Christmas Lantern is a straightforward handwritten font. Add it to your original ideas to see how it helps them stand out since it can be readily suited to a huge range of projects.

Rococo Titling is a set of ornate titling caps based on work done by Jacques-Francois Rosart (1714-1777) and Pierre Simon Fournier (1712-1768) during the middle decades of the 18th century.

Kayane is a splendid script font that can be used for branding, greeting cards, wedding invitations, and many other projects. It will add luxury to any design project that you wish to create.

Introducing, Monstorm!! very suitable for logos, clothing, branding and others. very easy to use without the hassle of drawing, just by purchasing this font you can immediately use it for all your needs.

Springbok is a striking display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

You can not find such a lovely, unique and funny blackletter. Enjoy and have fun with this font. There are two other fonts designed by in the same concept. -Xesy -Ekistra -Deluta Black

From the designers of ECLYPSE and CUBA presents another brand new idea to the 21st century. A typical handwriting font, inspired by one of my friends. I digitized it and called it RAVAN.

Pansies is a playful, multilingual handwritten font. It can be used for various projects like handmade craft tags, product labels, brand identity, journaling, cards, and anything that meets the eye of the designer.

A large update of a successful type face: Oklahoma. There is a new style (Oklahoma Pro Marshal) and a cool Open Type Feature. Alternate characters and an effect - we call it “dancing baseline”.

Sragera is a rounded and bubbly display font offering you lots of creative space! You can use it to design outstanding titles, posters, book covers, magazine headers, product packaging, and so much more

Avengeline is a beautiful and refined script font. It has a classy, elegant and modern look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more!

Strong Stencil JNL derives its name from its visual appeal. Strong, rugged, all-purpose; this type design (modeled from a set of brass stencils) can take on the toughest type chores and deliver.

SF Animatron is a complete transformation of one of our older designs, SF TransRobotics, which was inspired by those futuristic robots who like to pretend they're cars, trucks, planes, and things like that.

Barnhard Brothers and Spindler called this typeface Congo when it appeared in their circa-1910 type catalog. The design is characterized by strong Art Nouveau influences, tight spacing and a large x-height.

Intentness is an incomparable display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Czech Stencil JNL was modeled from examples of a 1930s-era typeface from Czechoslovokia called "Patrona Grotesk" as seen in the Steven Heller-Louise Fili book "Stencil Type" (published by Thames and Hudson).

Werble JNL is a wiggly, wavy, novelty font that can be used for anything that needs to show movement. It also lends itself well to spooky themes such as Halloween or horror films.

Swashy Newstyle Tattoo-Font Gangsterstyle. Bibiana is the Sisterfont to Tinka Babe Tattoofont. Bibiana is best for Tattoart like Tattooflash.Bibiana Tattoofont comes with many OpenType Features. Alternate Ends Alternate Caps Ligatures Extra swashes

After my son was born, I found myself reading him a lot of books. A LOT of books. Some were good, some were great, but I found myself wanting to develop something using my skills and interests to make something that only I could make. In short, I realized my son needed to be indoctrinated—I mean, introduced into the wonderfully wild world of fonts. So, I set about to make a board book to teach about typography, called “The Clothes Letters Wear.” You can learn more about the book here. I’ve made the captivating illustrations bright and colorful, and the use of different letter forms makes for a fascinating read to delight ages young and young at heart. And, as an added bonus, this children’s book has a custom designed font. I’m always looking for an excuse to design a new font, and this book created the perfect alibi. Drum roll, please. I now give you … Cabrito (“little goat” en Español). This new serif typeface incorporates the latest research on typographic legibility for children, features to make it—well, extra legible. A little background: studies show that Bookman Old Style is one of the most readable typefaces, and as a consequence or perhaps the reason why, it is used thoroughly for children’s books. This font became my initial inspiration for the typeface. Then, I found more legibility research saying that (brace yourselves) Comic Sans is also very legible for beginning readers, much due to the large x-height and softer, easily recognizable forms. In addition, forms that are closer to handwriting also seem to be more legible. Once I threw all that into my cauldron and stewed it a bit, the result was a pleasantly rounded typeface that includes not-so-strictly geometric, handwriting-inspired forms for the b, d, p, and q. Es guapo! Cabrito’s slender weights are simple and fun, with extras that turn any “bah humbug” into a smile. Add lighter touches to your project with the typeface’s included sparkles or rainbows (not included). Splash a little more color on the page with the firmer look of the thicker weights. Cabrito’s upright variations across all weights are matched by optically altered italics, too, giving you even more variety with the font family. This modern typeface’s bundle of alternates can be accessed in any OpenType-enabled software. The fashionable options involve a significant team of alternates, swashes, and meticulously refined aspects with ball terminals and alternate titling caps to decorate the font. Also bundled are swash alternates, old style figures, and small caps. Peruse the PDF brochure to check out these options in motion. OpenType-enabled applications like the Adobe suite or Quark allows comprehensive control of ligatures and alternates. This font family also provides the glyphs to aid a variety of languages. Cabrito is a welcoming, everyday font family by Jeremy Dooley. Use it to convey warmth and friendliness on anything from candy and food packages to children’s toys, company IDs or run-of-the-mill promotional material. Cabrito’s unique appearance and high legibility make it equally at home in print as it is on a screen.

An inline adaptation of a distinctive slab serif, Cesium is an unusually responsive display face that maintains its high energy across a range of different moods. The Cesium typeface was designed by Jonathan Hoefler in 2020. An energetic inline adaptation of Hoefler’s broad-shouldered Vitesse Black typeface (2000), Cesium is named for the fifty-fifth member of the periodic table of the elements, a volatile liquid metal that presents as a scintillating quicksilver. From the desk of the designer, Jonathan Hoefler: I always felt that our Vitesse typeface, an unusual species of slab serif, would take well to an inline. Vitesse is based not on the circle or the ellipse, but on a less familiar shape that has no common name, a variation on the ‘stadium’ that has two opposing flat edges, and two gently rounded sides. In place of sharp corners, Vitesse uses a continuously flowing stroke to manage the transition between upright and diagonal lines, most apparent on letters like M and N. A year of making this gesture with my wrist, both when drawing letterforms and miming their intentions during design critiques, left me thinking about a reduced version of the typeface, in which letters would be defined not by inside and outside contours, but by a single, fluid raceway. Like most straightforward ideas, this one proved challenging to execute, but its puzzles were immensely satisfying to solve. Adding an inline to a typeface is the quickest way to reveal its secrets. All the furtive adjustments in weight and size that a type designer makes — relieving congestion by thinning the center arm of a bold E, or lightening the intersecting strokes of a W — are instantly exposed with the addition of a centerline. Adapting an existing alphabet to accommodate this inline called for renovating every single character (down to the capital I, the period, and even the space), in some cases making small adjustments to reallocate weight, at other times redesigning whole parts of the character set. The longer we worked on the typeface, the more we discovered opportunities to turn these constraints into advantages, solving stubbornly complex characters like € and § by redefining how an inline should behave, and using these new patterns to reshape the rest of the alphabet. The New Typeface The outcome is a typeface we’re calling Cesium. It shares many of Vitesse’s qualities, its heartbeat an energetic thrum of motorsports and industry, and it will doubtless be welcome in both hardware stores and Hollywood. But we’ve been surprised by Cesium’s more reflective moods, its ability to be alert and softspoken at the same time. Much in the way that vibrant colors can animate a typeface, we’ve found that Cesium’s sensitivity to spacing most effectively changes its voice. Tighter leading and tracking turns up the heat, heightening Cesium’s sporty, high-tech associations, but with the addition of letterspacing it achieves an almost literary repose. This range of voices recommends Cesium not only to logos, book covers, and title sequences, but to projects that regularly must adjust their volume, such as identities, packaging, and editorial design. Read more about how to use Cesium. About the Name Cesium is a chemical element, one of only five metals that’s liquid at room temperature. Resembling quicksilver, cesium is typically stored in a glass ampule, where the tension between a sturdy outer vessel and its volatile contents is scintillating. The Cesium typeface hopes to capture this quality, its bright and insistent inline restrained by a strong and sinuous container. Cesium is one of only three H&Co typefaces whose name comes from the periodic table, a distinction it shares with Mercury and Tungsten. At a time when I considered a more sci-fi name for the typeface, I learned that these three elements have an unusual connection: they’re used together in the propulsion system of nasa’s Deep Space 1, the first interplanetary spacecraft powered by an ion drive. I found the association compelling, and adopted the name at once, with the hope that designers might employ the typeface in the same spirit of discovery, optimism, and invention. —JH Featured in: Best Fonts for Logos

Crimson Dream is a cute and simple lettered handwritten font that can be used for all chalkboard quotes or teaching material! Its authentic look will add a personal and realistic feel to your designs.

Say it with authority and style with Boppa Delux, a big, bold display font in four weights. For use in OpenType aware applications, Boppa Delux includes small caps, alternates, case sensitive forms, and more.

TBS Greak is an All Caps bold round font for display purpose inspired from 60s to 90s vibes Retro font, this font support multilingual languages and free update feature. published by Typo Bureau Foundry.

Lil Rhino is the more reserved but still slightly offbeat sister to the quirky comic Fat Rhino typeface. You can see the resemblance, they work well together, but they also each hold their own.

Dans Le Jardin is a continuation of Dan Le Cuisine dingbat. Their wild and crazy curves give a very special vintage language. Can be used to create patterns or compositions for posters,websites, etc..

Winter Animal is an incomparable display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Inspired by the former Schriftguss, Dresden, font Echo, this fresh-drawn und designed Neue Echo can be filled in many different ways, and makes it a great display font for labels, posters, headlines etc.

Barbiela Script is a modern calligraphy cute font, Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, modern, script, quotes and others.

Individual Thinking is a bold and chunky lettered display font. You can use it for various projects, such as blog posts, logos, branding, ads, invitations, greeting cards, planners, photo albums, decorations, and much more.

Noyram is a strong brush script typeface with stunning alternate glyphs. With so many alternative glyphs, you can make an experiment by combining regular and alternate glyphs to get cool phrase with great preview.

A loose sans for all mod happenings, beatnik poetry readings, hootenanny hoedowns and kartoon kapers. Ya dig? Also included is a flourished swash variation which is most definitely not intended for caps-only use.

In 1923, the Schriftguss AG, Dresden, released this all-caps Art Deco font designed by Otto von Kress. From the existing basics, the now available font was completely redrawn and redesigned for modern use.

Inquisitive is a thin and dainty handwritten font that can be used for all chalkboard quotes or teaching material! Its authentic look and feel will add a personal and realistic feel to your designs.

Love Rabbit is a stylish and free-flowing script font. You can use it for various projects, such as blog posts, logos, branding, ads, invitations, greeting cards, planners, photo albums, decorations, and much more.

Lumphong is a vintage styled slab serif font. It is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease! This font is neatly crafted and highly detailed.