In 1935, Morris Fuller Benton designed Phenix American for American Type Founders. For 2017, the classic Art Deco design has been reinterpreted in an all-caps display version with an ever-so-slight "hand made" feel. Industrial Arts JNL is available in both regular and oblique versions.

KD Bombarda is a piano-key, stencil and display face that will make your projects stand out from the crowd by introducing some interesting letter shapes. Originally designed in 2013, it's now been edited to provide smoother curves with broader character and feature support including Cyrillic.

The 1913 sheet music for "You’ll Be Welcome When You Get Back Home" had its title hand lettered in a simple, yet attractive Art Nouveau sans serif design which has been preserved as digital type. Basic Nouveau JNL is available in both regular and oblique versions.

Jacob Riley is based on antique 18th century printers’ specimens and has been hand-illustrated with calligraphy nibs dipped in walnut ink. A goodly fellow, Jacob delights in uses varied and sundry including personal correspondence, rustic decor, graphic display and even amongst the pages of children’s books.

Swedish designer Lennart Hansson began designing letterforms at the age of 20, and since then his exceptional calligraphic artwork has been on exhibit throughout the world. Hansson won the Nordic Typeface Competition in Copenhagen for his typeface Runa Serif, inspired by the forms of ancient Viking runes.

In the 1960 edition of Sam Welo’s “Studio Handbook – Letter and Design for Artists and Advertisers” is a stylized, condensed slab serif alphabet he referred to as “Poster Slab”. This has been digitally redrawn as Poster Moderne JNL, and is available in both regular and oblique versions.

After four long months of work, Arcano Type has finally been released. It was completely designed by hand, letter by letter, using Chinese ink on Japanese calligraphy paper. Arcano is inspired by nature, symbols, icons, jewels, hand-drawn designs and much more... Modern Love Slanted-Turquoise-Nautica

Miller Banner takes Matthew Carter’s popular Miller series to new heights: 100pt and up, beyond any examples among the Scotch Roman’s historic antecedents. Optimized for very large settings, its hairlines have been sharpened and the contrast sweetened, lending grace and crisp elegance to banner headlines and titles.

Designed by Peter Behrens, well known graphic artist and architect in Germany in the late 19th and early 20th century. This "Antiqua" was done for Rudhard's Typefoundry in Offenbach A. M. around 1902, and has been used in modern times for museum retrospectives of the designer's work.

Galileo, a vintage font family made by brush. Each letter that has been hand drawn and then scanned, which makes the font unique and special. Galileo contains 4 styles and can be used for headlines, t-shirts, logos and posters. Appreciate this project and follow us :)

PILLS is a modular font based on overlayed circular and square forms, the characters have been spaced mathematically. 'PILLS' can have interesting side effects, when the leading is set very close. Feelings of anxiety, loneliness and depression can be avoided by 'PILLS'. Do not exceed daily dose.

Local Brewery is back with a new vintage inspired font collection that includes a script, two sans serif fonts, icons and extras. The sans serif fonts and the script include regular, semi-bold and bold weights. The script is monoline with smooth edges. The sans serif fonts have a smooth edge with all caps letters. Local Brewery Script comes with caps and lowercase alternates. These alternates will give your designs an extra flair and uniqueness. The script and sans serif fonts work exceptionally well together. Use Local Brewery for packaging, products, websites, marketing and beer branding.

A slightly regularized digital version of a late Baroque Fraktur type, probably from the beginning of the 18th century, issued by the Norstedts type foundry in Stockholm in 56 point size as "Sju petit fraktur nr 2". This digital font is designed for rather large sizes, at least 30 points. The font includes accented letters for all Western languages, as well as a long s and the usual Fraktur ligatures, e.g. ch, ck, st, tz. The font can be used for logos, packaging, posters, restaurant menus, beer and wine labels etc. associated with traditional German and Scandinavian culture.

Blacken is a contemporary blackletter with some fraktur flavour and a deep dark spirit. With its 420 characters covering 219 Latin-based languages, this font is ideal for your posters, book covers, logos, tattoos, and to play with its strong and thick characters. Among its inspirations are the gothic-cholo style, Mexican sign painting (the one in tacos and tortas, of course) and some delicious Belgian beer! Besides the Regular width, Blacken comes with Condensed and Expanded versions and Mix, which combines the three widths as OpenType features. You can also get Blacken Variable to create your own ideal width!

Old World elegance meets Levantine luxury in this stylish new font from Studio K. It takes its inspiration from the numerals on antique clocks and pocket watches – specifically the curlicue on the figure ‘2’ – from which the entire font has been extrapolated. The font also includes alternate swash capitals.

Digitalis was created from a desire to make an original, æsthetically pleasing rounded typeface using the minimum of strokes. Each character has been reduced to only the most essential elements. Due to the contrast between the thick and thin strokes Digitalis is surprisingly legible when set as text.

There is no bicameral Parity. It has been designed from scratch to be an exceptional unicase typeface, uncompromised by the priorities of mixed case or all-cap setting. Each glyph is shaped, proportioned and detailed for one purpose only: to optimize text set in the lining unicase format.

Magsen is a modern sans serif font that offers a perfect combination of elegance, minimalism, and a semi-technological vibe. This font has been crafted with a focus on simplicity, clean lines, and a contemporary aesthetic, making it an ideal choice for designers seeking a modern and minimalist look.

This font has been derived from different transformations of the moon transcending into different moods which affect the world. A full moon can cause human beings to be aggressive. While a new moon is a good time for new beginnings. This font can function as headings and subheadings.

Something New, a serif blackletter, has been designed with logo designers and typographers firmly in mind. This display font is a perfect addition to your design studio, ready for your next logotype, barber shop, coffe shop label. A modern mix of serif and blackletter with a touch or vintage

Ever been tired on a Sunday? I have...and actually that was the feeling I had, when I started making this font. Nevertheless, when working on this font, my Sunday just got a whole lot better! Hope it'll make your Sunday (or any other day!) good as well! :)

PaulMaul XT is a lighthearted typeface made for energetic expression. Bold and casual, PaulMaul jumps at the reader with distinct punctuation and style in headers, captions, sidebar quotes and fun interfaces. PaulMaul has been greatly expanded and now features a rich set of accents for European and Asian applications!

Cennerik is a plain, sans-serif typeface with rounded ends. It comes in five weights: light, regular, semibold, bold, and extrabold and each weight has both upright and italics styles. It was originally designed in 1992 and has been updated several times since then, most recently in 2020.

Fette Kanzlei is a beautiful mid-19th century blackletter font with a touch of calligraphy which has been brought back into life again. The long s can be reached by typing alt plus b or by activating the OT feature historical forms. This font also contains oldstyle numerals.

Leah is an easy-going, informal handwritten font based on the handwriting of a friend. It was digitally refined after scanning. It has been refined to ensure legibility. Leah is fully professional, carefully letterspaced and kerned. All upper and lower case characters, punctuation, numerals and accented characters are present.

P22 Allyson is based on an old metal font by Barnhart Bros. & Spindler named Hazel Script. This font is perfect for elegant invitations and certificates and has been expanded to meet the needs of today's computer user to include a full character set. Allyson Pro contains OpenType features.

A little funky, a little fun and thoroughly unusual - this is the best way to describe Yargo JNL. This novelty font is best used in short phrases and at large point sizes. No kerning has been added so the letters can retain their hand-made look and feel.

Anter is modern script font, every single letters have been carefully crafted to make your text looks beautiful. With modern script style this font will perfect for many different project ex: quotes, blog header, poster, wedding, branding, logo, fashion, apparel, letter, invitation, stationery, etc. Anter script including alternate glyph.

This strange mysterious "blubber" is told to hold the secrets of the universe, many legends and myths have been told about its strange and amazing powers. Great fortunes await to those who can harness its power. NOT TO BE USED FOR EVIL. Get it before it gets you...

Stratus is a neutral sans-serif family, consisting of six weights. The design is heavily influenced by '90s screen fonts. It has been tested and developed using a range of different operating systems and web browsers. You'll find it works incredibly well at small sizes and user interfaces.

The movie poster for the 1934 comedy/crime drama “Jimmy the Gent” (starring James Cagney) featured the title hand lettered in an ultra-bold Art Deco sans serif style. This type design has been turned into Social Club JNL, and is available in both regular and oblique versions.

Have you been marking your words quixotically lately? Can't choose between an interrogative and a questionnaire? It can be quite the problem during question time, so we've quickly rounded up a quality quorum of questionable characters so you'll never be short of a Q during a Q&A!

Violenta Slab font family has been designed for Graviton Font Foundry by Pablo Balcells in 2015. It is a display, geometric typeface, with a condensed design and sharp angles that provides an aggresive and strong appearence. Violenta Slab consists of 8 styles. Each containing glyph coverage for several languages.

The idea for Gummed Letters JNL came from an online auction of some foil-embossed gummed letters from the 1940s and 1950s. One particular set was of a sans serif face that hadn't been produced in decades, and Jeff Levine felt it was worthy of a digital treatment.

The Phaistos series contains 47 unique characters based on the cryptichieroglyphic symbols depicted on the infamous Phaistos Disk. Measuring approximately 16cm in diameter, the Phaistos Disk was excavated in 1908 at the Minoan palace at Hagia Triada in Crete. The glyphs have not been conclusively deciphered to this day.

A typewriter gives you clean, crisp text from its keys, but Type Wronger JNL does anything but this. A distressed typewriter font, this font emits a rough, crude imprint as if the original had been photocopied, copied from that copy and re-copied until the original message had degenerated.

The WPA (Works Progress Administration) posters on file at the Library of Congress have been a treasure trove of classic hand-lettered type designs. Summer Program JNL is based on one such poster offering free arts and crafts classes in New York City sponsored by the Federal Art Project.

Calligraphy fonts with single line or also with sketch style are very charming plus long swash and cute heart stitches make it look simple and extraordinary This font is equipped with upper and lower case letters, numbers, punctuation and also language support has also been coded PUA Thank You

A semi text type with thin stresses, in Granite Semi Stencil the overall weight of the Granite Regular has been decreased by a set unit which has obliterated the stress to leave white space. This gives the typeface an idiosyncratic almost arbitrary take on the utility Stencil aesthetic.

Twist is an experimental, curvy, display typeface designed by Superfried. As its name suggests, it features intricate twists and turns. Twist has a very retro feel and its chunky structure leads to a distinct, high-impact display font. Twist has been featured on the Behance curated typographic gallery TypographyServed.com.