The typeface was designed at ParaType (ParaGraph) in 1991 by Vladimir Yefimov. Based on Anons by Gennady Baryshnikov. An extra condensed sans serif. For use in advertising and display typography. The decorative styles were added in 1997 by Alexander Tarbeev.

Tropica Script was designed by Vince Whitlock, a casual, lighthearted script typeface. The initial capitals are complemented by a lowercase that connects by overlapping the linking elements on the bottom right of each letter, creating the look of true script.

Designed by Nick Shinn. Digitally engineered by Steve Jackaman. Humanist sans serif with a calligraphic cut and tall ascenders. Light, Medium and Extra Bold designed by Nick in 1985 for Typsettra; Steve added the Book and Bold weights, and the Italics.

RMU Belvedere is a revival of Heinrich Wieyncks design, which was released by Bauer in 1906. The font was completely redrawn and redesigned, and comes with a long s, two framing elements and two tailpieces. Get the long s by typing [alt] + b or turn the round s into a long s by using the OT feature Historical Alternative. Start making the frame by typing [alt] + >, and continue with [alt] +

Aloha vibez bruhduh Uppercase Character Set A-Z Numerals & Simple punctuation OTF file format Drawn by Samborghini. Kerned by Dontrealllycare

Edgar Fernhout is a font inspired by the Edgar Fernhout cover designer by the great typographer and designer, Wim Crouwel.

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally in one weight, Steve designed and produced three additional weights.

Olympus Mons is a geometric display font, characterized by sharp edges and straight lines, designed to support all European languages. It is intended to be used for headings as well as smaller information, by brands associated by masculinity, power, and ambitious goals.

Betm is a geometric sans-serif font family created by Chatnarong Jingsuphatada (a Thai type designer) and published by Typesketchbook. Inspired by clean modern and, somewhat, mild geometric lines, Betm comes in 10 very useful weights along with complementary italics. You’ll love Betm!

A decorative сaps-only typeface designed for ParaType in 2004 by Gayaneh Bagdasaryan. Inspired by Russian fine art from the beginning of the 20th century - lettering by Sergey Chekhonin (1878-1936), graphic design by El Lissitzky (1890-1941) and the Suprematism painting. Sketch design of the font (under the name Klin) was awarded a TDC2 2000 diploma. For use in advertising and display typography.

Linotype Didot™ was drawn by Adrian Frutiger in 1991, and is based on the fonts cut by Firmin Didot between 1799 and 1811. Frutiger also studied the Didot types in a book printed by the Didots in 1818, "La Henriade" by Voltaire. This beautifully drawn family is the right choice for elegant book and magazine designs, as well as advertising with a classic touch.

Buttery Signature is a unique and elegant monoline font, this font was created by being inspired by a signature by someone, then developed into a work that can be used by many people. It comes with an elegant and unique style which is perfect to make any design stand out! This font is perfect for branding, wedding invites, magazines, mugs, business cards, quotes, posters, and more.

Merchantry is a hard-working display font inspired by vintage signage you might find in local supermarkets of days gone by.

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Many of the weights and the italics were created after Les’ death.

Designed by Les Usherwood. Digitally engineered by Paul Hickson. Les never released this completed typeface before his untimely death in 1983.

C-V dashes are transcribed from 72-pt ornaments designed by Enric Crous-Vidal and issued by Typefoundry Amsterdam c. 1950.

Designed by Les Usherwood. Digitally engineered by Paul Hickson. Another typeface from Les Usherwood that was released after his 1983 death.

Cykor is a display typeface with reversed contrast inspired by typography of the late 70s designed in 2020 by Kacper Janusiak.

Graphique-AR is a digital version of a type designed by Hermann Eidenbenz and issued by the Haas foundry in 1946.