The inspiration source for Distinto Borders are the Black & White and Running Borders from the 1906 Abridged Keystone Type Foundry Specimen Book. Nine Black & White Borders and Thirteen Running Borders are compiled within this font, all of which can be formatted in various manners to allow maximum versatility. While we've adjusted the metrics in this font, your program of choice may override and use their own settings. Make certain that the point size and the leading size are the same so that the borders connect properly. For instance, the font set at 12 points, should also be set to have 12 points of leading. It's that easy! Download and view the Distinto Borders Guidebook if you would like to learn a little more.

Sina is a strong, sturdy and self-confident serif accented face. Distinct ascenders and descenders in classical proportions ensure pleasant reading. Robust but assertively warm, it recalls and references the virtues of early classical printing types but presents a distinctly contemporary look. With its even text flow it works very well for long texts. It is also great for headlines and in larger styles. An extended, fine-tuned range of weights renders it suitable for almost every application. Sina comes in 12 styles and in OpenType format. All styles contain standard and discretionary ligatures, small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fractions, and scientific numerals. Sina supports West European, Central and East European languages.

Lockal - the ultimate font display that's here to take your designs to the next level. With a solid structure and an impressive collection of ligatures, this bad boy is bound to make your creations pop. But wait, there's more! Lockal comes in not one or two but THREE styles - Regular, Rounded, and Rough. And as if that wasn't enough, each style also has an oblique mode for when you need that extra edge. So whether you're working on a branding project or creating eye-catching posters, Lockal has got your back. Trust us; your clients will be blown away by the results. Don't settle for ordinary fonts when you can have something extraordinary like Lockal. Get it now and watch your creativity soar!

Honesty was the first font published by the Studio in 2020. It was a typeface with flared stems. 2 years later, we are now publishing Honesty Sans. It is inspired by the original design but is revisited as a sans serif this time. Honesty Sans keeps the inspiration from the incise genre and font such as Albertus or the Trajan but with softness, thanks to its low contrast and smooth curves. Honesty Sans is highly lisible, which offers a variety for use, from titles, edition of texts, branding, magazines and so on. Its large variety of glyphs, including accents, old-style numbers and ligatures will give uniqueness to your designs. Honesty Sans is available in 16 styles, from thin to heavy in roman and italic.

Think of Garamouche as Garamond's drunken cousin. This font replicates a long lost document ravaged by time and the elements (with a little sloppy printing for good measure.) Unlike the fake bolding option found in software programs, Garamouche Bold is a variant with more appropriate thick and thin features. The "dancing along the baseline" that has made Garamouche a favorite, is also a feature in Garamouche Bold, but the letters align and tilt in on their own terms. Using the two Garamouche fonts together can produce much more expressive results than just hitting "bold". P22 Garamouche Ornaments is a set of 72 ornamental embellishments designed to complement the Garamouche fonts but can be used with almost any layout that calls for historical decoration.

Them Bones is a hand-drawn, spooky, ghost pirate, cartoon font for Halloween. Them Bones is a hand-drawn and spooky font made from the remains of ancient skeletons and ghostly pirate ships. It has a fun, light-hearted design inspired by campfire tales, Saturday morning cartoons, kids adventure movies and vintage comic books. This unique all-caps font comes in two flavours - a novelty design that’s drawn to appear like old bones, and a clean, versatile alternative that works great on it’s own or as contrasting characters. Each of these come with a hand-drawn outlined version with their imperfections intact for an authentic inky look. It’s a great choice for light-hearted Halloween designs or adventure stories with a fun, gruesome edge!

Phlebodium - geometric sans serif typeface, 16 fonts Phlebodium is a modern geometric sans serif font family. Nostalgic, soft and playful font in 80s 90s 2000s techno rave style. BONUS: vector cannabis / hemp leaf, sunflower, mushroom / fungus, meat, unicorn, heart, pizza, hot dog, sun, phlebodium, clover, dog, cat, bear, sun character mascot illustrations and t-shirt designs Phlebodium type family available in 16 styles. 8 Italics 4 weights: Thin, Regular, Medium and Bold 2 widths: Normal and Condensed This bold typeface is ideal for use in display sizes. Perfect for headlines and logos, text blocks, any type of graphic design, printing, t-shirts, posters, branding, web and applications, social media and many more Phlebodium typeface contains 4 weights, normal, condensed and italic styles

Rumble King is a vintage script font. As the name suggests, Rumble King is inspired by classic poster or vintage magazine. Besides that, I also combine it with a script style and it’s a little irregular in its shape style. I strengthen the vintage/retro impression with the character ligatures, there are 140 ligatures in Rumble King. But if you want to use Rumble King Font with a neater impression, you can disable this ligature feature. Rumble King is perfect for projects with vintage/retro and classic themes. But Rumble King is also suitable for logos, branding, greeting cards, invitation cards, advertisements, titles, healines, book titles, stickers, packaging, quotes, posters, t-shirts/apparel, billboards and others. Rumble King is also support multi language.

Introducing Auteur, a graceful, full-featured script font with tons of alternate characters and OpenType features. Hand-lettered with a heavy right slant and realistic disconnected letters (connected versions also included), Auteur’s casual elegance is particularly well-suited to invitations, branding, and editorial design. Auteur comes with more than 1200 glyphs! Specific OpenType features include contextual alternates, stylistic alternates, optional initial and final forms, multiple alternate glyphs for many letters (accessed through the glyphs panel), multilingual support (including multiple currency symbols), ligatures, multiple numeral forms (standard, tabular, proportional oldstyle), and ten ampersand styles. Perhaps the most fun thing about Auteur is that it includes multiple versions of all ascending and descending letters, making it lots of fun to play with layouts and compositions.

WOMEN FANTASY - A modern serif font family with a unique and classy style. It looks amazing on any screen size and is easy to read in text size. Fantasi Women is a display font created primarily for headlines, titles and other short text and is perfect for advertising, vintage moodboards, branding, logo types, packaging, titles, editorial designs, and modern and vintage designs. This font will add a fun and friendly touch to any of your projects! This font is PUA encoded which means you can access all the glyphs and sweeps easily and more. Have fun using Fantasy Women. I really hope you enjoy it! Feel free to follow, like and share. Thank you so much for checking out my shop!

Gabriel Sans is a font family inspired by the original Sans Serif fonts of the Transitional age like Futura and Grotesk, but with a modern twist. It is clean, elegant and straight-to-the-point. It has features similar to the classic Helvetica - like the endings of the capital C - but goes one step further. It also has a quadratic look, which makes it easily distinguishable and easy to use - the height is nearly as long as the width. It is professional and equally suited to your business or your personal lifestyle; it can be used in logotypes as well as in typeset text. It’s an all-purpose font offering the best of both worlds! Gabriel Sans comes in six weights, italic and normal.

Once I had a young, very eager and interested designer in my employ. We got into talking about where our letterforms come from and the habits in perception we are used to. He did not quite believe me. So I said, let's try to design a typeface where everything is just the opposite of what we are used to. We really had a hard time, our habits crept up on us all the time. But after a couple of weeks we finally finished this typeface and wanted to call it crazytype, but my young apprentice ­ who did most of the manual labor ­ said Contype sounded crazier. So it became Contype and it's really crazy, with a small asian touch to it. Yours very crazy Gert Wiescher

Portmeirion No.6 started life as an experiment by our designer, who was exploring the possibilities of a completely 'over-the-top' display Roman face, bringing in elements of Tuscan and 'Circus' design, along with anything else he felt like. He's instilled a little more discipline in the finished result...but just ever so little. We have Fred Stevens, a regular reader of our website to thank for the name. He's comment on seeing a preview of the design was 'Over the top, Italianesque decorative and intriguing. add some 60's TV and voila Portmeirion.' Why No.6-well you'd need to know a bit about 1960s television to understand that, but we'll give you a hint..."Where am I?"..."In the village".

Breakers is a sans serif originally conceived to be a display typeface. Works great in text also, but the diversity in weights is its strong point. It is easy to achieve that high contrast using thin against the ultra weight, but setting tall and lean capitals against the compact and heavy small caps can make really diverse compositions for all kinds of display design. With small caps included, and over 600 glyphs in each weight, it should prove itself useful in finding the right combination for any typographic setting. Breakers has a character set to support Western and Central European languages, and an extended set for monetary symbols. Each weight includes small caps, ligatures, proportional lining and oldstyle numbers, tabular figures, fractions and scientific superior/inferior figures.

Where's the party? Don't forget Contempo Elan! This stunning new font comes with it's own party ornaments. The right solution for any festive occasion, this super innovative face comes in two flavors. Contempo Elan Grand Script is a surprisingly elegant alternative to a more traditional formal script. Designed by Wesley Poole of Hawaii, this alphabet is definitely a hip script. Early reviews call this font "remarkable" and "a masterwork". Contempo Elan Ornamental is elegant and fun! Just perfect for those last minute Holiday announcements or any use that requires a classy, celebratory typeface, Contempo Elan Ornamental fits the bill. Equally at home on board the Enterprise or beckoning revelers at Mardi Gras, Contempo Elan belongs in every type library, just for fun. Party on.

Zoelander is an experimental geometric font. The distinctive feature of this font is having an irregular x-height. This will look unusual, but if you are looking for something unique and looks different, Zoelander can be an alternative to making an attractive typography. Zoelander comes in two versions, Zoelander Regular and Zoelander TF. Each has a bold and rounded style. Zoelander Regular is a sans serif font with irregular x-height but if you want the same x-height size, the stylistic alternates feature allows you to do it. While Zoelander TF is the development of a regular version where each letter is connected in a line at the baseline. Some of the other opentype features make it easier for you to explore more interesting typographic designs.

Thinkmore is a playful and modern display font that adds a touch of fun and creativity to your designs. With its clean monoline stroke style, this font exudes a contemporary and stylish look. The all-caps font comes with a complete set of A-Z alternates in a wide playful style, allowing you to experiment and create unique combinations that suit your project perfectly. Thinkmore also supports multilingual characters, making it versatile for various language requirements. Ideal for a range of display projects, Thinkmore is perfect for headings, logotypes, flyers, greeting cards, product packaging, book covers, and printed quotes. Whether working on a fun and quirky design or aiming for a more modern and minimalist approach, Thinkmore has the flexibility to adapt to your creative vision.

Palm Sunday - Quirky Easter Day Theme Font is a unique typeface designed to capture the playful spirit of Easter and Palm Sunday. This font is characterized by its quirky, chaotic, and variable thick-thin letterforms, which add an element of fun and intrigue to your designs. It can be used effectively either on its own or in combination with its ten charming variations. With ten distinctive variations inspired by Easter day, including eggs, bunnies, carrots, bunny ears, and flowers, Palm Sunday is the ideal choice for projects related to Easter, Pascha, and the joyous celebrations associated with the holiday. It perfectly suits children's themes, crafting projects, and any design that seeks to evoke a sense of fun, playfulness, and a vibrant, colorful aesthetic.

Bumsy, A new carefully crafted Heavy Sans Serif Typeface. It’s Versatile, Fun, Cute and Beauty feel that you get in Bumsy. Bumsy Created with the happy and fun feeling, so the looks it represent how we feel. Bumsy comes with 3 width : Condensed, Narrow and Regular. if you want more width, you can also use the Variable Width. Bumsy also comes with beautiful swashes, Every glyphs for alternates are curated for the best and possible without eliminate characteristic of this fonts. Our creation on the display to give you a reference what it looks like on your project. such as Branding, Header, Logotype, Poster, Magazine, Packaging, Food Menus, and etc. It shows that Bumsy clearly can accommodate various design style.

Nono is the nickname of my oldest son, Konstantin. His little brother could not really speak yet, but he was always looking for him and said something to the tune of, "wea is a nono". From that time on I call Konstantin Nono. I designed a handwritten script with his real name, that i named Konstantin. Now I made this slick version of that script – hence – Nono! I made three basic sets of characters plus a smallcaps version. To top things off, I designed a set of endletters that I throw in for free. Everything can be mixed! I sell single cuts but the best deal would be the entire packet, it goes for a very fair price. Your generous typedesigner, Gert Wiescher

This is a deco-style text OpenType Pro font loosely based on Koch's Locarno as seen in KochAltschrift a recent free German tribute to Koch's work. I was familiar with Meek's Letraset presstype version called Locarno, but I never liked the proportions used by either Meeks or Koch. So I radically revised ascender, descender, and x-height to make them more usable and brought the shapes within my sense of design. Mine is probably closer to Meeks than Koch, but hopefully it is a tribute to both. Astaire looks much more modern and it is much more usable. I added oldstyle figures, small cap figures, small caps, several ligatures, and more. There are an italic, bold, and bold italic also in this family

Sapore is a script font family, mostly monoline, inspired by the elegant handmade signs in the beautiful city of Venice, Italy, where I work and live. Many of these signs were made at the beginning of the 20th century by skillful craftsmen and artists, carrying that distinct vintage Italian flavour, and this is why I named the font Sapore, which means precisely flavour (also, one of the signs is from a pastry shop that makes the most delicious things). The design takes this retro vibe into the 21st century, making it up-to-date and fresh, while keeping it authentic. It is a script font, but I added some stand alone capitals that you can use in all caps words and texts effortlessly, as the open type code is taking care of using the right set of letters at the right time, I could have made two separate fonts, but I wanted to give you the best value I could and ease of use. Make sure contextual alternates are always on! There are also swashes, alternate styles, stylistic sets, small caps, 2 figure sets and decorative elements, all accessible through open type. I think the font is particularly suited for display use, as in logos, packaging design, branding, but it is readable enough for small text blocks. You can access the non-linking caps by clicking on the discretionary ligatures button. You can access the loopy caps by clicking on the titling alternates button. The main version has straight terminals but I included a round version and a calligraphic one, called “classico”. Hope you like it!

One of the most widely used typefaces in the world is actually a legacy of 18th century aesthetics, representing the spirit of late Baroque design, architecture, fashion and society. It has been created and printed for millions of readers around the world for more than two and a half centuries. It influenced many modern typographers. It shaped culture, education, entertainment and science, but also the development of typography itself. As a calligrapher and technical innovator, Baskerville invented new design, papermaking and printing methods, and his typography is very natural and legible to this day. Graphic design today calls for clean and minimalistic solutions, where the use of historical typefaces can achieve a vivid contrast with contemporary elements on the page or screen. Baskerville is undoubtedly the best choice for any kind of publishing house. In keeping with the original inventor’s spirit of excellence, we hereby offer its most advanced digital version. This is not a precise remake of rare Baskerville prints or a restoration of the original punches cut by John Handy, but rather our ideal essence of transitional typography. The old masters were limited by the technology of the time, but today we can dare to have very fine lines, unlimited ligatures, size variations and sophisticated OpenType functions. Drawing, programming, proofing and testing took us many years of development and brought thousands of new letters and dozens of language options. We are convinced that your readers will enjoy this font mainly for reading extensive works, but also for creating corporate identity, orientation systems and cultural posters. Baskerville is perfectly modern in its antiquity, striking in its modesty and timeless in its transiency.

Lythmore This font is called Lythmore and is inspired by Lithos. Lithos was originally designed for Adobe by Carol Twombly in 1990, based it on the lettering from ancient Greek inscriptions. The Capitals are similar in feel and design, but is totally original and built from scratch. It is designed to be similar intentionally, but it is not a clone or rip off. Lithos is an example of a simple blocky san serif font style, with subtly concave sides, angled ends, and off centred curves. Lythmore is also an example of that same style. But is also different in places where I felt it could be improved. And it has a complete lower case set, which Lithos doesn't. I built Lythmore with 8 different weights. Lythmore can be very effective when used in advertising and general display work, but it can also be used for much more. Although it was never designed to be body copy, when used as such, it is still perfectly readable and adds its own version of sans serif style and flavour. I have included two versions of the Lythmore family. Lythmore A and Lythmore B. In the Lythmore A family, the lighter 4 weights all vary in weight in both the horizontal and vertical axis. The heavier 4 weights all vary in the horizontal axis only. In the Lythmore B family, the transition is even in both directions across the entire family. The result of this difference is that the A and B versions difference is most noticeable between the Regular and Medium weights. While the extreme ends of each family version are virtually identical.

Waleed est une police de caractère Arabe, et latin inspirée du Naskh

Toxia is a creepy—yes, eerie face, like something wet and poisonous clambering out of the swamp. It’s spooky too—yes, but it’s also frighteningly easy to read. Just don't let it drip on you! Toxia is just one font in a package of five known as Wild Bunch Pak #1.

Mang is an 11 point (or 22 pt or 44 pt etc.) bitmap font that was originally designed for a poetry piece in Born Magazine. It is slightly quirky but works well as a text face. You can use it for screen resolution or print designs as it includes outlines.

Eidetic Modern is the sanserif counterpart to Eidetic Neo. Both families were developed in tandem, however the Modern was the first to be published by PSY/OPS [1997]. Eidetic Modern's features -- gently tapered stems, buffed corners and junctures, vertical stress, non-classical proportions -- combine to create a unique, contemporary humanist sans.

A funny Script typeface with a simple construction for to show a dynamic texture playing with the baseline. This letters are inspired on the work of House Induestries mixing a traditional serif with a playful script, like some retrospective alphabets in the vintage ads. Enjoy it, and thanks for buy it!

The glyphs of AndrijScript typeface are based on usual calligrapher's handwriting, my own native Cyrillic. This strange mix of freedom and professionalism looks vivid but a bit elegant. In three very different weights it has some ligatures and contextual alternatives for more natural look. All you need is love, you know ;)

Angela is a Cute and charm script font with a relaxed theme, featuring a lovely style. No matter the topic, but this font is awesome for every kids or child project, this font will be an incredibly asset to your fonts’ library, as it has the potential to elevate any creation.