Cal Fraktur Brush is one more font from the PKG “Cal” (Calligraphic) group. This time, we used a wide brush instead of the calligraphic pen for the sketches. This font is widely used in the typographic creation of shorter text forms such as headlines, tattoo and graffiti quotes, book covers, t-shirt designs, logos, posters, movie spots, banners, labels... Enjoy!

Bitsream version of Baker Signet typeface designed by well-known calligrapher Arthur Baker in 1965 for Visual Graphic Corporation (VGC). A design on classical lines with subtle but effective calligraphic touches and flare stroke terminals. For use in advertising and display typography as well as for headlines and small texts. Cyrillic version was developed by Eugene Sadko and released by ParaType in 2008.

Mixed Tape Rough is a simplified version of the Mixed Tape font family. It’s a rough calligraphic font duo which includes 2 Styles: Regular and Capitals. It doesn’t have as many alternates as Mixed Tape and supports more languages. Mixed Tape Rough is a dynamic calligraphic font so it can be used for posters, t-shirts, menus, packaging, headlines, etc.

There are many sans serif typefaces with calligraphic tendencies, but Suomi Sans is different: the outside forms are fairly basic, fairly narrow sans serif style, but the counter forms have a strong calligraphic flair with accented upper left and lower right hand corners. With six weights in Roman and italic, Suomi Sans works well for both headline and text use.

Asterism is a calligraphy style font with a moving baseline and lots of shining personality. This hand written style font is based on one of Molly’s signature calligraphy styles and pairs beautifully with Frosted, Icing, Saint Agnes.

Italianno is an elegant, calligraphic script with clean connectors and classic forms. Perfect for invitations, scrap-booking, and packaging.

An original calligraphic script by Natalya Vasilyeva. Licensed by ParaType in 2003. For use in advertising and display typography.

An original calligraphic script by Natalya Vasilyeva. Licensed by ParaType in 2003. For use in advertising and display typography.

SwirlityScript takes an old (16th or 17th century) calligraphic script style and combines it with the caps from SwirlityText.

An exquisite calligraphic font, ideal for any elegant work. With a very large set of characters and alternative forms.

Elegant and refined, Rendezvous has a smooth, calligraphic appearance and can be used in a variety of design settings.

An original calligraphic script by Natalya Vasilyeva. Licensed by ParaType in 2003. For use in advertising and display typography.

A warm, flowing, calligraphic style can be used for invitations, cards, scrapbooking and a variety of other design uses.

Plymouth is a pen-drawn calligraphic font of narrow proportions featuring plain capitals and an alternate range with swashes.

The Athallia is a lovely calligraphy font. It comes with amazing alternates and is a mixture from copperplate calligraphy with hand-lettering styles. It was designed to covey elegance and has an attractive, smooth, clean, feminine, sensual style.

This calligraphic script font is called Late Frost. It's an elegant decorative font with lots of ligatures and multilingual support.

Designed for ParaType in 2002 by Sergey Volhonsky (Moldova). An original calligraphic script for use in advertising and display typography.

Hi! Introducing a calligraphic handmade script named "Kexman". It's a one line font with many OpenType features: ligatures, alternates, swashes.

Handana is an informal face with a simple but distinctive calligraphic look in four weights: light, plain, medium, and bold.

Richard Lipton’s inspiration for Englewood came from the calligraphic hand of Philip Grushkin. Lipton has always admired his somewhat loose but disciplined hand and felt that it was worthy of keeping this style alive in a typeface that could be a somewhat accurate emulation of the warmth and life found in these letterforms. Spontaneity is a challenge to capture in a type treatment but with Englewood, Lipton hopes to honor Mr. Grushkin with a design that works especially well for an invitation, a menu, or in any display setting that calls for an informal calligraphic hand. This single weight display script includes small caps — somewhat of a rarity for a handwritten script — for flexible typesetting, along with 42 alternates that include 18 contextual ligatures to simulate the appearance of spontaneous writing.