Quatrain is a hand-drawn, all caps typeface based on Bodoni. It is a little rough, a little uneven, but lively and elegant as well. Quatrain looks good on packaging, or in headlines. Comes with an abundance of diacritics.

Neon Bar is very useful for any project related to Bar, Music, Panels, Signs and more. It has a unique style and inspired from Las Vegas Panels but the design is too modern and very fit with neon print.

A quirky face with a distinct personality, Eclipse is good for logotypes and packaging. The Eclipse font is not recommended for situations where legibility is essential, but more suited where the overall image is more important than the words.

A neater version of my font Complete in Him, a hand-drawn marker font. Hand drawn with a brush marker, this font is neat but still has enough twists to make it fun. Perfect for painted or brushed looks.

Riana is handwritten, scanned and then carefully worked over to keep the rough touch and the typical "fountainpen" look. The result is a very lively, expressive font. To me it has an Existentialist touch, but don't ask me why.

If you want to write something sincere and genuine but not too formal then this is the font for you. It is based on real handwriting, not some artificial calligraphy made to be either too haphazard or spiky or have loads of elegant flourishes but an ordinary person's writing, and designed to look as natural and as close to the original lettering as possible. Like any person's writing it is individual and distinctive, but so easy going on the eye those differences sit comfortably with you. It is friendly and open with easy to read glyphs both as lowercase and uppercase. The letters are relatively wide with clearly shaped distinct outlines. This font may be ideal for projects where you expect a wide readership with different reading abilities from young to old. When you are using this font a slightly bigger point size usually gives a better result so for a standard letter or similar you should size up to 15 points or more. Maree has been individually crafted to the smallest detail. To create a realistic handwriting font that looks relatively simple but works in a wide variety of languages requires a complexity and attention to detail most fonts will never require. This font in any ordinary business environment would never have been made, the effort required to make it too great, the length of time too long. There have been no shortcuts in this font, no automatic scanning or tracing, no automatic generation, no class kerning. Not only is each glyph individual but the width of letters, the height, the accents and the positions of the accents are all different. Even the line weight of the letters is designed to have natural variation but yet similar enough that the font appears as though it were written effortlessly in the same pen. And in order to keep the spacing consistent even though the letters have different widths, heights, lengths of descenders and so on, there are a vast number of kerning pairs, letter to letter, number to number, letter to number... All kerning has been individually assessed with an eye to proportionality taking in character shape, size and weight. For instance if you write a telephone number the numbers all sit close together but if you write a number before a letter such as in a UK post code or before a unit of measurement an extra little bit of space has been added which makes the number more distinct and therefore readable. That space is so natural to the eye that you don’t even know it is there. However even in the spacing allowance has been made for the fact it can’t be too perfect because when you write by hand the spacing is inconsistent. There have to be some letters which are too close or far apart otherwise the font would look artificial. For similar reasons if you are going to print out this font for a letter, etc, check the print version before you make any letter spacing changes because with the zoom functions in modern applications that uneven spacing and lettering can seem more pronounced than it actually is. When this font is printed out you will find it is surprisingly neat. This font is what it is, simple clear handwriting. You will not go wow. But if you want something unique and different and looks good on the page you won’t be disappointed. This font is not a work of art but it is a work of love. This font has a soul. How many fonts can you say that about?

Farmhouse is a rustic serif typeface that was inspired by the woodcarved store signs on Main Street in a quaint little village nearby. Farmhouse is based upon the shapes of Baskerville but has a unique rustic character all its own.

Can't decide whether you're feeling archaic or modern today? Try Fidelma. Fidelma is drawn entirely with straight lines, no curves, giving it a rough but still readable look.Includes four fonts: Regular, Bold, ExtraBold, and a nifty set of Drop Caps.

Spooky Witch is the latest Halloween font from Arkrist Letter studio. A serif font designed with elegant characters, but looks scary. Spooky Witch font is suitable for design, logo, greeting card, invitation, etc. make your day more spooky with Spooky Witch!

It's important to realize that each of us is unique. I wish Ring Stag will emphasize it. Single but ready for anything. The new Ring Stag is bolder, more dynamic and masculine. New addition to the big family called Ring!

KIGELIA is a stylish display serif font inspired by fashion magazines and romance. It is great for short headlines and titles, but it looks great in advertising, vintage mood board, branding, logotypes, packaging, titles, editorial design and modern and vintage design.

Dyane is based on monolinear scripts from the Bauhaus time. But it is very special for ist counterstrokes in the lowercase letters a, h, m and n that gives the script a very distinct rhythm. Your rhythmic type-designer Gert Wiescher

This font was created with horror genre inspiration but packed with cute shapes. Also suitable for children's horror story books or cartoons. Or maybe you have something interesting that you are interested in using this font? Hope you like it.

Based on informal handwriting. The face resembles sophisticated but naive childish hand and brings associations of summer vacation and meadows spread with daisies. It may be useful in designing of invitations, picture-cards, posters, funny headers and certainly in advertising.

Blackletters have a long history and appeal to the world of lettering. "Darkness" is a blackletter font, but with a contemporary style with a simple form. Darkness is very suitable for use on product labels, logos, ads, brochures, invitations, etc.

Hola Delight serif font was a very unique retro style-obsessed in the past, but now we are giving this font a unique touch by providing 100+ alternative characters, which can be combined at your command for your best designs.

Littera project is a modern interpretation of one of the most widespread sans serifs in USSR "TextBook font". It is not an exact revival, but an interpretation of its typographic feel executed in two different ways: Littera Plain and Littera Text.

If you look into the past to see what was expected of us in the future, Amoeba is where we wanted to be by now. Amoeba is a constrained but quirky future font, designed on a computer by a human.

Come on... You want Jiminy, don’t you? It’s FUN! And carefree! It will turn any project into something enjoyable. You really must have it! But don’t just listen to me, Mr. Cat and Mr. Fox. Let your conscience be your guide...

Our notes say this was originated at the Barnhart Bros. & Spindler foundry in Chicago, and named Cable. Perhaps so, but we didn't find it in any of our BB&S catalogs. We made a few changes to improve the color.

Dubidam Arabic is new version of Dubidam with the addition of Arabic glyphs (Arabic, Urdu, Kurdish, Pegon and Farsi. Dubidam Arabic is A Cheerful semi-slab Typeface. Has a playful but firm style in each stem approach to harmony with Latin.

Selenic is a solid typeface with a clean look, interesting texture and quick impact. Friendly but also aggressive it is best suited for massive headlines, fashion photography, album covers, logo design or any other typographical work on digital and print.

Bright Fairy is a handwritten script font. This stunning handwritten font is casual, classy, and Cool. It’s a great font for fashion, apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements, but also works great for other projects.

This is an original typography to use in your homeworks, arts and more; created to inspire your documents or website. Buy it! with a special price, and you will support me and i would create more designs to share with you.

Designed by Sol Hess in 1940 as a variation of Stymie Extrabold but with squared corners where round shapes would normally be. This striking display face is found in only some Lanston Monotype catalogs and specimens are somewhat hard to find.

Dortmunder Ecke ("Dortmund Corner") is a clean, all caps font inspired by Cubism. It really has nothing to do with the city in Germany, but the name stuck and I kept it that way. Comes with a square amount of diacritics.

Dear Sunshine is sweet and playful, but also elegant. This versatile script font has a wide range of applications ranging from greeting cards to kids’ crafts, and is guaranteed to add a sweet touch to your next design. Thank You.

LD Buttercream is such a great font...it mimics the look of a frosted remembrance on a birthday cake...but it's uses are so universal and fun, you'll find many ways to put this font to work in your clever creations!

The name is danish, and can’t really be translated into English, but its someone who entertains during breaks or just a common funny person! Made with a rough brush and random brushstrokes. Nobody really knows what a "pauseklovn" is up to! :)

Geeeki is a playful semi serif font, it's cute yet nerdy, stylish but dorky. Bold and chunky, it's a unique headline grabber, so it's the perfect match for style magazines, fashion brands and whimsical websites. Find your inner super-geek!

KlipJoint is a novelty font in which all the characters are formed from paper clips. It does not have a true set of lower case letters, but in their place is a second and often different set of upper-case letters.

Crimes Times Six is a cool horror font, originally created with a chalk stick back in 2012, by Jonathan S Harris. The typeface design works very well in video games, movies and broadcasting, but also looks great on clothing and posters.

Highrise is a sans serif typeface inspired by tall industrial structures. Works great as both bodycopy and logotype, as the lowercase is clear and concise, but the statuesque caps letters can grab full attention. Available in Regular, Light and Bold.

Littera project is a modern interpretation of one of the most widespread sans serifs in USSR "TextBook font". It is not an exact revival, but an interpretation of its typographic feel executed in two different ways: Littera Plain and Littera Text.

Bumper Sticker is a nice, uncomplicated display font. It is quite loud, a little heavy boned and very in-your-face. You could use it to design more bumper stickers, but I am sure you will come up with something better.

Tanto is a boxy, futuristic sans-serif that is not directly inspired by any particular typestyle, but is more of an exploration of shapes. It has a very modern feel and although very geometric, still has a character that's not robotic.

Tattooflash Marie is made for Tattoofans, Tattoostudios and Tattoo artists. Make your own tattoo flash with your Name or the Names of your children. The Font is made for your skin but you can also make Tattooposter, Tattooequipment and more.