A 1950 reissue of the 1934 tune “With My Eyes Wide Open I’m Dreaming” had the title of the sheet music hand lettered in a semi-calligraphic sans serif design. This became the model for the appropriately named Semi Calligraphic JNL, which is available in both regular and oblique versions.

Introducing Soft Whisperings Calligraphic - A beautifully flowing modern calligraphy font. This delicate, modern script font is full of romance and elegance. It’s perfect for wedding stationery, Save The Date and special occasion cards. Soft Whisperings has a lovely handwritten feel to it so it’s also great for logos, signatures, taglines and calligraphic projects. There are plenty of alternate glyphs and ligatures! International Language Support Soft Whisperings Calligraphic supports 219 latin based languages, which are spoken in different 212 countries. Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Azerbaijani, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu,  Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish (Latin), Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Onĕipŏt, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese,  Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog,Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan,Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni. --------------------------------------------------------------------------------------------------------------------- The fonts are PUA encoded which means that you don’t need any special software to be able to use the alternates and Ligatures.  Well, that’s about it!  Enjoy! Jo

French Calligraphic JNL is actually more semi-calligraphic in nature. Its name takes a descriptive liberty because of the sharp, angled pen strokes of the original hand lettered example found in the 1930s publication "100 Alphabets Publicitaires" by M. Moullet. The design is available in both regular and oblique versions.

Calligraphic Afera is beautiful. This is a strong, high-contrast typeface with a dynamic disposition based on drawing with a cut nib, i.e. traditional typography. It exhibits its specific disposition in the details of each character. The font is a suitable tool for headlines on a website, blog, magazine, or poster. It also works well for package design. This calligraphic style is an elegant tool for headings communication. Specimen: http://carontwice.com/files/specimen_Calligraphic_Afera_Beauty.pdf

P22 Preissig Calligraphic was originally designed by Czech typographer, artist, and designer Vojtěch Preissig (1873–1944). Preissig developed this type design in 1928 and has remained unpublished until recently. One can only speculate why this wonderful design was never produced into a commercially available typeface. His original designs feature an accompanying italic as well as small caps. Preissig had originally named the typeface design after his former employer in New York, Butterick Publishing Co. The ‘Butterick’ typeface retains the angularity of his previous typeface, Preissig Antiqua (AKA P22 Preissig Roman), but displays a more fluid calligraphic influence. P22 Preissig Calligraphic was started shortly after Richard Kegler saw the original drawings in an exhibit in Prague in 2004. A sympathetic security guard allowed a few photographs and the contraband images fueled a development of the typefaces. The design simmered for many years and is now ready to enter the world of contemporary design. P22 Preissig Calligraphic is a 2 font family that contains the originally designed small caps as an OpenType feature, as well as all the necessary diacritical to cover most European languages.

Willmaster Calligraphia is a classic yet modern script. It is particularly suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, in fact for any design work that requires a classic, formal or luxurious look. Try Willmaster Calligraphia, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. Includes multilingual support and ornamental features. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows).

This font is a new fresh type of caligraphy hebrew font. The opentype features are much better then those are in the font market.

Calligraffitti by Open Window owes its credit to mom and all her years of Calligraphic experience. This impromptu rendering of her calligraphic alphabet captures her years or formal practice blended with a rare encounter with the mood altering music of Santana.

monogrammed party select and make this your craft to add a perfect impression to your design Take a look at the preview image and you will find out what this monogram is for make sure you don't miss it There are several monogram options to suit your taste

Devil Kalligraphy was performed by Argentina Lián Types in 2007. The shapes of each caracter have a strong personality. It was based on antique writings. Devil Kalligraphy was inspirated in calligraphy styles. Gothic and Uncial themselves. A mix with lots of personal qualities. Devil Kalligraphy has ligatures which look evil. Ascendents and descendents were designed to look that way too. Kerning was designed taking into account the way calligraphers used (and still use) to write: Pattern looking.

According to the dictionary, the way a letter is formed or shaped within a writing system is an allograph... and Allograph JNL from Jeff Levine takes on unusual shapes. Using characters from Jeff's Printing Set JNL font, they were printed out white-on-black, and the paper was torn into abstract pieces and then scanned in order to create this edgy looking font.

Chianti was designed at Bitstream by senior designer Dennis Pasternak in 1991 and initially released in 1995. The intent behind the design was to provide a humanist sanserif of high readability at a wide range of sizes and weights. Humanist sanserifs (others that fall into this category are Linotype’s Frutiger and Optima, and Monotype’s Gill Sans) are an attempt to improve the readability of sanserifs by applying classical roman structure to the letterforms. To enhance its versatility, Mr. Pasternak designed a wide variety of alternate characters, rare ligatures, ornaments and swashes. Chianti is a friendly sanserif useful for a broad range of typographic needs.

British designer Thomas Oldfield, who brought you Hombre BT and Reaper, has scratched out another typeface, this one called Jerk Chicken BT. I guess, if you can imagine a quill tip pen somehow wedged 'tween a scrawny chicken's toes, you'd end up with the scrawl, blobs, blotches and bleeds that would make most type designers run for the hen house. Not Thomas; he saw only commercial potential. So lay down some scratch and order up some Jerk Chicken BT. Hey, while you're at it, why not extend the license to a dozen users? Available as an OpenType font, Jerk Chicken BT includes of a couple of ornaments, well parts, namely a drumstick and a whole fryer, and its extended character set supports Baltic and Central European languages.

Adrian Frutiger’s distinguished and successful 1966 design for the European Computer Manufacturers’ Association improving readability of letters for both machines and humans. OCR-B is replacing OCR-A.

This freeform exercise in typographic design echoes the looseness of early 1960's advertising. Brian breaks almost every typographic rule we can think of — but so what? The bold letterforms of Big Limbo are anything but stuck!

Ray Cruz releases another typeface family, this time inspired by 1970's pop culture. Fat Albert Regular, Outline and Shadow are bold poster types that evoke the fun and funk of an era gone by. Go on bro, get Fat Albert and get down.

Bitstream developed Ang Thong for the Microsoft Windows operating system. The font is encoded with a Microsoft defined Thai character set, Thai Code Page 874. The font includes Thai glyphs and Latin glyphs from Dutch 801. Ang Thong (basin of gold) is a province in central Thailand which consists mostly of flat agricultural land used for growing rice.

The unusual name for this Deco style typeface comes from the playful and pun-laden 1960s Rocky & Bullwinkle TV show. It is the name of the newspaper in the mythical town of Frostbite Falls, MN, home of the two cartoon stars. The name, Picayune Intelligence, literally means “pretty dumb”, but we don’t think that describes Nick’s competent design at all. It is comforting to know that someone is still watching quality television.

A collaboration based on lettering by Vermont illustrator/artist Mary Trafton and brought to typographic life by Charles Gibbons, the Full Moon Suite is a collection of casual typefaces called after folk names for full moons. A winner of the TDC2 2003 Type Design Competition. Family members include: Falling Leaves, Rustling Branches, Black Cherry, Black Cherry Alternate, Black Cherry Ligatures and Black Cherry Doubles.

Possessing a distinctive Russian appearance, Chervonec Uzkj, or Chervonec Condensed, is a hybrid semi-serif designed by Russian designer Oleg Karpinsky. The typeface family includes three weights with drawn italics.

The standard American sanserif of the first two thirds of the twentieth century, prepared for ATF by Morris Fuller Benton in 1908 under the name News Gothic, with a matching lightface known as Lightline Gothic. Linotype’s Trade Gothic follows News Gothic except for its widely-spaced straight-sided boldface based on ATF Alternate Gothic No.3. Linotype matches News Gothic Bold, a boldface version that originated at Intertype, with Trade Gothic Bold No.2. Ludlow Record Gothic follows News Gothic more loosely. News Gothic BT™ font field guide including best practices, font pairings and alternatives.

A set of capitals popular with American engravers and typefounders through the last third of the nineteenth century, shown under this name by ATF in 1903.

Mr. Gogoll's successful revival of Arno Drescher’s Super Grotesk was awarded the 1999 Kurt Christians Award. The Drescher Grotesk family consists of seven roman weights, including a version designed for use at small point sizes. Drescher Grotesk is a classic German geometric design, complete with the original “angled” brackets.

Artane, Tony Fahy's first typeface for Bitstream Inc., has a specific philosophy at the core of it's creation. He decided he would try to create a Roman sans that would have the elegance of a serifed italic, such as Stempel Garamond, Bembo, or Baskerville.

Gothic capitals of the same form as Copperplate Gothic, lacking only the oversharpened corners.

Lindisfarne Nova is an uncial-like design based on the script found in the Lindisfarne Gospels. Created by Harry Pears and Margaret Layson, it is available in two weights, regular and bold. Lindisfarne Nova is Harry’s first completed font. There are also two companion styles, Lindisfarne Nova Incised and Lindisfarne Runes.

Cruz Cantera is a crisp and stylish yet informal sans serif typeface created by NYC type designer Ray Cruz. It is a slightly condensed design. The vertical strokes have rounded terminals, and there are some characters with serifs. Notable characters include the upper and lowercase E. There are three weights and each works equally well alone, or together for both display and text. Original design by Ramon Cruz completed in 2002.

Wavy Rounded is a stylized sans serif display typeface by Japanese designer Hajime Kawakami. Some of the characters possess quirky features that randomly create fun visual “waves”. There is a handful of alternate characters including an old style figure set. Catch the Wave.

Frank-Rühl (or Ruehl) is the ubiquitous Hebrew text font style. There are many fonts that belong to this style, and all are based on an early 20th-century design by Raphael Frank. Some of the fonts are actually called Frank-Rühl (or Ruehl) and some are not. It was originally designed in a single weight. Bitstream developed Frank Ruehl for the Microsoft Windows operating system. The font is encoded with a Microsoft defined Hebrew character set, Hebrew Code Page 1255. Within the TrueType fonts, the characters are assigned Unicode character IDs. The font includes Hebrew characters, and Latin glyphs from Dutch 801 bold.

Mottingham Script is handwritten stylish calligraphy font, with a dancing baseline, and classic and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitations, t-shirts, letterhead, signage, labels, news, posters, badges etc. Mottingham Script features 338 glyphs alternate characters. Including initial and terminal letters, alternates, ligatures and multiple language support.

Honeywelly Modern Calligraphy Font is a beautiful light handwritten font with a unique feel and a stunning impact. It will add a luxury spark to any design project that you wish to create.

Sophia Modern Calligraphy Font is a stylish handwritten font that inspires friendliness and elegance. It is perfect to use for any of your wonderful creations such as branding projects, logos, brochures, business cards, wedding invitations, and many others.

Beautiful font, good for posters and small books and folders. This is a complete font with all diacritic marks (Nikud and Taamim) and also shevana, kamatz katan, dagesh hazak and holam chaser.

The three Script fonts: Brush Pro, Ballpoint Pro and Calligraphic Pro were derived from the original Ballpoint design. A custom Brush and Calligraphic texture was added to complete the family and twenty-two clip-art illustrations were created for each style. The 3-font package with illustrations is available in the Buying Choices of any of the three fonts.

One of the most successful ornament fonts is CalligraphiaLatina. It is part of a trend that’s been quite popular lately: messed-up calligraphy. CalligraphiaLatina is a worldwide best-seller from IntellectaDesign. Besides the original CalligraphiaLatina, its family of fonts (13 different sets) represents a complete solution of intrincate fleurons and ornaments to use with several styles of artwork.