Designed by Wilhelm C. Pischner, Neuzeit-Grotesk first appeared in 1928 with the font foundry D. Stempel AG. In 1966, Neuzeit S was introduced by Linotype-Hell AG, intended for large bodies of text and predecessor of Siemens corporate design. Neuzeit S is timeless, combining strength of form and objectivity and legible even on inferior papers.

Klubovka is a modern typeface with a vintage style. The font is made in a combined style, so you can't call it a serif or sans-serif typeface. Latin and cyrillic alphabets are available with a modern letter design, as well as support for other languages. The font looks good in both headings and body copy.

Ramen Sans is a friendly grotesque type family with the warmth of serif types and a little bit of the edginess of geometric sans! Designed with body text in mind, it offers 5 weights (and their italics), small caps, tabular figures, fractions, numerators, denominators, and supports the Adobe Latin 3 character set (most western and central European languages).

Well Cake is a font that has a sweet, cute, warm typeface and some retro style. The body is quite thick, so this font is perfect for logo designs, posters, brochures and various other printing needs. Alternate Characters with 2 Stylistic Sets will make it easier to select long texts. Hope this font can help your design project.

Romulo is a Roman typeface, inspired by the shapes and proportions of those used between the 19th and 20th centuries. Its height X is compensated to facilitate reading in blocks of text, providing readability in small bodies. With a crystalline appearance, it has a wide variety of Open Type functionalities that covers all the needs of the demanding designer.

Modulus is a clean, minimal, modern sans typeface. It looks smooth in any layout with its sleek rounded lines, use it for your magazines, brochures and editorial layouts. Modulus makes awesome headings, it looks great on its own or with imagery, body copy looks neat and tidy. Modulus is one to add to your font collection.

Sumptuous is a classic sans-serif family that combines geometric and humanist shapes. It comes in 14 weights, 10 uprights and 10 italics. Each weight includes OpenType features such as standard ligatures, directional ligatures, tabular figures, fractions and more and also extended language support. Suitable for magazines, headline, body text, logo, poster and other graphic design projects.

Nika is a display face with a quirky personality. Born as part of an experiment in contrast within typeface development, Nika has a thin body with chunky serifs. She is simultaneously sleek and playful, legible and distinct. As part of a magazine repertoire, on neighborhood flyers, or a blog, Nika feels at home in various applications.

Orka Condensed Sans is a stylistic font developed within a set grid that creates harmony and form through elegant forms, for use at both text and display sizes. Orka Condensed is perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, body copy, digital and more. Multi-language support.

Sone is designed to be bold with stripped off nonessential details making it uncomplicated, simple in expression, yet appealing and easy to decipher, even from a distance. Serene and gentle in quality by low contrast, slow ductus and large x-height reducing the up down motion, plus enhance the legibility. It works beautifully in both, display and body copy.

Aprex Mono is a Mono spaced stylized industrial version of the Aprex Sans typeface, with multilingual support. The font is inspired by a basic sans serif glyphs structure, concerning the balance and optimization that bring a clean typeface, versatile for both display and body text use ideal for adding a touch of style to your creations and layouts!​​​​​​​

This typeface has been influenced by the ongoing traffic congestion in Melbourne, and its lack of functional and reliable public transport as a possible solution. The font shapes are square-edged constrained angles, reflecting the way the Melbourne population feels when using the public transport system or roads. Use as headings and body copy in any graphic situation.

The result of a study into the Paris Metro system; Metro Sans is a Grotesk typeface with personality. It bridges the gap between the stern terminals of a Swiss Neo-Grotesk, and the smooth curves of a modern day Geo-Grotesk. The two combine to give a versatile typeface that works well in both body and display weights.

Beaumont is a modern take on classic 1920's type, playing with stroke contrast and art deco forms. The result is a 10 font family, providing options for setting readable body copy or high impact display headings. With full multilingual character support, stylistic alternates and a range of open type features, Beaumont is perfect for a variety of situations.

Hostania is a beautiful and nostalgic serif typeface that looks amazing in both large and small settings as both display and body text. Best used as a showcase for titles and logos, sharp curves and a decorative alternative that give any project an extra touch of class. Includes: Alternative Styles Multiple Languages Supported PUA Encoded Characters.

Manata is a modern futuristic semi-cursive font. This typeface has a unique angle spreading through each glyphs to enhance dynamic and flow. Combined with straight and sharp stem to balance the overall feel and readibility. Perfect usage for large size display, title, poster, logotype and body text. Manata also support multilingual and have several alternate glyphs.

Organic Space is about preserving what natural goodness there is left in the world, with its use of curves and space usage. It represents the selection of consumers, which choose organic products instead of the alternative genetically modified version. This typeface aims to be organic and unique. This font can function as headings, subheadings and body text.

The Gadabuursi alphabet, also known as the Borama alphabet Borama is an alphabetic script for the Somali language. It was devised around 1933 by Sheikh Abdurahman Sheikh Nuur of the Gadabuursi clan. Though not as widely known as Osmanya, the other major orthography for transcribing Somali, Borama has produced a notable body of literature mainly consisting of qasidas.

A modern geometric typeface influenced by the work of Dutch designer Wim Crouwel . The angular nature of the design lends itself strongly towards large display applications but because each character is formed from a consistent grid, stylish body copy can also be achieved. Details include 6 weights, a complete character set, manually edited kerning and Euro symbol.

Rebelleon Typeface is a modern & elegant serif with ligature & more alternates. It's soft curves mixed with high contrast glyphs lend it self to both feminine and masculine qualities. Equipped with epic ligature, great in layout design for quotes or body copy, and will be unique to the use of the logo design. And also multilingual support.

Fitzgerald is a classic and elegant retro serif with a modern twist. With its decent readability, Fitzgerald is perfect for both displays as well as body text. Inspired by all the retro aesthetics making a comeback, Fitzgerald is perfectly suitable for creating nostalgic yet still clean and elegant designs such as logos, packaging, editorial, and more.

Alige is a humanist sans serif typefaces made for body text and display. Carried classic roman proportion in higher letterform for better reading experence. Inspired by Optima Nova which designed by Hermann Zaph in early 50's, alige contains 28 cuts which 14 style in text and 14 in display. Kindly visit Alige Playground for more detail presentation.

Another addition to the Whiz-Bang Wood Type series is this ultra-condensed font, well suited for very large headlines. Named for the body of water which separates Padre Island from the mainland of Texas. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Amelia Rounded is a geometric sans that keeps the softness of humanistic strokes. The combination of contrasting styles makes Amelia Rounded an ideal choice for both body and display text. The different styles included in the Amelia Rounded family offer flexibility and variation for your projects, either for a formal or a relaxed look, thanks to the Up version.

Onry Display is a modern family based on Willgray font family. It comes in 20 weights, 10 uprights, and matching italics. The ExtraBold weight is free of charge. This font family can be used as a headline or as a body copy typeface. The font features excellent legibility for print, as it does for reproduction on TV screens.

Dhaelzot is a stylish, modern handwriting font with a relaxed, informal feel. With its unique, flowing letters, Dhaelzot adds a personal touch to any design project, making it perfect for use in greeting cards, invitations, and social media posts. The font is highly legible and easy to read, making it ideal for body text as well.

FG Lina was inspired by an old handwritten book I found in the library. It contains some alternate caps characters and some rough lowercase characters. I had lots of fun designing the missing characters to fit in the script. I hope you will enjoy this Quill Script font!

Ever been tired on a Sunday? I have...and actually that was the feeling I had, when I started making this font. Nevertheless, when working on this font, my Sunday just got a whole lot better! Hope it'll make your Sunday (or any other day!) good as well! :)

Lemons here and lemons there - I really love lemons! I use them in foods, deserts and drinks. I even eat them just for the taste of it! And, I name a lot of my fonts something with lemon! This Lemon font has 3 different versions of each lowercase letter and comes in both Regular, Outside and Inside versions - use them as single fonts, or mix them for nice results! Go go Lemon Smash!

Every exit is an entry somewhere else. It’s a quote by British playwright Tom Stoppard and I really like it! Exit strategy is a rough brush font, which I made using Chinese ink (where would I be without my Chinese ink??) and the new batch of French paper I bought. Use this font to highlight all that is important, stick it on posters, slap it on book covers - it will definitely do the trick!

Limoen means 'lemon' in Dutch. Why did I call this font Limoen? Well, I guess I ran out of meaningful names, so I had to work with whatever popped in my head - which happened to be Limoen. Don't ask… Limoen is a very cute, very threedee-ish typeface. It works great in poster ads and as a display font. It comes with upper and lower case letters and a whole bunch of diacritics. Enjoy!

Yuge, apparently, is how New Yorkers pronounce huge. I have never been to New York, so I can’t tell if this is a fact. But I often hear a certain New Yorker pronounce it that way, so I guess it’s sort of true. Yuge is a handwritten font - made with a Sharpie pen. Believe me, it is a good font. It is fantastic. It is the best font ever. It is YUGE! ;-)

I never needed to digitize this early design from 1988. I found it in a drawer underneath layers of dozens of other type designs. The drawings were made with ink on paper, about 15 cm high, meticulously executed and retouched separate glyphs for a primitive photo-lettering. I used a photographic magnifier to set words and lines in my darkroom. In 2018 I decided to make a font out of it just for fun...

Technically a crowbar is a straight metal rod used for digging. The tool I had in mind when I named this font is called a jemmy or pry bar, but I guess I liked the name crowbar better. Crowbar font, like its namesake, is a very useful tool: its brush-like appearance fits any design, especially if you are aiming for the ‘scary’ look. Comes with a toolbox full of diacritics too!

I wanted to combine a classical antiqua with corners and edges. I was convinced this combination would create a new, a fresh design of types. At the beginning I used the forms from "Goudy Old Style", later I modified the sizes, the widths of the letters, the x-height and their forms in general. At the moment the Easton Family consists of 3 styles called Easton Serif, Easton Semiserif and Easton Sans.

Hi, friends! Sitting under the starry sky, I thought about extraterrestrial life and was inspired. I imagined if there was extraterrestrial life and their means of communication. The outline of this font popped up in my mind and I quickly sketched it out so I wouldn't forget it! This font is great for logos, quotes, space-themed inscriptions, it's also just pleasing to the eye and makes you think about the extraterrestrial!

Ornata B is the second of a series of old ornaments that I am trying to save from oblivion. I am not just scanning these, I am completely redesigning the ornaments from scratch, thereby eliminating imperfections. These ornaments have been first designed by the Elzevier printer family from the Netherlands. The designs date back til the 17th century and I think they just had to be saved. Your digitizing type-designing savior, Gert Wiescher

Cosmic Sans was my first font ever created for a school project. The class I made this font for was my Advanced Typography and was a semester project. I really couldn't think of a title for this font, until one of my good friends said, "Why don't you name it Cosmic Sans?" I searched the internet for any other fonts with that name, and sure enough there wasn't. Thus the name stuck. This font is more or less a display font, thus every secondary character was not created. I hope you enjoy this font and much as I have while creating it!

As a kid I used to write my favourite football teams name with 3D letters over and over again. I spent hours doing this - often to find out I had the colors wrong, or I had made a spelling error or two - but now, several years after, I have created the "Like a cat" font - so that you can make "handmade" headlines or funny quotes or even your favourite football teams name in a swoosh! If you get the colors wrong, or you make a spelling error, it's fast and easy to correct! :) Like a cat comes with substitution characters for double letters!

I have been to Japan many times, but I have to admit that I have not (yet) been to Odaiba, so this font is a reminder that I should go there one day. Odaiba is a large artificial Island in the bay of Tokyo. It is a popular shopping and sightseeing destination and its sights include a copy of the Statue of Liberty and a mega-sized Gundam Robot. Odaiba Script is a handwritten font. I used a Sharpie pen on paper, so it is nice and thick. It comes with double letter ligatures and all diacritics.