Second Lesson is a classic handwriting typeface. A calligraphic typeface family, Second Lesson follows the flowing and traditional handwritten typography taught at school. The script lettering is provided in styles Regular and Bold, and consists of over 1000 glyphs and support all Latin based languages as well as Russian, Bulgarian and other Cyrillic languages. Drawn and created by Mans Greback in 2021, this lettering has a slanted style and a beautiful personality. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It also supports Cyrillic. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Larisch is a hand-lettered design by the Austrian calligrapher and teacher, Rudolf von Larisch. The original was used for the title page of the 1903 edition of Beispiele Kunstlerischer Schrift (Examples of Artistic Writing). Larisch is an attractive, casual set of caps of even strokes with rounded terminals. Except for the terminals, it is similar in style to Kunstler Grotesk. The numerals are lining or ranging figures, meaning they line up with the baseline, unlike old-style text figures. All are of equal width for setting up columns of numbers. The letters are well formed and easy to read, as you would expect from a writing master. Ligatures includes CH (123), CK (125), FT (135), LA (137), LO (167), OO (172), CO (177) and TT (181. An alternative O with underscore is provided at position 111. Friendly, but not fancy -- a very useful all-cap font.

Lil Stuart is a beautiful calligraphic script typeface. Drawn and created between 2019 to 2022, this logotype lettering has a vivid style and a strong personality. It has an optimistic look, expressive speed and characteristic movements. Use underscore _ anywhere in a word to make an underline. Example: Love_letter Use multiple underscores to make different swashes. Example: Base_____ball Use numbersign # after any letter to make a swash. Example: Welcome# Summer# (Download required.) The Lil Stuart typeface family consist of Regular and Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Humanex is the first text typeface of Sébastien Truchet. He created it during the year of postgraduation ‘Systèmes graphiques, typographique & language' in Amiens. The beginning stages of the font development involved calligraphic research based on humanistic ductus. Sébastien’s goal was to introduce modules in a lineal structure. Downstrokes and upstrokes are homogeneous. Links between stem and curve are straight. It gives solidity and thickness to the typographical composition. The first version was a Semi Bold version and its italic. This typeface gave a blackest text. You can see the first display typeface, Humanex Ultralight. Sébastien kept the Semibold structure in order to make a thin typeface. Its goal is to give support to the Semibold version. It is a good typeface in big sizes. In order to add a better legibility, Sébastien built a Book version to have a brightest grey of text. The reading is more comfortable.

The M XiangHe Hei Traditional Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. M XiangHe Hei TC features Neue Frutiger for its Latin glyphs, and works harmoniously Neue Frutiger World and Monotype’s CJK typefaces: Tazugane Gothic (Japanese) and Seol Sans (Korean). M XiangHe Hei TC is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Traditional Chinese. The M XiangHe Hei TC fonts have over 19,000 glyphs, and support the BIG5/HKHCS and CP950 character sets for Traditional Chinese.

The Absentia collection welcomes this modern serif option to broaden its typographic horizons and offer designers greater versatility. The new member shares the traits and proportions that sets this family apart, such as the truncated capital ‘A’ apex, the calligraphic ‘l’ and the distinctive ‘g’. Yet Absentia Serif adds its own personality to the mix, integrating forward-looking attributes into traditional letterforms. Laid out as bilateral or one-sided configurations, the transitional serifs help maintain a tight, orderly baseline. The balanced stroke contrast increases in the bolder weights and exudes an elegant appearance. This finely crafted typeface promotes legibility at the smallest sizes and makes it the ideal solution for body text. Available in ten weights with matching italics and two variable fonts, Absentia Serif is loaded with OpenType features such as stylistic alternates, fractions, superscript, subscript, as well as standard and discretionary ligatures.

Even though the name seems not to tell much, Indecise shows a clean and coherent design. The shapes of the characters reference the Latin typefaces that were promoted by great figures like Enric Crous-Vidal and José Mendoza y Almeida in the 50s. Indecise uses the body of incise typefaces and gets rid of the subtle terminals for the strokes. It is a high-contrast sans divided into 5 elegant subfamilies, which use different widths. From the condensed version to the extended one, the family includes 50 fonts counting upright and italic. This collection of widths make for many possible combinations of styles. Indecise is a humanist typeface, it puts geometry apart and embraces the calligraphic gesture. This helps to suggest the movement of the strokes while avoiding to create text with a static appearance. Thin and thick strokes come together and define a smooth rhythm for reading.

Chellin is a calligraphic script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Chellin is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . . Chellin has 380+ Glyph alternative characters, including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results necessary for your creativity in combining these variations of the Glyph.

Andmesh Script is a calligraphic script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Andmesh Script is interesting because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . Andmesh Script has , including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results required for your creativity in combining these Glyph variations.

Kashi is the Persian word for tile. This font is inspired from building decorations of 16th and 17th centuries in Iran. It is extremely legible even in very small size. Kasha design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Kasha was developed for multiple languages and writing conventions. Kashi supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Ghosting Script is a calligraphic script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Ghosting Script is interesting because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . Ghosting Script has , including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results required for your creativity in combining these Glyph variations.

Matthew Carter designed the Shelley family 1972 for Mergenthaler Linotype to be used as a new script face for the photo typesetting machines. The basic idea was to create one script face that would offer dfferent elegant letterforms. Matthew designed Shelley in three different versions, Allegro which is in the style of Kuenstler Schreibschrift, Andante where the caps are less flowrish and wide and Volante where the letters have its most expressive and wide forms and the lowercase z in this font is in the french anglian double stacked form. All three versions can be easily mixed to give the text a more individual calligraphic look Besides Shelley Linotype Zapfino from Hermann Zapf shows similar basics, but in a totally different letterform. In Linotype Zapfino the individual lowercase letters from the four different versions have different letterforms which gives the text an even more individual touch.

Rue is an organic, casually ornamental, narrow-faced sans serif. It is a display type structured with random traces of calligraphic tendencies. It does not begin with any noble ideals, other than to mediate between the muse of imagination and the act of realization. The spirited and exploratory design is the materialization of a feeling about fonts as a family of organisms taking on a life of its own, in work and play. Rue is the epitome of vanity and indulgence which seems to purpose itself well in aesthetics, wellness and botanicals. Its whimsical quality also suggests applications in the form of gifts and ornamentation. In retrospect, Rue was conceived as a typeface, used as an image and discovered as an ornament. It comes in 5 weights of light, regular, medium, semibold and bold, and their matching italics. Rue Display was published in 2010 by TypeTogether. http://www.behance.net/gallery/Rue/373854

Tramuntana 1 Pro was inspired by the late Renaissance and Mannerist spirit and it was designed by Ricardo Santos during 2009 for his Master in Advanced Typography (Eina-Barcelona). This project was also inspired by Robert Granjon, Garamond and Sabon typefaces. The name tramuntana (Tramontane) is the Catalonian word for the cold wind that comes from the Pyrenees mountains and goes as far as the Balearic Islands. It was designed for editorial purposes (books and magazines). This typeface family contains different font versions for different optical sizes, caption, text, subhead and display, all of them with different x-height proportions and contrast. The serifs are asymmetrical and the letterforms have geometric modulated strokes which simulates the calligraphic variations. Its design approach gives a dynamic feeling, contributing to text flow and continuous reading. The kerning has been optimized for Baltic languages and Western, Southern, and Central European languages.

The M XiangHe Hei Simplified Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. M XiangHe Hei SC features Neue Frutiger for its Latin glyphs, and works harmoniously Neue Frutiger World and Monotype’s CJK typefaces: Tazugane Gothic (Japanese) and Seol Sans (Korean). M XiangHe Hei SC is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Simplified Chinese. The M XiangHe Hei SC Std fonts have over 8,000 glyphs, and support the GB2312 character set for Simplified Chinese.

Conga Brava is the work of type designer Michael Harvey, a combination of the high-minded, purist letterforms of revivalist, modern calligraphers with the mundane, even crude, lettering of warehouse stenciling. The resulting lyrical yet utilitarian forms have a visually exciting graphic effect, which Harvey has frequently used in his book jacket designs. Like his other typefaces, Ellington, Strayhorn, and Mezz, Harvey named his design after a jazz classic, Conga Brava", by Duke Ellington and his trombonist Juan Tizol. The rolling rhythm, polished swing, and stacatto brass treatment of the tune suits the look of this sassy roman design and even more so, its stencil mate. When you need a typeface that radiates sound and motion, think Conga Brava."

RARE BIRD SPECIMEN II Specimen II is an elegant hand by Karla Lim of Written Word Calligraphy. It floats across the page on gossamer wings. Specimen II pairs well with classic typefaces like Baskerville, Garamond and Bodoni. OBSERVATIONS Specimen II is exquisitely delicate but not fragile. Best suited for unforgettable affairs. DEFINING CHARACTERISTICS Opentype programming, formal title & preposition wordart, 7 alternate ëandí options, Roman numerals, in and out-stroked letterforms at beginning and end of words, multiple alternate lowercase t cross-strokes, realistic double-letter ligatures, seamlessly connecting calligraphic letters, alternate capital letters, old style numerals, basic Latin encoding. POTENTIAL SIGHTINGS Wedding stationery suites, logo design, luxury product packaging, fragrance, wine labels.

Gyst is a neo-humanist sans-serif typeface that artfully blends the principles of Grotesque and Antiqua. With its classic uprights and the serifs in its true italics, Gyst spans the arc from a modern humanistic sans serif to a captivating calligraphic serif. Contrasting strokes and luscious, on the other hand razor-edged terminals reflect a sense of grace, thriving at the intersection of geometric precision and flourishing sophistication. Made for body text as well a s display use. In any situation, you will find the autonomous cursive posture to be a perfect playmate for the upright. Gyst comes in four upright and italic weights, all equipped with a whole lot Alternates and Ligatures.

SQUADRA is a serif typeface with more than 220 characters, framing a perfect union between typefaces of his style and unconventional shots from the calligraphic pen; Its strong and imposing appearance, the pronounced contrast between his strokes and changes in traditional aesthetics provide you with elegance and distinction to differentiate over other types of the same class. Easy modifiable and great graphic content to small and large format SQUADRA is able of generating a clear and direct message, suit almost any topic and perfect for use in posters, logos and editorial headlines. Infinitely versatile typeface that evokes both the beauty and finesse of the plants as power its thorns and its deadly poison.

Venetian 301 is the Bitstream version of the Centaur type family. Centaur was designed by the American book designer Bruce Rogers on the basis of Venetian typefaces of 1470 of Nicolas Jenson. Beautiful Italic based on a face by Ludovico degli Arrighi was developed by Frederic Warde who was an American calligrapher and typography researcher was added as Italic to Centaur. Adapted for mechanical composition by English Monotype in 1929. Its lettershapes owe much to pen-drawn letters of Italian humanist minuscule and cursive. This elegant humanist face is useful for the finest typography both for book text and display matter. Cyrillic version included small caps was developed for ParaType in 2003 by Dmitry Kirsanov.

Based on 10th century Carolingian scripts, Silentium Pro sparkles with a quiet but ebullient sense of the human hand. As a multi-featured Adobe Originals OpenType family, Silentium includes myriad alternate forms, ligatures, and titling characters that add an air of tasteful liveliness to contemporary graphic design and typography. Designed by Yugoslavian calligrapher and type designer Jovica Veljović, Silentium works well in both display sizes and text setting as small as 8 points. Silentium is the Latin word for silence, a discipline commonly practiced in the medieval European monasteries and court scriptoria where the Carolingian script flourished. Now, more than ten centuries later, Silentium Pro brings the fluid energy of their work to contemporary design and typography.

Kardia is a versatile type family that lets you compose a wide range of texts, from extensive reading materials to striking, eye-catching headlines and titles. Features include ample proportions that have been revised to maintain similar line performance across all its weights. It also has an elevated x-height which facilitates reading in small bodies, in addition to help building solid headlines. Inspired by brush lettering, it takes many features from calligraphic strokes and the foundational style, adapted to a contemporary typographic language. It has 4 weights, all of them including their corresponding italics, small caps and character set that supports Central, Western and South Eastern European, Afrikaans and many more.

Lab Slab Pro is a geometric slab typeface with a technological and minimalist look and is suitable for use in large sizes. It has eight versatile weights, (from Thin to Black) including true italics for each one, and a wide range of stylish alternate characters to improve its use in different graphic contexts. The name of this typeface was inspired by an experiment, mixing a structure with calligraphic influences and completely geometrical and structured drawings. Lab Slab Pro has a wide range of OpenType® features such as: small caps, old style/titling and small caps figures, fractions, superior and inferior scripts, scientific components and ligatures. Lab Slab Pro is Lab's best and most powerful mutation designed by Tiponautas.

Lilith Script Pro is a family inspired from hand lettering and calligraphic typography that I've seen when in urban cities when I've travelled the world. Its strength is the magical mix of contextual alternates and 104 ligatures. Both open type enabled and completely automatic make sure that the flow of the writing will always be pleasant and perfect. The ligatures will always be substituted automatically through the "liga" feature, while the contextual alternates can be turned on and off through the "calt" feature. Lilith Script Pro is perfect for special logos and playful invitations or headlines. With its 574 glyphs per style there is really nothing you can't do with this family.

Richard Lipton designed Meno in 1994 as a modest yet elegant workhorse serif family in seven styles. In 2016, he expanded this spirited oldstyle into a 78–style superfamily. The romans gain their energy from French baroque forms cut late in the 16th century by Robert Granjon, the italics from Dirk Voskens’ work in 17th-century Amsterdam. Meno consists of three carefully drawn optical sizes—Text, Display, and Banner, with Condensed and Extra Condensed widths added to the latter two cuts. Steadfast in text settings, Meno is replete with alternate forms, swashes, and other enhancements that showcase Lipton’s masterful calligraphic hand. The series offers a complete solution for achieving high-end editorial typography.

Richard Lipton designed Meno in 1994 as a modest yet elegant workhorse serif family in seven styles. In 2016, he expanded this spirited oldstyle into a 78–style superfamily. The romans gain their energy from French baroque forms cut late in the 16th century by Robert Granjon, the italics from Dirk Voskens’ work in 17th-century Amsterdam. Meno consists of three carefully drawn optical sizes—Text, Display, and Banner, with Condensed and Extra Condensed widths added to the latter two cuts. Steadfast in text settings, Meno is replete with alternate forms, swashes, and other enhancements that showcase Lipton’s masterful calligraphic hand. The series offers a complete solution for achieving high-end editorial typography.

Sultania is a harmonic synthesis of the old characters’ suppleness and the resolute, clean design of modern typography. The rich in contrast calligraphic approach with thick and thin strokes is still visible and you can almost feel traces of ink on paper while it’s shapes in general, without serifs and any embellishments, proclaim its up-to-dateness swinging between roundness and rigor. Elegant, noble, yet still affected by traces of the handwritten script, Sultania is reminiscent of power, wealth, mind and culture. Sultania’s historical roots and it’s originality remind of oriental colors. A close Orient, at the gates of Europe, in which Latin characters are mixed with distant sounds. The Byzantium of the Sultans.

Richard Lipton designed Meno in 1994 as a modest yet elegant workhorse serif family in seven styles. In 2016, he expanded this spirited oldstyle into a 78–style superfamily. The romans gain their energy from French baroque forms cut late in the 16th century by Robert Granjon, the italics from Dirk Voskens’ work in 17th-century Amsterdam. Meno consists of three carefully drawn optical sizes—Text, Display, and Banner, with Condensed and Extra Condensed widths added to the latter two cuts. Steadfast in text settings, Meno is replete with alternate forms, swashes, and other enhancements that showcase Lipton’s masterful calligraphic hand. The series offers a complete solution for achieving high-end editorial typography.

Since the beginning, Palsam was intended to be a super multilingual family, with a real cursive Arabic companion, and a display cut. The typeface was designed to be used for setting text and titles of contemporary Arabic content, specially magazines, and websites. The Arabic and Latin scripts were designed at the same time, to make a true authentic bilingual typeface. Both scripts have affected each other in several ways through the entire design process, which happened within ten years. Palsam has an inviting, approachable, fashionable and humanist look. Thanks to its low contrast, open apertures, detailed calligraphic strokes, and smooth counters, which also make it easy to read at smaller sizes. The main highlight for Palsam was the Cursive companion. For the first time, the calligraphic Ijaza style was used as a model for designing the Arabic cursive. Since the Ijaza is a hyper combination of Naskh and Thuluth, which makes it perfect to be a companion for the upright Naskh. Moreover this script was used in margins, and to highlight specific content inside a paragraph in older manuscripts. With true cursive companions in five weights, and many opentype features, Palsam grants all the tools needed to set complex information and editorial designs applications. More than 1000 characters are included per weight, including small caps, fractions, old style and lining numbers, ligatures, contextual ligatures, and discretionary ligatures. It supports over 40 languages that use the Latin extended, as well as Arabic, Farsi, and Urdu Languages. The latin script was designed in collaboration with the Slovenian type designer Alja Herlah.

Motisan Script is a lovely, modern calligraphic script. It features dynamic and pretty swashes and can be used for many purpose, such as titles, signatures, logos, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Motisan features OpenType, including the initial and terminal letters, ligatures and International support for most Western languages ​​included. To activate OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign and CorelDraw X6-X7, Microsoft Word 2010 or later. How to access all of the alternate characters, using the Windows Character Map to Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all of the alternate character using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn How to use stylistic sets font in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs Motisan PUA encoded with Unicode, which allows full access to all the extra characters without having to design special software. Mac users can use Font Book, and Windows users can use the Character Map to view and copy one additional character to paste into your text editor / favorite applications. Enjoy using

White Dream is a clean, swashy and beautiful script typeface. It brings your thoughts to the magic setting in a wonderful story or a fantasy movie. This decorative logotype font is the ultimate Disney princess typeface; a font that reminds you of everything from Cinderella and Snow White to Anna & Elsa of Frozen. With the highest quality and perfection, this is a four-style calligraphic family consisting of Regular, Thin and Swash versions. These style, and the wide selection of alternates, together guarantees that you can always use it to design a logo or headline that will satisfy its purpose. White Dream is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Charissa script is a lovely, modern calligraphic script. It features dynamic and pretty swashes and can be used for many purpose, such as titles, signatures, logos, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Charissa features OpenType, including the initial and terminal letters, ligatures and International support for most Western languages ​​included. To activate OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign and CorelDraw X6-X7, Microsoft Word 2010 or later. How to access all of the alternate characters, using the Windows Character Map to Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all of the alternate character using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn How to use stylistic sets font in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs Charissa PUA encoded with Unicode, which allows full access to all the extra characters without having to design special software. Mac users can use Font Book, and Windows users can use the Character Map to view and copy one additional character to paste into your text editor / favorite applications. Enjoy using

Sentosha is a lovely, modern calligraphic script. It features dynamic and pretty swashes and can be used for many purpose, such as titles, signatures, logos, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Sentosha features OpenType, including the initial and terminal letters, ligatures and International support for most Western languages ​​included. To activate OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign and CorelDraw X6-X7, Microsoft Word 2010 or later. How to access all of the alternate characters, using the Windows Character Map to Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all of the alternate character using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn How to use stylistic sets font in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs Sentosha PUA encoded with Unicode, which allows full access to all the extra characters without having to design special software. Mac users can use Font Book, and Windows users can use the Character Map to view and copy one additional character to paste into your text editor / favorite applications. Enjoy using

Esmelora – A Calligraphy Signature Typeface Esmelora, a captivating calligraphy signature typeface, exudes elegance and refinement with its graceful strokes and fluid lines. Each letter is meticulously crafted to emulate the artistry of a hand-written signature, creating a sophisticated and personal touch. Esmelora’s delicate curves and stylish flourishes lend an air of timeless beauty to any design, making it an ideal choice for invitations, branding, and luxury-oriented projects. The typeface seamlessly blends traditional calligraphic elements with a modern sensibility, resulting in a harmonious balance that is both classic and contemporary. With its intricate detailing and graceful aesthetic, Esmelora elevates the concept of signature fonts, providing a distinctive and memorable typographic solution for those seeking an exquisite and personalized touch in their creative endeavors. Esmelora is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Alista is a lovely, modern calligraphic script. It features dynamic and pretty swashes and can be used for many purpose, such as titles, signatures, logos, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Alista features OpenType, including the initial and terminal letters, ligatures and International support for most Western languages ​​included. To activate OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign and CorelDraw X6-X7, Microsoft Word 2010 or later. How to access all of the alternate characters, using the Windows Character Map to Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all of the alternate character using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn How to use stylistic sets font in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs Alista PUA encoded with Unicode, which allows full access to all the extra characters without having to design special software. Mac users can use Font Book, and Windows users can use the Character Map to view and copy one additional character to paste into your text editor / favorite applications. Enjoy using

Marsya script is a lovely, modern calligraphic script. It features dynamic and pretty swashes and can be used for many purpose, such as titles, signatures, logos, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Marsya features OpenType, including the initial and terminal letters, ligatures and International support for most Western languages ​​included. To activate OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign and CorelDraw X6-X7, Microsoft Word 2010 or later. How to access all of the alternate characters, using the Windows Character Map to Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all of the alternate character using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn How to use stylistic sets font in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs Marsya PUA encoded with Unicode, which allows full access to all the extra characters without having to design special software. Mac users can use Font Book, and Windows users can use the Character Map to view and copy one additional character to paste into your text editor / favorite applications. Enjoy using

Amelina is a lovely, modern calligraphic script. It features dynamic and pretty swashes and can be used for many purpose, such as titles, signatures, logos, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, and more. Amelina features OpenType, including the initial and terminal letters, ligatures and International support for most Western languages ​​included. To activate OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign and CorelDraw X6-X7, Microsoft Word 2010 or later. How to access all of the alternate characters, using the Windows Character Map to Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all of the alternate character using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn How to use stylistic sets font in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs Amelina PUA encoded with Unicode, which allows full access to all the extra characters without having to design special software. Mac users can use Font Book, and Windows users can use the Character Map to view and copy one additional character to paste into your text editor / favorite applications.

Go back to a time when the Mediterranean coastline was truly glamorous, when stylish women and men in wire-framed glasses listened to Domenico Modugno songs on the radio while sipping wine in sidewalk cafes. A relaxing summer’s day, a gentle sea breeze, taking the time to write a postcard to your loved ones in your best handwriting. The 1950’s may have come and gone, but the elegance and simplicity of that classic style has not, Mina keeps the feel of calligraphy, the long connections between letters is elastic, the clean, thin lines, it is a relaxed cursive ideal for logotypes, titles, and lettering. There are eleven Mina font styles and many loops to choose from to customize any letter. Bring the seaside glamour of a bygone era to your projects of today with Mina. Ranging from light to heavy, Mina Calligraphic, and Mina Shadow, this family of fonts work perfectly separately but you can also achieve beautiful results when combining them. Check out also Mina Chic We recommend to combine Mina with: PestoFresco Turquoise

Wink has been created as the result of exhaustive research, trial and development. It is an OpenType set of fonts which appears in a friendly and fun way, with a new twist on what Joluvian has previously created. Full of personality, with a brave and strong creative line, it is intended to reflect authenticity when being used in all types of media and styles. The ornaments offered in this font work as a graphic resource that expand all the possibilities for Wink users.
 
Although Wink is inspired by traditional calligraphic flourishes, its modern twist makes it elegant and simple at the same time. It’s not  completely a brush type but it has been created with the same calligraphy base Joluvian usually works with. Wink also has a caps version with the same style of the script. Both versions could work perfectly, individually or together. As usual, the type has been developed with Ale Paul for Sudtipos, and the collaboration of Macus Romero has been essential to illustrate the style that Wink represents.

Shellonitha is a lovely, modern calligraphic script. It features dynamic and pretty swashes and can be used for many purpose, such as titles, signatures, logos, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Shellonitha features OpenType, including the initial and terminal letters, ligatures and International support for most Western languages ​​included. To activate OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign and CorelDraw X6-X7, Microsoft Word 2010 or later. How to access all of the alternate characters, using the Windows Character Map to Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all of the alternate character using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn How to use stylistic sets font in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs Shellonitha PUA encoded with Unicode, which allows full access to all the extra characters without having to design special software. Mac users can use Font Book, and Windows users can use the Character Map to view and copy one additional character to paste into your text editor / favorite applications. Enjoy using