Look @ Me is a cartoonish, fancy font. Its special features are the different eyes of the capital letters. The letters literally have faces and who knows, probably they may talk to you... ;)

This quirky charmer is based on a typeface called "Les Catalanes", designed in 1952 by Enric Crous-Vidal for Fonderie Typographique Française. Appropriately, it is named for the king of quirky Cataláns.

Burger Royale JNL by Jeff Levine is a bold, sans serif font with a slight Deco feel, inspired by the logo of a former Florida chain of hamburger shops called Royal Castle.

A lovely handwritten typeface is called Autumnal. For stationery, logos, t-shirts, paper, print design, website headers, picture frames, flyers, album covers, posters, image sliders, and other things, this typeface is ideal.

Narrow Nouveau JNL come from the hand lettered title on a 1907 song folio for George M. Cohan's "The Talk of New York", and is available in both regular and oblique versions.

This old victorian typeface was originally called Constantia. Since that name was already in use, we decided on a the new name of Carlingtown. Digitally engineered by Steve Jackaman and Ashley Muir.

The fonts in this family of six files contain 62 original dingbats in 5 variants, and 26 original dingbats in 2 variants plus 10 tilable patterns (Glitter Medley). For best results use layered. Note: Please be aware that you may need to prepare those patterns in order to work with them in CAD-CAM or if you intend them for bolt cutter etc.

"Lovely Style" is a very pretty handwritten font. This font features uppercase, lowercase, swashes, headings, uppercase alternative, lowercase alternative, binders, multilingual support, numbers, and punctuation. How to use letter decoration is very easy, and there is a guide in the preview. This font is perfect for weddings, valentines, engagements, stickers, banners, posters, invitations, Christmas, Easter, romantic moments, quotes, and more.

Walter Foster art books strike again, this time with a bouncy script based on the work of Al Mack, from his Lettering: Brush & Pen in the Single Stroke. Light and lively, this typeface proves that it don't mean a thing if you ain't... The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

The Three Degrees had a song called 'Dirty Ol' Man'; Christina Aguilera danced around to the tune of 'Dirrrty' and my three kids leave everything that way after they have finished their meals, so I guess I really had no other option than to call this font: Dirrrty. Dirrrty is a brush font I painted in one go. It is quite dynamic, with some serious grunge in it. Dirrrty is all caps, but upper and lower case differ and can be interchanged. Comes with with a truly disgusting amount of diacritics.

A circa-1951 toy set called “Kusan Kavalcade of Letters” was comprised of molded plastic letters and numbers a child could play with, trace and arrange to learn their alphabet and numerals. Typographically, the design was all over the place – from sans serif characters to those with some spurred serifs and even some stenciled characters because of the nature of manufacture. As odd as this combination seems, it was novel enough to be turned into a digital typeface called Stencil Playthings JNL, which is available in both regular and oblique versions.

Ragnar can be called a typeface for compact typography. It is loosely related to the Saga typeface in many ways, even including its name. During discussing on what Saga should be called, the name "Ragnarök" (Twilight of the Gods) was humorously suggested. "Ragnarök" would of course have been unsuitable, since it uses a letter with a diacritic sign, and in many computer systems, that is a deadly sin. But the shorter form, Ragnar, was kept in mind, and later used for this typeface. Additionally, Ragnar is a common male Scandinavian name.

Last year I walked half of Offa’s Dyke path, a long distance trail on the Welsh/English border. Walking the trail, I came across a beautiful stretch of forest with a lovely name: Cadora Woods. Cadora Woods font was made with a Japanese brush pen. It sort of looks medieval and a friend of mine suggested it would be the font of choice for maps of ‘The Shire’. I guess that is true, but I am convinced you can come up with some innovative uses for this font!

P22 Graciosa is a five font family based upon designs for a metal type by Carlos Winkow (1882–1952), a German type designer who lived and worked in Spain in the early 20th Century. Graciosa is a sort of hybrid blackletter/text font, with simplified blackletter caps and a serifed lowercase with subtle script flare. There is a Regular, Black, an open version called White, and an engraved version called Gris. The version called Multi serves as a fill font to allow for multi-colored layering options. A revival of these designs was initiated by Matthias Beck in 2015. The character set was expanded for use in 21 languages (OpenType Standard). The digitization and reintroduction of these old fonts—created in Spain and practically forgotten—makes them regain a new life. This project was subsidized by the Spanish Ministry of Education, Culture and Sport.

Chalkboy – Handwritten Chalk Font is a fun and casual display font suited for kids, playground, or school theme. Whether you’re using it for crafting, digital designing, presentations, or greeting card making, it’s perfect!

A distinctive display font is called Sunmood. This font looks great on stationary, logos, t-shirts, papers, print designs, website headers, picture frames, flyers, album covers, posters, and image sliders, among other things.

Introducing our new product called Rastering | Elegant Calligraphy Font Manu script. Rastering fonts include uppercase and lowercase letters, numbers, various types of punctuation and ending. All lowercase including last swash and alternate fonts.

Biloxi Calligraphy is heavier weight version with calligraphic strokes of a handwritten font of mine called "Biloxi Script". Casual handwritten style with a calligraphy feel, ideal for blog headers, menus, headlines and logotypes.

Introducing our latest display typeface called Barbarosa - Vintage Typeface is Display Vintage Serif can make your logotype become more interesting. Best Vintage font multilingual support. inspired by the decorative arts and architecture movement.

From the designers of ECLYPSE and CUBA presents another brand new idea to the 21st century. A typical handwriting font, inspired by one of my friends. I digitized it and called it RAVAN.

A large update of a successful type face: Oklahoma. There is a new style (Oklahoma Pro Marshal) and a cool Open Type Feature. Alternate characters and an effect - we call it “dancing baseline”.

Barnhard Brothers and Spindler called this typeface Congo when it appeared in their circa-1910 type catalog. The design is characterized by strong Art Nouveau influences, tight spacing and a large x-height.

Czech Stencil JNL was modeled from examples of a 1930s-era typeface from Czechoslovokia called "Patrona Grotesk" as seen in the Steven Heller-Louise Fili book "Stencil Type" (published by Thames and Hudson).

A beautiful display font is called Got Love. Add it to your original ideas to see how it helps them stand out since it can be readily suited to a huge range of projects.

Flatpen is a font that was written with a pen we used to call "Redis-Pen". It had a flat, round tip that enabled you to write letters, with the same width of stroke.

Discovered in The Zanerian Manual of Alphabets and Engrossing was this quaint charmer, called simply "Italic Roundhand". The manual touts this face as plain, practical and rapid; it's lovely, luscious and nostalgic, as well.

The hand lettered title for the 1890s book called “The Octopus” featured extra bold Art Nouveau lettering with rounded serifs. This is now available as Headline Nouveau JNL in both regular and oblique versions.

Slab Compact JNL was based on the printed title found on the box cover of a 1950s-era word games set called “Lex-O-Grams” and is available in both regular and oblique versions.

Sardis is based on a family of wood type called "Lydian," designed for American Type Founders Company by Warren Chappell in 1938. The strokes have angled ends, referencing the use of a calligraphy nib.

Our penchant for banner types lives on. This one is our take on an 1880s font called Mezzotint. Banner fonts give the appearance of art work, without having to do any. We like that.

New brushed display font called Winter Moment. Stationery, logos, t-shirts, paper, print designs, website headers, picture frames, flyers, album covers, posters, image sliders, and a lot more are all excellent places to include mindfulness.

Scriptissimo-Forte-Swirls is the bold version of Scriptissimo but with lots of swirls. Sometimes a job just calls for lots of embellishments, that's what this version is good for. Yours very swirly, Gert Wiescher.

With a rounded shape and a burlap texture, what else could we call this font? Circus Peanut is oblique and comes equipped with its own drop shadow. It's meant to be used at large sizes.

Lebensjoy was used by the Co-op chain stores in Sweden for a nationwide fortnightly flyer (called Livsgldje = Joy of Life) during 1993 and 1994. They wanted a simple but still lively and active letterform.

Within the pages of the 10th edition of the Speedball Lettering Book (1927) is an alphabet called “Vanitie”. This had been redrawn digitally as Merriment JNL, and is available in both regular and oblique versions.

Amestina’s most recent letter styles are ideal for projects that call for a handwritten aesthetic, including wall displays, wedding invitations, social media post logos, commercials, product packaging, product designs, labels, photographs, watermarks, invitations, and stationery.

Cusp is a display font that was initially inspired by austere Art Deco lettering. After the capitals were refined, then the lowercase was designed with a bit of techno flair. From these basic letterforms a variety of styles were created, ranging from the rigid DeStijl to the whimsical Loose. The result is a versatile display font family that allows the user to mix, match, and overlay the letters for a dynamic effect. In-fact 2 overlay fonts were designed specifically so that one can create graffiti-like multi-layered effects. Cusp is a super-kawaii display family of 16 fonts plus 2 overlay fonts.

Released in 1993, Ocean Sans is a sans serif design created for Monotype by the talented Malaysian designer, Ong Chong Wah. The Ocean Sans font family has a distinct contrast between thick and thin strokes which sets it apart from the rather austere Grotesques with their more monotone appearance. Ocean Sans italic is an unusual design for a sans face, a strong cursive influence gives it a flowing rhythm not generally associated with sans serif italics. Ideal for text and display setting, the freshness of the Ocean Sans font family will give the user further scope in the design of catalogues, brochures, advertisements and flyers.