Stagnan is a font with a subtle blend of passion and calculation. each glyph is made with great care in order to get results that do not disappoint. This gives the designer various options for typesetting A variable version is included with the full family, allowing maximum flexibility and control for the designer over the wide range of expression capabilities of the Stagnan superfamily.

Appetite Pro Rounded is an extension of the world wide popular display fonts Appetite Pro (2016) and Appetite Rounded (2011). Appetite Pro Rounded consists of 10 weights — 5 regular and 5 italic — from Light to Heavy. It’s a multilingual and international rounded font, with a full western latin, cyrilyc (russian, belarusian, ukrainian) and basic Greek support. Appetite Pro Rounded font family special designed made in addition for Appetite Pro. Due to the 10 weights rounded font and 10 weights normal weights palette you can solve a wide variety of professional problems without spending money on extra fonts for titles, sub-titles and main text.

Castagna is a contemporary calligraphic font with classical roots. It is carefully designed, with a special emphasis on the connection of the letters, with high ascenders to give rise to the ornaments of the different letters. There is a special search for high readability. Castagna includes a wide selection of stylistic sets, contextual and stylistic alternates, initial forms, swashes, and ligatures to preserve the qualities of handwriting, in order to accommodate various design aesthetics.

Belhampton is a lively display family, full of the spirit of the Edwardian era. Six typefaces are offered: regular, bold, light, oblique, embossed and outline. All include an extensive range of stylistic alternates and discretionary ligatures, as well as lining and old-style numerals. Belhampton is ideal for poster and display work, or just the thing for any piece of Belle Epoque design.

Zayna is an uppercase sans serif font. The font works perfectly for headlines, posters, pull quotes, wordmark logos and many more. It includes full set of uppercase basic characters, multilingual symbols, numerals, punctuation (check the previews in order to see them all). Latin-based Language Support (You can check your language typing characters in text box below). 2 styles: plain, oblique. Happy creating!

Monospaced fonts can be so dull...they are often only suitable for something like programming and other places where you need the text lined up perfectly. Well, that is not the case with Organic Thinker! Yes, it is monospaced, but it is also handmade and full of vibrant and organic life! Each letter has 5 slightly different versions, and they automatically changes as you type - makes you forget everything about programming, kerning and other dull things! :) Well...you are more than welcome to use Organic Thinker for your next Turbo Pascal text, actually I'd fancy that! :)

Our Righteous Pro was inspired by the all-capital letterforms from the deco posters of Hungarian artist Robert Berény for Modiano. Grid based and geometric in execution, the font is highly readable at a wide range of point sizes, ideal for display and print. Unlike that of its original inspiration source, Righteous has both a full lowercase and a SmallCaps set as well as an extensive figures set to increase flexibility and ease of use. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

With Antipol Variable, the reversed stress font was supplemented with Wide and Extended cuts in the Hairline weight. The ability to stretch single letters extremely wide is an exclusive goodie of the Variable version. Antipol is a Sans Serif design that reverses the conventions of a regular Latin Sans Serif. With a weight emphasis on the horizontals and its vertical terminals Antipol radiates a 1970s charisma known from the like of Antique Olive. Its modern and avantgardistic attributes are most pronounced in the Hairline weight, where ultra thin lines meet distinctive arrowhead-corners. This particular weight is meant for display settings, think full-page magazine titles or posters. Antipol Wide and Antipol Extended are a generous statement for graphic design with enough space to let the type breathe: art catalogs, lead texts, invitations, letterheads or brand identity. Any style comes with a wide range of OpenType features that goes beyond a standard display font: Small Caps, Proportional and Tabular Oldstyle Figures and Lining Figures, Fractions, and much more.

Asphaltica is a geometric sans serif font. This is a universal font that can be used for both headings and paragraphs, thanks to the customized kerning for bold style. The typeface includes uppercase multilingual letters, numbers and punctuation. I've found the font to be great for logos, titles and I enjoy using it with really wide spacing. Asphaltica is also included full set of: OTF, TTF Uppercase Lowercase Numbers & Punctuation

HU SpecialmovieKR is a retro, wide square typeface, characterized by streamlined, narrow stroke ends such as 'ㄴ,ㅅ,ㅈ'. The first consonants are designed to be large with full modules to improve readability. The grapheme 'ㅇ', which is the face of the font, is in the form of a square in harmony with straight lines and curves, expressing a solid and simple feeling overall. HU SpecialmovieKR includes Korean.

Cantiqe the rational serif with a circular/ball terminal and strong vertical contrast and fine horizontal hairlines, This makes Cantique a blend of elegant and beautiful. Cantiqe Incredibly versatile is perfect for fashion branding or editorial designs. this font fits a wide pool of designs, elevating them to the highest levels. Add this font to your favourite creative ideas and notice how it makes them come alive! Thank You _xdCreative

A Sans Serif Family with a few unique relatives Our Bookable Sans Family was inspired by a lettering specimen from “Letters and Lettering” by Carlyle & Oring, but you'll find the inspiration has come a long way, baby. From its original reference of displaying a standard width and weight, to the two words showing a light narrow and a heavy wide, this friendly utilitarian display text face has grown to include three width families, with six weights from light to black each. The outliers of the family are Bookable Mondo: an uber heavyweight wide style exuding all brute power in an all-caps form, and Bookable Noir: a lightweight and narrow style with many unique alternate letterforms and ligatures that spoof film noir titling, but also goes off the rails having fun. Opentype features for the traditional families include: - Full set of Inferiors and Superiors for limitless fractions. - A small collection of f-based Ligatures. - Tabular & Proportional figure sets. - Ordinals. - Approx. 419 characters. Opentype features for Bookable Mondo include: - Full set of Inferiors and Superiors for limitless fractions. - Ordinals. - Approx. 391 characters. Opentype features for Bookable Noir include: - Full set of Inferiors and Superiors for limitless fractions. - Five Stylistic Alternate Sets. - Sixty-six unique ligatures. - Ordinals. - Approx. 701 characters.

Oilvare is a hand-drawn, layered typeface inspired by vintage painted signs and oil cans. While sturdy, it also has a softer side—wide proportions, oval-inspired forms, curled angle strokes, and a medium contrast all help give it a little bit of distinction from the typical sans serif. Mix, match, and layer the styles to your liking. Carefully drawn, when you enlarge the typefaces, the subtle irregularities become more apparent and harken to hand lettering of the past.

Beckan is a retro inspired typeface, which leans towards the Art Nouveau style. The Beckan typeface has a high-contrast and a thin hairline, this gives the typeface a bold and modern retro look. The Beckan typeface comes in two styles, Regular and Oblique. The Beckan typeface can be paired with a minimal sans serif or light script font, this combination will give your next project a unique look. The Beckan typeface is very versatile and can cover a wide range of project such as: branding, mastheads, magazines, logos, facebook banners, Instagram posts, websites, blog posts, pull quotes, product packaging, advertisements and much more. If you are looking for something bold and retro for you next project, Beckan is the font for you. WHAT YOU GET: Beckan Regular Beckan Oblique BECKAN INCLUDES A FULL SET OF: Uppercase and lowercase letters. Numbers. Punctuation. Multilingual symbols. We hope you enjoy using the Beckan typeface.

You can hear the wheels of imagination turning within this font - Grit Gothic, from Grit History™ B Series, by Baseline Fonts. Both highly stylized and very legible, the extreme height of this font can give even a goblin vertigo. Extended X heights create lowercase that adventurously reach up through extended shoulders and spines while persistent grunge warns of skinned knees that may result along the climb. It’s easy to envision children’s rallying cries in Grit Gothic, perfect for book titles, film titles, poster headlines, and any other epic that needs a strong font with a dark edge of mystery and wonder. This font is rife with personality, including large and daunting punctuation, whittled wood-look vertical bars that berate and argue with beveled bowls, ascenders that attempt to intimidate one another with their height variances, and tittles that bully one another, as they're a variety of context dependent sizes. Grit Gothic is available in Regular and Bold with full Greek-lettered foreign language support.

Juicy is different… in a good way. An art deco-inspired, high-contrast, upright semi-script, layered typeface best describes the playful letterforms that make up Juicy Pro (semi-connected) and Juicy Simple (unconnected). Great care has been taken to provide a wide complement of options and intelligent letter combinations thanks to OpenType. And that’s right, Juicy *is* a layered semi-script typeface. Pro and Simple variants provide a full character set (yep, lowercase). Pro variants include a wide variety of Stylistic, Swash, and Titling Alternates to really allow the expressiveness of the typeface shine… and all characters are available in the layered font counterparts… no shortcuts were taken on the delivery of this typographic chimera.

Elena Albertoni on Dyna: “While studying in Paris, I worked for a design studio specialized in packaging. French supermarkets are full of lettering with a handwriting flavor, which seems to go very well with a wide range of very different products. With the aim to analyze and summarize the qualities of these letterings in one typeface, I faced choices and limits similar to the ones encountered with handwriting. The letters are sloped at different angles, which gives them rhythm; their open shapes suggest movement and gesture. Letters want to dance!” Dyna Pro’s extended character set provides support for a wide range of European languages that share the Latin and Cyrillic scripts. Cyrillic characters designed by Elena Novoselova

This best selling series has now been extended to include a new member, Blue Goblet Drawn. Blue Goblet is hand-drawn by the artist, Cory Godbey, and is organic, charming and exuberant. Characters bounce and dance above and below the baseline and x-height, making this a whimsical and fun script. Not only is Blue Goblet Drawn a excellent choice, it also is also a versatile member of a wide family of different fonts. You can use it side by side with the original Blue Goblet fonts, and there are a wide range of ornaments available in the supplemental ornament sets--over 370 illustrations! These illustrations include doodley frames, lovely florals and other text ornaments that can be inserted into your text and resized at will. This makes the Blue Goblet series a great pick when you want a type system for a very unique and consistent look. The Blue Goblet series also continues to expand, making any of these family members a valuable investment for the future. Blue Goblet Drawn comes in three weights and three widths in each weight, with complementary italics for maximum impact for a total of eighteen pro fonts. The compact thin weights are delicate and tall, while the Regular has just enough heft for those situations where subtlety doesn't work. If you don't need the professional features, there are three stripped down fonts that include only the basic character set! Blue Goblet Drawn also includes auto-replacing ligatures that make it appear that the script was drawn by the artistís own hand--just for you! Blue Goblet Drawn also includes a wide variety of alternates that can be accessed in any OpenType enabled application. Blue Goblet includes over 190 additional glyphs and is loaded with features including an even more unique alternate alphabet. Included are swash alternates, style sets, old style figures and small caps. Please see the informative PDF brochure to see these features in action. OpenType enabled applications such as the Adobe suite or Quark can take full advantage of the automatic replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages. Blue Goblet Drawn is a great choice for friendly display type in children's books, packaging, organic packaging or other unique applications. Use Blue Goblet whenever you want to inject a handmade sense of fun and whimsy to your designs. Give the Blue Goblet series a whirl today!

Energy Grotesk is a modern grotesque family. It is an OpenType Variable font with weight axis going from 100 to 900. Energy Grotesk is extrovert, bold and full of energy. Most wide, grotesque fonts are uppercase only, but Energy embraces upper and lowercase. Available in 9 weights Over 1000 glyphs supporting extended Latin Ideal for display texts: Titles, Logos and Headlines etc. Supports OpenTypes features like Ligatures and Stylistic Alternates Tabular Numerals included

Asturias is a contemporary take on script fonts. Its characters are wider than most scripts, and the letterforms are somewhat geometric, giving it a modern and refined feel. The font is well suited for any occasion that calls for a sophisticated air and appearance. As with all insigne releases, Asturias comes with a wide range of OpenType features; a full complement of artistic alternates, ligatures and old style figures to add a touch of sophistication.

Miss McGee is equal parts Grotesque and Geometric, which gives here a no-nonsense, midcentury feel. Her letterforms are strong, wide in profile, and legible, making her a great choice for both text and display! She supports Western European, Cyrillic, and monotonic Greek, and has a full set of true small caps in each. She also has useful ligatures and alternates! Miss McGee is a companion typeface to Mr Chips, also from The Ampersand Forest!

Sudtipos’ new sans serif font Replete is inspired by the mixture of aesthetics and philosophies found on the streets of metropolitan cities the world over. Buildings constructed throughout the twentieth century, including those made in the Art Deco style or influenced by the Bauhaus’s gospel, stand side-by-side as symbols of their time. Typography is one factor that bonds these vistas, and simultaneously further complexifies them. Art deco letters appear on storefronts and signage in Europe’s oldest cities and as remnants of the Golden Age of economic expansion for Latin America. Typography, like architecture, sometimes coexists in perfect harmony, and other times in ideological opposition. But it is these juxtapositions in places such as Shanghai, New York, London, Buenos Aires and Tokyo that shape each city’s identity. Replete is inspired by this mixture. We wanted to create a useful modern sans serif family – a set of 7 weights with playful geometric alternates – that allows you to combine characters including wide-width and filled letterforms. Replete is apt for long texts, and equally, for instances where letterforms can stand together like a cityscape. Replete means full, packed and abounding … it is a sans, it is grotesque, it is geometric and it is Deco. Replete is a new family that has a little of everything we like, equipped with everything you need to design anything you want.

Bapalopa is inspired by classic graffiti "blockbuster" letter forms. These letters are made to look as big and as wide as possible. Bapalopa's linework is kept very loose & relaxed, mostly smooth with some distressed edges. Viewed up-close, there is lots of texture from the individual pen strokes which gives Bapalopa it's cool freehand drawn look. Use "Bapalopa" and "Bapalopa Pa" together to create eye catching designs. To make it extra fun, a handful of the largely useless alternates, (like that dumb "currency" symbol) were replaced with big blocky hearts, stars, and arrows. Check it out! Bapalopa is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications.

GoGipsy is a script font based on Coto Mendoza's modern calligraphy works created with the technical assistance of Luciano Vergara. GoGipsy is inspired by a magical journey—full of love, art and nature—through the Mexican Caribbean. GoGipsy tries to capture such incredible blend through gestures and calligraphy strokes, conveying freedom, expressiveness, strength and spontaneity. The family consists of four versions: regular, italic, drop and italic drop plus a set of ornaments based on the visual appealing Mexican textile art and embroidery full of colour and beauty. GoGipsy's baseline emphasises movement and rhythm. Have fun with OpenType features, swashes, ligatures and a wide array of initials. Go Gipsy! Each journey, new inspiration...

Aeda Rift is a high-contrast display typeface characterized by its sharp serifs and graceful contours, mirroring the elegance and hostility of the desert landscape. Consisting of nearly 400 glyphs, this font includes a full upper and lower case Latin-based alphabet, punctuation, symbols, diacritics, and ligatures—all together supporting over 82 languages. Perfect for headlines, pull quotes, and intro decks, Aeda Rift is carefully kerned and primed for creativity.

The Roman alphabet has seen endless variations in interpretations of its classical form, and various wood type styles managed to explore everything from XXX condensed to hyper extended and expanded. This delicate and handsomely proportioned extended Roman was issued by Page Manufacturing Co. in 1872 and released as simply “No. 251” after Page was acquired by Hamilton. It is a rare font to find in print shops, most likely due to the very fine lines that would no doubt be less durable that bolder gothic jobbing fonts. While being quite wide, it still holds the elegant grace of wide Romans such as Craw Modern. This new digitization features a full Western and Eastern European Character set as well as ligatures and alternate characters.

Meet Moreno – a semi serif typeface full of personality and flavor. A display typeface in its nature Moreno is free and informal yet stable and trustworthy. Moreno comes with extensive OpenType support - with its more than 15 OpenType features Moreno is giving you a great variety of stylistic alternatives as well as wide range of ligatures, tabular lining numerals, oldstyle numerals, fractions and many more. It comes in 8 carefully chosen weights from Extra Thin to Black plus their matching italics. Together with the 4 additional styles, Moreno becomes a diverse type family of 80 fonts suitable for a wide range of design needs like retail, package, food, branding etc. With its language support - over 200 languages, Cyrillic included - it is ready for world domination!

Appetite Pro is a total upgrade of the world wide popular display font Appetite (2011). It is based on original lettering and belongs to the upright script like. Appetite Pro consists of 10 weights of the refreshed curves — 5 regular and 5 italic — from Light to Heavy. It’s a multilingual and international font, with a full Western Latin, Cyrillic (Russian, Belarusian, Ukrainian) and basic Greek support. The Appetite Pro font family is specially designed for food identity and packaging design projects. In addition to standard letter cases, Appetite Pro also includes dingbats set. Due to the 10 weights font palette, you can solve a wide variety of professional problems without spending money on extra fonts for titles, subtitles, and main text. Try and buy!

Apothicaire is a new font designed by Ale Paul and the Sudtipos team that is inspired in, but not limited to, an antique style casted by a German type foundry during the late XIX century. With the addition of a contemporary design approach, Apothicaire comes in three widths —from condensed to expanded— and five weights —from light to extra bold—, offering a wide range of combinations to explore. As a bonus the font family is also available in a single variable format. An elegant small caps set, a variety of ball terminals and delicate swashes, as well as the possibility to choose from many alternates are also included in the OpenType features. Apothicaire supports a wide range of Latin alphabet-based languages.

Chalobah - a serif look with simple, clean and visual elegance with smooth curves and beautiful ligatures, A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as: headlines, logos, labels, branding projects, magazines, homeware designs, product packaging, mugs, quotes, posters, and more. It can also be more expressive and fun, thanks to the many alternatives and binders that combine harmoniously in this font and make it more interesting and versatile. Try to change alternatives, binders and you will get many options for your project which will make it Smooth & beautiful. Features: Section • Full set of uppercase, lowercase • Ligatures • Alternative • A wide variety of numbers, symbols & punctuation • Characters with accents • Support Multiple Languages • PUA encoded

BAQ Rounded sets itself up as a simplistic and blocky font, but it hides a deeper form. With indents in all the right places, this font creates a double image in our mind, of the form we see and the form we know, letters that bulge into blobs and letters that are easy to follow. This double image results in a casual, over the top yet easy to read font designed for relaxing and carefree messages.

Kiddo is a whimsical, handwritten font family created for use along side children's media. It pairs nicely with Monterrat and other neat, rounded sans serif fonts. It looks great with brightly colored, soft illustrations to create lively layouts full of movement. The characters are simple and easy to read as to not compete with the semi-inconsistent baselines and stroke weights. The line variations add a lot of character to the typeface that really compliments a good story.

This font is inspired by all those end-of-the-pier amusement arcades and fairground rides. It’s also a bit of a nod to comic book graphics of the Marvel era and the superheroes who deliver knockout punches in a spew of drop shadow typography. With Pier Arcade you can now create your own fairground ride or comic book adventure. Enjoy! See also my other fun fonts Bebopalula, Barrowboy and Calypso.

If you’re after a font that instantly catches the eye and makes your brand memorable, stylistic fonts are the way to go. Introducing Trangher - A Modern Stylistic Font. Whether you’re working on a magazine cover, a web page, or tackling a full rebranding project, Trangher can take your design to a higher level. Check it out and see the difference that a great font can make! What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

The Magnate Family began as a digitization of a film typeface from LetterGraphics known as "Wilshire". What began as a basic glyphset was fleshed out with a full character set with a smallcaps feature. We also decided to add a slightly more delicate side to Magnate, softening up the sharp flair serifs just a little. See the 5th graphic for a comprehensive character map preview. Opentype features include: - Full set of Inferiors and Superiors for limitless fractions. - SmallCaps feature. - Tabular and Proportional figure sets. - A small collection of Standard Ligatures. - A Stylistic Alternates feature for an alternate lowercase t style. Approx. 687 Character Glyph Set: Each style of Magnate comes with a glyphset that includes standard & punctuation, international language support, and additional features.

“Feverish” was a font borne out of perceived need in the marketplace. Hallmark retired font designer and master letter designer Myron McVay first approached Bill LaFever to collaborate on a project to design a semiformal calligraphic script that could be set as text copy with a large variety of swash and alternative characters and small caps. Bill penned the initial forms and Myron did the digital conversions and initial technical work. After Myron passed away, Terry Lee, a protégé of Myron’s at Hallmark, also retired, took over and the project was completed. “Feverish” is a semi-formal italic which can be used in a wide variety of commercial and advertising applications. The font family is large which can accommodate a variety of unique applications.

The rounded forms found in Chennai have proven to be one of insigne's more popular designs for web-based company logotypes. Now, insigne's new superfamily Madurai takes its popular predecessor to a new level, offering a wide range of complementary fonts. Madurai removes Chennai's rounded stems and then adjusts the character width to account for its reduction in geometry, resulting in a balanced sans-serif face with humanist touches that works well for extended text. The Madurai family has a full range of six weights from thin to black and includes Condensed and extended options for a total of 36 fonts. All members of the Madurai series include a wide variety of OpenType alternates. Madurai is equipped for complex professional typography, including alternates, small caps and plenty of alts, including "normalized" capitals and lowercase letters that include stems. The face also has a number of numeral sets, including fractions, old-style and lining figures with superiors and inferiors. OpenType-capable applications such as Quark or the Adobe suite can take full advantage of automatically replacing ligatures and alternates. You can find these features demonstrated in the .pdf brochure. Madurai also includes the glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Madurai supports over 40 languages that use the extended Latin script, making the new addition a great choice for multi-lingual publications and packaging. For your next project, explore the fantastic potential of Madurai.

An ultra modern typeface which combined with the proper text font can revive any dull-looking document. The wide simple forms combined with the selective application of a few distinct characteristics has resulted a stylish typeface which shines in the top 10 of our most wanted list. The powerful new “Pro” version comes complete with Greek and Cyrillic and includes a number of stylistic alternates as well as 2 groups of stylistic alternate sets, the last group being unicase characters.

Ticketing is a monospaced font loosely based on the pixel style lettering of electronic ticketing, designed for clarity when cheaply printed at small sizes. Ticketing, however, has a larger x-height than is often found on ticket type. The glyphs were drawn on a square grid 13 wide by 22 high, though some accented characters are taller or extend below the baseline. The Space is a full character width, but the Non-Breaking Space is set to half the width of the glyphs.

Gloss & Bloom is rough script font made with a brush pen. This font is made from the awesome work of Sean Delloro. Enjoy this natural brush pen script font to create cool logotypes, posters or invitations. The full commercial version comes with a complete set of alternate glyphes and a wide selection of underlining styles and splaters. This font contains: Uppercase & Lowercase font Stylistic Alternates Lowercase and uppercase alternates A set of 14 underlining styles 8 Ligatures 6 splatters OpenType Features