"Balissha" is a natural and elegant handwritten font with butterfly and flower decoration on the alternate letters. This font is perfect for mothers day, autumn, valentine, wedding, engagement, christmas, stickers and more. Equipped with uppercase letters, lowercase letters, numerals, punctuations, swash, titling, uppercase alternates, ligatures and multilingual support.

Disposable is somewhat similar to some letters that are about to disintegrate. The letters are a little worn and give a good impression of something eco or organic. I've created 6 different versions of all the letters, just so your text will look even more organic and handmade!

Mr Robot is a typeface designed for our next book for children. We wanted to have a colorful, dimensional and edgy looking letters for headlines. There are three ways to use Mr Robot. You can align three text frames with same text but with different colors and font styles (Regular, Shadow 1 or Shadow 3 and Shadow 2) or with ALLinONE font style but select a different OpenType Stylistic Sets (set 1 is like Shadow 1, set 2 like Shadow 2 and set 3 like Shadow 3). This works great but we don’t like to have unnecessary text frames in our layouts so we added a very cool Contextual Alternates OpenType feature. You just need Mr Robot ALLinONE style and only one text frame. First make sure that Contextual Alternates is off. Type every character three times (RRROOOBBBOOOTTT), select colors for each letter (first letter of every three is a side shadow, second is bottom shadow and third is a front of the dimensional letter). When everything is set just turn Contextual Alternates back on. Styles and alignment will be set automatically. Check out the Users Manual for a visual explanation. For web fonts it is better (at least for now) to use the first method (with font styles) as the OpenType features are not supported in older browsers.

The hand lettered title on the sheet music for "Gee, But I'd Like to Make You Happy" (from the 1930 MGM motion picture "Good News") presented a conundrum. Some of the lettering was a classic Art Deco "thick and thin" design while the others resembled comic book title lettering. Leaning toward the comic book style, the conflicting letters were revised and the finished result became Funny Business JNL; available in both regular and oblique versions.

Junkwerk is my heavy metal grunge font! It has got that feel like something that was stamped on, jumped on, shaken and headbanged for hours...just like how you would feel after hours of heavy metal! Comes with different upper- and lowercase letters, alternate letters and ligatures for both double letters and double numbers - and ofcourse it has got unique accented letters! You will need to use OpenType supporting applications to use the ligatures.

Morthern is inspired by the work of charming lettering artists with a combination of Old Style Display Bold. Each letter is modified so that the distance, width and weight can give the beauty of the alternates given. A passionate curve gives a touch of beauty to this font. With both weights you have two different shapes in terms of uppercase letters that aim to distinguish between title of the letter and the paragraph.

Blomma is a hand-lettered all-caps display font with intricate botanical details. It includes full support for 201 languages, plus a full set of punctuation, numerals, and more, all drawn in the same botanical style. The uppercase and lowercase versions of each letter were drawn independently of one another, so that means you get two versions of each letter to play with. This is so helpful if you want to give a more authentic hand-lettered look to type with repeating letters. Blomma is perfect for monograms, logos, headlines, editorial design, branding, poster design, and more. Blomma includes approximately 390 glyphs.

Gothamburg is a blackletter or square gothic face. The shapes of many of the letters were inspired by sets of letters in Oscar Ogg’s The 26 Letters (Thomas Y. Crowell Company, 1963, 1948) illustrating the gothic style of the middle ages. The Plain and Bold versions differ not just in pen width, but also in pen angle. The Plain version has less contrast between the thin and thick strokes. The ShadowedInside style has the letter shapes of the plain style but the spacing of the shadowed style. It can be layered with the shadowed style to easily create two-color lettering.

GOR type was born from a one letter: GOR has gracefully form lines and pleasant proportions. The special charm of this font comes from a combination of narrow and wide letters, rounded letters, which is creating a lively and original character. A particularly interesting solution is the ligatures composed by the characteristic letters makes the text looks gorgeous, giving a special flavor (contextual ligatures). GOR includes all letters of Europeans and Slavonic alphabets, standard and oldstyle numbers, small capitals, just about 1000 characters, and more than 20 Opentype features, so that it can be used in completely different situations.

Chorasign is a stylish modern calligraphy font with casual chic flair. It is perfect for branding, wedding invites and cards, and maybe for red wine label. Chorasign includes full set of gorgeous uppercase and lowercase letters, numerals, a large range of punctuation. All lowercase letters include beginning and ending swashes, giving realistic hand-lettered style. Main Features: Uppercase & Lowercase letters Punctuation and special characters Multilingual support Beginning lowercase swash: example: -a (hyphenlowercase letter) Ending lowercase swash: example: a- (lowercase letterhyphen) Short underline _1 or _2: example: Chorasing_1 / Chorasign_2 Long underline _3 or _4: example: Chorasing_3 / Chorasign_4

Pina is a typefaced based on Italian signage, incorporating simplified shapes for the letters and unique characters. The barebones S and the perfectly circular O are examples of the type of lettering you'd likely see on awnings. These letters have a thin footprint, and are quite condensed apart from certain letters like O and Q, which gives the font a unique bounce. It includes plenty of alternates, to letters like O, S, Q, R, K, and special ligatures for specific pairs. This font is named after my grandmother from Italy, Josephine, who was a wonderful figure in my life.

Fansthome is a modern Calligraphy font with magical Signature effect. it is perfect for creating signature logos and watermarks for photography studio or wedding invitation, best for initial or branding logo signature . Fansthome includes full set of beautiful hand lettered uppercase and lowercase letters, numerals, a large range of punctuation and ligatures. All lowercase letters include beginning and ending swashes, giving realistic hand-lettered style. lowercase beginning swashes: (-a) lowercase connecting & ending heart swashes: (b&a) or (a&) lowercase ending swashes: (k-) Main Features: Uppercase & Lowercase letters Punctuation and special characters Multilingual support Ligatures & Alternate glyphs

Killer Garbage is a grunge version of my Spitzenklasse font. It's worn and torn real bad - but not more than the font is still legible even at very small sizes. I don't fancy grunge fonts that only has one or two versions of each letter available. The text usually gets very static and predictable, because the same letters are repeated again and again. That's why I have included 6 different versions of each letter in this font! And the great thing about this is that the letters automatically cycles as you type! Forget everything about repeating the same letters all the time!!!

Introducing a creative font named No rules. It's a very unique typeface with modern experimental shapes. It includes five different styles for letters and numbers. No rules font can help you to create an unexpected texture and graphical rythm. Each next letter will be automatically switched to another variation using OpenType contextual alternates feature. Using capital or lower first letters will make a different looking words. Also letters set can be changed using stylistic alternates feature. Please note: Only english alphabet and numbers have five glyphs variations. Multilingual characters have only two of them for capital and lower case letters.

Quidic is an unusual display typeface. The upper-case letters are strongly vertical, condensed, and bold. Used by themselves, they make headlines and titles that stand out. The lower case letters do not have serifs similar to those on the upper-case letters, but rather have the serif shapes one expects from an italic style. The lower-case is also quite short compared to the upper-case letters. The italic styles of the family are unusual because the lower-case letters keep their shapes and the upper-case letters and numbers change. The family has three styles that differ more by width rather than by weight. Although some Bauhaus fonts have several letter shapes that are similar, there is no other typeface quite like Quidic. The family can be used for many things, but not for text. For a "normalized" version of this typeface, see Qwatick.

The letters in this font are made by chopping bits from footprints. Individual letters are sometimes very hard to decipher, but when put together as words they are usually readable. In Pedestrisan-Regular, the original version of this font, the upper-case letters have toes on the top the lower case letters have toes on the bottom. All the feet with letters are right feet. The upper case and lower case do not mix. In 2020 two alternate versions were created. In Pedestrian-Alt all toes are on the top but the lower-case letters are left feet. In Pedestrian-AltTwo all toes are on the bottom with the upper-case letters being cut from left feet and the lower case from right feet. Both the alternate styles also have an alternate set of numbers on the unicode circled numbers that can also be accessed with an OpenType feature.

I created CemeteryWalk in 2018 to illustrate a program for a local cemetery walk. CemeteryWalk places letters on pictures of gravestones. In 2022 I expanded the family by placing three different sets of letters on the gravestones. Each of the four different sets of letters on gravestones has two styles, one with black letters on white gravestones and the other with white letters on black markers (the bold style). The bold style can be placed beneath the plain style to add color or texture. All eight styles are caps only, with the lower-case letters having different shapes for the tombstones but the same letters as in the upper case. There is only one set of accented characters and it is where the upper-case letters are found. Each also has an alternate set of characters that are somewhat similar in appearance and it can be accessed using the OpenType feature of stylistic sets. A final typeface in the family is a picture font of items that may be found on old tombstones.

The new Fabrizio™ types, designed by Ari Rafaeli, have made their first appearance in Saggi di Letteratura Italiana: Da Dante per Pirandello a Orazio Costa, by Lucilla Bonavita, printed at Pisa in March 2016 by Fabrizio Serra Editore for whom the type was specially designed. The types are now offered for general sale. Each style (roman, small capitals, italic, semi-bold, bold) contains Cyrillic and ‘polytonic’ Greek letters and letters for many European languages (Czech, Hungarian, Icelandic, Lettish, Polish, Romanian, Serbian, Ukrainian, Welsh etc.), non-kerning fs, long ſ, ligatures and fractions. Alternative forms are supplied in ‘B’ versions of each style. A set of swash letters and sets of superiors, inferiors, fractions and phonetic letters are also offered. Two ‘Special’ fonts (roman and italic) containing special accents, letters for transliteration, Vietnamese letters, mathematics signs and symbols, arrows, commercial signs, pictograms, figures in circles, scansion marks, braces & benzene rings and the Rafaeli-Meruba Hebrew letters, as well as Latin, Cyrillic and Greek letters, are included in the Fabrizio family.

No Dr. was inspired by an old movieposter lettering for the 1962 movie "James Bond: Dr. No". Just like the original Dr. No, No Dr. has a diabolical charm. It was developed into a font family that combines distinctiveness with versatility. It has a good readibility as a textfont but also looks great as a Headline. The two widths and the two weights give you a big choice. Intended to become an interesting alternative to the much used DIN Schrift, it has now developed into a highly functional family of it's own.

Description Hand Sworth a work that is purely a result of handwriting, has a natural characteristic. this is perfect for invitations, signatures, blogs, social media, business cards, product brands. Hand Sworth has Stylistic standard, Stylistic Alternates and ligatures. and includes uppercase and lowercase letters, numbers and punctuation marks. FILE INCLUDE Hand Sworth (OpenType,PUA) Open Type features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. special greetings for all, all of us all smoothly in running the routine

Wak is a lively calligraphy-based sans serif. The simplicity and smoothness of its forms is combined with the sharpness and suddenness of the details. There are six weights from light to extra bold, with a variety of alternative signs, additional ligatures and initial and final forms with swashes. Lowercase letters repeat the uppercase pattern. The font is intended for short inscriptions and texts and is adapted for use on the screen. Wak was designed by Viktor Fitzner, character set expanded by Alexander Lubovenko. The font was released by ParaType in 2018.

For Monumental Gothic, we delved into the archives and found some old rubbings and photos of monumental brasses from British tombs of the 12th and 13th centuries. The sources included famous monuments like the tomb of Richard II and less well known inscriptions with similar style lettering. The rubbings were made by Dave Nalle in the 1970s (when they still let you have access to the the brasses). Monumental Gothic includes some alternate characters, plus upper and lower case characters, numbers and a selection of very interesting decorative emblems to complement the text.

Recreate authentic letterpress typography with Oxford Press, a set of chunky uppercase Serif & Sans fonts designed using real vintage metal letterpress blocks sourced from old printing companies. The Serif & Sans fonts each have two variations, 'Clean' and 'Rough'—with the latter having real, highly detailed hand-made letterpress textures applied to each letter. Each letter of the 'Rough' fonts also has an alternate texture, which can be accessed simply by switching between upper and lowercase characters. The 'Rough' fonts can make a striking impact as bold header text for posters, adverts, prints and packaging, whereas the 'Clean' versions are more suited for smaller accompanying text, cleaner designs or for applying your own textures and styles. Language Support • English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian.

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which give the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims appreciation for quirkiness and human imperfection through the rounded serifs and irregular vertical stems. The typeface family is also a multi script project, containing Latin and Arabic scripts. The Latin consists of Regular, Bold and Italic styles, including Small Caps and many other typographic features. Whereas Arabic Naskh includes Regular and Bold weights. The whole family has been designed to work harmoniously together to help to produce catalogues and small publications of cultural content. We believe that Baldufa is a tiny but nice contribution to build bridges between cultures and this make us very happy. The letterforms in the Latin are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text. To certain extent, the design of the Arabic gathers the same interest for experimentation than its Latin companion. Baldufa Arabic respects the basic features of Arabic script such as thick stokes in the baseline, multiple vertical axis, genuine stem modulation and good linking between words. However, it steps away from traditional Calligraphic Style. It has rounded top terminals and the traditional contrast between curves and straight stokes has been softened. Letter shapes sometimes slightly differs from tradition in order to obtain more expressivity. Overall, Arabic has been designed to acquire the same elegant and quirky aspect of the Latin.

Legoix is a simulates scribbled letters - comes with ligatures to avoid repeating letters. You will need to use OpenType supporting applications to use the autoligatures.

The characters in SafetyPinned are composed of interlocked safety pins. The typeface lacks true lower-case letters but rather has two sets of capital letters.

Cartoonist JNL was modeled from a casual brush lettering style found in a catalog of lettering templates sold by the Wright-Regan Instrument Company (Wrico).

Cartoons characters Vol. 1 is collection of Victorian-era fanciful cartoon characters in the shape of letters or characters interacting with objects shaped as letters.

The word "Signs" hand-lettered on the cover of a 1930s instructional book on sign and poster lettering was the basis for Poster Inline JNL.

Use it for all of your hand-lettering projects like invitations, greeting cards, promotional materials, websites, and branding that need that hand-brushed lettering vibe.

Zumbo is a capital letter font, hand designed. The letters can be freely combined: with or without decoration. 2022 by German typeface designer Joachim Frank.

ludovica. This beautiful script is for those who are needing of elegance and stylish for their designs and particularly well suited for wedding invitations, save the date cards and feminine branding.

Heatwood is a cute signature font. Whether you’re looking for fonts for Instagram or calligraphy scripts for DIY projects, Heatwood will turn any creative idea into a true piece of art!

Simultaneously futuristic and retro, Retron is perfectly named. Retron is a partially connected script - or is it a connected sans? Either way, it's a strange, unique combination that works surprisingly well.

Right Hand is a legible naturally written script. Tidy pen writing with a casual slant. Right Hand is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

A faboulus script font for you with tons of love. Rosseville can make text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, headers and whatever your imagination holds.

Cordial is a solid, friendly font. Like other informal script fonts, Cordial works in nearly any context. This font was originally named Pulpatoon, but the designer's wife made him change it.

Gardenia Summer feels equally charming and elegant. This stunning monoline script font is a stylish homage to classic calligraphy. It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

Soli, based on an architect's handwriting is a fun, modern script face with a very complete character set. Can be used for journaling, scrapbooking, or anywhere a handmade touch is needed.

Introducing by Essentials Studio Goldsthink Is a Modern Script Font Goldsthink is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.