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  1. UltraSonic - Unknown license
  2. Fright - Unknown license
  3. Worm - Unknown license
  4. Spacesuit - Unknown license
  5. FrogAss - Unknown license
  6. Hydro - Unknown license
  7. Gossip - Unknown license
  8. OgdredWeary - Unknown license
  9. Galactican - Unknown license
  10. Cathedral - Unknown license
  11. Graphitti - Unknown license
  12. Goudiad - Unknown license
  13. QUAKE - Unknown license
  14. Gender - Unknown license
  15. Pegasus - Unknown license
  16. Fredfont - Unknown license
  17. Assimilate - Unknown license
  18. MANIC - Unknown license
  19. Uptown - Unknown license
  20. CAPconstruct - Unknown license
  21. Candles - Unknown license
  22. Imagica - Unknown license
  23. MTV2C - Unknown license
  24. GraffitiThree - Unknown license
  25. Bal Harbour JNL by Jeff Levine, $29.00
    Inspired by hand lettering on a 1940s toy game spotted on ebay called "Let's Go Shopping", Jeff Levine created "Bal Harbour JNL" and named it after a South Florida community famous for its luxury homes and trendy stores.
  26. Groovy Summer JNL by Jeff Levine, $29.00
    Peace, love, togetherness and a fun font from Jeff Levine called Groovy Summer JNL harkens back to the long summer days of the 60's or 70's when life was just a little bit slower and happier...
  27. Tagline by Robert Petrick, $19.95
    Tagline is a Fun, Bold casual font that was born from the New York graffiti style. Good for all your entertainment projects. Though "Tagline" is radical in style it's still very readable and calls attention to your message.
  28. Barollo by Greater Albion Typefounders, $16.00
    Barollo is a boisterous, lively, display family of two typefaces, offered in regular and shaded form. It’s ideal for eye-catching banners and posters that call for clear and forceful type, with a sense of fun and life.
  29. TXT Antique Italic by Illustration Ink, $3.00
    Bring your scrapbook page to life with unique journaling and titles made possible with this cool italic font. It'll add instant flavor to posters, signs, bulletin boards, and word art that call for an old-fashioned, antiqued flair.
  30. Cattle Town JNL by Jeff Levine, $29.00
    In the 1946 French lettering book “100 Alphabets Publicitaires” (“100 Advertising Alphabets”) is a hand-lettered “Western” font called “Italian". This served as the basis for Cattle Town JNL, which is available in both regular and oblique versions.
  31. Badona by gravitart, $29.95
    Badona is a custom typeface which is applicable for web, print especially for magazines, brochures, posters, flyers and motion graphics. Both weights are perfect for logos (light size has an elegant look and the regular one gives a unique feel). Regular size is also applicable for text. Badona has 232 glyphs and supports Turkish and West European languages.
  32. Lamenta by Dawnland, $13.00
    All that remains from this once so proud and glorious antiqua are steel skeletons. Destroyed. Distorted. Ruins. The main focus and usage of LamentaX are headlines, posters for event graphics and music/media/game packaging. Lamenta X was revised 2012 and now hold a full character set of basic english/latin letters and west european diacritics!
  33. Manito LP by LetterPerfect, $39.00
    Manito was designed by Garrett Boge in 1989. He employed a wide pen and angular, sturdy forms to simulate rough-hewn woodcut letters. The font, consisting of both capitals and small caps, provides an ideal graphic complement to collateral of a natural or environmental character. It is named after a native American word for 'Great Spirit'.
  34. Bagerich by Zealab Fonts Division, $10.00
    Bagerich is font designed by Reza Rasenda & Riska Candra Dewi, with design choices inspired by the Art Nouveau era. Bagerich comes with stylistic, alternates, ligatures and supports multilingual languages. Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose Bagerich for any graphics that require a sleek look with a elegant flair.
  35. Vabi Dasabi by Chekart, $20.00
    Vabi Dasabi is a unique japanese hand drawn brush font. It comes with uppercase and lowercase characters, set of punctuation marks, numbers, alternative set of latin characters and numbers, Cyrillic characters, ligatures and multilingual support. Perfect for logos, quotes, posters, branding projects, product packaging, t-shirt, book cover, greeting cards and applicable for any graphic design.
  36. Forwardback LL by Leftover Lasagne, $25.00
    Forwardback is a clean and friendly typeface with a large compliment of European characters. Its round & bouncing letters impart a smooth handwritten feel. The font features auto-ligatures for duplicate letters, plus a hefty set of graphical elements & shapes which can be accessed by convenient keyboard shortcuts (a lowercase letter directly followed by a number from 0-9).
  37. ITC Migration Sans by ITC, $29.99
    Through his hands-on experience choosing fonts as a graphic designer, type newcomer André Simard developed a type family with a good measure of design sensibility. His ITC Migration™ Sans suite of fonts offers five readable weights that can be utilized across a variety of projects. Expect more to come from this designer-turned-typophile.
  38. Kandel 205 by Talbot Type, $19.50
    Kandel 205 is a geometric, tri-line, display and headline font available in a family of three weights. Its bold, graphic styling gives it great stand-out qualities and a highly individual look. It’s particularly well suited to bringing energy to designs, or for designs with a sporting theme. It’s also available with character variations as Kandel 105 .
  39. NorB Chalk by NorFonts, $28.00
    NorB Chalk is a handwritten text font with an angled fat chalk style. You can use this font with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun!
  40. Plage by Hurufatfont, $19.00
    Plage draws inspiration from the fluid and organic typography of the '60s and '70s. Ideal for branding, poster and packaging designs. Equipped with rich ligature and opentype features for professional typographic designs. Diacritical marks in line form, which was widely used by graphic designers in Turkey at that time, were added as a style set (ss02).
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