In the 1946 French lettering book “100 Alphabets Publicitaires” (“100 Advertising Alphabets”) is a hand-lettered “Western” font called “Italian". This served as the basis for Cattle Town JNL, which is available in both regular and oblique versions.

ARTA is an ArtDeco style font, inspired by classic font like Newport Classic with elongated typeface with high waisted uppercase letters which curve in an geometric and elegant way. It consisted of really condensed lettering which had little space available. It's a well complet font with 315 Glyphs for most latin languages as "English, French, Spanish, German, Icelandic, Afrikaans, Catalan, Czech, Esperanto, Hungarian, Latin, Latvian, Lithuanian, Maltese, Northern Sami, Polish, Serbo-Croatian, Slovak, Slovene, Sorbian, Turkish and Welsh". ARTA will give to your design an chic presentation, you will be able to generate beautiful writings,thanks to 3 differents type "Light, Regular & Bold". It can be used for Shop, Restaurant, Jewelry, Cosmetic, Press identity & more. I started to work on this typeface at the creation of a logo in 2017 for the butcher shop of my uncle in Luchon in France named "Le Louchébem". I always had in mind to complete & share it. So after some years, I decided that it was time to finish it. This was my first Typography creation and I wanted to make it as an Art Deco typeface. I really love this elegant, high & classy lettering style. I want to bring this 1910's vibes back to be more use in our days.

TT Fellows useful links: Specimen | Graphic presentation | Customization options There can't be too many universal fonts! Meet TT Fellows, a new workhorse whose functionality allows you to comfortably use the font in a variety of projects. Calm and neutral at first glance, the mood of TT Fellows can change. Working with the typeface, you can reveal its soft and friendly nature, or even the brutal one, for example, by typing the text exclusively in capital letters in the bold style. TT Fellows is easy to use and perfect for setting large text arrays. Thanks to the font's uniwidth and versatility, the font is ideal for use on websites or in periodicals. Bold styles will work harmoniously in headlines or as accents in print or on packaging. TT Fellows is a humanist sans serif with a mechanical touch. With its open shapes, the friendly neutral character of thin weights and an even softer character in bold weights, the new typeface differs in character from the classic TT Norms® and TT Commons sans serifs, while still offering the same functionality. Calm regular styles differ from bold, deliberately display and more expressive ones. By the way, TT Fellows is a unwidth typeface. It was important for us that the user could change the styles, knowing that the layout will not suffer. The typeface features equal width proportions, open apertures, and slightly squared ovals, which associatively brings it closer to other popular modern fonts. Since the idea of the typeface was focused on it being a uniwidth typeface, we needed to fit the bold styles into the regular em squares, which led to interesting graphic solutions that are noticeable, for example, in the k and ж characters, in which the branches are cut directly into the stems. TT Fellows consists of 19 styles: 9 upright, 9 italic and 1 variable, each with over 700 glyphs. The font has 26 useful OpenType features. For example, there is a switch to single-part versions of letters a and y, fractions, tabular characters, case versions of punctuation, and localized versions of characters for different languages. There is a ligature for a combination of two characters of a complex design fl. TT Fellows font field guide including best practices, font pairings and alternatives.

Nothing is hidden in the simplistic forms and overt aesthetic of Anya Danilova’s Rezak font family. Rezak is not a type family directly from the digital world, but was inspired by the stout presence of cutting letters out of tangible material: paper, stone, and wood. With only a few cuts, the shapes remain dark and simple. With more cuts, the shapes become lighter and more defined, resulting in a dynamic type family not stuck within one specific category. The Black and medium weights began as one approach before separating into display and text categories. The four text weights were created through pendulum swings in design direction that experimented with contrast, angles, tangent redirections, and the amount of anomalies allowed. The text weights are vocal when set larger than ten points and subtle at smaller sizes. The tech-heavy Incised display style came last, employing a surprising range of trigonometric functions to make it behave exactly as desired. Its look can result in something distinctive and emotional or completely over-the-top. Most normal typefaces change only in thickness; Rezak changes in intention, highlighting the relationship between dark and light, presence and absence, what’s removed and what remains. Rezak’s Black and Incised display styles are like a shaft of light in reverse and are perfect in situations of impact: websites, headlines and large text, gaming, call-outs, posters, and packaging. The tone works for something from youthful or craft-oriented to organic and natural products. Try these two in logotypes, complex print layering, branding, and words-as-pattern for greater experimentation. The text styles are bold, energetic, well informed, and round out the family with four weights (Regular, Semibold, Bold, Extrabold) and matching italics for a family grand total of ten. These jaunty styles work well in children’s books, call-outs, movie titles, and subheads for myriad subjects such as architecture, coffee, nature, cooking, and other rough-and-tumble purposes. Rezak’s crunchy letters are meant to expose rough, daring, or dramatic text. A further benefit is that this family is not sequestered within one specific genre or script, so it can be easily interpreted for other scripts, such as its current Latin and extended Cyrillic which supports such neglected languages as Abkhaz, Itelmen, and Koryak. Rezak’s push toward creativity and innovation, with an eye on typography’s rich history, reinforces our foundry’s mission to publish invigorating forms at the highest function and widest applicability.

Cosmic Sans was my first font ever created for a school project. The class I made this font for was my Advanced Typography and was a semester project. I really couldn't think of a title for this font, until one of my good friends said, "Why don't you name it Cosmic Sans?" I searched the internet for any other fonts with that name, and sure enough there wasn't. Thus the name stuck. This font is more or less a display font, thus every secondary character was not created. I hope you enjoy this font and much as I have while creating it!

Pseudo-Hellenic is a font based the Greek typeface of Firmin Didot. The original Greek typeface became standard during the Victorian era and remained popular until the last part of the twentieth century. Pseudo-Hellenic seeks to create an environment reminicent of the many Greek texts and is meant to re-create their ethos while communicating with a non-Greek speaking audience. Pseudo-Hellenic with full punctuation, a character 221 glyph character set that allows the user to type in most Western European Latin alphabet languages. Being a decorative font, it works best at larger point sizes.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This expanded version only contain the bold weight, however there are also stencil (Nouveau LX Stencil) and condensed version (Nouveau LX) available.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This font family only contain the bold weight, but there are also a stencil and expanded versions available.

The hand lettered title found on the cover of the 1932 sheet music for “Dancing Marathon” inspired the digital revival of this unusual lettering as well as the font’s name. This eccentric Art Deco design (with a slight bit of Art Nouveau mixed in) is a thin, monoline typeface. Dancing Marathon JNL is available in both regular and oblique versions. Dance marathons got their start during the Great Depression as people desperate to earn a few dollars would enter into contests that went on for hours until the last couple remained standing on the dance floor.

BetterKamp was originally constructed in 1995-6. It was not constructed to meet any specific purpose but out of curiosity, to see what the result would be if two quite different faces were blended. KampIngriana is the offspring of BetterTypeRight, which has characteristics of a typewriter face without the monospacing, and KampFriendship, which mimics a serifed face drawn by hand. The original blending had many oddities that I did not clean up until 2020 when I also added the semi-bold weights. BetterKamp lacks polish and elegance, but it is very readable at small point sizes.

Graduating Class JNL was inspired by the hand lettered titles found on a 1934 high school yearbook from Richmond Hill, NY called "The Senior Dome". This Art Deco era type design is available in both regular and oblique versions.

Seritta is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. This font is PUA encoded which means you can access all glyphs and swashes with ease!

Ageitha is a modern and luxurious handwritten font. Elegant and stylish, this font will become your top choice in no time. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Hand selected from multiple sources, the 60+ glyphs of Antique Borders & Corners 2 can be mixed and matched to make authentic 18th and 19th century borders of any length. Flip the orientation for 'bottom' borders with the shift key.

Monospaced black slab-serif without any philosophy or idea, it doesn't pretend to be anything sophisticated, it is as simple as chewing gum or a can of soda. Simple and angry typeface Ivan has a lively friend — Juan typeface.

Oboni, how are you. I am fine, thank you! This little song is what you will hear in Ghana and Togo. The white people are called Oboni and the black people are the Amebo. We'll bring both cultures together!

Ristretto Pro is an extremely narrow display sans-serif font family available in 8 weights. It features rich language support, 6 sets of figures and small caps. Ristretto Pro also comes with its slab-serif counterpart - Ristretto Slab Pro.

Big Country is a versatile bold new font that is great for headlines or product logos. It is an elegant design but can also be used playfully. "Big Country" is easy to read even at fairly small point sizes.

Hello Everyone, introduce our new product Font Enchatty it is Handwritten Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. You can activate 13 Ligatures glyphs and 4 Alternate glyphs OpenType panel.

Khadijah is a classy and elegant modern calligraphy font. It can be used for various purposes, such as logos, wedding invitations, t-shirts, letterhead, signage, posters and more. It includes OpenType features including alternates, ligatures and multi-language support.

Courtside is a casual all caps handwritten font. It's easy to read and it has a playful feel to it at the same time. Get inspired by its simplistic charm and use it to brighten up any creative projects

Florisa is a typeface inspired by the unique shape of flower petals, which are made into unique letters. Florisa can be used for displays, headlines, logos etc. Florisa comes with capital letters, numbers and some symbols, and line version

DGS Art Deco Greek is a unique typeface breaking all boundaries available in Latin and Greek scripts. It can be used in a wide range of projects including invitations, theatre and cinematic productions, branding, logos , adverts and much more.

Old Greek inscriptions were Carol Twombly's inspiration when she created Lithos, which appeared with Adobe in 1990. The alphabet is composed exclusively of capital letters, which can also be used as initials combined with other fonts, such as Caslon.

Saga Arjuna is a modern, elegant and luxurious font with custom alternatives and multilingual support. With a strong desire and grace, it can be used as a logo and title. Great for books, product packaging, advertisements, brands and more.

Kadya is a very detailed and thin lettered script font. Get inspired by its beautiful style and use it to create lovely designs. This font is PUA encoded which means you can access all the glyphs and sweeps easily!

The face exudes Edwardian elegance, based on a 1905 release from American Type Founders called Meriontype. It's evocative of simpler times. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Black Stamp is a unique, strong, and original handwritten font. Natural and elegant, this font can be used on a wide variety of designs such as headlines, titles, headings, logos, branding, posters, invitations, books, and any other creative design.

Here is it, Tasty Matcha Fonts. Based on my favorite drink become a fonts called Tasty Matcha. The fonts looks good, stunning, great, ease reading. What's Included Inside The Fonts ? Uppercase Lowercase Symbols Numerals European Multilingual Thank You, Regards!

Hello Everyone, introduce our new product Font Cassella This Is Quick Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. You can activate 28 Ligatures and 22 Alternate glyphs OpenType panel.

Lovely Hydrillas Font is a modern handwritten font loaded with 55 ligatures for that handwriting look. Lovely Hydrillas Script Font can be used for wedding invitations and wedding calligraphy, feminine or organic logos, small business branding, packaging, and more!

Minda is a classy and elegant modern calligraphy font. It can be used for various purposes, such as logos, wedding invitations, t-shirts, letterhead, signage, posters and more. It includes OpenType features including alternates, ligatures and multi-language support.

Monospaced black slab-serif without any philosophy or idea, it doesn't pretend to be anything sophisticated, it is as simple as chewing gum or a can of soda. Simple and lively typeface Juan has a ascetic friend — Ivan typeface.

Evocativa has a perfect combination of roman bodonian inspired ornamented caps with a well crafted blackletter set, in a balanced typeface suit to use in your headings text projects and in jobs with a classit and yet antique feeling.

Pullman is based on turn-of-the-century lettering reminiscent of the signage on some luxury Pullman-style train cars of that period. It is a heavy script font with a lot of character and an authoritative, elegant look.