Black Pearl is a revival of an ornate calligraphic font possibly created between 1850 and 1870. I spent two years looking for all the letters of this font; once I found them all, I immediately went to work on recreating this old classic. I was not able to find any numbers for the font, so new to this style are numbers, some punctuation and currency symbols. The Truetype and OpenType formats include an extended character set with Central and Eastern European accented letters. Extra characters in this font are left and right pointing hands in place of the less than and greater than keys; a ship’s wheel, located on the asterisk key; and a boat anchor on the bracket keys.

Ben is a simple sans serif font that we made for use on projects that require a touch of elegance. We believe simplicity is the ultimate form of sophistication and give all the idea to Ben. This font is a mirror of our personality. Ben consist of 18 faces (9 weights with italics). All fonts include uppercase, lowercase, numeral, punctuation, and special characters. The weights will give you dynamic control to use Ben in any typography projects.

Itemone is a pixel-based typeface consisting of 5 styles. It is suitable for posters, flyers, t-shirts, magazines and more, giving your designs a cool contemporary look. The main parts of each character in the monoline font, including counters, can be drawn using a single line. This has been the main principle in the design of this geometric typeface, giving each font a very distinct look. All of the five fonts have been designed on the same pixel grid with an x-height of five units. Each font in this typeface consists of 250 characters, including uppercase and lowercase characters and two sets of numerals.

The old Norse legend of Thorben Odinson is a cautionary tale. And this typeface, like the nebulous kingdom he ruled, is something of a cloudy concoction. Thorben the typeface is something of an inspiration-hybrid, pulling aspects from multiple sources and combining them into a typeface that strangely seems to work (or not – depending on your point of view). What started as a redrawing of some old carvings (on a castle wall in deepest, darkest Suffolk), is now something entirely different. Part Nouveau curves and Celtic script, topped with a few sprinkles of modernism, darkness and some quirky ideas – Thorben absorbs it all, creating a display face that feels antiquated and current at the same time. Each style also comes pre-loaded with a handful of pictograms and icons perfect for adorning your designs with extra Thorben-ness.

The original release notes from England’s Stephenson Blake Type Foundry say it all: “a type of some waywardness in design, judged from any typographical standard…a type that seems unable to decide whether to be a roman or a script." Stephenson Blake called their release "Recherché"— sought after or in great demand, which seems quite appropriate. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

There is plenty of lyric and literature about looking over one's shoulder in contemplation. What would you have done differently if you knew then what you know now? This is the kind of question that comes out of nowhere. When it does and whether its context is personal or professional make very little difference. It's a question that can cause emotions to rise and passions to run hot. It can trigger priority shifts and identity crises. It's never easy to answer. Three years ago, I published a font called Semilla. My aim with that was to distill the work of Bentele, a lettering artist from early 1950s Germany. Picking such an obscure figure back then was my way of pondering the meaning and efficiency of objectivity in a world where real human events and existences are inevitably filtered through decades of unavoidably subjective written, printed and oral history. And maybe to pat myself on the back for surviving surprises mild and pleasant. Having been fortunate enough to follow my professional whims for quite some time now, I took another, longer look at my idea of distilling Bentele's work again. I suppose the concepts of established history and objectivity can become quite malleable when personal experience is added to the mix. I say that because there I was, three years later, second-guessing myself and opining that Bentele's work can be distilled differently, in a manner more suited to current cultural angles. So I embarked on that mission, and Bowling Script is the result. I realize that it's difficult to reconcile this soft and happy calligraphic outcome with the introspection I've blathered about so far, but it is what is. I guess even self-created first world problems need to be resolved somehow, and the resolution can happen in mysterious ways. Bowling Script is what people who like my work would expect from me. It's yet another script loaded with all kinds of alternation, swashing and over-the-top stuff. All of that is in here. These days I think I just do all that stuff without even blinking. But there are two additional twists. The more noticeable one is ornamental: The stroke endings in the main font are of the typical sharp and curly variety found in sign painting, while the other font complements that with ball endings, sometimes with an added-on-afterwards impression rather than an extension of the actual stroke. In the philosophical terms I was mumbling earlier, this is the equivalent of alternate realities in a world of historical reduxes that by their very nature can never properly translate original fact. The second twist has to do with the disruption of angular rhythm in calligraphic alphabets. Of course, this is the kind of lettering where the very concept of rhythm can be quite flexible, but it still counts for something, and experimenting with angular white space in a project of a very dense footprint was irresistible. After playing for a bit, I decided that it would interesting to include the option of using optically back-slanted forms in the fonts. Most scripts out there, including mine, have a rhythm sonically comparable to four-to-the-floor club beats. So the weirdly angled stuff here is your chance to do the occasional drumroll. Everyone knows we need one of those sometimes. Bowling Script and Bowling Script Balls fonts comes with 1600 characters and features extended Latin-based language support. There are also a basic version of both fonts without all the alternates and extra OpenType features. Bowling family ships in cross-platform OpenType format. We also want to present “Mute”, a visual essay narated by Tomás García and Valentín Muro, about digital life created specially to introduce Bowling Script.

Transport yourself back to the vibrant era of the 1970s with Comisc Hippie, a groovy font that embodies the essence of that extraordinary decade. This typeface is a nostalgic journey through time, with its swirling curves and playful letterforms. Inspired by the counterculture movement, Comisc Hippie exudes a sense of peace, love, and individuality. Its bold and psychedelic style captures the free-spiritedness of the era, making it an ideal choice for adding a touch of retro charm to your designs. Whether you're working on posters, album covers, or any project that calls for a dose of nostalgia, Comisc Hippie will transport you to a groovy world of colorful expression and timeless coolness. Let the spirit of the 70s shine through with this font that embodies the era's iconic aesthetics.

MRK Maston Pro is a vintage look display typeface with 7 versions of styles. This typeface adds a bold and iconic style to your retro and modern graphic designs. It’s perfect for any graphic design or typography project that requires a solid mood. You can also use in your UI designs for a better style and system. A stylish and extraordinary font containing all punctuations, and supports multi-languages. This font is suitable for various purposes such as street style designs, T-shirts, posters, logos, labels, packaging, branding, editorial design, UI designs, and modern purposes.

I used a technical pen to the trace the letters in an alphabet learning book for this font. Of course, I drew several letters by freehand as if I were practicing, and included all of them together as a Stylistic Set.

Yue Han is a font created as a form of gratitude for all the feelings and love that has been given, this font symbolizes the willingness to let go of someone we love and move on to a better place.

Christmas Bright is a warm, elegant and cozy handwritten font. it will look gorgeous on each of your festive designs or Christmas letters. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Charles Rennie Mackintosh's artwork has an art deco feel that has been reproduced on fabrics, jewellery and all sorts of household items. Now, with this font, you can add Mackintosh icons and letter tiles with just the touch of a key.

Quorfid JNL is Jeff Levine's version of an old classic- Orplid. Especially popular in the 1950s, this cast shadow outline font has a decidedly hand-made look to it. From headlines to point-of-sale signage, it fits into all applications.

This is my roughly handprinted typewrite-ish font. It has all the cool and classic moves of the traditional typewriter look, but with a more rough attitude due to the contextual alternates (which offer 6 different versions of each letter!)

Dulan Anzelica simplifies elegance into one truly outstanding script font. This font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.

A simple, elegant semiscript…enough said. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Alkaly is a great handwritten font with a natural scratch texture. This font is the perfect fit for all of your logos, branding, social media, and many others

A slightly wide gothic with just a touch of flair. This font will add a nice elegant touch to all your designs; works great for text and headlines.

Mareka, our newest font, is now released. Beautiful, tidy, and elegant font with a distinctive shape. If you employ this typeface, your once-good project will become something truly unique. This typeface is appropriate since the shape of each letter may be used in a variety of ways, including serious, relaxed, and natural. Because everyone does not necessarily understand Japanese letters, we supply fonts with letters that can be utilized for your project. We produced this display font with a Japanese theme or an Asian font, which we designed to fulfill the needs of your Japanese-themed project. Of sure, your initiative will be understood by people all around the world. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

The inspiration source for Chaoxiang Monogram is another hand-drawn treasure from a vintage embroidery publication which plays on the anglo-version of chinese letters with stabbing strokes and the charm of the orient. While the original intent of this monogram style is uncertain, the possibilities of its use are up to your imagination. This is one of many monogram designs from the early 1900’s which fall into a two letter format bound within a framing element. Download and view the MFC Chaoxiang Guidebook if you would like to learn a little more.

Thankmom is a stylish font that incredibly exudes elegance and class. Incredibly versatile, this font fits a wide pool of designs, elevating them to the highest levels. Thankmom comes with alternate, titling, swashes, and ligatures for fully customizable designs. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Americana Bakery font with a Modern Script perfect for any creative design. This handmade font will make your design has a beautiful natural touch for each details. This font is PUA encoded which means you can access all of the magical glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Selauk is a window into the futuristic world of typography’s future. With this theme, this font is the ideal answer for projects that need a touch of modern, sci-fi, and future atmosphere. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

This charming, disarming, roly-poly typeface is based on handlettering discovered on a Sabena Airlines travel brochure of the 1930s. Include it in your next project, and a good time will be had by all. Both versions of this font contain complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Mefirah is a cute and casual handwritten font with an incredibly friendly feel. It features gorgeous swashes and ligatures that make this script incredibly versatile. This font is PUA encoded which means you can access all of the cute glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Don't try to find logic in this font, nor the harmony of the forms. It is meant to be crank. All the letters were first cut in linoleum and then digitized. Hence, everything is alive. You will find no uniform elements. We think this font will find its use in the hands of a brave designer.

A full-on go to font for logotype with modern minimalist treatment in design. This is the only font you need for all your branding needs, from text to display, we got it. Designed for clarity and simplicity, MBF Logonarium can deliver wide range of design style. This typeface also comes with plenty of ligatures and multilingual coverage

Gudytha is an elegant script font with a contemporary atmosphere and impeccable form, inspired by timeless classic calligraphy. Not too thin and not too thick, balanced and varied, this font was designed to enhance the beauty of your projects. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Stefania is an elegant chancery script, designed with wedding invitations specifically in mind. A contemporary take on chancery scripts, Stefania retains a traditional calligraphic feel. Its features include a more pronounced slant for an elegant and dynamic flow and plenty of swash capitals. With ample flourishes and frills, including a score of alternate characters, Stefania works well in a variety of creative uses. This formal script is perfect for projects that call for a sophisticated appearance.

Lualaba Snake is a bold display font, characterized by the snake-like decoration used in each letter. The design of the font was inspired by the legend of the Lualaba River in Central Africa. Snakes enjoy a special status in Africa, as they are reputed to be messengers of the ancestors, and are therefore good. Near the Lualaba river is a pool in which a big snake called Kabwe lives. Our ancestors are thought to communicate through this snake.

Billsville is a fun font that mixes the casual sassy flair of an old Flintstone cartoon with the upright legible nature of a classic serif font to create something entirely new. Although based primarily on straight lines and simple letterforms, Billsville has got softly rounded corners that make everything seem softer. A friendly, versatile display font named after Williamstown, MA, home of a website called Tripod who originally commissioned this font for their members in 1997.

Starlikes - classic duo typeface with stencil serif and regular typeface, which can be adapted to your needs and desires Starlikes is a beautiful, nostalgic lowercase and uppercase typeface that works best as focus display text (think logos, headers, pretty quotes, calls to action, etc.) think logos, headers, pretty quotes, calls to action, etc.). Upper and lower case give it great versatility, but I honestly can't get over all the crumpled uppercase letters. This is too good. Including: Numbers & punctuation Foreign language support Have a wonderful day SayStudio :-)

Rogicha is A modern stackable display font. The way you can uniquely stack different parts of this font makes it super fun to work! Perfect for all purposes. You make more creation design with opentype feature. so, Enjoy this font.

Beachside is a cool handwritten font. Clean and a little bit quirky, this font is suitable for all of your logos, branding, social media, and crafty DIY projects. This font beachside contains 194 glyphs, supporting 66 languages from English to Zulu.

Manunggal is a cool, stylish, modern and fun serif display font. This font is great for headlines, magazines, logos, branding and more! This font is PUA encoded which means you can access all of the glyphs and alternates with ease!

Hello I Like You was designed by Cindy Kinash. This is a hand-drawn font, light and tall. Hello I Like You is fun, casual and works great for any of your design needs.