Paz, a squarish 4-weight industrial family, ranging from extreme hairline to black. It is ideal for editorial headlines where type plays a major role in the overall design. The fonts were designed by Ariel Di Lisio and digitized by Alejandro Paul.

This font should be used with all three formats. It is recommended to use it in big font sizes due to the thin hairline of Fansy A. Have fun playing with the new modern and fancy display font designed by Jörg Schmitt.

Remedia is a simple linear typeface with a wide range of font weights, from a hairline Ultra Light to Extra Black. Legible in body copy and a great starting point for a unique logo, Remedia is a creative typeface for everyday uses.

Minimal and modern sans serif consists of 10 weights from hairline to black as well as variable versions. Works great for branding, fashion, modern, and casual valentine design theme. Designing a logo is made easy with lots of alternates to play with.

James Paul is a versatile display font based on the designer's handwriting. The letterforms are legible even at small sizes. When set bigger, this bold script reveals hairline ink trails that add rhythm to its lively forms. James Paul contains alternate glyphs and ligatures.

Business Lunch JNL is an extra bold hairline serif font based on Monotype’s Falstaff, which in turn was greatly influenced by Bodoni Extra Bold. Great for posters, menu headers and other forms of headlining, Business Lunch JNL is available in both regular and oblique versions.

Alinea is a typeface in 3 styles (Sans, Incise, and Serif) conceived for being mixed in the same document. The elegant one of the family, Alinea Serif, is a transitional, a style represented by Caslon and Times. It is a contrasted typeface, strong stems and thin hairlines.

Mister Twiggs is a comtemporary modern sans created by the American type designer Alex Kaczun. There are absolutely no curves in this elegant typeface. It has sharp corners with extra tall capitals and a narrow waistline. Mister Twiggs comes in 3 flavors: regular, thin and heavy.

Miller Banner takes Matthew Carter’s popular Miller series to new heights: 100pt and up, beyond any examples among the Scotch Roman’s historic antecedents. Optimized for very large settings, its hairlines have been sharpened and the contrast sweetened, lending grace and crisp elegance to banner headlines and titles.

The Burin family of typefaces consists of Roman and Sans variations. Burin Roman has very distinct lowercase characters b, c, d, g and y with a quirky use of tapered strokes and hairlines. Burin Sans is a light display face with an extended tail on the lowercase y.

The Burin family of typefaces consists of Roman and Sans variations. Burin Roman has very distinct lowercase characters b, c, d, g and y with a quirky use of tapered strokes and hairlines. Burin Sans is a light display face with an extended tail on the lowercase y.

Naiche Font Family is a serif font with multi-weights experimental; it comes to 17 weights with five fonts master, from hairlines (Extra Thin) to Fat (Full). Each weight has a different style and contrast. The font was inspired by the classic 'Cooper' style, with an old-style form.

Engram (2015-2020) designed by Mateusz Machalski is a classical sans geometric family. This typeface is characterised by a lot of details, which gives it a friendly character. Scalable x height, rounded corners makes Engram good choice for many purposes. All family consist 22 styles with italics from Hairline to Black.

This 1935 design from Monotype is an extremely condensed display font that has a slight flavor of nineteenth-century wood type. Runic Condensed font is tall and lean with a huge x-height and hairline serifs. It is an ideal display type for eccentric pieces where space is at a premium.

Unitext Variable Regular is a single font file that features one axis: Weight. TFor your convenience, the Weight axis has preset instances from Hairline to Black. This Roman (upright) font is provided as an option to customers who do not need Italics, and want to keep file sizes to a minimum.

Hairline display fonts are elegant and subtle with touch of luxury. They are the Champagne of type. Ambassador Plus Family represents a set of classy typefaces best suitable for magazines, cosmetics packaging, advertising or any kind of fine and sensitive design. The quality of spacing and kerning ensured by Igino Marini.

Kennerley Old Style was designed by Goudy for publisher Mitchell Kennerley in 1911. Goudy described it as a "book letter with strong serifs, firm hairlines, and makes a solid, compact page." One of Goudy's best text faces, Kennerley is considered an original American classic as it is not based on historical type designs.

Lichtspielhaus is an ultra condensed Lichtspiele spin-Off with 8 weights. It still transports you back to a time where neon lights and marquee letters decorated cinema facades. There are 8 styles: Hairline, Thin, Light, Regular, Medium, Bold, Black and Heavy. "Lichtspielhaus" is the first part of a new Type Noir Quadrilogy.

Malina is a sans-serif monoline typeface with some humanist touches creating a clear and legible typeface. The Idea is to make hairline display font that elegant and perfect for use at large sizes, with a set of alternative characters such as K, Q and R for your design in any layout.

Five years later, DSType proudly introduces Estilo Pro: the Ultimate version of Estilo. Now with sharp edges and five weights from Hairline to Bold, Estilo Pro includes an extraordinary set of features like alternate characters, initial swashes, ending swashes, ligatures, ornaments and drop caps in a total of 1000 glyphs per weight.

A Stylish Technology Sans Serif Initiate began as a digitization of a film typeface from LetterGraphics in the early 70's known as "Kent". The original specimen was only in a Black weight with a tall x-height and included standard Capitals, Lowercase, Numerals and minimal Punctuation. It was a techno style sans-serif, ripe with potential. As a single weight typeface, it yearned for so much more: from family weight development to stylistic variants. We also decided to create a more normalized x-height version as well, leaving the original design as the Display series. Extras we developed for this family are Unicase variants, High & Low hairline position glyphs, as well as other alternate styled characters. The Initiate standard family has 1154 characters per font, while the Display family and Monoline font has 685 characters per font. A comprehensive character map preview is at the end of the poster graphics collection. Opentype features for Initiate Family include: Ligatures Unicase Stylistic Alternate Set Stylistic Set 02 - Limited Alternate Characters (A,K,X,Y,k,u,x,y and variants) Stylistic Set 03 - Lower Hairline Characters (B,C,E,F,G,H,P,R,Æ,a,c,e,r,s and variants) Stylistic Set 04 - M & N alternates Stylistic Set 05 - I alternates Smallcaps Set Smallcaps Lower Hairline Set when Stylistic Set 03 is enabled Limitless Fractions Ordinals Superscript & Subscript Opentype features for Initiate Display Family & Monoline font include: Ligatures Unicase Stylistic Alternate Set Stylistic Set 02 - Limited Alternate Characters (A,K,X,Y,k,u,x,y and variants) Stylistic Set 03 - Lower Hairline Characters (B,C,E,F,G,H,P,R,Æ,a,c,e,r,s and variants) Stylistic Set 04 - M & N alternates Stylistic Set 05 - I alternates Limitless Fractions Ordinals Superscript & Subscript

Kammerlander is a sans typeface with a distinctively strong thick/thin contrast. It’s based on Messner- a hairline font with a constant stroke weight, so their combination looks very natural. They look great in fashion magazines, in the expensive world of beauty and glory. Kammerlander is an all caps face, especially suitable for larger sizes.

Scaffold is the sans serif family created for people who love well balanced kerning and weight. With a rectangular shaped structure and solid weight that makes it look strong and elegant. From hairline to heavy Scaffold comes with multiple languages and OpenType features such as ligatures, localized forms, fraction, ordinal, superscript, numerator, dnominator and subscript.

Hairline display fonts are elegant and subtle with touch of luxury. They are the Champagne of type. Ambassador represents a classy typeface best suitable for magazines, cosmetics packaging, advertising or any kind of fine and sensitive design. The quality of the display-oriented spacing and kerning of this font is ensured by Igino Marini.

Designed at ParaType in 1997 by Tagir Safayev. Inspired by Neulin Sans of Ray Gun magazine (1996). The first version of the typeface was created as part of corporate identity program for Aeroflot–Russian International Airlines. For use in both text and display matters.

A Lufthansa Airlines baggage label from 1936 provided the inspiration for this genuinely German typeface, with strong Art Deco influences. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Lithuanian, Moldovan and Romanian.

Paragon is a display Roman family of nine faces, combining elements of formality and fun. It embodies a high degree of contrast between near hairline horizontal strokes and bold vertical strokes. The family is offered in three widths and in regular, small capitals and title faces. Use Paragon to lend impact to your next design project.

Wood Type Bodoni JNL is a variant of the popular ultra bold version of the classic Bodoni design, with variants in character widths and shapes. Based on a vintage set of wood type, the "hairline" strokes of the 4 and 8 have been made ever-so-slightly thicker in spots to add a modest amount of additional contrast.

Lichtspielhaus Slab is an ultra condensed handwritten typeface based on Lichtspielhaus. It still transports you back to a time where neon lights and marquee letters decorated cinema facades. This time with Slab. There are 8 styles: Hairline, Thin, Light, Regular, Medium, Bold, Black and Heavy. “Lichtspielhaus Slab” is the third part of a Type Noir Quadrilogy.

Freud is a sans family of 9 weights ranging from hairline to extra bold (also available as a 5 styles Economy Pack). It’s a legible face with straightforward geometry spiced with lovely humanist terminals. Some strokes are cut at an angle to enhance its identity. Freud provides a strong partner both for screen and print projects.

The geometric G-Slab family is characterized by distinct large serifs and variance of line width from hairline to bold. It is suitable for titles in different sizes as well as for text blocks. The family includes seven weights and two widths. The extended character set supports Northern, Western, Southern and Central European as well as Eastern European languages.

This elegant titling face is based on an American Type Founders release from the 1920s named Sterling. Hairline serifs and graceful curves give this typeface a certain grace and charm that will brighten up any project. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Regonia is a high-contrast display serif typeface inspired by neoclassical Didot style typography. Thin hairlines and many unique details make Regonia an elegant and contemporary typeface. Regonia has a large x-height and works perfectly in headlines or bigger sizes. It is also equipped with many ligatures and alternative glyphs, which will make your projects more unique.

Designed by Nadine Chahine, the Amariya™ typeface family is intended for long form, on-screen textual content. It supports the Arabic, Persian and Urdu languages. The design is consistent with traditional text typeface models popular in the Middle East, but has a lower level of stroke contrast optimized for on-screen reading. The family is available in nine weights ranging from a light hairline to a very bold black. The middle weights are intended for setting text copy while the extreme hairline and black designs are best suited for headlines, sub heads and similar applications. The Amariya family can be used for numerous projects from branding to blogs, in a variety of interactive design environments on both large and small screens. The fonts include the ITC Charter design by Matthew Carter as a Latin companion.

PODIUM Sharp is Extended version of DUDU typeface designed in 2012. After many years I’ve decided to rebuild and develop this typeface by adding new masters and weights. Finally PODIUM Sharp consist of 234 styles: from ultra compressed hairline to extra expanded heavy. Main purpose of this project was idea to make hybrid between different modular and geometric woodtypes that I found in old polish specimens: Rex, Blok, Bacarat etc. Thanks to big range of different styles, PODIUM will be perfect choice for visual identities, posters and display usage. For better comfort of using PODIUM I’ve prepared new idea of styles naming based on Frutigres’s Universe and Climbing evaluation. First digit means width and the second weights of style. (So for example style 1.1 is ultra compressed hairline, 6.5 is something like regular and 9.13 is ultra expanded heavy.

Cirkulus is an experimental display face, constructed using combinations of hairline circles and straight lines. The typeface was designed by Michael Neugebauer in 1970. The letters exude a constructivist aura, reminiscent of both the revolutionary 1920s, and the digital experiments of the 1990s. Cirkulus is a unicase alphabet, with a very lightweight appearance, and should be used solely in large display sizes.

Another Now is a typeface with an elegant touch. Combining the classic with the new, Another Now has a glamourous, neoteristic style which we like to call Neoglam. Delicate hairlines meet thicker stems. This font can be used for fashion or beauty-related projects, branding, logos, headlines, and more. Modern and contemporary, Another Now is a step forward to elegance.

Hand-drawn with calligraphy ink and an antique dip pen, Mignonette is ready for all uses charming and rustic. She's heavy on the bottom and hairline at the top, and includes all sorts of additional numerals, currency figures as well as multi-language support. Mignonette shines in both correspondence and display; she has a particular affinity for offbeat and heartfelt branding.

Spricker is where contemporary design meets typographical precision. With slab serifs anchoring its design, this typeface achieves a striking balance between robust weight and delicate hairline thin strokes. Every character is a study in contrast, yet the ensemble delivers undeniable legibility. Its unique letterforms bring a fresh flair to the classic structure, making Spricker a standout choice for modern designs.