The hand lettered title on the 1943 sheet music for "This Love of Mine" formed the basis for Deco Style JNL, which is available in both regular and oblique versions.

Based on the original design of Nicholas Jenson 1470-76, this is a revival of one of the popular wooden type fonts of the 19th century. This font was also created in a slightly different version by William Morris circa 1890. Suitable for text.

Steve Jackaman & Ashley Muir. A new uncial design with a decided Celtic feel. Connemara contains all the high-end features expected in a quality OpenType Pro font.

Spectra is a more modern cut of the original New Spectra.

In 1894, Linn Boyd Benton finished a commission for a new text typeface with the American periodical, Century magazine. Century is typical of the neorenaissance movement in typography at the end of the 19th century. Morris Fuller Benton drew a number of versions of the font for the font foundry, American Typefounders, and Century was later taken up by the firms Linotype, Intertype and Monotype.

Catorze27 is a typeface inspired by northern Portuguese modernist lettering. Wrought iron is a widely used element on Portuguese architecture and, as such, the typeface started after collecting several photographs of modernist iron signage in several cities in the north of Portugal, specially in Espinho, Porto, Ponte de Lima and Viana do Castelo. As a result, Catorze27 / Style 1 is the first of 3 styles, featuring 570+ glyphs, 7 weights, case-sensitive forms, 2 styles of numerals in 2 sizes, Greek (Monotonic), Cyrillic and supports most of the Latin Unicode ranges.

Arabic Ramadan Font is a fancy, unique, and versatile arabic font, that you can combine to get any variations and unique shapes easily just in seconds with choose alternates of them. It is a serif display font with moderate contrast that perfect for moslem branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects, it makes with a high level of legibility. What's Included: Character set A-Z Uppercase & Lowercase Numerals & Punctuation Accented Characters (West Europe) Stylistic alternates Works on PC & Mac Recommended using Adobe Illustrator or Adobe Photoshop. Wish you enjoy our font. :)

Modern Brush Style is a font duo combinations of serif and script font to express modern, elegant impressions in your designs. The serif font is characterized by scratches or hooks connecting the letters. On the other hand, script font is designed in brush styles of which letters are interconnected looking similar to a curve writing. You can use this font mixture as a beautiful set or separately as their own lovely characters. Additionally, this font duo has some unique features to enable you to maximize your designs. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Modern Brush Style fits for various design projects, such as posters, banners, logos, magazine covers, quotes, name cards, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Hopefully, you have a great experience using our font. Feel free to contact us if you require more information when you are dealing with a problem. Thank you. Happy designing.

Scribner's Magazine was an illustrated periodical published from 1887 to 1939. The 1895 holiday issue “Scribner's for Xmas” had the cover text hand lettered in an Art Nouveau style with spurred serifs. This is now available digitally as Nouveau Style JNL, in both regular and oblique versions.

This is the Bruce Foundry’s Old Style No.20, which was loosely based on the Miller & Richard Old Style. It was recut at Lanston under Sol Hess’ direction in 1909, and survives as the second text face in the Sears Roebuck Catalogue.

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This beautiful version of Century Old Style by Les may be superior to any existing versions.

Binny Old Style is based on type designs originally cut in Scotland about 1863. Binny Old Style shows the influence of the types cut by William Caslon but was an attempt to make a modernized version by eliminating some of Caslon's more archaic features. It was cut by some American foundries at the end of the nineteenth century and by Lanston Monotype for mechanical composition, in 1908. Binny Old Style was named after Archibald Binny, a Scotsman who established a type foundry in Philadelphia in 1796. The Binny Old Style font is ideal for small point size settings in newspaper advertisements, catalogues etc.

Steve Jackaman & Ashley Muir. Packard Old Style is based on lettering drawn by Oswald Cooper for the Packard Motor Company (ATF 1913). The bold weight is credited to Morris Fuller Benton (ATF 1916), but it is highly probable that Benton did the adaptation for both weights. Packard Old Style Pro contains all the high-end features expected in a quality OpenType Pro font.

Originally designed by Sol Hess as just a roman and italic for Lanston Monotype, circa 1920-23.

Introducing color Retro font family. Modern retro design dictates its own rules and graphic techniques - one of which is fonts with outlines. Retroline font family embodies this. 4 fonts with black stroke and white fill, and 4 fonts with only black stroke are perfect for retro illustrations. Color scheme of colored fonts is convenient and easy to recolor in graphics programs. Retroline fits comic illustrations or designs from the 90s Features: 8 fonts in family: - 4 color fonts with fill & outline - 4 fonts with outline only 2 weights of fonts 2 weight of outline Kerning IMPORTANT: - OTF SVG fonts contain vector letters with gradients and transparency. - Multicolor OTF version of this font will show up only in apps that are compatible with color fonts, like Adobe Photoshop CC 2017.0.1 and above, Illustrator CC 2018. Learn more about color fonts & their support in third-party apps on www.colorfonts.wtf - Don't worry about what you can't see the preview of the font in the tab "Individual Styles" - all fonts are working and have passed technical inspection, but not displayed, they just because the website MyFonts is not yet able to show a preview of colored fonts. Then if you have software with support colored fonts - you can be sure that after installing fonts into the system you will be able to use them like every other classic font. Question/answer: How to install a font? The procedure for installing the font in the system has not changed. Install the font as you would install the classic OTF | TTF fonts. How can I change the font color to my color? · Adobe Illustrator: Convert text to outline and easily change color to your taste as if you were repainting a simple vector shape. · Adobe Photoshop: You can easily repaint text layer with Layer effects and color overlay. ld.luxfont@gmail.com

Halimun Script Style – a new modern & fresh script with a handwritten and script style makes this font looks elegant, natural, stylish, and perfect for any awesome projects that need handwriting taste. This font is perfect for photography, watermark, social media posts, advertisements, logos & branding, invitation, product designs, label, stationery, wedding designs, product packaging, special events, or anything that needs handwriting taste. Thanks for checking it out, and feel free to message me if you have any questions! say hello by e-mail: creatypestudioco@gmail.com

As the name suggests, Goldie is an old-style serif typeface designed for striking headlines. Goldie has strong rounded serifs and a soft touch to it. It suits well to movie titles, novel covers, posters and so on, wherever you need a certain classic feeling and the font itself to act as an illustration. Goldie Old Style is easy to use to create nice strong headlines with character. In addition it’s equipped with 230 interlocking Discretionary Ligatures, Swash Alternates and a selection of common accented characters that are scaled down, so that they match the height of the rest of the font with the accent marks. These smaller accented characters are set in uppercase Stylistic Alternates.

Wild Style basic is a simpler version of our Wild Style font with outlined letters on the capital keys and filled letters on the lowercase keys. This font also includes several symbols & foreign language characters.

Inspired by the Froben capitals believed to have been cut by Peter Schoeffer the Younger, son of Gutenberg’s apprentice, this design is neither strictly a Venetian nor an Aldine. The archaic approach and lack of the Aldine model lead us to place the face in the Venetian group. The design owes more to Goudy than to Schoeffer.

A unique design accurately revived by Steve Matteson in 2021. Frederic Goudy designed Companion Old Style for Women’s Home Companion in 1928. In his own words: “I believe the new letter I showed him, both in roman and italic, is one of the most distinctive types I have ever made. It incorporates features which deliberately violate tradition as to stress and curves, but which are so handled that attention is not specifically drawn to the innovations introduced.” Companion Old Style exudes the style of pre-World War 2 Americana. The unique characteristics are wonderful for greeting cards, wedding announcements and holiday invitations. Companion’s nostalgic letterforms are light hearted and quirky yet highly readable.

An original design, loosely based on a typeface from an old wood type specimen book from the turn-of-the-century.

Iowan Old Style was designed for Bitstream in 1990 by noted sign painter John Downer. Iowan Old Style is a hardy contemporary text design modeled after earlier revivals of Jenson and Griffo typefaces but with a larger x-height, tighter letterfit, and reproportioned capitals. Cyrillic letters were designed by Natalia Vasilyeva in 2016. Iowan Old Style Cyrillic was released by Paratype in 2017.

Each style includes 6 fonts of 100 characters each of circle, square, and diamond in positive and negative. For ordering purposes, each style (6 fonts) counts as 1 font.

Proudly presenting our latest product: Kingsman! Kingsman is a simple font, comes with alternate characters and some ligatures. This font looks elegant, readable, stylish, and catchy. The fonts are great for products, logos, wedding cards, clothing brand logos, vintage designs and much more.

Monotype Old Style is a nineteenth century update of Caslon Old Face with characteristics of the moderns built in. Monotype Old Style was recut by Monotype in 1901 from a Stephenson Blake & Company version. The design originated at the Miller and Richard foundry in 1860. In some respects it can be seen as transitional between old style and modern, but the spirit of the old styles predominates. By the turn of the century it had become a successful rival to the moderns. The Monotype Old Style font family is an attractive design which gives a light, airy feel to text.

Each style includes 6 fonts of 100 characters each of circle, square, and diamond in positive and negative. For ordering purposes, each style (6 fonts) counts as 1 font.

Cattle Call JNL is reminiscent of Old West posters and broadsides. The design is based on an extra condensed antique wood type and is available in both regular and oblique versions.

Casting Call JNL is a simple condensed sans modeled from the hand-lettered title of a piece of vintage sheet music entitled "Somebody Else is Taking My Place"; a 1940s song co-authored and made famous by bandleader Russ Morgan.

HANNAH & CLAY | handwritten serif font After the love that MILK & CLAY received, I thought I would make a serif version for all you serif typeface lovers out there. It is the handwritten version of one of my favourite fonts 'hannah hannah'. I absolutely love how this turned out and the unpolished warm feeling this font has. It feels very high-end, but still approachable, inviting and grounded because of its soft edges and human feel. I hope you love it as much as I do xx

In today's day and age, the term "calling card" refers to a prepaid means of making long distance phone calls. In a more gentler time, the calling card (similar to a business card) was what a gentleman presented to a housekeeper or butler when visiting (calling) on a friend or business contact.

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. Clay Handwriting Pro is a beautiful typeface that mimics true handwriting closely. Use Clay Handwriting Pro to create stunningly beautiful designs easily. This typeface comes with alternative characters for sophisticated typography – all easily accessible as OpenType features. A “random” feature even allows for automated random switching between variations of the same character, resulting in type that looks authentically handwritten.