Winter Rosetta is a pretty script font based on authentic hand writing with natural signature style with winter theme. It comes with floral / botanical hand drawn illustration object in vector. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates and ligatures swashes PUA encoded free ornament vector We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Logirent is a unique typeface which is speciality made for a logotype. The customized ligatures is what makes this font unique. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : numbers and punctuation ligatures multilingual alternates / swashes and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

The Dorrington is a font trio package contain a monoline script and sans serif which looks great to be paired especially for vintage and adventure theme! This font trio is purposely made for headline, display or logotype, and signature which need a standout appearing. This font is also suitable to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : 2 Monoline Script Font and 1 Sans serif font uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.\

The font is actually not a revival of ‘Avant Garde’—by Herb Lubalin—but it takes its spirit. Fibra is a geometric sans serif, yet without the typical structural strictness of these kind of fonts, that represents experimental type design. This can be seen in the contrast between curves and straight lines in some characters such as ’n’ and ‘h’ unlike rounded ones such as ‘a’ and ‘d’; details of some display characters (e.g. three upper terminals in ‘W’ and projection off the stem in ‘A’); and exaggerated terminal in ‘R’. All these features give Fibra a strong personality—a sans serif typeface that ‘gives you the chills’. Fibra was specially designed for display use. The font has a very generous x-height that allows for use in corporate text, thanks to its good readability. Fibra comes with 2 subfamilies—a more ’normal’ Basic family, with a smaller amount of stylistic features, for use in subheadings or any other type of text that requires formality, and an Alt family that shows off the true potential of the font, making it the perfect choice for magazine headlines, posters and logotypes.

Axeo is a freeform serif typeface. With more than 500 glyphs for each cut, Axeo supporting wide Latin Base Languages. The font structures is sans-serif typeface. Then, the fonts is made into serif (serifed) using rhombus and adapted/modified rhombus (before remove overlaps) placed on its appropriate positions. This fonts is released first, while the sans-serif is being in process. There are 10 fonts; 5 weight in normal width: Light, Regular, Medium, Bold, and Black; and 4 in semi-condensed: Light, Regular, Medium, Bold and Black, too. The fonts has some minor character variations, all are sets in SS01.There are also standard and discretionary ligatures, arrow, some geometric shapes and ornaments. With its sansserif structure, the Medium, Bold and Black fonts is playful with text effect in various applications such MS Word, CorelDraw or others to enhance the appearance. Its serif form will make unique enhancements. Thus, the fonts is suitable for Branding, logos, cards, advertisements, banners, display and more; for the main texts or its companions. While the light, regular and medium fonts can also be used as description text, card text, note, caption and longer non-formal texts or other usages.

A cutesy wootsy, love note-writing, school girl font. Cutesy Wootsy PW is available in OpenType, PostScript and TrueType format. The OpenType format includes a handful of ligatures and alternates.

DALEK PINPOINT is a clean and precise version of K-Type’s distressed DALEK typeface, a small caps face with overtones of Greek, Phoenician and Runic alphabets, based on Dalek comic book lettering from the 1960s. The package includes Regular and Bold weights, plus an Italic and Bold Italic which are optically corrected obliques. The fonts contain a full complement of Latin Extended-A characters, and now include Greek capitals and small caps.

A highly legible typeface in 4 series Le Monde Journal by definition is intended for newspaper use & at small sizes. It’s an economical and workshorse typeface adapted to any extrem condition of uses. Even though it has the same colour as Times, it appears more open. The reading flow has been made more fluent & less abrupt. The glyphs counters are bigger, as if they were “alluminating the interior.” The form, characterized by its serifs, remains embedded in our visual memory. Intermediate weights like Book can be considered as a grade supplement of the Regular. Italics accompany Le Monde Journal. With a more delicate design & a distinctive rhythm, they remain noticeable when used with the romans. Its companion, Le Monde Sans can extend your typographic palette. For beautiful page layout, use it in conjunction with Le Monde Livre for titling sizes. The verticals metrics and proportions of Le Monde Journal are calibrated to match perfectly others Typofonderie families. This family was designed in 1994 as bespoke typeface family for the French newspaper Le Monde. The family is not used any more by this newspaper from November 2005. Bukva:raz 2001 Type Directors Club .44 1998 European Design Awards 1998

Driver Gothic is based on the typeface used for Ontario license plates. Although unique among Canadian provincial license plates, this face is very similar to, if not outright identical with, the face used on car plates in 22 American states: Arizona, Connecticut, Florida, Illinois, Iowa, Kentucky, Louisiana, Maine, Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Mexico, Ohio, Oklahoma, Vermont, Washington, and West Virginia. Driver Gothic is available in all popular font formats, and is comprised of a very extended character set (over 750 characters) covering a wide range of languages, including Central and Eastern European languages, Greek, Cyrillic, Esperanto, Turkish, Baltic and Celtic/Welsh. Driver Gothic Pro, the OpenType version, contains class-based kerning and push-button stylistic alternates for use with apps that support advanced typography. Buckle up!

The Sidetic language is a member of the extinct Anatolian branch of the Indo-European language family known from legends of coins dating to the period of approximately the 5th to 3rd centuries BCE found in Side at the Pamphylian coast, and two Greek–Sidetic bilingual inscriptions from the 3rd and 2nd centuries BCE respectively. The Greek historian Arrian in his Anabasis Alexandri (mid-2nd century CE) mentions the existence of a peculiar indigenous language in the city of Side. Sidetic was probably closely related to Lydian, Carian and Lycian. The Sidetic script is an alphabet of the Anatolian group. It has about 25 letters, only a few of which are clearly derived from Greek. Consensus is growing that the script has essentially been deciphered.

Patmos Sans is a carefuly hand crafted sans serif font, inspired by the art of the cyrillic calligraphy, as well as the script of the Greek Orthodox art. The font contains Latin, Greek and Cyrillic alphabets and supports Central, Eastern, Western European, Baltic, Turkish, Greek and Russian languages. Patmos Sans has a variety of stylistic alternates and classes, titling altrenates, discretionary and standard ligatures and it is fully unicode-mapped (PUA encoded). The standard ligatures of the font, are 4 decorative ornaments, that you may add at the end of a word and they fit perfectly with the titling alternates. All you have to do is to make sure that ‘standard ligatures’ are activated in your application, then type "d" and a number from 1 to 4.

Aristotelica Pro is the 2020 redesign of the rounded geometric sans designed by Cosimo Lorenzo Pancini and Andrea Tartarelli developing the original philosophy of one of the classic and best-selling Zetafonts typefaces, Arista by Francesco Canovaro. Originally conceived as an exercise in restraint and simplicity, Aristotelica is typographic eulogy to the simple beauty of circular shapes, aptly named after the greek philosopher who pioneered formal logic. It shows its strengths mostly in display uses and logo design, with a palette of moods ranging from the stark elegance of the uppercase hairline weights to the playful softness of the lowercase bold weights. True to its universalist calling, it has however been developed in a variant text version that applies slight corrections to design and metrics to allow for better legibility in long body copy. In Aristotelica Pro both the display and the text subfamilies have been complemented with a condensed version, though especially for mobile screens and other situations where space-saving is a concern. Also the original language coverage (extended latin, greek and cyrillic) has been expanded with the inclusion of arabic language glyphs, bringing the typeface to a total of over 1100 glyphs and 200 languages covered. The family is further enriched by the inclusion of Aristotelica Icons, a set of matching variable-width monoline icons that can be used to faultlessly match the typeface line width. OpenType features includes stylistic alternates, old style and lining figures and small caps.

Textus Receptus is a historical revival based on the Roman and Greek types used by Johann Bebel (and later also Michael Isengrin) in Basel in the 1520s. The Roman is a low-contrast medium-to-heavy Venetian reminiscent of Jenson or Golden Type. The unusual polytonic Greek, not previously digitized, is lighter in weight and supplied with all the ligatures and variants of the original. Yet when used without historial forms the Greek has a surprisingly contemporary feel: it’s quirky and playful as a display face, but still easily legible in running text. Bebel’s Greek extended and refined the one used for the first printed Greek New Testament, Desiderius Erasmus’ Novum Instrumentum Omne, published in Basel in 1516 by Johann Froben. The name of the font was chosen in honor of this edition, which was so influential that it was later called the Textus Receptus (the “received text”), serving as the basis for Luther’s German Bible in 1522 and much subsequent scholarship for over 300 years. Following 16th century practice, Textus Receptus contains 130 ligatures and stylistic alternates for Greek, accessible either with OpenType features or with five stylistic sets. The Greek capitals, often printed bare in early editions, have been equipped with accents and breathings for proper polytonic or monotonic typesetting. The Roman includes both standard and historical ligatures along with the abbreviations and diacritics typically employed in early printed Latin. For expanded language coverage it has the entire unicode Latin Extended‑A range and part of Latin Extended-B. The capital A is surmounted by a horizontal stroke, as in some 16th century Italian designs, and the hyphen and question mark have both modern and historical form variants. Mark-to-base positioning correctly renders fifty combining diacritics, and with mark-to-mark positioning the most common diacritics may be stacked, permitting, for example, accents and breathings on top of length-marked vowels. Numerals include old-style, proportional lining and tabular lining. For further details, please download the 31-page Textus Receptus User Guide.

Display type-family in op-art style with Latin, Greek and Cyrillic scripts support. Award: The Best Of Ukrainian Design in Typestyle and typography 2016.

CoalhandLuke is a handwritten font I made by using a piece of charcoal. The Pro version contains an additional set of Cyrillic and Greek characters.

Goddard is based on some very unsual lettering by Art Nouveau period calligrapher Samuel Welo. It offers a full normal character set, plus mutliple alternate versions of every lower case character and selected upper case characters as well, plus very fancy over-and-under kerning to produce a really unique look, like nothing we've ever done before.

Melancholy is designed to be a rough and blotchy typeface that replicates ink from a typewriter. The letters themselves are meant to be imperfect with a nice flow. The typeface can act as a more natural sans-serif, and provide relief from reading normal perfect sans-serif typefaces. Melancholy comes in three different styles; regular, delusional and glitch.

Qwatick is a decorative serifed family with three weights, each with an italic style. It is squarish and has small serifs. The bold style has high contrast and the regular style remains readable even at small point sizes. The family originated as a reworking of the odd display font Quidic, moving it toward normality and greater legibility.

Dex Gothic is another sort of stencil type. Instead of the "normal" routine of blocked-out horizontal or vertical areas, Dex Gothic creates its stencil appearance through the unique placement of diagonals. The result is a technical-like appearance, which bears some resemblance to 1980s technology products. Dex Gothic should be used large in headlines or logos.

Shaunte is eye-catching display bold typeface that comes in four styles: normal, inktraps, rounded, inktraps rounded. a display sans-serif with an inverted or reverse contrast. Its imperfections keep it casual while still providing legibility. Shaunte is a powerful option at large sizes for use on headings, posters, billboards, magazines, advertisements, from casual to hipster. etc.

Rohyt is a contemporary Sans-serif typeface made up of 32 fonts across 8 weights with normal and slim options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Brilk font family supports multiple languages and is available as both webfont and desktop font.

Balig Script is signature pen script, available in 2 fonts with 2 styles ( Normal & Bold ), and includes Swashes. It's perfect for signatures, logo type, weddings, posters, brochure or any display use. Balig Script comes with more OpenType features like Stylistic Alternates, Initial Forms, Terminal Forms, and also Standard Ligatures make this font more natural and letter nicely.

Germalt is a geometric typeface made up of 32 fonts across 8 weights with normal and alternate options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Germalt font family supports multiple languages and is available as both webfont and desktop font.

Nordt is a wide sans serif typeface made up of 40 fonts across 10 weights with normal and slim options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Nordt font family supports multiple languages and is available as both webfont and desktop font.

Media Blackout is a handmade font with rugged good looks. The Media Blackout Family consists of three fonts: Normal, Italic & Marker. Media Blackout Marker takes the handcrafted look one step further by adding heavy hand etched lines for a truly unique look. For an even more handmade look, switch between uppercase and lowercase for a change of etching.

Inspired by handlettering used on many WPA posters of the 1930s, this monocase display font has stylish lines and graceful curves that will add period charm to any project they grace. Available and normal and bold weights. The Opentype versions of these fonts support Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Bold Bavarian is a heavy version of my Royal Bavarian that was commissioned by King Ludwig 1st of Bavaria about 1834. I always thought, that I should design a really bold version and now finally I did. But I think it should not be mixed together with the normal version. Your lover of Blackletter typefaces, Gert Wiescher

Hypothesis is a typeface inspired in tattoo letters, chicano culture and calligraffiti. It works well with normal size text, but it works even better for large displays, short words, or even just to incorporate a few or single characters in a design. Suitable for many creative products & tattoo designs, like posters, t-shirt, street wear, logo, signage, headlines, etc.

Gulfs Display Inspired by the 90's playful cartoon & comic books. This playful font comes in six widths; condensed, semi condensed, normal, semi expanded, expanded and extra expanded. This font can be used for modern and vintage designs, also can be easily paired with some graphic elements (Illustration, Photography) this font perfect for, Logotype, Branding, Title, and Packaging.

Grold is a post-geometric typeface made up of 40 fonts across 10 weights with normal and slim options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Grold font family supports multiple languages and is available as both webfont and desktop font.

Sturdy is designed to be as black as possible yet still legible. As an OpenType Pro font it has my normal complement of around 500 characters. New to this font I have added what I call ordinals: first through tenth in addition to Caps, lowercase, small caps, lining, oldstyle, and small caps figures, ligatures, and so on.

Skie is a simple gothic sans serif with normal, condensed, and wide widths. Its distinguishing characteristics are the small x-height with tall ascenders and a minimal amount of contrast, while the apertures are semi-open to help in readability. The simple design keeps the appearance fairly neutral and presents a blend of modern and vintage qualities.

Bagor is a sans-serif typeface with a heavy touch. The concept is a big x-height and small ascender. Comes with 3 widths, namely: normal, wide, and expanded. And also a round version, making it 6 styles. Complete with ligature, alternative glyphs become an attractive choice. Bagor is perfect for branding, titling, headline, and more.

Prayuth is a contemporary sans-serif typeface made up of 32 fonts across 8 weights with normal and slim options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Prayuth font family supports multiple languages and is available as both webfont and desktop font.

This narrow neoclassical revival is based upon a font released by the Haenel Foundry, Berlin, in the 19th century. By typing [alt] + p respectively [alt] + b you have access to a framing element as it can be seen on the posters. By using the OT feature stylistic alternative you can change the normal numbersign into an oldstyle numero sign.

Scriptissimo-Forte is the bold version of Scriptissimo. When using the normal cut of Scriptissimo I sometimes had the feeling that I could well use a bolder cut to make a bigger impression, so I simply made that cut for myself. I think you can use it too; try it out. Yours very bold scriptissimo, Gert Wiescher

Tyrium is the font pack. The Normal font combines with the alternate character font to make each word unique. Then add the Splatters font as your tagline and — the ideal logo! What's included: - .TTF and .OTF files - Opentype features. - Splatters combines perfectly with Tyrium to create cool typography or logo design. - A range of multilingual support.

Ramston is a humanist sans serif typeface of 20 fonts in total — a normal and a condensed width in 5 weights with matching italics. The condensed version is designed for space-saving typography but with high legibility in mind. Ramston is an ideal font family for display, print, corporate identity, mobile devices, magazine cover, signage, and web design creation.

Motiraw is contemporary sans-serif typeface made up of 28 fonts across 7 weights with normal and alternate options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. Motiraw font family supports multiple languages and is available as both webfont and desktop font.