Michelle BF is the sister font of Monique Sans BF, in serif form.

The roots of Rockport BF run deep. 19th century woodtypes, display gothics of the 40s and 50s, are inspiration for this distinctive font style. Its OpenType programming features automatic fractions, stylistic sets and alternates for a, b, q, r, t, u, y, M, N, U, Y, and dollar symbol. Tempered by somewhat humanistic elements, these condensed, geometrically-structured letterforms bring a strong but friendly presence to posters, logos, bookjackets, signage headlines, and many other typographic environments.

Felt tip-written and full of expressive lines, Brandy BF exudes much verve and energy; and unlike many scripts, sets rather well in all caps situations. Use Brandy BF as a superb choice for everything from upscale restaurant menus to projects requiring a personable touch.

Factor BF takes inspiration from automotive lettering, and has elements of techno. It’s clean, strong and friendly, due to its overall soft, square, sturdy letterform construction. OpenType features include stylistic alternates for letters Q, a, e, f, y and ß; as well as automatic fractions, that are accessible in OpenType capable applications. Consider Factor BF for use in branding, signage, and logos to name just a few of its many areas of application.

A cool handwritten script with a warm and friendly voice.

Ooh so soft, so curvaceous, so voluptuous and so swash-buckling. Hey, I'm talking ’bout Petals BF! Here’s a design inspired by the work of Dave West and infused with a plethora of pleasingly plump letterforms, with swashes reminiscent of 60s and 70s types. But here’s the twist: where you might typically expect to find ball terminals, you'll experience some sensuous curls; and some playful letterforms such as lowercase h, k, m, and n, may even call to mind that groovy look of ’60s bell-bottoms. Spread across its capitals and lowercase are swash variants for beginning, middle and ending letterforms —candy for your eyes. Petals BF is where Didone style happily marries the organic and curvaceous forms of Art Nouveau. Strange I know, but so is a duckbill platypus —and somehow they all seem to work surprisingly well. Among the many typographic niceties you'll discover, are such Opentype features as Contextual and Stylistic alternates, Ligatures, Case-sensitive forms and Fractions. Please note: these magical features demand the use of opentype-savvy applications such as Adobe Creative Suite, QuarkXPress and etc. Petals BF is multilingual, and speaks the languages of Western, Eastern and Central Europe, in addition to Turkish and Baltic. It gets around. So let your creativity blossom with Petals in projects that involve headlines, magazine layouts, product packaging, logos, signage, branding and etc.

Service with a smile. Fifties style. Retroscript BF is sure to please. Inspired by handlettering for a headline on a 1940’s furniture ad, it’s got a cool Forties and Fifties flavor; and gee whiz, the capital letters of this script font even go together well! Retroscript BF contains a number of ligatures and contextual alternates. Enable these features in OpenType-savvy programs (such as InDesign CS+, Illustrator CS+ and QuarkXpress 7 and later) to enhance your typography.

Hamptons BF is a beautiful, elegant sans serif with dramatic individuality. A font that steps out in Art Deco style. As a design movement Art Deco came into prominence during the 1920s and 30s when forms were typically sleek, symmetrical, geometric or highly stylized. Today the influence of this enduring style can be clearly seen in architecture, industrial design, fashion, art, graphic design, and yes, even type design. Art Deco style exemplifies luxury, glamour and modernity. I believe Hamptons BF captures something of that retro look in a nod to the past without ever looking dated, all the while retaining a contemporary flair. Named after the well-known New York resorts synonymous with style and elegance, this gothic or sans serif type is based upon University Roman, an early 1970s serif design which in turn was influenced by yet another serif design called Forum Flair (late 1960s); and that in turn owes its pedigree to the late 1930s’ Stunt Roman, which is the original source of inspiration for all of these. Quite a family tree! There’s dynamic interplay between certain wide, full-round letters such as C, D, G, O, P, Q, R, S and narrow ones like A, E, F, H, K, L, M, N, U, etc. This contrast repeats throughout certain lower case letters and serves to create a unique look of distinction. Light and Regular weights communicate a romantic, feminine appeal while the Bold offers a complementary emphasis. The font is somewhat versatile as in addition to its primary purpose for display, Hamptons BF also succeeds in settings containing short blocks of large text. It’s right at home in a variety of typographic environments: branding, packaging, signage logos, magazine headlines, invitations, menus, trendy cafes and more. Among the included OpenType features are Stylistic Alternates, Automatic Ligatures and Fractions. There is extended language support for Western, Central and Eastern Europe and Turkish.

Shandy is a cheerful, free-spirited font that dances jauntily along an undulating baseline. Like Gene Kelly merrily cavorting through that rain-soaked street, in the famous dance scene from Singin’ in the Rain. Curiously, it’s got the liveliness of a bouncy brush script, with some elements of a robust Copperplate-style script, that appear to have been defined by a funhouse carnival mirror. In order to promote variety, no two letters are identical within most occurrences of typical lowercase double-letter pairings (bb, dd, ee, ll, nn, oo, tt, etc.) To enhance your typography, Shandy features many automatic OpenType ligatures, beginning and terminal lowercase forms and Stylistic Alternates for letters E, M and N which are accessible in OpenType-capable applications. Suitable for Branding, Logos, Product Packaging, T-shirts, Magazine headlines, Fashion Glossies, and Food Advertising to name a few arenas.

Emerge BF was inspired by Admiral, c.1900, from the Keystone Type Foundry. Its relatively condensed proportions allow for a close fit in a distinctive, yet highly legible form. It's a great choice for headlines and text settings (where it shows a beautifully crisp, typographic color) on book covers, magazine advertisements, posters and so forth.

Capistrano BF is an all-connecting, monolinear handwritten script that exudes much verve and vigor. A number of Automatic Ligatures and Contextual Alternates, for beginning and ending (lowercase) letters are included in the font, along with Stylistic Alternates for uppercase letters A, F, and T. Enable these features in OpenType-savvy programs (such as InDesign CS+, Illustrator CS+ and QuarkXpress 7 and later) to enhance your typography. In line-upon-line settings, Capistrano benefits from generous line spacing. As with most scripts, it is not recommended that word settings be in all uppercase, but rather in settings of initial capitals together with lowercase letters.

Subliminal BF presents a cool, distinctive look that’s a superb selection for a wide variety of uses from music CD covers to packaging. Like Glow Gothic BF, it represents experimentation in the realm of halftone effects. At smaller than headline sizes it “colors up” to exhibit a unique, kinetic sensation.

A delightfully odd assortment of characters: some letters are futuristic in design, while others are derived from classical Greek forms.

Many years ago I studied American Sign Language in an effort to better communicate with some friends of mine within the deaf community. I found ASL to be a beautifully expressive language from a vibrant and active culture. Out of that attempt came this stylized depiction of the manual alphabet used in finger-spelling. Until recently it had only existed in analog form, born of pen and ink on paper. So now I'm glad to say it’s turned digital. Typing a period (.) will reveal the sign for “I Love You” (a combination of the letters I, L and Y), which fits nicely within the shape of a heart. Holding down the shift key while again typing period (greater symbol) will reveal the heart in its filled-in form, which can serve as an underlay. Use these in an application that supports layering in order to create different color combinations. There’s a stylistic alternate letter “S” and an “OO” ligature which can be accessed in OpenType-savvy apps.

Same Same, But Different is a loose, handwritten font with excellent legibility. It evokes post-it scripts, or notebook doodles and can be used virtually everywhere! Same Same But Different comes with extensive language support.

Don't Bug Me JNL is a collection of twenty-six of the cutest critters you've ever seen. Originally released as a freeware font in late 1999 to poke fun of the Y2K bug, the art has been cleaned up for more commercial or decorative appeal.

BMF Love & Hate Pi is part of the BMF Symbols Collection, a gorgeous, versatile and highly original family of symbols (drawings, icons, pictograms). Love & Hate Pi covers most of the emotions encountered in everyday family and office life. When you buy BMF Love & Hate Pi (which, of course, you’re highly recommended to do today) you will have access to all of these emotions, and the powerful expression thereof, on you very own computer keyboard!

Sidewalk Cafe will serve up a look from your Font Menu that’s delectably deco. Though developed from a few hand-lettered words found on a 1930s poster, it retains a contemporary flavor. The shaded version is designed to be layered over Sidewalk Cafe Underlay, to create contrasting color possibilities, as both share the same kerning values. Supports Western and Central European Latin languages, in addition to Baltic, Celtic, Esperanto, Romanian and Turkish.

BF Garant™ Pro elegantly balances geometric design with dynamic character! (This Pro-Edition is the fully packed upgrade of the well-known Hot New Fonts #1 BF Garant.) The strict architecture is combined with open counters, tapered spurs and diagonal cut ascenders and descenders that create an open, lively character without denying the straightness of geometry. 10 weights from Thin to Black and matching (oblique) Italics ensure versatile use of the type family. BF Garant Pro’s characters include the extended Latin Unicode range (incl. Vietnamese), Cyrillic and Greek. So it is very suitable for branding and packaging. “The last modern geometric typeface you really need!” The large x-height, dynamic details and some more conventional, humanist-inspired letter alternatives (a, g, k, u, y, G, Q - some of which are grouped together in the style set “Text”), make it not only a contemporary graphic element, but a highly legible timeless design tool, is not only ideal for logotypes or contemporary branding use, but also for modern editorial design. The 1,760 characters per font include ligatures, alternates, line figures and old style figures, small caps, numerals for small caps, fractions, symbols (incl. Peace sign), currencies, different arrows etc. In addition, 23 useful OpenType features make BF Garant™ Pro a workhorse for many typographic applications. With the 11 style sets, BF Garant™ can be fully adapted to the user’s requirements without losing its unique character. And for those who ever wanted to open a bar on Tatooine, BF Garant™ Pro also includes the currency sign of Galactic Credits! Feel the Font!

A revival of sorts, Freaky Frog BF is modeled after an 1887 design from Central Type Foundry, called Grimaldi. Much warmth and charm have been instilled into the original design through among other means, reworked contours and serifs. Contours are smoothened, liberated from its roughness, while serifs have become somewhat concave. Verticals and horizontals appear to "swell" owed in part to flared shapes. The overall effect, I believe, is one of pure typographic endearment.

See also BF Fiona Script and BF Fiona Slab.

Based on the free-spirited handwriting style of a friend, this font features automatic ligatures, alternate character substitutions and swashes in applications that are OpenType-savvy.

Hamburger Font BF is an endearing tribute to the lettering style of a logo, long retired, from a certain chain of fast food restaurants. It joins that fraternity of heavy, fat, round, and pleasingly-plump faces such as Cooper Black and Frankfurter; and it serves as a delightful alternative to such. It's suitable for a wide variety of uses from children’s media projects, to headlines where a cool, informal appearance is desired.

See also BF Fiona Serif and BF Fiona Script.

Girando is the traditional book typeface with distinctive personality and a contemporary twist! Inspired by the everlasting ideas of Claude Garamond, it impresses with many fine details and an elegant shape – viable not only in small sizes. The family includes 2 harmonic weights, true italics, small caps, old style and lining figures and pretty as well as useful ligatures.