Many years ago I created two upside-down typefaces, UpsidedownJJ and UpsidedownTOC. They were based on monospaced or typewriter fonts, and were rotated 180 degrees, which is the same as a vertical flip followed by a horizontal flip. Recently I was reminded that this way of creating an upside-down typeface is not the only way to create an upside-down typeface--a simple vertical flip creates a different one. That is what this typeface is, a simple vertical flip. The unflipped typeface from which VerticalFlipTOC is derived is TiredOfCourier.

Trained Monkey is a happy serif cartoon font. Use it for your book cover designs, posters, product packaging (may I suggest peanut butter?) and whatever else you may fancy. This monkey was made by hand, so the glyph edges are a bit rough and uneven - giving it ‘ye olde handmade look’. The name? Well, I was watching a movie (can’t remember which one) in which two guys were having a discussion. One of them said to the other: ‘a trained monkey could have done this job!’ That’s all folks.

Galle is a very distinctive and specific typeface. It has 356 glyphs that are coherent in their own way. We have two versions to use: regular and italic. It is a display font with very characteristic letters, each of which has been developed separately, but in such a way as to match the rest of the typeface. The inspiration taken to design the cut is Sri Lankan typography - a lot of squiggles and sharp edges, hence the name of one of the prettiest and atmospheric cities in Sri Lanka - Galle.

Have you ever struggled while creating a quote with all ascenders/descenders getting on the way? When you can't find a perfect placement for a word because the letters on the upper line crossing the ones on the lower one? Well, I have :) If you want to reduce this struggle to a minimum, the Celestial brush font is for you. Full of open type features and alternates it won't stand on your way to get the job done ;) Most of the font's letters have "longer" or "shorter" alternates. Celestial brush font is fully unicode mapped.

💥Introducing "Electrone" – Unleash the Power of Typography with a Superhero Flair! Unleash the electrifying energy of "Electrone," a dynamic font that embodies the essence of superheroes with lightning speed, unmatched strength, and a dash of style. This font is not just a typeface; it's a superpower for your design projects! Key Features: Electrifying Glyphs: With 890 meticulously crafted glyphs, "Electrone" offers a vast array of characters that will add a powerful punch to your designs. Every glyph is a superhero in its own right. Sided Ligature: Seamlessly blend characters with our specially designed sided ligatures, creating a visual impact that resonates with strength and unity. Alternate Characters: Customize your text with alternate characters to give your designs a unique and personalized touch. The alternates are carefully curated to ensure versatility without compromising the superhero aesthetic. Lightning Swash: Add a bolt of energy to your typography with lightning swashes that strike through your text. Watch your words come to life with the electrifying force of "Electrone." Wings of Typography: Elevate your designs to new heights with the winged elements included in "Electrone." These wings symbolize the freedom and power associated with superheroes, making your text soar above the ordinary. Suit Up Your Designs: "Electrone" is not just a font; it's a complete superhero costume for your words. Whether you're working on comic book titles, posters, logos, or any design that demands a bold statement, "Electrone" is here to save the day. Perfect for: Comic Books and Graphic Novels Superhero Movie Posters Action-packed Logos Gaming Graphics Apparel Design and more! Embrace the electrifying power of "Electrone" and turn your designs into epic adventures. Download now and witness the transformation of ordinary into extraordinary!

Hollybucks Hollybucks is a decorative font that was inspired by lettering that i saw at coffe shop, and it was crafted by hand to add a natural handmade feeling and i make it clean with pentool. If you looking for decorative font for your title or even branding and logotype, this font is a great choice for that purpose. Opentype features Hollybucks font is very good looking in logotype, labels, decorative lettering, playful design, product packaging, invitation titled, advertising and others This decorative font works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu. Thank you for using this font. LS

Look, folks! From what may just be the vernacular sign capital of the world, Chattanooga, Tennessee, it’s a brand new hyperfamily from insigne! Look includes three different related fonts, with three weights each. That’s over 70 fonts! Imagine: you turn onto a stretch of open country road. On the distressed, red background of an old barn wall, a large block of crisp white letters shout out: “See Rock City.” You soon realize this barn is not alone in competing for the passing eye. Far from it, ladies and gentlemen. This is just one of the many pieces of historic, hand-painted advertisements dotting the great Southern United States. Yes, these are the pieces of true Americana--the barns, the roadside signs, the machinery, the soda fountains, and more--that now inspire this splendid new set of three font families. This new, easily readable type from insigne digs deep to capture the very heart and passion of this splendid country’s lettering of the post-war era. Look’s compact frame quickly draws the audience to your headline, logo, subheading, or pull quote, working well in those compact spots of text without overpowering your content. You'll easily put the feeling of those days gone by into every piece with the natural beauty and simple usefulness of the Look hyperfamily. Each of the individual sub-families incorporates a variety of font weights with distressed attributes. Think Woodtype. Jeans. Antiques, folks. That deep, ingrained texture--that quality that will stand the test of time. And Look is flexible, too. Take, for example, Look Script. This powerhouse of a font offers thinner weights to give your work an easy-going, down-to-earth design. But bring in those heavier weights, and you'll have a muscular, assertive font that will go the whole nine rounds. Combine any of the Look families with Ornaments to really give your layouts a zing. Build an extraordinary design as well with Look’s swashes and alternates. To activate any of these alternates, just click on Swash, Stylistic or Titling Alternates in any OpenType-savvy application, or choose from the Glyph Palette. Explore hundreds of included extras to find that “cherry on top” for your one-of-a-kind project. There are over 70 fonts to choose from, including subfamily sans, serif, script and ornament fonts! You can't go wrong. To get the most bang for your buck, order the whole Look family now! Note on SHADOWS: Increase depth and make your designs pop! Add shadows to any of the Look fonts by duplicating the text content layer in place and switching it to its corresponding shadow. Color and offset to taste. Look shadows are offset automatically. In Illustrator, you may need to turn on Em Box Top for proper shadow alignment.

Working on a Star Wars project? This font is in Aurebesh, the main written language of the Star Wars universe. In this case I designed a font that looks like it has been scratched into a wall. All the additional letters from the Aurebesh character set are includes, as well as numbers and symbols.

German type designer Manfred Klein created this blackletter FontFont in 1991. The font is ideally suited for film and tv, poster and billboards as well as software and gaming. FF Koberger provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional lining figures.

Highbrow Cafetorium JNL is a very "minimalist" font in the sense that there's only the basic lower case characters and essential punctuation. The lettering is based on a neon-and-bulb wall sign for a long-closed cafeteria on Lincoln Road in Miami Beach, Florida. The 'b', 'd', 'k' and 'l' have unusually high verticals.

German type designer Gerd Wippich created this script FontFont in 1996. The family has 7 weights, ranging from Regular to Bold (including italics) and is ideally suited for festive occasions and editorial and publishing. FF Layout provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with tabular lining figures.

The Buckboard family uses the OpenType ligature feature to substitute a unique pair of distressed characters when any upper or lower case letter is keyed twice in a row. The Buckboard Shadow font can be overlapped with Buckboard Regular to color the drop shadow separately. All fonts also support Eastern European Latin and Baltic languages.

Deck is a font inspired by old decks of playing cards and even some old tarot decks. Deck is an all caps font; the lower case letters and the punctuation are actually different playing card and tarot symbols like: hearts, diamonds, spaces, clubs. This font is great for designing your own deck of cards.

Reminicent of mid-19th century antique type and Victorian cast-iron signage, Coldharbour Gothic lovingly preserves all the eroded and rusted textures in digital form. Characters have been selected to have cleaner and rougher counterparts - by flipping between cases, the user can customise the result and achieve the degree of decay or preservation they desire.

Madisonian has been found in a catalogue of the New York Bruce type-foundry, dated 1859. The lower cases have the feeling of a Bodoni Italic and the initials have a "spencerian" touch. This font did exist originaly in a single weight. The family has been extended with a bold and an engraved version.

A modern geometric typeface with precise radius detailing. Each character has it’s own unique subtleties and style variations, with careful adjustment you can create dynamic page layouts. The elegant curves are best demonstrated using the lighter weight at large scale. Details include 5 weights, a complete character set, manually edited kerning and Euro symbol.

This bitmap font is made of 97 icons to use to express this time of the year... You will find christmas tree, Santa, cake, stars, gobelin, and a lot more. They work well for background tiling, just as symbols, or for anything else. We hope you like them ! Best size in bitmap is 20pt.

Public Beat is full of fun and party! Look how the letters jumps and bounces while you type your text - well, that's the Contextual Alternates that are having a party! Each lower-case letter has 4 different versions, that automatically cycles when you type. A great trick to make your text look scrambled and realistic

Tabor Sinfonia is a blackletter typeface that marries the historic beauty of Gothic script with the rhythm and harmony of music. This decorative font is perfect for logotypes, artistic projects, and designs that require a touch of vintage elegance. The inspiration for Tabor Sinfonia came from a fascinating combination of medieval manuscripts and musical compositions.

The Applewood family uses the OpenType ligature feature to substitute a unique pairing of characters when any upper or lower case letter is keyed twice in a row. The Applewood Shadow font can be overlapped with Applewood Alternate to color the drop shadow separately. All fonts also support Eastern European Latin, Baltic, Greek and Turkish.

Based on a Roman character set, Gideon is a traditional typeface with classic forms. Perfect for uses from invitations, greeting cards and menus, to display advertising. The upper case letters have a tradition calligraphic feel that adds warmth and sophistication to text while the legibility allows for larger blocks of copy to be easily read.

In old Latin language Lineam mean line and that what Lineam is: a line based Sans Serif Display font. Lineam is a simple and clean looking font family and can be used for a range of cases. It is a modern sans serif font with geometric feeling and comes with 8 weights and matching italics.

Accent Graphic was developed as the corporate typeface for a London design consultancy in 1997. The starting point was the word ‘accent’ in lower case. It is essentially a sans typeface with the thick/thin contrast of a serif and is the only family in the G-Type collection that was designed for a client.

French type designer Eddie Baret created this script FontFont in 2001. The font is ideally suited for festive occasions, poster and billboards as well as software and gaming. FF Eddie provides advanced typographical support with features such as ligatures, case-sensitive forms, super- and subscript characters, and stylistic alternates. It comes with proportional lining figures.

Italian type designer Alessio Leonardi created this display FontFont in 1996. The family has 12 weights, ranging from Regular to Bold (including italics) and is ideally suited for festive occasions and poster and billboards. FF Matto provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Brainstroke is a collection of twelve variations on a typeface. This release was supposed to be a much larger set, but due to a medical issue, where I recently suffered a stroke, I am releasing only those that I managed to complete. The name is a reminder to me to take care of my health.

In the 19th century typefaces with star-like serifs developed from the medieval type styles, retaining the sharp corners and peaks of some of the blackletter types but losing the flourishes on the upper-case letters. Asterx is in that tradition of star-footed typefaces, though it is not modeled on any particular one.

Monster Party is an illustrated display face with a lot of character for any haunting occasions. It comes in two styles, Monsters and Bones for whichever your situation calls for. Monsters features two unique sets of upper case creatures for appropriately spooky headline variation. Great for Friday the 13th, Halloween or wherever whimsy is needed.

German type designer Manfred Klein created this blackletter FontFont in 1991. The font is ideally suited for film and tv, poster and billboards as well as software and gaming. FF Schoensperger provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional oldstyle figures.

OpenType users benefit from alternate lowercase characters, crossbar ligatures for common letter pairings, case sensitive quotes and smart apostrophes. Other goodies include optional old style numerals and a few clip-on swash elements, accessible by keyboard or supporting application’s OpenType glyph menu. Meritage Pro extends the character set to support Eastern European and Baltic languages.

A misprinted sans serif loosely based on Phillip Cavette’s 1999 font 4990810, but with re-drawn outlines, more distress marks, a neater vertical aspect and no baseline irregularity. Unlike its inspiration, Sans Culottes is a complete font which includes a lower case, accented characters and as many dingbats as you can shake a stick at.

Green is the work of British designer Timothy Donaldson, known for his experimentation with letter forms. This typeface features a sharp stroke contrast and eccentric lower case letters, giving it a vital, clean-cut style. Green is perfect in both large display sizes and small text sizes and gives any work a fresh, new look.

Kittle Round is a robust display font, with a strong, pared down look based on bold geometric forms. Loaded with personality, Kittle Round features a full upper and lower case character set and an extended set of accented characters for Central European languages. It is also available as Kittle Rough, with a time-worn look.

Darling, you don’t just look GOOD, you look FANTASTIC! IRRESISTIBLE! IMMACULATE! Those soft curves, those sharp lines, those INLINES... that MAGNIFICENT symmetry. This is a face that could launch a thousand spaceships, a face that doesn’t care if you feel good, because Heavens to Betsy, you LOOK good. Just utter those magic words: Simply Marvelous.