Patricia Rustine is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create!

Abril is an extension of the Abril typographic system that was engineered as a response to a very specific requirement from the editorial design community: a low contrast typeface for head- lines. Given its broad range of styles though, Abril deserves to be considered a separate font family on its own. Based on the original text styles of Abril, the letter shapes are sturdy, very legible, and deliver a newsy and trustworthy feel. The accented editorial style of the Scotch Roman finds continuity in this new type family, but some of the details have been ironed out for improved performance in headline, both in print and on screen. The family is conceived as four series of different widths, with four weights in each series plus matching italics, a total of 32 fonts. This wide range of styles allows for setting titles at almost any size. The wider series are aimed for smaller point sizes while the con- densed weights can deliver a striking and cohesive appearance as front cover headlines. Abril was designed as a versatile tool for those graphic and web designers looking for a workhorse with high impact. It is also an excellent companion for the rest of the Abril type family: Abril Titling and Abril Narrow.

Pyke's Peak is a spirit type descended from Paeleoflex: The Angel of the Odd. Wraith-like forms mix Roman inscriptional letters with an ar'deco theme for an ethereal graphic art effect. Suitable for magazines and editorial design, book jackets & interiors, posters & broadsides, art & craft objects and other things needing a touch of the extraordinary. Over 500 extra characters give Pyke's Peak unusual range and ability. Mirror capitals, phantom forms, dot phantoms, "superposed" (overlapping) ligatures, capitalized ligatures and fitted pairs for hours of trippy rub-down arcadian magic. Includes hanging numerals, lining numerals, full punctuation, standard math & monetary symbols. Accented characters for Latin 1 and Latin 2 cover the following languages: Albanian, Catalan, Danish, Dutch, English, Estonian, Finnish, French, German, Icelandic, Italian, Norwegian, Spanish and Swedish. Available in OpenType format only. Pykes Peak comes in two versions: (1) Pyke's Peak the full-blown OpenType version with over 500 extra characters, (2) Pyke's Peak Zero, the zero cost version with full Latin 1 & 2 character set but no extra characters. Pyke's Peak Zero is free to download, is licensed for commercial and personal (non-profit) use, and may be embedded on webpages using the CSS @font-face property. This typeface is dedicated to Australian musician James "Jock" Paull, who is a free spirit.

Nobbin was designed to be used in a children's picture book called "Nothing to do..." written and illustrated by Tracy Sabin.

Burdigala X Serif is an open and spacious typeface inspired by the classic Didones. The X Serif is ideal for larger amounts of (printed) texts in brochures, magazines and books. Being wider than usual, it works especially well in media intended for on-screen reading, such as in Pdf-documents and e-books etc. Burdigala is the ancient Roman name of the city of Bordeaux France.

Life is an elegant roman face, designed by W. Bilz and developed by Francesco Simoncini at Ludwig & Mayer in 1964. It is a contemporary design based on the Transitional designs of the eighteenth century. The Life font can be used for almost any kind of copy. Life is especially suitable for newspapers, both in editorial and advertising due to its high degree of legibility.

Zachar is a Roman typefaces designed for the horror and thriller genre but thanks to its strong distinctiveness it’s also suitable for branding. Zachar is available in Regular and Medium weights in four versions: Regular, Rust, Scratched and Rust Scratched, it also offers a large selection of alternative letters, special glyphs and ligatures. Zachar has a sinister elegance and is suitable for display works, posters and billboards.

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. “Justine Handwriting” is a beautiful typeface that mimics true handwriting closely. UseJustine Handwriting to create stunningly beautiful designs easily.

BVENAZTRE is a basic serif font, which was modified into an art deco font that looks vintage and classic. With the art deco style, it is very suitable for art-style designs or it could be with Greek and Roman styles. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

As a binary system, at the junction to two antagonist drawings, the Blue (Not) Mono typeface is a hybrid between the monospace and the humanistic sans-serif families. Declined to several variants and weights: a true monospace and a proportional one, a roman and italic style, bold and the main purpose is obviously to maintain in the same time a calligraphic identity, and a computing legacy.

Arethusa is a versatile font after the 'transitional' style – a style that has been evolving for 250 years. The balanced design of familiar letter forms blends form with function to create highly readable text. Twelve fonts organised in three sub-families provide a range of weights and styles. The standard character set covers many roman-based languages. For extended language support, see Arethusa Pro.

Bague is a classical roman typeface, which was inspired in Old Dutch style, especially in the work of Jan Van Krimpen. Bague family comes with two different lengths of stem (ascenders-descenders), with three weights in each style: Text and Caption OpenType features: Discretional and standard ligatures; Swash, Contextual and stylistic alternates; Case sensitive forms, tabular figures, numerals, denominator, numerator, Small-Caps and Old Style figures.

Furius is a display typeface inspired by the split serif style of woodcut or chiseled letters found in roman inscriptions and later popularized by the western genre in the United States. Created as a display typeface, Furius combines a host of Opentype features and equally incoporates a full extended latin and cyrillic character set to provide a versatile and complete design solution for titles or display settings.

Granville, is inspired by traditional British (and transatlantic) shop signage. It's an elaborate confection, drawing on Roman and Blackletter influences and is ideal to give any project an instant Victorian feel. Granville is offered in Regular, Condensed and Expanded widths as well as an oblique form and a yet more decorative 'Grand' form. These faces are especially suitable for posters, period advertising, Chapter headings and signage.

Peanut is a face full of bounce and playfulness but is based on the traditions of the long revered Roman minuscule. The letters are unique in that they imply “youth” without relying on cliché child-like letterforms. Peanut and Peanut Sans come in a ‘Salted’ style which features many alternate letterforms. Both the Salted and regular styles are combined into in the Pro fonts.

A roman face designed in the early 1980s by Ed Benguiat for ITC, ITC Benguiat shows a strong Art Nouveau influence. As with ITC Korinna, the stress of the ITC Benguiat font family occurs in the upper half of each capital. This distinctive typeface is particularly useful for display and advertising work. ITC Benguiat® font field guide including best practices, font pairings and alternatives.

A number of pieces of antique sheet music utilizing the same Roman typeface were the inspirational basis for Musical Score JNL. This antique design closely resembles pen lettering and its hand-made charm due to the rounded stroke ends and varying character widths. Informal, yet attractive - the character design evokes the feeling of the turn of the previous century and simplicity of life at that time.

Zenon is a compact text font in four weights. Zenon is a sum of different styles, from Francesco Griffo to Granjon, from modern typefaces to the first sketches of Times New Roman. Zenon is an apparently Renaissance revival with modernish proportions. A closer look reveals that it is a typographic potpourri. Zenon was design as part of the MATD program at the University of Reading.

This lettering style is unusual in that combines aspects of several lettering styles. It is essentially a Germanic Blackletter but with many romanized capital letters and also features an italic slant along with some italic lower case traits. It is evocative of “old world” craftsmanship and early 20th century romanticism. The font was developed based on the logo of the Lakin Company of Buffalo, NY circa 1900.

Flavium is the reconstruction of the typographic character used in the engravings of the marble street name sign of Rome from about 1970 until the end of the eighties. It is an uniquely uppercase Roman font whose letters are confined within the space between the baseline and the caps line. Its style is severe but elegant, very useful for expressing authority and officialdom with simplicity.

Missale Solis is an overhaul of my previous font Missale Lunea from 2004. After some usecases and requestes for customized versions I decided to make a redesign that is better suited for screen. The font is useful for headlines and small amounts of text with a distinctive medieval impression. It includes Roman figures, dynamic fractions, zodiacs and an alternate design for T and ampersand (&).

P22 Posies is a six-font system for creating multi-colored initial caps in the spirit of illuminated manuscripts. Four layer fonts can be built upon each other to create any chromatic effect you desire. The Posies Initial font combines all four layers to allow easy one-color drop-caps, while the Solid font features the unadorned roman capitals for setting companion titling text.

Ambergate is a new typeface family redolent of the late 19th and early 20th centuries. It’s a display family of four small capitals roman faces, incised and elaborated with filigree scrollwork. The four typefaces which comprise the family recapture the elegance of traditional flourished sign writing and make and provide ideal lettering for period inspired design work such as posters, signage and book covers.

Spur Wide JNL was modeled from an example of hand lettering from the antique French alphabet book L'Art du Tracé Rationnel de la Lettre. Heavy Roman style letters with spurs (often referred to as Latin) were most popular with sign painters and show card writers in the early part of the 20th century. Spur Wide JNL is available in both regular and oblique versions.

While designing Trajan, Carol Twombly was influenced by the style of carved letters produced by the Romans during the first century AD. Twombly completed the design, adding numerals and punctuation, as well as a bolder version to allow for text emphasis. Most importantly, her interpretation of the ancient style resulted in a font family whose clarity and beauty come across in modern printed materials.

Because of the need for a new condensed serif font family, Jack Yan created this individualistic style of typefaces complete with one of the largest collections of unusual ligatures available at the time of launch in the mid-1990s. As well as the usual selection of double-f and ct, JY&A has provided gr, gt, ty, and other ligatures for JY Integrity Roman and Italic.

Fidel Black Essential is a heavily weighted, condensed, sans-serif typeface with a large x-height. Ideal for short, high-impact headlines, its design is inspired by Russian Constructivism and old Cuban communist posters. Variants include Fidel Black, Fidel Black Italic and Fidel Black Stencil. Fidel Black Essential is an excellent choice for headlines, subheadings, posters and logotypes. Languages: Basic Latin, Euro, Mac OS Roman.

This font provides a typical set of characters for the ancient Nabataean language, used in what is now Jordan and adjoining regions during the period of the Roman Empire, based on lapidary letter-forms of the first century of the present era. It includes a full set of alphabetic characters as well as the ancient numeral forms, with ligatures and variant shapes for some numerals.

Matita Geometric is part of a larger type family developed from 2005-2019 with handwriting and teaching in mind. A humanistic geometric sans serif in five weights containing mathematical symbols, roman numerals, fractions, superior-& inferior numerals, tabular & proportional figures. The family share proportions and weights to ensure all fonts (family members) work together well. Matita Geometric is also a very basic typeface suitable for many purposes.

The “XXII Totenkult” is inspired by the classical letterforms of old roman/renaissance typefaces and an ode to the decay. This is an allCapitals-font and the lowercase glyphs contain a variation of the uppercase. With activated “calt”-feature every second lowercase will be replaced by an alternate, this will give the font a more natural look. Detailed information here: XXII Totenkult on Behance.

Frigga is a typeface that settles its roots in the Baroque Dutch tradition of text typefaces and northern european type forms. Carefully crafted for an optimum balance between its solid historic structure and a refreshing repertoire of organic forms, where blossoms its contemporary spirit and natural beauty. In the page, spread on long text settings a feeling of comfort and closeness, while in headlines and display use, it reveals itself more exuberant and plentiful of details. Is beautiful, timeless, lush, elegant and smooth like nordic mead. Fully equipped to realize your wildest editorial dreams, Frigga came in 20 styles, with more than a 1000 glyphs per style, alternates, ornaments and borders, old style and tabular figures, small caps and plenty of OpenType features to fulfill any type of editorial need. Named after the nordic goddess Frigga (also called Frejya), taking as a reference the romantic mythos of its cultural representation, the solemn presence and her warm, gentle embrace.

Exuberantly delicious and lusciously sweet! VLNL Bon Bon embodies the perfect after dinner treat. Chocolate is a known aphrodisiac and bonbons are its most romantic carrier. Bonbon is not for nothing the French word for ‘good’ twice! You could definitely consider VLNL Bonbon the typographic equivalent of these exquisite chocolate sweets. Inspired by lettering on an Amsterdam church facade and a ladies clothing store window, Donald DBXL Beekman started drawing the first incarnation of Bon Bon already in 2004. The original idea was an alphabet design with slanted oval inner shapes and extremely long and striking serifs. This proved to be a quite demanding design job, so It took Bon Bon some time to get finished. But now it’s here in all its extravagant glory. Most recently a number of lowercase characters were added to make Bon Bon more versatile. Totally insane and over-top-the-top it has been called. But hey, we all love Bon Bon. Don't we?

Vienna is the work of Dutch graphic designer Anthony De Meester, a light, elegant sans serif. Simplicity is the hallmark of Vienna and it can be used most effectively where a look of regal elegance is desired.

Merhat is a modern and experimental font, distinguished by its geometric and condensed structure with slightly rounded corners. Optimally simplified with distinctive accents. The font is expressive and unusual. perfect for graphic designs with an intriguing style.

Pinx Niera is a bold psychedelic typeface. Inspired by psychedelic music and visual. The typeface looks bold, clean, and unique form. Suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, packaging .etc

Nonantza Sans is a sans serif style. It comes in four weights and features an extended character set with open type support for European languages. Use Nonantza Sans for your graphic design projects, advertising, banners and signs.

Inspired by circus billboards, old west posters and torn paper constructs, "Lonely Cowpoke" is an oddity of bold graphic forms and cheerful curving lines. Revelling in its own quirky nature, this playful font lightens up any mood.

Station is a bold headline typeface inspired by old Train Station type and graphics. It can be used in a modern and retro way, and its different patterns and styles give a unique look to any design.

With this nice, rounded-corner handwriting font that is like comic, slab style; sweet and radiant logos, texts and every kind of graphics, editions and printings like magazines, brochures can be created. Text printouts look pretty smart.

False Widow is a display typeface, designed for graphic pieces looking for a great visual impact. Aggressive but measured in its proportions is easily adaptable to different uses and formats such as posters, headers; print and digital.