Blacker mono was developed out of a brief by Isabella Ahmadzadeh, by Cosimo Lorenzo Pancini and Francesco Canovaro for the editorial project "A beautiful mistake" by OFFF Tlv in 2022. It is a monospaced version of our typeface Blacker, bringing its "evil serif" aesthetics in the realm of typewriter and coding typefaces. In designing these, usually the letterforms are deformed to better fill the space, but in Blacker Mono only the serifs are modified to balance letters, while letter skeletons are kept consistent with the ones of the original Blacker family. This gives the typeface an uneven, unexpected rhythm, underlined by the unusual choice of providing three optical sizes and some extreme display weights - both uncommon choices in monospaced fonts. The resulting typefamily is thought for use in editorial situations where readability must be married by a strong personality, and is complemented by all the wide array of Open Type features that are present in all Blacker variants, from positional numerals to small case letters and alternates.

Core Serif N is a modern serif family with neutral design elements. Letters in the Core Serif N has designed with large x-heights and simple serifs for legibility at small sizes. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Serif N Family consists of 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black), and Italics for each format. Core Serif N Thin is designed such as a frame of Core Serif N Family, so its serif shapes are slightly different with other weights. But all weights of Core Serif N work in harmony because they are sharing same structure. It supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes support for proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, magazines, editorial and publishing as well as logo, branding, and so on.

I dedicate this font family to Nima Yooshij (1896-1960), the great poet and innovator of Persian poetry. Nima is a new creation of Naghi Naghashian. Nima design fulfills the following needs: A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B. Suitability for multiple applications. Gives the widest potential acceptability. C. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima's simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D. An attractive typographic image. Nima was developed for multiple languages and writing conventions. Nima supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E. The highest degree of calligraphic grace and the clarity of geometric typography. This typeface offers a fine balance between calligraphic tradition and the Roman aesthetic common in Latin typography.

Scottsdale Desert is inspired by a classic contemporary Display combined with a simple modern Serif look. It's a versatile font, it can be used for a lot of design styles. Characteristic for Scottsdale are the small to bigger rounded serif strokes that make it look sharp and comfy. Thin, light strokes define the modernity and simplicity of the typeface itself. The OldStyle Numerical match with the characteristic of this fonts. Using Scottsdale Desert's lowercases for a long text will work, but it is at its best as Header or Display. Scottsdale Desert comes with most OpenType Features: - Powerful ligatures as Discretionary Ligatures - Stylistic Alternates on Uppercase and Lowercase - Contextual Swashes adding a Terminal (first swash) on the First Uppercase letters - Small Capitals (can be operated with the Titling Alternates button) - Catchword are created with Contextual alternates (see the images to show how it works). - Punctuation and Symbol are perfectly matched with all letters - Numerical features are available : Tabular Figures Numerator Denominator Superscript/Superior -Subscript/Inferior and Fraction.

Based on Irma La Douce film opening titles, Chez Moustache is a very eye-catching display font loaded with cool special effects. It is a unicase typeface with 2 versions for each letter, each easily accessible through upper and lower case keys. To prevent double letters from displaying the same glyph, just type the alternate glyph, or use the neat OpenType feature to make things even easier: just turn on the contextual alternates in any OpenType aware program and it's all done before you can say Jack Robinson. Did you push the stylistic alternates button instead of the contextual one? Voilà, so you've got a pocketful of flowers! There's a complete set of sweet stylistic alternates to instantly flourish your way. And it's not over yet: check out the cool initial and terminal forms for that extra twist. Pick your choices with a glyphs palette or just turn on the OpenType swash feature. Now go ahead, there's a lot to do Chez Moustache. But that's another story...

Introduction to Amigie – Display Serif Amigie – Display Serif is a unique display font that stands out with its distinctive serif design. Its bold and innovative shape makes it perfect for eye-catching displays and powerful branding. This font captures attention, offering a fresh take on traditional serif styles. Design and Innovation Each character in Amigie – Display Serif boasts a unique serif shape, blending classic elegance with modern creativity. The font features sharp, clean lines, and its unique serifs add a touch of sophistication. Furthermore, its balanced proportion ensures that each letter is clear and impactful, perfect for making a statement. Versatility and Functionality Amigie – Display Serif is not just visually striking but also highly versatile. It’s ideal for a wide range of applications, from editorial designs to bold advertising. Additionally, it works exceptionally well for headlines, logos, and packaging, where its unique character can shine. This font is also highly legible, making it suitable for both digital and print media.

The Roundup family was inspired by fonts from the late 19th century, though it is not based on any one of them. Roundup-Caps was the first of the group to be constructed. It has two sets of upper-case letters that have minor differences. It has reverse contrast, that is, the verticals are thinner than the horizontals. Unlike most of the "Old-West" fonts with reverse contrast, the serifs are not square but have an odd, rounded shape. Roundup-Regular replaced the second set of caps with lower-case letters. A bold style strengthens the vertical elements so that it no longer has reverse contrast. Both the regular and bold styles have matching oblique styles. Finally, there is a hollow version with a shadow to the lower right. This shadowed style has had its inside taken out, creating RoundUp-ShadowInside. The spacing is the same as RoundUpShadowed so it can be layered over RoundUpShadowed to easily create two-colored lettering.

ITRODUCING Heystone Typeface & Heystone Exstrude Heystone Typeface is a combination of brush script with an Extrude effect from artistic touch elegant modern the as well as a unique blend of ligatures a letter, so that the authors compose it with a and little swirly embedding, so that a modern font is formed and ready to make a statement by adding elegant and unique flair to your next design project. Heystone Typeface & Extrude can be used for various purposes such as Magazine Title, Poster, Logo, T-Shirt, Sub Title, Business cards, Trademark, Label, Book Covers, Wedding Invitations,Templates Instagram Story Post, Greeting Cards, Quotes, etc. These letters are embedded into the font file and easily accessible in programs such as photoshop and illustrator. You can access these in more basic design programs but you will need to use your character map or font book Come on..let's style and pamper your next design with Heystone Typeface & Extrude. File Included Thanks You for Visit

The main source of inspiration for this project was Herb Lubalin's Serif Gothic font. This and other fonts of similar style provided the basis for developing a unique display typeface with a strong personality yet neutral enough to be used in a variety of applications. In order to make the font more versatile, we included a number of layered fonts, like inline and shadow styles, which, along with the core styles, provide users with a wide range of choices for any design project. The Lumiere Family comes in 14 styles and includes 2 different variants: multi-layered fonts that make Lumiere easier to use and single layer fonts which allow experimented designers to create their own combinations. Lumiere is highly influenced by retro designs but it features a modern and simplified style that brings great value to your design work. The font is well suited for album covers, movie posters and book cover designs, among other uses.

Sonder is a smooth brush Script and condensed Sans family of three weights on both. Both Script and Sans work as standalone fonts but they’re designed to go nicely together. Combine with Sonder Extras for smooth brush strokes for ambitious headlines, logos & posters. Sonder comes with a clean version and a “Print” version of each cut. Print versions have delicately rugged outlines and print texture inside. Sonder Script is packed with several OpenType features: Contextual Alternates and Standard Ligatures are automatically on to keep the text vibrant. If you need even more sparkly letters try Swash, Stylistic or Titling Alternates. The Scripts are PUA encoded and you can access extras from character map in most design softwares. For the best price Sonder can be purchased as “clean” Family - or as Print Family that has all cuts as printed versions. For the absolutely best price get the whole Complete Family pack that has all fourteen fonts and go wild with it!

Orkhon inscriptions (Orkhon inscriptions, Orkhon inscriptions, Khöshöö Tsaidam monuments (also known as Khoshoo Tsaidam, Koshu-Tsaidam or Höshöö Caidam) or Kul Tigin steles (simplified Chinese: 阙特勤碑; traditional Chinese: 闕特勤碑; pinyin: Què tèqín bēi )) They are two monumental installations written by the Göktürks in the Old Turkic alphabet in the Orkhon Valley in Mongolia at the beginning of the 8th century. They were erected in honor of two Turkish princes Kül Tigin and his brother Bilge Kagan. Both Chinese and Old Turkish inscriptions describe the legendary origins of the Turks, the golden age of their history, their subjugation by the Chinese and their liberation by İlteriş Kağan. According to one source, the inscriptions contain "rhythmic and parallel passages" similar to those of epics. In the Old Turkish Alphabet, 38 letters are accepted academically and this pattern is generally used in the books. But there are more than 38 letters in this alphabet, these special letters are included in this font.

Marlin Soft is a rounded corner version of our Marlin Geo font family and like its parent font also includes two sets of italics. The standard italic is set at twelve degrees and the slant version set at six degrees, the slant version is perfect for signage and headlines where you may want the look of an italic but are limited on horizontal space. Marlin Soft includes many alternates which may be accessed using opentype aware applications, with over three hundred alternates to choose from your creative possibilities are great. Whether you're looking for a round dot or a square dot Marlin Soft is one font family that delivers both set up as two separate fonts so you may change a whole page of text at one time. Your projects are sure to look nice and cozy with the warm feeling Marlin Soft will bring to your product label or page design. Three free sample basic fonts are available which are fully functional minus the alternates.

Elephant Party playfully dances along its baseline in bold and rounded style. This warm and friendly whimsical design has lots of trunk space and is reminiscent of groovy ‘60s and ‘70s typography where letter spacing was admittedly tight, but cozy. Like snuggling up to a warm fire while toasting marshmallows. Like snuggling under a warm blanket. Like, well, you get the point. Elephant Party is an equitable font that includes a diversity of multilingual support, and will communicate your message with a funky, retro vibe and festive mood. It’ll break out into a happy dance across a wide variety of your design projects ranging from children’s books, t-shirts, posters, logotypes, product packaging, merchandise, branding and beyond. And it’ll groove across a variety of environments from print to digital media. So come on in, join the “Party”, it’s ELEPHANTASTIC! Digitized by John Bomparte.. ***Breauhare’s My Left Hand font makes a cameo appearance on the poster of Chocolola bars.

Is your project missing something that makes people going madly in love? Looking for a gorgeous font to engage and captivate your audience? What if we told you that we have a solution to maximize your designs? Introducing Lost Monday-A Monoline Font This is a different level font. A modern and stylish handcrafted monoline font that’ll make your audience swoon and enhance your projects. Every stroke and curve was created to capture the essence of simple but style. With stylish and passion edged into every curve and twist of this brush font - you’ll be sure to boost your sales and make the best impressions. Use it for headings, logos, business cards, printed quotes, invitations of all sorts, cards, packaging, and your website or social media branding. Lost Monday includes Multilingual Options to make your branding globally acceptable. Features: Beautiful Ligatures Stylistic Sets Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Fluted pillars… As for the name of "Cyceon", it is a "juice-drink" that they made in ancient Greece...! In this font the straight lines are not vertical but inclined like something from the Doric columns!!! There are two versions of letters. In the first version, it is of a normal character, while in the second version I have mixed some capitals with lower case letters. I have given them the acronym Msc "miscellaneous". I tried in this way to give another version of the small capitals and I think they show a different view from the purely small capitals… And in this family, the “Strap”/“Strap Msc”/“StrapIt”/ and “Strap MscIt” with “Solid”/“Solid Msc”/“SolidIt”/ and “Solid MscIt” engage in the same way like… “Layered font families” as the previous series. This series is composed and includes twenty-four fonts with 642-658 glyphs each, with true italics and supports Latin, Greek and Cyrillic.

Époque Seria is that kind of person who looks really cute when angry. This font was derived from the Époque family. She is the little sister to Époque - a little shorter with her smaller x-height and — how do you say it in the typographic circle — your eyes are also smaller (and you know you squint when things get serious, isn't it?). The genealogy of these font face is undeniable, but Époque Seria has a ‘personality’ very different from her older sister. The reduction of the x-height also shakes somewhat with the cap that had crossbar. To accompany the package of standardization, the letters that don't have their straight axes were changed, which brought to the set more Cs and Gs contemporaries. In addition, other measures were taken as a greater softness in the variation of the weights and the abandonment of the black weight, being considered too heavy for this version.

Arelina Script Font is a calligraphy script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Arelina Script Font is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . . Arelina Script Font has Glyph alternative characters, including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results necessary for your creativity in combining these variations of the Glyph.

The all-caps display face Sandwich was inspired by historic, hand lettered sans serif alphabets with slightly sloping terminals, as found in showcard lettering and on billboards. Besides a number of alternate glyphs located in the lowercase area of the font, the typeface features about forty 'ligatures'. These are not ligatures in the traditional sense of the word, but short two- or three-letter combinations — mostly prepositions, conjunctions, articles and so on — in different languages, which are positioned vertically, not horizontally. Since the number of such pre-fabricated ligatures in a font is limited and cannot possibly cover all the desired combinations, a special algorithm programmed into the OpenType font permits the user to compose any two- or three-letter words, provided no accented characters are used. This is why Sandwich includes five versions of each letter. Using the full possibilities offered by the OpenType format, the automatic vertical aligning of glyphs is based on a combination of optional ligatures, style sets, and modified kerning.

Introducing Rondey – Display Font A Bold Serif with a Twist Rondey is a captivating Display Font that combines bold serifs with a unique twist, making it ideal for display purposes. Display Elegance Rondey’s design exudes an elegant charm that’s perfect for grabbing attention in various display contexts. Versatility for Diverse Projects Moving beyond its captivating elegance, Rondey’s versatility shines through, allowing it to seamlessly complement a wide range of creative projects. Captivating and Memorable Rondey ensures that your content is not only captivating but also memorable. It leaves a lasting and distinctive impression that sets it apart. In Conclusion In summary, Rondey – Display Font is a font designed to captivate in the world of display typography. Its unique twist on bold serifs adds an elegant touch to your projects. Whether it’s for branding, posters, or a myriad of creative endeavors, Rondey’s versatile and captivating design caters to a broad readership, ensuring your content leaves a memorable and distinctive mark.

Santorini Script is a modern calligraphy font with the current handwriting style, this font is perfect for branding, wedding invites, magazines, mugs, business cards, quotes, posters, and more, you can try first if you want to buy this font. Santorini Script is equipped with 299 glyphs. and by having many of these glyphs there will be able to choose the letters according to your likes, lots of variations and options for each letter, so you can customize on your design choices. to use a variety of flying machines, you need a program that supports OpenType features such as Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign and Corel Draw and many more programs that support OpenType. If you do not have a program that supports OpenType, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows) Thanks and happy designing :-) Thank You for purchase!

The Rally Symbols 2D font family has been developed for integrated graphical motor racing design. First of all that includes rally, rally raid, cross-country rally and hill climb. With the Rally Symbols 2D - Signs font one can create quality road maps with rally routes and various symbol books. The font also includes symbols that can serve as workpieces to create competition logos and other design solutions. The Rally Symbols 2D - Arrow font has been specially developed for building tulip diagram road books. It includes various ready-made combination of traffic direction indicators and individual elements that can be combined together. The Rally Symbols 2D - Picto font can be used for the same purposes but also contains a range of convention that can help to find one’s bearings on the ground. This is a a wide range of icons or pictograms of various scenery, for example: different buildings, churches, cemetery, bridges, tunnels, different types of trees, posts, etc.

Emilio is a modern serif family available in 14 styles. It's an elegant typeface with friendly and warm personality which seeks a balance between traditional and modern. Emilio is inspired by the visuality of the 1980s and the typefaces that were widely used in advertising at the time, such as Times and Garamond. However, Emilio offers a contemporary take on the serif font family, adding new elements such as reductive, calligraphy-inspired details or the "K" and "R" legs shape. If you want a more traditional look, you can achieve it with the stylistic alternatives available. Of course, the typeface also provides standard and discretionary ligatures and many other Open Type features. In addition, it offers support for most Latin languages. The big headlines and titles are where Emilio shines the most, but due to large x-height and decent contrast will work for smaller text as well. Emilio is the ideal typeface for editorial design, posters, covers, branding and much more.

Bonkard is a font created with great care to meet all of your requirements. Your project will be more flawless if you use this font; everyone will think it’s attractive and charming. We completed this font with standard and thick-thin families, so you may use it for subtitles and text titles because we made it with ease and flexibility in mind for you to use in all types of special projects. Not only that, but the unique shape of each letter is something we pay close attention to so that your customers fall in love at first sight. This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things. Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding. Use this typeface right away for your one-of-a-kind and remarkable projects.

No frills. No fluff. Still friendly. Keep your look clean and simple with the utilitarian but gentle Ultine. This font with a slightly extended geometric architecture gets straight to the point without pushing your reader away with too firm an approach. Ultine covers a large set of multi-Latin languages. It includes a wide range of other OpenType features, too, including ligatures and contextual alternates. Moreover, small caps of Utline and titling alternates are available for deepening your design capabilities with this basic face. The Ultine family consists of 42 fonts with three different widths and italics counterparts for every style. The design is well suited for graphic design and any use of the screen. It can easily operate as a webfont, as text for banner ads and for branding as well as editorial design. And just to show you how simple and friendly the font can be, the regular weight is free, so you can use it to your heart's content.

Here's a font system distilled from the lettering styles of a thousand vintage psychedelic rock albums and posters from the swingin' sixties. All of the grooviness, but perhaps twice the legibility of some of the more "far out" examples from the genre. This family features an extensive character set and multilingual glyphs, so you can say "Trippy, Man." in many languages. The three versions allow you to harmonize letter bodies and highlight strokes with the color palette of your project Once loaded on your system, the three versions of the font show in your menu as the following three "weights": Psych Handlettering Bold, Psych Handlettering Incised, and Psych Handlettering Highlight. The 3-alphabet collection works together seamlessly to allow you to assign one color to the body of the letter, and a second color to the inset highlight lines. Just copy your text block, paste in place, reassign the font to the "highlight" version, choose a complimentary color, and off you go.

Garnita Script is a modern calligraphy font with the current handwriting style, this font is perfect for branding, wedding invites, magazines, mugs, business cards, quotes, posters, and more, you can try it first if you want to buy this font. Garnita Script is equipped with 364 glyphs. Having many of these glyphs there will be able to choose the letters according to your likes, lots of variations and options for each letter, so you can customise your design choices. To use a variety of glyphs, you need a program that supports OpenType features such as Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign, and CorelDraw and many more programs that support OpenType. If you do not have a program that supports OpenType, you can access all the alternate glyphs using Font Book (Mac) or Character Map(Windows). Thanks and happy designing Thank You for your purchase !

Core Narae Pro is an improved version of Core Narae released in 2012. This type family has improved a lot. First of all, we have rearranged a rhythmic text line to make it work well both as a headline and a text font. And this new version has more OpenType features, including Proportional Figures, Tabular Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. We have also added one more weight and improved kerning for using this type family effieciently. Finally, we exclude MS Windows 949 Korean consisting of 11,172 Korean letters and Symbols except Chinese to reduce the file size and price but added more glyphs that support latin,cyrillic,greek. Now, Core Narae Pro Family consists of 2 weights (Regular & Bold) and it supports WGL4, which provides a wide range of character sets(CE, Greek, Cyrillic and Eastern European characters). Its bending strokes and rhythmic feeling of this typeface make your works more friendly.

First conceived as the upper-and lowercase “e” for the logotype of independent publishers Elemental Editions, the letterforms were so well received that they were extended to an entire typeface and formed the basis for a bespoke font – Eef. The type design draws inspiration from the basic elements, the periodic table, functionalist vintage lettering and influences from other classic geometric typefaces with condensed cuts such as Futura and Trade Gothic. The extended set is now developed into a family consisting of three weights – Regular, Medium and Bold. While developing Eef it has been crucial to maintain the integrity of the geometrical shape in each glyph as much as possible, but also add subtle optical adjustments to make the forms more balanced and harmonic. Due to its detailed balance of simplicity, aesthetics and playfulness Eef works perfectly well in a corporate context as it does in editorial use or poster design. Eef feels most comfortable with text ranging from display to medium size.

The ballpoint pen woman’s handwriting As the name suggests — the Iris’ Hand is a woman’s personal handwriting, written with a ballpoint pen. Iris’ Hand is an amazing font — almost indistinguishable from “real” handwriting. Thanks to the over 200 different ligatures and stylistic alternates the typeface is extremely lively and varied. The ballpoint pen has its own characteristics, which are clearly expressed in this font. The stroke is not always uniformly thick. Sometimes only a delicate, thin line is created. Often it breaks off suddenly and leaves a gap. In addition to the normal version, there is also a light and a bold version. Handwriting is sometimes written more or less slanted. So does Iris’ Hand. The normal version is only slightly slanted. But there is also an oblique version that is significantly more inclined by 20°, which makes the script appear more regular and somehow feminine. The Iris’ Hand is also available as a variable font!

TA-kirigirisu is the most popular designed font in Japanized font. TA-kirigirisu is one of the representative works designed by Yasushi Saikusa who is famous as a typographer in Japan. TA-kirigisu is used in book covers, flyers, POP advertising, TV commercials, and Web designs everywhere in Japan. It looks superficially imbalanced, but then it also projects an image of attachment. TAキリギリスは、日本語のデザイナーズフォントの中で一番人気の有るフォントです。 フォントのデザインは、有名な七種泰史がデザインした代表作品のフォントです。 日本国内では、本の表紙、フライヤー、POP、TVのCM、Webデザインなど至る所で使われています。　一見アンバランスに見えるデザインが愛着のある可愛らしさを伝えます。

Tipo Pèpel strikes again with a lush splurge on pure basic geometrical shapes and sizes, those that inspired Paul Renner’s typographic milestone “Futura”. A new look to classic shapes, bringing them back plenty of delightfullly details as the lowercase cursive forms’ long tiles that break the supposed linearity expected from a purely geometrical font. Rhythm given by hidden details in each character of each weight, push “Naste” out of German geometric sobriety, will help us to easily create typographic hierarchies upon the many weights available and the many and accurate details. Excellent results with minimal effort. Wide ‘x’ height, restrained ascending and descending stems; thick but elegant, easy to read and in need of generous white space around, where it feels comfortable. More is better than less. As usual in Type Pépel, full sets of Opentype alternatives and Unicode support for 104 languages ​​plus Cyrillic. 16 weights of typographic beauty in all its glory.

M Lady is a design inspired by Agfa Waddy’s rather elegant design comes with narrow proportion. M Lady is a rare condensed design in world of Chinese typefaces. Entry and finial points of strokes are squarish, with a sharp but small symmetric serif. It has a medium contrast to improve character recognition. Its thin stems (豎) make it suitable for fine print with minimal conglutination. Dots (點) are straight, reversely curved or round. Downstrokes (撇、捺), ticks (剔) and hooks (勾) are highly regular and consistent. Dots (點), downstrokes (撇、捺) and ticks (剔) are long, smooth, monolinear and curved with small symmetric serif and sometimes angled entry and finial points of strokes to create subtle sharpness in the midst of its softness and elegance, which is better for larger text print. Its features and construction create subtle sharpness in the midst of softness and slim elegance. It is best suited for casual subheading or display, set upright (non-slanted), non-condensed (naturally condensed).

We have grown a new flower in our Garden, but this time, in a more emotional way, capturing its vibrations and using them to create a fresh handmade typeface: ‘Bach’, a display type system inspired by the new lifestyle trends that look to go back to basics and increase the value of old natural healing methods. Bach comes in two styles: a 6-weight Serif font in regular and italic versions, and a 2-weight Script in regular and bold versions. Ornaments are also included! Bach Script is based on the calligraphic catchwords set (handcrafted with brush pen) and the Serif version of the Garden typeface. This font is the perfect choice for labelling, packaging, illustrated books and posters. Go back to nature and feel the vibration again, this time with Bach! Bach is a Mendoza Vergara Studio design with the collaboration of Cecilia Mendoza in digital editing, under the supervision of Luciano Vergara and Coto Mendoza.

This font was inspired by the rare manuscript Roman Quadrata used by an unknown scribe to inscribe a copy of the Roman poet Virgil’s GEORGICS, somehwere around 161 to 180 AD. Only a few sheets have survived, now preserved by different libraries around the world. In creating this font, we have adapted it for contemporary users, making differences between U and V; I and J (which made no difference at all to ancient Latin scribes) and naturally adding the glyphs for Thorn, Oslash, Lslash, W, Y, as well as the usual accented characters and punctuation, none of which existed at the time. Only capitals are present in the original; but we have provided alternates: so alternating each character A-Z/a-z will give a pleasant appearance of manual script. We have added the Roman numerals “I V X L C D M” in the OTF/TTF versions usable as “Old Style Numerals” alternates.

Segment A is a powerful display type family with 18 styles inspired by condensed European grotesques of 19th-century, but with clear geometric proportions. In Black weights, the letterforms are inspired by the aggressive industrial graphic design of the 1960s and 70s. Both have 3 axes and are adjustable in weight, width and 10˚ italic. It is a typeface with narrow proportions, distinctive character, high-quality outline and lots of details. Characters have oblique cuts, sharp tails and highly visible ink traps. All this makes the font more aggressive and edgy. The huge x-height with short ascenders and descenders allows this typeface to be used in blocks with minimal line spacing. Features: – Total glyph set: 631 glyphs; – 18 styles (3 weights x 3 widths + italic); – Support 210+ languages; – Latin Extended; – Cyrillic Basic + Bulgarian letters; OpenType features: – Proportional numerals, tabular numerals, superiors, fractions; – Punctuations and symbols; – Arrows; – Stylistic alternates (ss01-ss05); – Ligatures; – Case-sensitive forms.

This typeface is based on lettering by Carl Marx (1911?1991), designed during his first semester at the Bauhaus in Joost Schmidt?s class, in 1932. Although the letter proportions are based on Schmidt?s teachings, the forms are not constructed from compass and ruler, but drawn with brush and marker, lending the words a warm and lively touch. Hidetaka Yamasaki redrew the letters from scratch and added all missing characters for today?s needs. A set of hanging figures, alternates for some critical letterforms (such as f, r, and t) as well as several ligatures make CarlMarx especially suitable for use in body text. As suggested by Marx, Yamasaki captured two weights from the original drawing and perfectly adjusted light and bold to highlight words and create hierarchy in headlines ? without losing or adding space. True to the original, Yamasaki captured the wobbly contour in CarlMarx, preserving warmth in the condensed geometric style of the early 1930s.

Hello Font Lovers! Introducing my script font called Belleson! Belleson is a luxury script that contains many characters and ligatures that will show elegant taste when you use this font. Belleson has many functions - logos, blogs, websites, and all everything that related to letters! How to use this font if I can’t operation of many software like as Photoshop, illustrator and anything? Please don’t worry about it :) You can use this font in all of software in your computer! With more than 40 glyphs of ligatures in this font, you will fall in love with this font. Belleson provides a handwritten look - natural but elegant in taste. Ligatures contain of : al ah at att ett ott itt ff ll tt il it am an ul th ch nt nl oi ct cl ot ol rr om on oo or ck gh of el ell et st sl ss sh op ee nn ant all ull oll

Merc is a four-letter word that stops just one y short of Mercy. Merc is also the standard street abbreviation for mercenary, or a soldier for hire. Now that the global security business has become a two hundred billion dollar industry, we thought you would like to have your very own affordable merc. Knew you'd be pleased. Merc is based on an all-cap metal face called Agitator, designed by Wolfgang Eickhoff and published by Typoart in 1960. The rough brush letters look like they were made by someone who is capable of elegance but has no time for it. These are letters that live to catch the eyes and warn them loudly: Doom is here, and if you want it screamed out, this Merc is at your service. This font contains more than 460 glyphs, which means quite a few stylistic alternates and support for the majority of Latin languages.

The Distillery Set is a collection of 5 fonts: Display, Strong, Script, Caps, and Icons. The fonts' influences are in lettering from different eras and styles. They reflect forms from the Arts & Crafts movement, the Roman majuscules, artistic printing, traditional tattoo lettering, sing painting and showcards from the early XX century and some typography trends started from 1970s America and being used today like chalkboard art or handmade labels in packaging. This is collection of fonts that strongly hints of the spontaneous ways of pencil on paper, the dynamic rebellion and simultaneous imperfection and elegance of DIY. This set contains a wide range of characters, including alternates, ligatures, variations on ascenders and descenders, initials and terminals, icons and ornaments, providing endless application possibilities. The different fonts can be used individually, but of course it is their combination in use that creates the magic. The Distillery Set was designed by young talent Carolina Marando. Alejandro Paul produced and expanded the digital work.

Introducing Gingersans, the typeface that's basically a font party in 12 different weights! Imagine a font that's not just a font but a personality chameleon, smoothly transitioning from easygoing and polite in the regular weights to downright wild and fun in the bolds. It's like having multiple distinct characters living in one seamless universe. The design? Oh, it's calligraphy meets sans serif – the rebel child of fonts. The curves are having a party of their own; they go wild on the Black, get too cute on the Hairline, and throw in some artsy politeness on the Regulars. It's a typographic adventure that keeps the vibe consistent, whether you're going Hairline, Regular or Black. And here's the best part – Gingersans is not just a font; it's a variable font too, with a weight axis to cater to your every design mood swing. Get ready to fall in love with the font that's as versatile as your ever-changing design whims! 🎉✨ #Gingersans #TypefaceMagic