Based on the logotype font of the Saturday Evening Post from the 20s, Saturday Morning Toast is warm, cuddly and endearing in its quirky charm. All versions of this font contain the complete Unicode Latin A character complement, with support for the Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavan, Norwegian, Polish, Portuguese, Provençal, Rhaeto-Romanic, Romanian, Romany, Sámi, Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish and Welsh languages, as well as discretionary ligatures and extended fractions.

An enchanting design by Otto Hupp for Gebr. Klingspor in 1909 provided the pattern for this timeless classic, which gracefully and seamlessly combines medieval inspiration with Art Nouveau flair. All versions of this font contain the complete Unicode Latin A character complement, with support for the Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavan, Norwegian, Polish, Portuguese, Provençal, Rhaeto-Romanic, Romanian, Romany, Sámi, Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish and Welsh languages, as well as discretionary ligatures and extended fractions.

This font from the same family as Scripio A and Scripio B. The truth it more likely their cousin, very much it is not similar to them. Though looks not so bad.

Mayonez is a typeface with rational structure and axis but softened with rounded contours and cupped serifs, getting as result a balance between seriousness and friendliness. The shapes have a soft appearance but without lacking definition. A more fluid structure influenced by calligraphy is proposed for the italic variants, in this case the uppercase letters adopted a simplified semiserif structure that works better with the lowercase letters. Also the figures are very different from the roman version and follow more faithfully the italic style. In an attempt to give Cyrillic lowercase romans a fresh look, symmetrical serifs inherited from the versal tendency are mostly avoided thus getting simpler structures closer to the latin forms. This type is good for commercial and editorial uses like advertising, packaging and pages with showy headlines where a warm touch wants to be given. The character set includes a group of figures and currency symbols with standard height and another suited to match better with lowercase letters. Mayonez was selected to be part of the Communication Arts Typography annual in 2015.

Broxa was designed with a flat brush and inspired by Roman Sans Serif Alphabet

This script font was inspired by the type called “Bastarde Flamande”, a much appreciated one in the Duke of Burgundy’s court at the end of 1400s for handwritten books. A book titled Histoire Romaine (Roman history), from Roman author Tite Live, translated in French by Pierre Bersuire, circa 1475, was our main source for drawing the lower case characters and many of the upper case. Each character was written by hand with a quill pen on rough paper so as to look like the originals as much as possible. This font includes “long s”, naturally, as typically medieval , also a few ligatures, final and initial characters but there aren't any abbreviations because the text was written in French rather than Latin. Instructions for use are enclosed in the file and identify how to keyboard these special characters. This font can be used for web-site titles, posters, fliers, ancient looking texts, greeting cards, indeed for many types of presentations as it is a very decorative, elegant and luxurious font. Large type size shows this font at its best.

Ampmosphere, a picture font, contains instruments and components from a 60's rock and roll band. After a friend's request to create a guitar graphic, I decided to start a set. Over time, more instruments were added along with amps, tubes, lights, etc. The glyphs are great to use individually or combined. 65 detailed glyphs in all... A - Z upper and lower case; 0 - 9; comma, period and forward slash. Upper case A, B, C and D are the separate strings for the stringed instruments a, b, c and d.

Liquoia are three scripts with lots of contrast and different embellishments. Liquoia-A has the elegant, flaming decoration it blends well with Fleurons-Six. Liquoia-B has the flowery embellishments and goes very well with my Ornata-A and Ornata-B. Liquoia-C is the plain, straightforward and solid floating script. The name is derived from "liquid", meaning it is a fluid script that has a distinctive waveform. The "oia" part of the name comes from Sequoia, the sturdiest tree that came to my mind. Your sturdy, floating designer Gert Wiescher

The Copperplate penmanship style has a distinctive flow and character. Many years of steady and patient practice allow calligraphers to achieve the flow, direction, sequencing, and speed required from the copperplate ductus, to achieve its distinctive, elegant, fluid aesthetic. Nautica is a monumental new script from Resistenza, which builds on the creator’s accomplished penmanship skills. The delicate strokes have high contrast and an extravagant personality. These letterforms invoke 18th-century sailors logbooks and the nostalgic correspondence those at sea sent home to their loved ones, with letters looping and rolling into one another like the waves these intrepid adventurers voyaged on. Nautica’s ornate feel is perfectly suited to romantic applications, and with three weights, one set of useful navigational icons and some nautical knots Nautica will allow you to create rich and cohesive graphics for those 'tying-the-knot' or in any display context which requires some sophistication. Nautica allows you to achieve the complexity and flow of copperplate calligraphy with OpenType features. Supreme swashes inspired by brush pen stroke, and exhaustive alternates, with over 900 glyphs and extensive language support, Nautica offers full professional typographic features, for a natural ‘written’ look. Check out also “Voguing” & “Nautica”

Scarlotta is a calligraphic script font that comes with beautiful alternate characters. copper calligraphy mix in handlettering style. Designed to convey an elegant style. Scarlotta is attractive because it is subtle, clean, feminine, sensual, glamorous, simple and very easy to read. Its classic style is perfect to apply to all kinds of formal items such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting/wedding cards, packaging, labels. Scarlotta has 489+ glyphs and 270 alternate characters. including multiple language support. It features OpenType with alternative styles, binders and character swashes, which allows you to mix and match letter pairs to suit your design, as well as a touch of ornament to make this font look elegant. Files include: Regular Scarlotta (OTF, TTF) Italic Scarlotta (OTF, TTF) To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. There are additional ways to access the swashes, using the Character Map (Windows), Nexus Fonts (Windows), Font Books (Mac) or a software program such as PopChar (for Windows and Mac).

Shocking Script is a calligraphic script font that comes with a lovely alternative character. mix of copper calligraphy in a handlettering style. Designed to convey an elegant style. Shocking Script is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very legible. Its classic style is very suitable to be applied to all types of formal items such as invitations, labels, menus, logos, fashion, make up, stationery, letterpresses, romantic novels, magazines, books, greeting / wedding cards, packaging, labels. Shocking Script features 395 + glyphs and 182 alternate characters. includes multiple language support. With OpenType features with stylistic alternates, ligatures and swash characters, which allow you to mix and match pairs of letters to suit your design, and also a touch of ornament makes this font look elegant. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. There are additional ways to access swashes, using Character Map (Windows), Nexus Fonts (Windows), Font Books (Mac) or a software program such as PopChar (for Windows and Mac). Thank You.

The Bringhton Script This is a Vintage calligraphy script font that comes with beautiful alternative characters. copper plate mixed calligraphy with handttering style. Designed to convey stylish elegance. The Bringhton Script has a smooth, clean, feminine, sensual, glamorous, simple, and easy to read typeface. The Bringhton Script comes with a Clean and Aged version, beautiful upper and lower case, binding and favored by many finishes. It has Multilingual support (West European characters) and works with the following languages: English, Danish, Dutch, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish. In my example I show how this script can be used. It's perfect for logos, wedding invitations, alcohol labels, romantic cards and more. Recommended for use in Adobe Illustrator or Photoshop. Custom features don't work in Microsoft Word.

Umbrellia Script is a calligraphy script font that comes with beautiful alternative characters. mixture of handleting copper calligraphy. Designed to bring elegance to style. Umbrellia comes with uppercase letters, lowercase letters, numbers, punctuation, and so many variations on each character including OpenType alternatives, and general binders to allow you to adjust the design. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, menu, logo, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels. Umbrellia Script has 582 glyphs. including various language support. With the OpenType feature with alternative styles, binders and characters, it allows you to mix and match pairs of letters that match your design, as well as a touch of ornament to make this font look elegant.

A romantic little modern calligraphy font duo that will all whisk you off your feet! It comes with an extra dingbat font with oodles of sweet little flourishes and embellishments too! Tanglewoods Script has a lovely whimsical character with the natural organic flow from a real calligraphy pen. It’s perfect for weddings, feminine logos, branding, invitations, quotes, social media, websites, and well....just about anything pretty! :) It includes opentype features - stylistic alternates for the lowercase letters, and a comprehensive set of natural looking Ligatures to add to the natural nature of the typeface. The Complimentary sans serif font, Tanglewoods Sans, is a whimsical and light-hearted uppercase font. The extra dingbat font, Tanglewoods Extras, has 62 beautiful flourishes and embellishments, all available by hitting the keystrokes A-Z, a-z and 0-9.

Nafigat Script goes with Romantic and Modern Calligraphy, ready to give your design project with Fresh and Fabulous Style. This font have an 264 Standard Glyph + 408 Glyph Alternate in Open Type Standard Format. Perfect for wedding, branding and romantic invitation and Also Suitable for various purpose such as digital lettering, headings, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges, branding materials, t-shirt, print, business cards, quotes, logo, poster, and suitable for any graphic design project. Nafigat Script comes as a single font file packed full of great features. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support. The font also contains several swashes and stylistic alternates for those who have open type capable software (e.g. Photoshop/Illustrator).

Bourton Hand is a new typeface by Kimmy Design. It’s the hand drawn version of Bourton and a sans-serif cousin to Burford. In addition to a new look, it boasts more layering options, stylistic alternatives, graphic extras and even comes with its own script font! Okay...so here’s everything you get with Bourton Hand: • 6 Base Layer Fonts (Base, Inline, Marquee, Stripes A, Stripes B, Stripes C, Sketch A, Sketch B) • 6 Top Layer Fonts (Base Drop, Dots, Line Light/Medium/Bold, Outline Light/Medium/Bold) • 6 Extrude Fonts (Extrude, Outline, Shadow, Extrude Outline) • 5 Drop Shadow Fonts + 5 solo styles (Drop Shadow, Drop Extrude, Drop Line, Drop Stripes A, Drop Stripes B) • 2 Line Fonts for secondary text (Line Medium, Line Bold) • Bourton Hand Script Light • Bourton Hand Script Bold • Bourton Hand Extras - Ornaments, banners, frames, borders, flags and line break • Bourton Hand Extras - Flourishes Happy Creating!

Another variation on the Renaissance-Baroque Roman face, it extends the selection of text type faces. In comparison with Jannon, the contrast within the letters has been enhanced. The dynamic elements of the Renaissance Roman face have been strengthened in a way which is illustrated best in the letters "a", "b" and "s". These letters contain, in condensed form, the principle of this type face - in round shapes the dark stroke invariably has a round finial at one end and a sharp one at the other. Another typical feature is the lower-case "g"; the upper part of this letter consists of two geometrically exact circles, the inner of which, a negative one, is immersed down on the right, upright to the direction of the lower loop and the upright knob. The vertical strokes slightly splay out upwards. Some details of the upper-case letters may seem to be too daring, but they are less apparent in the text sizes. It has to be admitted that typographers tend to draw letters in exaggerated sizes, as a result of which they stick to details. Serapion Italic are italics inspired partly by the Renaissance Cancelleresca. This is obvious from the drop-shaped finials of its lower-case descenders. The type face is suitable for illustrated books, art posters and short texts. It has a rather ugly name - after St. Serapion.

AW Conqueror Sans was born out of this desire to fuse geometric and humanistic sans. It remains a typeface fundamentally influenced by both Bauhaus spirit — with its simplified geometric forms — and Jan Tschichold’s attempts to link this modular spirit to Eric Gill’s humanist sans serif. AW Conqueror Sans is a claimed French synthesis of Germanic Modernism and English classical tradition. Spheres of influence The core set of capitals are based on the proportions of the Roman capitals like Futura, Erbar, Nobel, Johnston, Gill Sans. During the 1930s, the Futura was a true success. Since then, Monotype offered a geometric version of the Gill Sans, and Linotype added Futura-like variants to WA Dwiggins’ Metro. AW Conqueror Sans is kind of a “fusion” of this approach. The lower case “b, d, p, q” are also directly influenced by Eric Gill’s, while the “y” is influenced by some of Jan Tschichold’s alphabets. In italics, drawn narrower, AW Conqueror Sans reinterprets Gill’s idea: a rigorous italic like a roman but which sometimes reveals some aspects of a Renaissance italic. AW Conqueror Sans and its extensions AW Conqueror Sans is the initial reference point for an extended family, including AW Conqueror Inline, Slab, Carved, Didot. The potential of these mixed families is powerful. Because AW Conqueror typefaces are based on an identical structure, and compatible proportions.

Witchcraft is a classic Roman font in three weights and corresponding italics. The ‘v’,’w’,and ‘y’, use the old style join at the top reminiscent of Georg Belwe’s Roman design “Belwe”. The large x-height makes for a powerful headline font but excellent for text setting especially in the lighter weights.

An alphabet based on classic Roman letterforms. As a model for our typography since ancient times, Roman stone inscription remains the starting point for all Latin letterforms. Working with these classical letters is an eternal dance for the graphic artist. The constant drawing and refinement of detail. A typographical relationship for ever.

This font is mainly inspired from the engraved characters of the small book known as “Operina”, or “The method and rules for writing cursive letters or chancery script” from the famous calligrapher Ludovico Vicentino Arrighi, published in Roma in 1522 and signed with simplicity “Ludovico Vicentino”. The font contains a large set of standard ligatures and alternative characters: two lower cases, four sets of standard capitals, long s and variants, titlings, each feature easy to use with OTF managing software. It is a pro font, containing Baltic, Eastern, Central, Western European and Turkish diacritics.

Ormond JNL and Ormond Inline JNL are two Deco-inspired Roman typefaces with rounded serifs.

“First love” has hard strokes and signature style that speak to instant romance sensation. Take your creative projects to the highest level with this font. “First love” will help you to create special and touching typographical design for your loving and romantic projects, for every day or the happiest day in life, wedding party, wedding card,valentine day, greeting card, headings, flyer, product packaging, book cover, printed quotes, logos, and many more. It is really universal and modern font. The owner of endless possibilities!

Isis is the work of type designer Michael Gills, an all capital, classical looking display roman typeface with an open engraved effect. It can be used alone or in combination with most established classical roman typefaces. Isis is ideal for a wide range of headline applications and gives text a look of quality and excellence.

A calligraphic font.

Lydian is Warren Chappell’s almost calligraphic sanserif, designed for ATF in 1938. Lydian Cursive, done by Chappell in 1940, is much freer and more calligraphic. Life is a journey.

When Aldo Novarese designed his “tipo inglese” Juliet typeface, he had a simple objective in mind: Reduce the inclination angle of the traditional 18th and 19th centuries English script in order to make the punchcutter’s job easier and the resulting metal type more durable. But when Juliet was released by Nebiolo in 1955, it was a big surprise to both typesetters and calligraphers all over Europe. Novarese’s idea of working the standard copperplate script within the limited technology of the time proved to be a marvel in optical metal sizing (Juliet was available in sizes ranging from 12 to 60 pt), but also opened the door to new calligraphic possibilities. Easier readability and a very friendly color were obvious side effects of the reduced angle. So soon after its release, calligraphers worldwide began emulating the angle reduction and experimenting with the application of the same concept to other calligraphic genres. Today, more than 50 years later, many professional calligraphers point to Novarese’s Juliet as an opening to fresh ideas and new directions in 20th century elegant calligraphy. Ambassador Script, this digital version of Aldo Novarese’s surprising masterpiece, is the result of more than a thousand hours of work. Going above and beyond its duty as a revival, it was expanded by a great number of alternates, swashes, beginning and ending forms, as well as accompanying flourishes and snap-on strokes for even more ending forms. Ambassador Script also supports almost every known Latin-based language, which makes its name all the more fitting. Ambassador Script is available in all popular font formats. The True Type and Postscript Type 1 versions come in 12 fonts, available in different piecemeal configurations or a full volume. The OpenType version collects more than 2300 characters in a single feature-rich font that can sing mightily in OpenType-supporting applications. Ambassador Script is ideal for weddings, invitations, greeting cards, book and magazine covers, or anywhere a touch of calligraphic elegance is desired.

Petunia is a calligraphy style font designed by New York based calligrapher Eliza Gwendalyn . Her modern copperplate script has been a style she has been developing throughout her career. Her angelic flourishes and bouncy style are widely influenced by Eliza’s favorite childhood character Alice in Wonderland falling down the rabbit hole. She pairs her elegant script with a traditional sans serif and serif which is based on Eliza’s everyday handwriting. The name ‘Petunia' acquired from her childhood nickname her parents called her which was only fitting to choose as the name of her font that was derived from her childhood fantasies. Widely known in the wedding industry, she curated this font family for industry professionals with a versatile array of styles: a script, a bold script, sans serif, sans serif italic, serif, serif italic, and specially calligraphy words & ornaments making this a total package for all types of designers.

Everleigh Duo consists of two typefaces - thin serif font and calligraphic script font. Both of this fonts have an elegant thin shape with classic influences. This pair is created in one breath and they matches perfectly in lots of lettering composition. Everleigh Script - it's a connected script typeface that imitates handwritten pen calligraphy. It includes lots of ligatures and multilingual support. Everleigh Medium - it's a little modified version of my another font Everleigh. This typeface has a slightly thicker shape and slightly different serifs, which makes it more useful on dark backgrounds. It also has lots of ligatures and stylistic alternates.

Proudly presenting Sampreto is an elegant calligraphic font. Sampreto is made especially for those who need an elegant calligraphy font with beautiful curves that is very charming for their design needs. Sampreto is perfect for modern projects, branding, wedding invitations, wedding decorations, brand name, cricut projects, crafts, birthday cards, svg files, shirts, quotes, great cards, prints, logos and much more ! Sampreto is built with OpenType features and includes start and end swashes, numbers, punctuation, alternatives, ligatures and also supports other languages. Have fun using Sampreto!! Feel free to follow, like and share. Thank you so much for checking out my shop!

Latina is our first humanist typeface designed for use in continuous text. This font is based on calligraphy, but calligraphic features have been changed in order to make Latina a more neutral font. This prevents readers from losing their focus when reading continuous text. On the other hand, these same features get highlighted when using the font for headlines or display text. This 11-weight family includes italics and small caps, and supports 219 different languages as well as several sets of figures. Latina is the perfect choice for publishing design (books and magazines), branding and advertising.