Haggard is a wedge serifs typeface family of six styles. It stands out from the crowd with unique features like compact proportions of glyphs, sharp wedge serifs, small caps, and true italics. Haggard is a display font and can be used for editorial and print design.

Introducing Danzio - Modern Font with all caps style and bold. You can combine a unique uppercase and lowercase, so it looks like natural. And this font perfect for signature, logo, branding, poster, band, apparel, photography, title, social media post, ad banner, book cover, product packaging, and advertising

ShadyCharacters is an all-caps font with a ziggy, hollow top and a solid bottom. With lots of imagination, you might see the letters as tree-like, hence its name. The ShadyCharactersInside font can be layered over letters of ShadyCharacters to fill in the tops with color.

Procent is an all-caps, handwritten font with two variations for each letter. Procent can be used for scrapbooks, greeting cards, invitations, announcements, signs, menus, restaurant themes and more... Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

“Luxury in simplicity”. A Family of Luxury Fonts called Fulgate. A Hype of summer themed bring us to expressing a thirsty of creating a product that can help you to choosing a fonts to your creations. Like as we are on the preview above, how the fonts can "stands" within your design. Since Fulgate are created on a 6 weight from Thin, Light, Regular, Medium, Semibold, Bold. You won’t be worried which one to fit to your creative design. Also, You can Mix it up all of it without worrying design collision. Fulgate also comes with opentype features. The one was stand out was Capital Swash, it’s replacing the First letter that typed on Capital. even if you are type with all caps, it still stand out. If you think that all caps are not quite fit, write on with lowercase and turn on the features of Small Caps, a shape of capital but with lower heights. Lowercase also have a few make up with Alternate Characters, just to be noted, not all lowercase characters have an alternates, to keep a luxury feel and avoiding messy. The last are a feature on the numerical, Ordinals, Subscript, Superscript, and Fraction.

Inject some energy into your design with the ATOMIC Marker Font. This loud and proud all-caps font was hand-drawn with a real acrylic marker, maintaining the authentic high definition brush detail in each stroke. It’s an exhilarating font choice perfect for header text, poster designs, album covers, product designs, merchandise, logos & more. The Atomic Marker family includes 2 fonts; Atomic Marker • Includes 2 sets of uppercase characters, simply switch between upper & lowercase on your keyboard to access the 2 sets. Also included are 18 ligatures (double letter pairings), which can be accessed by turning on ‘Standard Ligatures’, and 6 Small Caps, which can be accessed by turning on Small Caps. (All characters can also be accessed via a Glyphs panel). Atomic Marker Extras • Includes 26 ‘doodles’ (see images), and 23 underlines, designed to perfectly pair with the Atomic Marker font letters. Simply install this as it’s own separate font, and type A-Z (doodles) or a-w (underlines) to access each design. Language Support; Atomic Marker supports the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Novelia Pro & Novelia Pro Small Cap is a multi purpose serif font, with a swirly blend that is very spoiled in the eyes, unique and elegant, and ready to accompany and play around with you in preparing the next design project. Novelia can be used for various purposes such as posters, logos, t-shirt, signage, business card, magazines, book cover, wedding invitation, greeting cards etc. Novelia Pro & Novelia Pro Small Cap allow you to create custom dynamic text. You can access by turning on; Stylistic Alternates, Titling,Swash, as well as ligatures in Photoshop, Adobe Illustrator, Adobe InDesign or through a panel of glyphs such as Adobe Illustrator, Photoshop CC, Let's switch from the regular character into character alternative to get the text with the layout of your dreams. Novelia Pro also includes glyphs, punctuation, numbers, and multilingual. Novelia Pro & Novelia Pro Small Cap features +1000 glyphs and has given PUA encoded (specially coded fonts), with tons of alternate characters. The pack can be accessed in full by any crafter or designer, without the requirement for extra design software, COMPATIBLE WITH SILHOUETTE & CRICUT DESIGN SPACE.

Looking for a modern and sleek typeface that stands out in the digital era? Look no further than Reversal. With its unique superelliptical letterforms, this clean and contemporary sans-serif typeface is the perfect choice for high-tech industries and any topic that requires precision and clarity. Inspired by the sleek plastic contours of modern vehicles and home appliances, Reversal boasts a squarish yet readable design that is both elegant and practical. Whether you’re designing a website, an app, or a marketing campaign, Reversal is the ideal choice for bringing a touch of futuristic sophistication to your project. Available in seven weights and italics, Reversal offers maximum flexibility and versatility. With its bold and dynamic shapes, this typeface is sure to grab attention and make a strong impression. So why settle for ordinary typography when you can elevate your design with the power of Reversal? Try it out today and see the future of typography in action. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Are you ready to unleash your inner punk fashionista? Look no further than Gloss, the ultimate typeface for anyone who wants to make a statement. With its roots in Champion, a classic metal script from the ’50s, Gloss combines vintage vibes with a modern twist. But don’t be fooled by its retro origins—this font is anything but ordinary. Thanks to OpenType ligatures, each paint drip in Gloss is unique and unpredictable, adding a touch of spontaneity to your designs. And when set on an incline, the slightly skewed letters make a bold and dramatic statement. But what really sets Gloss apart is its trashy fashion edge. With a twice-recycled look that blends the best of the ’50s and ’80s, Gloss is the perfect choice for anyone who wants to embrace their inner rebel. So why settle for ordinary when you can make a splash with Gloss? Whether you’re designing a poster, creating a logo, or just looking to add some edge to your typography, Gloss is the ultimate choice for anyone who wants to stand out from the crowd. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Special Forces is the commanding slab serif headline typeface that will put some backbone into your message. Its efficient and rugged letterforms will give your words the strength they need to succeed in any mission. With its robust slab serifs, this typeface means business. You won’t find any fancy curves or delicate strokes here—this font is built to withstand the toughest of conditions. Special Forces is ready to take on any challenge, just like our brave soldiers in the field. But this font isn’t just tough—it also commands authority. When you use Special Forces, your message will have the power of a commanding officer. Whether you’re calling your troops to action or announcing a new campaign, this typeface will give your words the weight they deserve. And the best part? Special Forces comes in both regular and oblique styles, so you can choose the right level of intensity for your message. So don’t settle for a weak font that won’t get the job done. Choose Special Forces and take your design to the front lines. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Come into the boudoir. This simple hand-drawn sans tries to invoke the same feelings as its name - and not to be overluscious. Boudoir is sweet and sensual like women, but it’s at the same time uncluttered and masculinely straightforward. The font borrows some playful capital shapes from the all caps Baronessa and draws inspiration for others from old classics. Thanks to the bolder weights, it can also be used in smaller sizes, you can combine different weights for different sizes to obtain a more balanced look, or you can just give emphasis using different weights.

Urbane Adscript is a script companion to Urbane. A monoline semi-linking sans, it has the same number of weights and the same cap height and x-height as the Urbane family, meaning the two can be used together harmoniously. It features swash capitals that can be toggled on or off in the Opentype panel, or chosen individually from the Glyphs menu according to taste. Almost every capital has a swash alternate, and many have two. In Adobe Illustrator, the more decorative swash can be found under “swash”, the less decorative as an alternate. Also includes lining, tabular and old-style numerals.

I found this type specimen on the statue of Jan Hus in Prague’s Old Town Square. The statue was designed in 1903 by Ladislav Saloun, and its writing is the cutest Nouveau font I've ever seen. Filling in the blanks, I realized the need for a standard lower case because the caps are so wild. The result is a very type-able and dynamic Nouveau. I encourage you to mix up your upper and lower cases for curious results. Use the lower case for running type. Go to http://facebook.com/frostfoundry to share this and see more!

Citrine is a study in curves, based upon word-processing and in-game text. A tall lowercase makes for easy reading, curved joints give it friendliness, and broad spacing delivers distinctive all-caps treatments. Here’s a downloadable PDF specimen. Citrine’s basic idea began as “a Havelock for reading.” Essential geometry delivers a sense of harmony, and forms sit broadly next to each other to be easily read, even onscreen and very small. Citrine includes case-sensitive alternate shapes for smooth all-caps typesetting, small caps, and a wide range of diacritics to cover a multitude of latin-based languages.

Huffer is a chunky and irregular sans-serif font (with a few serifs) that simulates the look of letters crudely cut out of paper. The basic letters were originally inspired by an early 1970s instructional filmstrip dealing with the dangers of glue sniffing. Further inspiration came from other sources of 1960s display lettering. The lower case is almost as tall as the upper case allowing for a mix and match between cases to achieve a more lively display effect. Huffer Pro includes ligatures as well as Cyrillic and Central European character sets with a total of over 500 glyphs.

Eclectic FS Siena is a typeface with history, and not just in the sense of having its origins in classical Roman lettering. Fontsmith founder Jason Smith first committed it to tracing paper while still at college, instinctively redrawing letterforms based on Hermann Zapf’s Optima according to ‘what felt right’. When Krista Radoeva took up the challenge to edit and extend the typeface, she and Jason were determined to preserve its subtly nonconformist and eclectic spirit. Like a great dish, there are individual components throughout the character set that all add flavour, and need to be balanced in order to work together. The smooth connection of the ‘h’ ‘m’ ‘n’ and ‘r’ contrasts with the corners of the ‘b’ and ‘p’. The instantly recognisable double-storey ‘a’ – the starting point of the design – contrasts with the single-storey ‘g’ and the more cursive ‘y’. And only certain characters – ‘k’, ‘w’, ‘v’ and ‘x’ in the lowercase and ‘K’, ‘V’, ‘W’, ‘X’ and ‘Y’ in the caps – have curved strokes. Transitional FS Siena is a contrasted sans-serif typeface, blending classical elegance and modern simplicity. Its construction and proportions are descended from classical broad-nib calligraphy and humanist typefaces, with a high contrast between the thick and thin strokes. The angle of the contrast, though, is vertical, more in the character of pointed-nib calligraphy and modernist typefaces. This vertical stress helps to give FS Siena a strong, cultured presence on the page. Idiosyncratic italics The italics for FS Siena were developed by Krista to complement the roman upper and lower-case alphabets first drawn by Jason. Many of the letterforms are built differently to their roman counterparts: there’s a single-tier ‘a’, a looped ‘k’ and connections more towards the middle of stems, such as in the ‘m’, ‘n’ and ‘u’. These distinctions, along with generally much narrower forms than the roman, give the italics extra emphasis within body copy, where the two are side-by-side. In editorial, especially, the combination can be powerful. To cap it all… In his original draft of the typeface, Jason found inspiration in Roman square capitals of the kind most famously found on Trajan’s Column in Rome. In keeping with those ancient inscriptions, he intended the capitals of FS Siena to also work in all-upper-case text, in logotypes for luxury consumer brands and property developments, for example. A little added space between the upper-case letters lets the capitals maintain their poise in a caps-only setting, while still allowing them to work alongside the lower-case letterforms. The caps-only setting also triggers a feature called case punctuation, which adapts hyphens, brackets and other punctuation to complement the all-caps text.

My first font for the summer of 2009, Abrect is a new sans serif font where I try to maximize the x-height and keep the design fresh and personal. It fits in with my continuing objective of designing book fonts that I can really use. Abrect is a tangent for me just taking an idea out to its end. In particular, it is a radical modification of my first font in 1993, Nuevo Litho. The hand-drawn shapes vary a lot, many pushing the boundaries of the normal character. With many of the new releases I see, the digital perfection is getting pretty extreme. It’s looking like a Rococo stage of development for many with decoration taking over from function. I'm consciously trying to head a different direction. This is not a normal font for me in that it has caps, lowercase, with the appropriate figures for each case, no small caps. This is the first time I have skipped small caps in over a decade. This font has all the OpenType features in the display set for 2009 except for the small caps. There are several ligatures for your fun and enjoyment: bb gg ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more and many of them are experimental in form. Enjoy!

Mastro™ Sans is a contemporary humanist sans serif and the sans version of Mastro. The lowercase shapes are simple yet distinct, its organic design (specially the italic) are based on different stroke modulation ideas combined into a coherent whole. The uppercase is inspired in roman capital proportions yet keeping the lowercase stroke modulation. Mastro™ Sans has a total of 16 styles and it covers a large set of languages. It also has many Opentype features, such as small caps, superscript numbers and letters, old style and lining figures, tabular figures, case sensitive forms, fractions and more. It is a design with a lot of personality while being versatile. You can use it in branding, editorial, web and video.

This antique-aged version of Monkton can be used to imitate old letterpress printed documents such as old English text. The rough edges resemble ink spread on paper to give an old look. The inspiration for this typeface family came from my childhood experiences at Monkton, amidst an historic part of the South West of England. Studies of the original incised capitals of the Trajan column in Rome were analysed and polished for this modern version. The lower case letterforms and numerals were then created in sympathy, taking their proportions from the incised letters of local gravestones. Its name honours not only the area where the original alphabet was conceived and drawn, but also the people responsible for fostering my initial interest in letters.

I bought a new coffee machine - the piston variety. It is shiny, made in Italy and I can make a killer espresso or latte with it. I usually start off the day with a pour over coffee and save my milky coffee for later. I also have two grinders: one for a coarse grind (pour over) and one for a finer grind (espresso and latte). Yes, you will probably say that it’s quite extravagant to have two grinders, but I do like my coffee! Anyways, this is what I thought of when I worked on Coarse Grind. Coarse Grind is a well balanced all caps display font. It comes with extensive language support and a set of alternates for the lower case letters.

After researching the type styles contemporary graphic designers have been using over the past few years, I noticed a consistent use of Copperplate Gothic, and its derivative designs, for various corporate advertising campaigns. That level of usage gave me the inspiration to design a display font possessing subtle characteristics of Copperplate Gothic, and various Latin Condensed designs. The font I ended up designing was semi-condensed, with more contrast between thicks and thins than in Copperplate. Baltra also has a subtle flair in its otherwise traditional lowercase, while possessing a larger than average lowercase x-height. Copperplate Gothic, on the other hand, has minimal contrast and uses small capitals for its lowercase. After examining extensive type specimens from wood type, metal type, phototype and digital type, I was not able to find a single design possessing a majority of Baltra's characteristics. Consequently, I consider Baltra to be a truly unique design, sharing with Copperplate Gothic only its flairs on stems, and having only subtle characteristics in common with traditional Latin designs.

I was working at Bozell Worldwide, an advertising agency, on their yearly promotional pitch. An art director was looking for a condensed informal headline treatment to be used on one of the new ad campaigns. I took several different font designs and started to condense and scale the proportions in the hopes of finding several good solutions. They finally settled on a version of Times Roman, scaled horizontally to about 50 percent proportions. I liked the look so much that I later went back to the drawing board and refined the concept by adding slanted serifs and a varying alignment on all the letter forms giving the typeface a very casual and informal appearance. At about that time, I was reading a book by Jack Kerouac, and was so inspired by his writings on the ‘beat generation’ that I decided to name the font ‘Beatnik’. Afterwards, I added a set of true small capitals and old style figures. I'm currently working on additional weights and variations to expand this ‘hip’ new font series. Groovin' baby.

This typeface was inspired by the rough surroundings of a modern city and reflects the contradicting nature of an emerging global youth culture. Ever since its first release—back in late 1999— it is constantly on our ‘most wanted’ list and has been part of numerous product campaigns. Music, mobile telephony, food and beverages, politics, you name it. Coca-Cola used it, José Cuervo used it for about 3 years. The new ‘Pro’ version goes one step ahead. You may now capture the essence of the younger generation in every major European language. PF Fuel has been extended with the full array of Cyrillic characters as well as matching frames for this extra stamped look. Furthermore there more alternate characters than ever. Create a custom look, when same characters sit close, or one next to the other. You may find these useful—alternate characters either in the lowercase positions, or access them through the ‘stylistic alternates’ OpenType Pro feature. If you need some extra fuel, this is where to get it!

Introducing ND Kern, a contemporary geometric sans-serif font that blends classic elegance with modernity. This versatile typeface is perfect for branding, advertising, editorial design, and any project that requires a clean, stylish look. With its tall x-height and clean, modern letterforms, ND Kern is ideal for headlines, titles, and short blocks of text. Its sleek and minimalistic design, combined with unique details that draw inspiration from Cyrillic script, makes it a perfect choice for modern and sophisticated designs. ND Kern includes a full set of uppercase and lowercase letters, numerals, punctuation, and multilingual support for both Latin and Cyrillic scripts. The font family also comes with a range of OpenType features, including ligatures, alternate characters, and stylistic sets, which offer even more design possibilities. Whether you're creating a minimalist logo, a trendy fashion campaign, or an edgy editorial spread, ND Kern is the font you need to stand out. With its balance of classic and modern design elements, influenced by both Latin and Cyrillic scripts, ND Kern is a versatile choice that will add a touch of sophistication to any project.

Mutalis Fashion is the epitome of contemporary elegance. This font is the perfect blend of modernity and tradition, featuring a sleek design with delicate serifs that add a touch of sophistication. This font is clean and versatile, making it the ideal choice for fashion-forward projects. With its innovative and inventive style, Mutalis Fashion is perfect for everything from high-end fashion campaigns to stylish websites and advertisements. Whether you're looking to add a touch of glamour to your designs or simply want to create a clean and sophisticated look, Mutalis Fashion is the perfect font for the job. The Mutalis Fashion family consists of Regular and Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

The San Jose type family provides an array of variants representing a simplified, bay area slant on traditional Chicano American street scripts. The styles in this set can be used in all caps for the most authentic appearance or in a more typographically traditional small caps format. This set also includes latin supplement support and a robust character set in six styles. 3 Stroke variants: Regular, Rough & Bold each have a leaned back, traditional slant variant.

The letters in TapedUp are constructed from straight pieces of what could be masking tape. The letters have a unsophisticated or unpolished quality to them. The typeface is caps-only but many of the shapes on the lower-case keys differ from those on the upper-case keys. It was formed with a template used for several letterbat fonts and also typefaces Rumpled and Tinkerer. The family has six styles: regular, bold, shadowed, oblique. bold oblique, and shadowed oblique.

WrenchedLetters is a novelty font in which characters are composed of wrenches and bolts. It is caps only, but the characters on the lower-case keys differ from those on the upper-case keys. It has a large set of accented characters. It is not often that one needs a typeface made of wrenches and bolts, but if one does, there is a font for that. For related, tool-based typefaces, see Screwged, NailsNStaples, and Hammered.

Screwged is a letterbat font in which letters are made of screwdrivers and screws. It is caps only, but the characters on the lower-case keys differ from those on the upper-case keys. It contains a large set of accented characters. It is not often that one needs a typeface made of screws and screwdrivers, but if one does, there is a font for that. For related, tool-based typefaces, see WrenchedLetters, NailsNStaples, and Hammered.

Portsmouth is a strong, sturdy typeface with historical character. Its inspiration comes from the height and strength of the wooden tall ships that sailed into port in their day. With caps and small caps, this typeface is great for headlines or subheads for design projects that need a historical or retro feel, such as from the 1940s and earlier. Seven different styles that can be layered allow for different colored drop shadows, outlines and fill for even more customization.

St Ryde is a humanistic sans-serif with a slight touch of a script typeface. The most significant aspect of the typeface is the combined sharp and round treatment of the stroke endings. The complete Ryde Family contains five weights including real matching italics, so you can choose from thin, light, regular, medium and bold. St Ryde has a wide range of characters, including small caps, lining proportional and tabular figures plus small caps figures, too.

Intouch is a cool, and display font that has a cool and funny, street art vibe. A playful all-caps Display font that includes four versions font of each letter which can be used separately or on top of each other to achieve a different look. This font is PUA encoded which means you can access all of the glyphs and alternates with ease! (please type the preview to see if I have what you need!)

Introducing, Slightly Marker! Slightly Marker is a caps font with street style brush. It's contain uppercase and lowercase in different style, number, symbol, and also with multilingual support! This font also contain opentype feature for adding line under a word, You can access it from ligature, simply type underscore + number (1-5) in the middle of the text. For example: Mar_3ker. You can use this font for any project such as a branding, poster, or quotes!

What's that creaking sound from the cellar? Is that just a cat, or a slimy creature crawling in the dark? No need to worry, there's nothing there! It's just a font, mimicking the typical letters found on retro horror posters. And now you can create your own scary headlines, using my Monster Scheme font. You can even do it in different languages, because Monster Scheme has multilingual support - and even 4 different versions of each letter! Now that's scary! :)

Elodie is an Art Nouveau inspired all caps font with some extra quirky characters. It was hand drawn with a brush pen. Elodie is designed for titles, short quotes, product names etc. Use lower-case letters for regular text, and then add a some special quirks to your writing by using the characters in the upper-case section. Multilingual support is included for Western, Central and Eastern European languages. Please test your characters in the font previewer before purchase.

Barmoor is a robust, classic roman display face, inspired by the letter designs of the Parisian craftsman Claude Garamond and other 16th century French engravers as well as antique roman letterforms. It works especially well letterspaced and in all caps. Alternate W, R, J, M, Q and K can be used to add a modest bit of flair to letterspaced, all cap treatments. Barmoor is mainly intended to be a display font or a limited text font.

RAZEN is a sharp italic and bold font with unique style that will make your design looks modern, geometric and futuristic. You can use this font for any purpose, especially to make logotype like a technology or sport logo brand. This typeface is comes in ALL CAPS, punctuation, symbols, numerals, etc also support multilingual in all caps. Highly recommended to use it in Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, Afinity and more. Enjoy!

Dinghy is a shore thing. Like three fonts in one, Dinghy sports a friendly, bold lower-case, a salty, strong upper-case, and in all-caps with discretionary ligatures turned on, Dinghy is tightly interlocking. Turn some ligatures on, others off, to craft the look you want - whatever floats your boat. Dinghybats contains 26 original Amy Dietrich seaside illustrations from curious ocean animals to dune grasses to, well, dinghies.... So enjoy making waves with Dinghy family!

Forum Title was originally designed by Frederic Goudy in 1911. It was intended to be the heading font used for a book set in Kennerley. Based on inscriptional Roman stone cut capitals, this face is true to the early Roman forms which did not have a lower case. Forum exemplifies the classic Roman letterform at its finest. If a lower case were desired, Forum Title can be paired with Goudy Oldstyle for a harmonious hybrid font.

CoffeeMug has letters on coffee mugs. Upper-case letters have the handles to the left and lower-case characters have the handles to the right. The letters on the mugs are from the typeface InsideLetters. The typeface contains characters that will add color to letters. There are two ways to do this. One uses layers and the other a combination of characters, some with zero-width. A file in the gallery explains the ways that this can be done.