts we also wanted to make a single weight Poster version with, inspired by the mechanical script introduced in the Double-Pica Script, to be used in magazines or as a complementary display typeface.

Quase is a very free interpretation of the types found in the “Specimen of Printing Types” by William Caslon from 1785. We didn’t want to follow any of the models introduced in the Specimens, but rather gather a series of typographic aspects that we found useful and interesting from the several sizes and styles available and then give them consistency and new proportions so they could fit our very own purpose. We wanted to start with Caslon and then transform it into an editorial typeface, hence the increase of the x-height and the radical reduction of the ascenders and descenders. Despite the Display, Headline and Text fonts we also wanted to make a single weight Poster version with, inspired by the mechanical script introduced in the Double-Pica Script, to be used in magazines or as a complementary display typeface.

Quase is a very free interpretation of the types found in the “Specimen of Printing Types” by William Caslon from 1785. We didn’t want to follow any of the models introduced in the Specimens, but rather gather a series of typographic aspects that we found useful and interesting from the several sizes and styles available and then give them consistency and new proportions so they could fit our very own purpose. We wanted to start with Caslon and then transform it into an editorial typeface, hence the increase of the x-height and the radical reduction of the ascenders and descenders. Despite the Display, Headline and Text fonts we also wanted to make a single weight Poster version with, inspired by the mechanical script introduced in the Double-Pica Script, to be used in magazines or as a complementary display typeface.

Amelia is a geometric sans, but it keeps the softness of humanistic strokes. The contrast and the different styles allow Amelia to work as a text or display font. Also it incorporates an Up version, calligraphic features that add a touch of informality.

Linotype Pegathlon is an unusual, eye-catching typeface, perfect for headlines and short texts. The bold strokes have a mystical, Asian touch and allow a large range of applications. Whether a text should look exotic or esoteric, Linotype Pegathlon is an excellent choice.

We're excited to unveil our newest font. Relaxed and unpretentious, "The Secret Things" script gives any design an instant dose of natural flair. 45 ligatures allow you to make writing that seems completely handwritten, not like it was made using a font.

De Gozaru, is a classic calligraphy font with a beautiful arch. This font is available in several modern swirls that can make your work look elegant, sweet and perfect. This font also has several alternatives that can allow you to improvise your writing.

ABTS Gunsmoke is a typeface inspired by the wild west of American History. It is a narrow typeface with a nice rhythm and balance, allowing for easy typesetting. Gunsmoke includes 447 characters, including all of the symbols seen in the gallery images.

Say Hi to Ovetta, a beauty and natural handwritten script. It has a classy style and allows you to create stunning and easy hand-lettering in an instant. Highly recommended for logos, quotes, product label/packaging, fashion, advertising, posters, merchandise, apparel, and more.

Kame has a unique character and comes with 2 styles, allowing you to play with combinations to create a stunning display. This font is suitable for many design formats, such as posters, cover art, logos, magazines and anything with a futuristic theme.

Around the rugged rock the ragged rascal ran, Foregoing fancy fonts, the Fontographer fawned and fell! Alliteratively allowing for assonant aspects as well, He spoke of several sentences that some should never spell! This classic title font will deliver tall tales that tell!

Based on Transitional Roman forms, this tasteful and well crafted Humanist display face exudes an air of authority along with a subtle playfulness. Narrow proportions allow for space conservation. Alternate letterforms & ligatures give this caps-only font expanded possibilities for any given text setting.

Heliotype was created by British artist Lee McAuley, who was inspired by Soviet Constructivist designs. Heliotype adds serifs to a sans serif model, allowing the characters to connect to one another. The strong, aggressive geometric appearance of Heliotype make it a great font for experimentation.