Bango Pro is a lively, heavyweight font with a strong cartoon feel, perfect for poster design, packaging, and anything that needs to draw attention - in an informal way. Originally released with uppercase and unicase characters only, this new version (commissioned in 2013 by a London-based design agency) includes lowercase characters and some additional OpenType features, like stylistic alternates, fractions, localized forms, among others.

Agafia handwriting script is based on the hand of Agafia Karpovna Lykova - the last member of the Old Believer family lived like an hermit in the Khakass taiga. The face is developed for the new book on the history of Lykov's family by Lev Cherepanov. It's built in OpenType format with a contextual substitution of letterforms and specific ligatures. Designer - Gennady Fridman. Released by ParaType in 2009.

Estravaganza is an elegant, finely crafted script, with an uneven, drizzled paint line. It has the delicacy of gossamer while boasting the extravagance of bold swashes and loops. Think "ballet-like femininity offset by the distressed paint drizzle of a jackson Pollock canvas." Use Estravaganza to brand perfume, clothing, jewelry, and to enhance wedding invitations, greeting cards and book covers. Language support includes all European character sets.

Pixel Pants is my wanna-be 1980-ies pixelfont. Well, it really looks like a pixel font, but it's kid of fake - at larger sizes you will notice the wacky and uneven lines, but it sure do bring back memories of the 80-ies! I've made 5 different versions of each letter - just to break the monotony of the usual pixel font! Insert coin and enjoy!

Based upon CA BND (the clean version) CA BND Trash is a rough and dirty version of our favorite DIN-like font. We recommend it for use in zombie movies title design, headlines for ads of a soft-drink manufacturer (who hopes to be cooler, if he uses rough typefaces), or for emocore, hardcore, softcore or "whatever-core" bands. Uhhh, its the time for the living dead.

Sticky Annie is the latest in the series of fonts I've designed that are named after my wife. Little bundles of overlapping sticks or lines make up each character. It's made to look good at small font sizes, but the bigger, the better. At small sizes it's fun and a little childish. At bigger sizes, especially in all-caps, it looks intricate, distinctive and stately.

This font is the byproduct of a T-shirt line for a punk/hardcore band I did a while ago. The guys like it skatestyle, so I scribbled their bandname and tagline with fat edding markers, which was so much fun that I decided to make it into a whole font. PiS Wallride features ligatures and OpenType alternates for an even grittier and more authentic feel.

If you liked Holiday Doodles you will love Holiday Doodles Too as it is more of the same. 42 icons to decorate your year. Birthdays, babies, Summer, weddings, presents, St. Pat’s Day, 4th of July, Valentine’s Day, Fall, Christmas, Hanukkah and more. This font is a great clip art addition to the Doodles font family from Outside the Line. For best results use in larger point sizes.

A beautiful display font is called Got Love. Add it to your original ideas to see how it helps them stand out since it can be readily suited to a huge range of projects.

Flatpen is a font that was written with a pen we used to call "Redis-Pen". It had a flat, round tip that enabled you to write letters, with the same width of stroke.

Discovered in The Zanerian Manual of Alphabets and Engrossing was this quaint charmer, called simply "Italic Roundhand". The manual touts this face as plain, practical and rapid; it's lovely, luscious and nostalgic, as well.

The hand lettered title for the 1890s book called “The Octopus” featured extra bold Art Nouveau lettering with rounded serifs. This is now available as Headline Nouveau JNL in both regular and oblique versions.

Slab Compact JNL was based on the printed title found on the box cover of a 1950s-era word games set called “Lex-O-Grams” and is available in both regular and oblique versions.

Sardis is based on a family of wood type called "Lydian," designed for American Type Founders Company by Warren Chappell in 1938. The strokes have angled ends, referencing the use of a calligraphy nib.

Queulat is a hybrid typeface that combines two different styles, reflecting charm, freshness and, especially, a strong personality. The font is inspired by Modern and Grotesk styles. The former is shown in some characteristic features such as teardrop terminals, which give the typeface an attractive unique look, making it an ideal choice for logotypes and labelling. The latter, with its rationality, makes Queulat a stable and strong face for headings and subheadings. The combination of styles can be clearly seen by comparing the regular with the alt version. The regular version is more simple than the alt one. Differently, the alternative version possesses more features of the Modern style, like teardrop terminals in ‘k’ and ‘v’. Queulat also comes with a Unicase version, in which a higher number of shapes can be found, resulting in a unique colourful display.

A feminine, graceful script whose thicker horizontals create a wave-like rhythm — hence the name. Seashore is loosely based on an "eccentric" (left-leaning) penmanship style of the late 19th century. Used mainly by professional "engrossers" in certificates and tributes, or by society ladies in their stationery and invitations, it sent a message of true refinement, as the style would have been only been mastered after the more common business, Spencerian, and standard ornamental styles. In fact, unusual script styles were in such demand that type foundries of the era exploded with metal-type knockoffs of increasing fanciness. Seashore includes a wide variety of swash capitals, alternate endings, and contextual ligatures, over 900 glyphs in all. Seashore is best used in short display settings — in names and addresses on formal invitations, in menus and food packaging, or fashion and beauty contexts.

The font is the soft version of the Queulat basic and condensed families, but keeping the same features as the original typeface. Queulat Soft is a hybrid font that combines different styles, reflecting charm, freshness and, especially, a strong personality. The font is inspired by Modern and Grotesk styles. The former is shown in some characteristic features such as teardrop terminals, which give the typeface an attractive unique look, making it an ideal choice for logotypes and labelling. The latter, with its rationality, makes Queulat Soft a stable and strong face for headings and subheadings. The combination of styles can be clearly seen by comparing the Regular with the Alt version. The Regular version is more simple than the Alt one. Differently, the alternative version possesses more features of the Modern style, like teardrop terminals in ‘k’ and ‘v’.

Tangier is a contemporary display serif font that embodies a refined sense of style and elegance. With its sleek and modern design, Tangier is perfect for use in a variety of creative projects, such as logos, titles, and headlines. The font comes in two styles - regular and italic - both of which feature strong contrast between thick and thin lines. The regular style is perfect for creating attention-grabbing headlines or adding a touch of sophistication to body text, while the italic style can be used to add a stylish flair to subheadings or pull quotes. Tangier's strong serifs give it a classic and timeless feel, while its modern design adds a touch of contemporary flair. Its versatility makes it suitable for use in a wide range of settings, from high-end branding and marketing materials to editorial and fashion layouts.

Boiling looks elegant and is very cool to use to support your current design. Because bold font style like this has become a trend in 2020 now. Besides you get thick series, you also get many more font styles to thin styles. All letter characters are very easy to combine with modern minimalist design concepts. In addition to the alternative swash until (ss05), there are also many discretionary ligature choices that are unique and easy to read. Boiling contains 11 families from Thin to Black all of which can be applied to design concepts that are at work or become your unique serif font collection. In the future, alternatives, swash, ligature or a new style of Boiling will be developed. Besides this font already contains Unicode and PUA so it can be used in design or non-design applications.

Wolby is a rough and organic hand drawn typefamily which draws inspiration from a variety of sources such as sign painting, hand lettering, comic books, cartoons, health food, sticks and stones to name a few. The letter shapes were all originally created by writing with a pointed brush. The use of one writing tool results in an aesthetical harmony between the very different styles making them all fit together. The family consists of eight styles; upright and slanted caps in regular and bold, a layered block style in fill, outline and shadow styles and a lively script. Wolby is capapble of creating very different moods depending on which style you choose to highlight. Because of it’s aesthetics, range of styles and extensive language support, Wolby is especially suitable for use in advertising, packaging design and gritty branding & fashion design. When using the layered block styles you’ll get the best result by placing the shadow layer on the bottom, the fill in the middle and the outline layer on top. These can also be combined freely so you can use just shadow + fill, shadow + outline or fill + outline. The script style is armed with a set of ligatures and swash capitals which allow you to supercharge your designs.

“Blackduck” font is a typical Gothic, usually named “Blackletter” . This typeface was born with the name of “Textur” and developed from Carolingian cursive. It was used in the middle age as sacred script, became increasingly narrower, his vertical lines were emphasized and his strokes very compacted to save space. Along the time the early German print typefaces derived in others styles that were more readable such as Schwabacher and Fraktur, very popular in Germany and sometimes associated to the identity of the country. The font "Blackduck" was inspired mixing carefully the last two “Blackletters”. We try to joine some characteristics of both to reach good legibility without loosing the strong impact and powerfulness of the shapes. Some minuscules like the “o” “c” “e” “d” are rounded on both sides, while both strokes join in an angle at the top and at the bottom. Some other lower cases are formed by an angular and rounded stroke. This font contains a full set of OpenType features; swashes, stylistics alternates, old style figures (Arabic numeral were carefully shape integrated), ligatures and some extras ornaments were added to help in your design. "Blackduck" includes diacritic signs for Central European languages.

Arabetics Aladdin is a monoshape font family with a fixed single shape per each Arabic Unicode character. Glyphs are designed to incorporate the traditional Arabetic visual characteristics found in all four varying shapes, isolated, initial, medial, and final, for each letter. The overall design also emphasizes the line-like (khat) horizontal look and feel of the Arabetic scripts without sacrificing legibility. This font family supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It includes two weights: regular and bold, each of which has normal and left-slanted (Italic) versions. The design of this font family follows the Arabetics Mutamathil style design principles utilizing varying x-heights and no glyph substitutions. The Mutamathil type style was introduced by the designer more than 18 years ago. The Arabetics Aladdin font family includes all required Lam-Alif ligatures in addition to all soft vowel diacritics (harakat), which are selectively positioned with most of them appearing on similar high and low levels—top left corner—to clearly distinguish them from the letters. The Tatweel or Kashida lengthening character is a zero-width glyph.

Bentron Calligraphic is a bold and beautiful brush font with a touch of speed and sophistication. Its rapid strokes and dynamic flow give it a signature-like quality that is perfect for adding a personal touch to your projects. Designed with a focus on the art of calligraphy, Bentron Calligraphic exudes elegance and grace with its smooth curves and flowing lines. This font is perfect for anything from logos and branding to social media posts and invitations. Bentron Calligraphic comes in four styles: Regular, Italic, Alternate Regular and Alternate Italic. This range of styles provides versatility and allows for dynamic and creative designs. Use underscore _ to create a swash anywhere in a word. Example: Space_jams Use multiple underscores to create different swashes. Example: Signa____tures The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

An inkstone, a brush, ink, and paper. In China, one speaks of “wenfang sibao” — the four treasures of the scholar’s study. With these centuries-old hand tools, Werner Schneider created a calligraphic type trilogy of the highest aesthetic order; he named this typeface family after Buddha’s stepbrother, Sunetta. Sunetta is an outstanding choice for contemporary display type purposes. Its combination of lively forms overcome sterile text passages, lending them a more personal note and feeling. But Sunetta is not only recommended for documents bestowing distinction and accolades; the fonts are superb for shorter text passages as well. Sunetta’s spirited flow raises it above the fray that so many generic letterforms find themselves mired in, creating an unforgettable impression. Sunetta’s three complementary styles, Sunetta Flair, Sunetta Charme, and Sunetta Magic, offer three varying degrees of calligraphic verve. The family’s base font, Sunetta Flair, harkens back to the showcard lettering styles of the 1950s, while remaining distinctly European in taste. Sunetta Charme has a more swash-type appearance, while Sunetta Magic is joyfully decorative — its brush-written strokes dance across the line. Together, they may help you reach typographic nirvana.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! You want a playful serif font. Something elegant and charming, but still lighthearted , fun and cheerful with a dash of mischief? Introducing The Wickyfest, a playful serif font with a classic tone. If your next project requires a playful touch, you'll love this collection of special characters and features. The Wickyfest style is incredibly well-crafted, resulting in versatile characters that can present a dashing display for your branding designs and ads. For more extravagant projects, try The Wickyfest for children-related graphics, like book covers, movie titles, or posters. Download The Wickyfest Now and make your designs more memorable. String together words that spell out who you are - not just what you do. Sharpen the image of your company or give your online presence a touch of class and charm. Don’t be afraid to let your clients see there’s more to business than just that bottom line. A Million Thanks www.colllabstudio.com

Sienna is a soft serif typeface designed for both text and display purposes. Its soft and sharp structure creates an unusual, yet pleasing appearance. This leads to a comfortable reading experience with enough personality to create impactful titles and headlines, and Sienna will really shine in your branding projects. Variable versions of the fonts are available allowing you to fine tune the weight to your exact liking. Small Caps are included (along with their matching diacritics) – adding another layer of versatility to this typeface. Proportional Lining figures are an option if you prefer them to the default Old Style figures. A number of swash alternates enhance Sienna, giving you the opportunity to add more flair and personality to your title and branding designs. Simply activate Stylistic Sets to start adding flourishes to your typography. There are 14 fonts altogether, with 7 weights in roman and italic from Thin to Black styles. Sienna has an extensive character set (800+ glyphs) that covers every Latin European language. Key features: 7 weights in both roman and italic Variable fonts included with full family 59 Alternates 8 Ligatures Small Caps Full European character set (Latin only) 800+ glyphs per font.

Amitale (A-mi-tah'-lay) is the union of Amitale Book and Amitale Wide into a new 8-font book family in my continuing objective of designing a better font family for readability in booklets. My goal here is for a full range of styles from light, regular, bold, and black without the plugged counters and clunky feel of most bold fonts. In my use, personally. I do not use Amitale Book Bold. I use Wide for the bold and Wide-Bold for the black style. In many ways, Amitale is Brinar with bracketed serifs. Many people find Brinar to be an exceptionally readable and beautiful humanist sans. This new serif font family has many of the same characteristics. This is also the debut of my new OpenType features set for 2009. There are more and more ligatures for your fun and enjoyment: bb gg ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more. Like all of my fonts, there are: caps, lowercase, small caps, proportional lining figures, proportional oldstyle figures, & small cap figures, plus numerators, denominators, superiors, inferiors, and a complete set of ordinals 1st through infinity.

Julia Child once said: the secret to great french cooking is butter, butter, butter. Thus, we present to you Manteiga - butter in Portuguese! - a typeface for heart-melting, word-spreading goodness. The idea we had was to play with brush lettering - a style we love - and go as far as we can with the shapes of the letters while finding balance between positive and negative space. We wanted biiiig personality. And small inconsistencies - the ones that add texture and life to lettering. We left extensive OpenType features and technical stuff aside for a moment, adding later only what we thought was necessary, like different shapes for the Q, a and g - for example. All caps setting was something we wanted from the beginning. In text case, the x-height is rather short for a brush script, and this lends a quirky voice. Spacing is ultra tiiiiight so don’t go too small, but make it as big as you want! Ah! And there are some fun dingbats thrown in for good measure.

Decipher, designed by Mans Greback, is an edgy graffiti-inspired font that captures the essence of street art and hip-hop culture. With its cool, calligraphic and marker-style handwriting, Decipher brings the energy and speed of urban life into your designs. Perfect for projects that require a touch of street-smart attitude, this font will take your creations to the next level. The typeface comes in four styles: the Regular style and the Symbols style, both provided in Bold. The Symbols style is a unique addition, offering a variety of tag elements such as swashes, arrows, stars, and crowns to enhance your designs further and unleash your creativity. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Mans Greback is a Swedish typeface designer dedicated to crafting diverse and versatile fonts. With a passion for a wide range of typographic styles, he has developed a range of fonts that are appreciated and utilized by designers around the world.

Hamptons BF is a beautiful, elegant sans serif with dramatic individuality. A font that steps out in Art Deco style. As a design movement Art Deco came into prominence during the 1920s and 30s when forms were typically sleek, symmetrical, geometric or highly stylized. Today the influence of this enduring style can be clearly seen in architecture, industrial design, fashion, art, graphic design, and yes, even type design. Art Deco style exemplifies luxury, glamour and modernity. I believe Hamptons BF captures something of that retro look in a nod to the past without ever looking dated, all the while retaining a contemporary flair. Named after the well-known New York resorts synonymous with style and elegance, this gothic or sans serif type is based upon University Roman, an early 1970s serif design which in turn was influenced by yet another serif design called Forum Flair (late 1960s); and that in turn owes its pedigree to the late 1930s’ Stunt Roman, which is the original source of inspiration for all of these. Quite a family tree! There’s dynamic interplay between certain wide, full-round letters such as C, D, G, O, P, Q, R, S and narrow ones like A, E, F, H, K, L, M, N, U, etc. This contrast repeats throughout certain lower case letters and serves to create a unique look of distinction. Light and Regular weights communicate a romantic, feminine appeal while the Bold offers a complementary emphasis. The font is somewhat versatile as in addition to its primary purpose for display, Hamptons BF also succeeds in settings containing short blocks of large text. It’s right at home in a variety of typographic environments: branding, packaging, signage logos, magazine headlines, invitations, menus, trendy cafes and more. Among the included OpenType features are Stylistic Alternates, Automatic Ligatures and Fractions. There is extended language support for Western, Central and Eastern Europe and Turkish.

Winslow Title is a high contrast modern type family comes in two styles and a monolinear script family. The traditional proportions of Winslow Title are historical in nature and follow the design and style of Winslow Book as a high contrast variant. The Winslow Title Mod family is a contemporary take on the style, with tapering terminals and less pronounced finials. Each family includes both styles, to be accessed through the opentype panel as a stylistic alternate. If preferable, you can purchase the entire family collection to have easier access to both styles, but it's not necessary. The typeface family comprises of roman and italic styles in six weights from Thin to Black and two widths in the roman style: Regular and Narrow. The accompanying script family has a single weight but offers five tracking widths, from Narrow to Wide. The bundle is an elegant combination of styles perfect for titling and display design. The serif typeface is packed with features that make ideal titling styles. Not only do they include the Stylistic Alternates, but also Titling Alternates, Discretionary Ligatures, Small Capitals, Swashes and Contextual Ligatures. As noted previously, the typeface comes in two styles, Traditional and Modern. Each can be accessed either by the Stylistic Alternates or Stylistic Sets. Titling Alternates are alternates that expand the ball terminals to K, R, V, W, and Y (see Titling Alternates slide). Contextual Ligatures are for capital combinations with A that tighten the gap created by the extended serifs. It connects characters with a pairing serif (the lower right serif of the M with the lower right serif of the A) and bridges them together. This combination works for single and multiple A combinations. It is turned on automatically in the Opentype panel and shouldn’t need to be accessed individually. Alternatively, the Discretionary Ligatures feature combines diagonal or baseline stems with lifted small capitals, creating a unique combination of characters. Swashes is an extensive feature that offers up to five swash options per many of each character. These can be selected via the Glyphs panel or as character alternates in Adobe programs. The Script family has a feature set of it’s own, with initial and final swashes on lowercase letters, middle swashes for select characters, and a titling feature that joins words together by replacing the space with a line. Stylistic alternates create a bouncing baseline on connecting strokes. *Note: there is no great need to purchase both families as all styles can be accessed via Opentype features, but if customers prefer to purchase both styles, it can be done by selecting the Complete Typeface Family collection.

The Getty-Dubay® family of fonts has been 500 years in the making — so that you can make your handwriting worksheets in seconds. These fonts are modern descendants of the chancery handwriting style (now called “Italic”) from the Italian Renaissance, when master scribes designed a fluid and graceful hand, inspired by the proportions of the golden rectangle and Roman capitals. The Italic style has been in constant use since then. In modern times, it has been celebrated by Alfred Fairbank, Lloyd Reynolds and many others including authors Barbara Getty and Inga Dubay in their Getty-Dubay® Italic method. The Getty-Dubay® monoline handwriting fonts provide a replete resource to effectively model the highly-legible and beautiful Italic handwriting style. These are the official fonts of Getty-Dubay® Italic. Download the Getty-Dubay® Font Guide for everything you need to know about the Getty-Dubay® fonts. The Getty-Dubay® Joined fonts produce a clean cursive handwriting with join-as-you-type ease. Four join options are included: Standard, Pointed (altered joins into m, n and r), e k (utilizing the two-stroke e and one-stroke k), and Beginning (easiest joins only). The Getty-Dubay® Basic fonts provide sans-sarif clarity suitable for young writers. The Getty-Dubay® Precursive fonts add serifs to the lowercase letters, while retaining the pure Roman capitals of Basic Italic. The Getty-Dubay® Smallcaps fonts make mixed capitals easy to use. All Getty-Dubay® fonts come with scaffolds such as dashed contours, ruled lines, directional arrow and starting dots (for Basic and Smallcaps). They support multiple Latin-based languages from around the world. Getty-Dubay® is a registered trademark in the United States.

Leo is an economic magazine and book face meant for use in sizes suitable for immersive reading, with different cuts optimized for different body copy size ranges, like footnotes and legal text. Designed with the explicit intent of relaying information without calling attention to itself, this typeface places itself squarely on the "function" side of the eternal debate about form versus content. The roman Leo fonts were built with as little ornamentation as possible, with wedge serifs, a high x-height and a skeleton somehwat rooted in the designers' reflections on the modern, post-war Dutch archetype. Rather than follow traditional models with entirely different forms, contracted widths and steep slants, the Leo italics deliver naturally subtle emphasis in reading by closely relating to the forms, stance and rhythm of their roman counterparts. The 12 Leo fonts contain over 700 glyphs each, and include support for the vast majority of Latin languages. Included OpenType features are built-in small caps, lining and oldstyle figures in both proportional and tabular sets, superiors, numerators, denominators inferiors, ordinals, automatic fractions, ligatures, and optional long descenders for optimal counterspace management in book and magazine text layout. For more information on Leo's character set, features and some print tests, please consult the PDF in the gallery section of this page.

Brophy Script is a bold connecting brush alphabet. This brush script typeface was designed in 1953 by the American type designer Harold Broderson. Broderson worked for ATF (the American Type Founders), who were the original publishers of this design. Brophy Script is a version with more handwritten letters than to its other version called Body. This a brush script face that mimics the show card style of lettering, which was very popular throughout the United States during the first half of the 20th Century. The letters appear as if they were drawn quickly and spontaneously with a wide, flat lettering brush. The lowercase letters connect to each other, cursive script style. Brophy Script is the perfect display face to provoke a nostalgic feeling for the 1950s. Anything having to do with apple pie, home cooking, or last minute sales would look great in this face. You could outfit a whole supermarket signage system in a snap with Brophy Script.

Dwiggins Uncial is based on calligraphy by William Addison Dwiggins that he created for a self-penned short story, which appeared as an insert in the book-arts publication The Dolphin in 1935. This self-described “experimental uncial” lettering features rather unusual treatments of letterforms which combine manuscript calligraphy with modern idiosyncrasies. Dwiggins Extras is a set of decorative extras features 62 stencil and woodblock motifs adapted from abstract and representational Dwiggins designs. Although Dwiggins illustrated a number of books using conventional media, he is best known for his method of illustration that uses a series of hand-cut celluloid stencils or what he called “machine ornaments.” With these stencils Dwiggins (and other designers who use his ornaments) build-up repeated motifs and patterns into abstract designs and/or representational images which have a look that is uniquely Dwiggins’ own. Unlike other illustrators, Dwiggins’ style has not been commonly imitated and therefore his style is as distinctive today as it was 70 years ago.

Introducing our newest font called Milayu, a Groovy Display font that will turn your every project into a bold and vibrant masterpiece. If you are looking for a way to give a strong, bold, and classic touch to your designs, Milayu is the perfect choice. Milayu comes in three different variants: Regular, Outline, and Shadow. This means you have the flexibility to bring different styles to each of your projects. Whether you want a strong, bold message, or a lighter look with an outline effect, Milayu has everything you need. What makes Milayu truly special are its abundant character ligatures and alternatives. This gives you the freedom to be creative and create unique and stylish designs. With multilingual support, Milayu is also ready to bring your message to the world. Milayu is the perfect choice for projects that require a bold, vibrant look. Let Milayu inspire your creativity and deliver your message in an unforgettable style.

New brushed display font called Winter Moment. Stationery, logos, t-shirts, paper, print designs, website headers, picture frames, flyers, album covers, posters, image sliders, and a lot more are all excellent places to include mindfulness.

Scriptissimo-Forte-Swirls is the bold version of Scriptissimo but with lots of swirls. Sometimes a job just calls for lots of embellishments, that's what this version is good for. Yours very swirly, Gert Wiescher.

With a rounded shape and a burlap texture, what else could we call this font? Circus Peanut is oblique and comes equipped with its own drop shadow. It's meant to be used at large sizes.