Sunwind is not really made to write long copy. It is a font for shopsigns and short sentences that need that hot, sunny and windy touch. And that is how I got around to designing it: I saw some letters on a shopsign in Cannes when driving into town. I shouted at my son Julius: "Quick take a picture of that sign, the blue one." That's what he did, only he used the macro setting, so I had a very small sign but lots of nice background. Anyway I got the basic idea! Then I made a lot of sketches and this is what came out. I added a smallcaps set and I also made some initials as a rough version, so they look like written with a brush on heavygrain paper. Swinging that brush is yours truly Gert Wiescher

Bon Air was one of a series of script typefaces cut into wood by the Hamilton Manufacturing Company for the Morgan Sign Machine Co. (makers of the Line-o-Scribe showcard press) in the mid 20th Century. These were some of the last new designs cut into wood by Hamilton until the museum revival in the early 2000s. Bon Air was created in 1958 and trademarked in 1961. The wood type made for Morgan was used largely in department stores to make their own signage. The script styles are reminiscent of sign painters alphabets and evoke a Mad Men era advertising aesthetic. The font was only cut in four sizes: 12, 18, 36 and 72 line. It was distributed by Morgan for use in their presses, but as type high wood type, it could be used on any press. The font was issued with several alternate letters and ligatures to simulate the effect of hand lettering. Its lively strokes and odd details give it an exotic flavor suitable for advertising display work. The digital version includes all of the original alternates plus new characters to fill out a full European character set.

Varhalla is our new script and handwritten font. We created it with love and care. Varhalla is perfect for signatures, posters, branding, logos, fashion, typography, and more.

Alyanda is a beautiful script with a classy, elegant, and modern look. Fall in love with its authentic vibe, and turn any design project into a standout!

Bellezza (Italian: beautiful) is an elegant calligraphic script with many ligatures to provide great solutions for Invitations, presentations, signage, posters wherever sensitivity, legibility and elegance is essential.

Thellor is an elegant handwritten script font. Get inspired by its unique shape and character! Thellor contains standard characters, lowercase, uppercase, numbers, punctuation, ligatures, and international characters.

Belinar is a sleek, signature script that will give your work instant class and style. Use this font for branding, logos, signatures, invitations and any other designs.

It's the old Turkish runic script, which I adapted the written language of the three-legged aliens, the characters of a fantastic science fiction movie called Arrival.

Fitfully is a marker simple cursive script font which is perfect for crafty projects, quotes, social media. Use this font for invitations, branding, flyers, posters, and more.

Handwritten letters inspired by various ancient & modern scripts. Ballers is a "gangsterish" tag font that avoids overlap & features long acenders & decenders for an eye catching unique style.

Brewmaster Modern is a very contemporary script that will work well for sign lettering and t-shirt designs, it also resembles the lettering used for Budweiser Racing.

Originally issued as Marggraff Bold Script by the Dresden foundry of A.G. Vorm Brüder Butter. Minor variations were given to a few letters to even the color.

Scriptofino is a very fine and elegant script with lots of contrast. It is based on traditional American letterforms of Jefferson's day. Your fine typedesigner, Gert Wiescher

Golden Bloom is a chic, refined script font that emanates sophistication and elegance. Its stylish alternates and ligatures make this font the perfect match for any project.

Fineberg is a script font that is very suitable for branding projects, home appliances design, product packaging, design on t-shirts, calendar design, logo design and more!

Hertina designed with high detail to bring a stylish elegance. This font is for those who are in need of an elegant and appropriately modern calligraphy script.

The Mighty Major is a new script and is perfect for signatures, posters, fashion, weddings, branding, logos and more. Features: ~ Uppercase ~ lowercase ~ Numeral and Punctuation ~ Multilingual ~ Ligature

Hellena, an elegant script font that great for fashion, quote, and many more. This font was designed with uppercase, lowercase, ligature, numbers, punctuation, and also multilingual support.

Hello! Presenting a calligraphic font with natural scratched texture effect. It's a script with connected letters, lots of characters including West European languages support and few ligatures.

Poing is an exceptionally elegant script, I took my fathers Penn font and pimped it to a higher level. It is perfect for invitations and business cards.

Amio is fun geometrical connected script font family. Consist of 6 styles from light to extrabold. Perfect for branding and suitable for a variety of fun projects.

A practical font family with 3 weights for all your needs: headlines, body text, signage etc. Great revival of legendary calligraphic script. High legibility at small sizes

Hosbela is a beautiful script font. It has a classy, elegant, and modern look that works perfectly in any design projects in need of a handwritten touch.

Handsta Signature a classy, contemporary of script font, inspired by Handwriting Signature. Ideally suited for advertising and packaging, festive occasions, editorial and publishing, creative industries and posters .

Hungaria is a script with an elegant touch and feel, as well as additional swash weights. Hungaria can match nicely with your products, magazines and much more.

Font is the most significant design element which can be difficult to find the excellent one for a certain design. For that reason, we offer you a solution by combining two fonts into one. With Thunder Garage, finding a perfect font combination is never this easy. Thunder Garage is a duo font combination between brush and sans serif fonts which you use together in one design. Each font is beautifully created to support one another perfectly. Using a duo font gives interesting contrast and visual variations to your designs. The brush font is made similar to a handwriting style with brush details to show you personal, informal impressions. You are free to use this duo font as either one lovely set or as separated parts based on your needs. In addition, enjoy the other features available in this font. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Thunder Garage fits best for various design projects, such as brandings, posters, banners, logos, magazine covers, quotes, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Your designs are your self expressions and should represent your personal styles. Without the right font, it will be hard to be prominent and to impress your audience. Lost Buster is here to assist you. Lost Buster is a capitalized handwritten font in brush details to produce a manual brush-looking display adding creativity values to designs with this font. It also gives more personal, natural impressions to make people feel close to the brand or design displayed. The advantages of a brush-detailed handwritten font are first, the unique display to get the brand or the design easily remembered and noticed, and second, legible, applicable for various media. You can also apply this font for various text sizes for its legibility reason and enjoy the available features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Lost Buster fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, invitations, name cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Artist and calligrapher Daniel Reeve, well known for the lettering and maps in The Lord of the Rings films, is creating hand-crafted fonts of some of his writing styles - Kereru is the inaugural release, allowing users to emulate some of his much-admired calligraphy. Nominally a half-uncial style, clever arrangements of the stylistic sets allow Kereru to be set as full uncial or standard roman, as well as offering numerous alternates, ligatures, swashes and flourishes, ornaments, unlimited fractions, scientific inferiors and numeric superscript, all accessible via OpenType features. Cyrillic and Greek alphabets are included, in addition to the letters required for all the languages of Western, Central and Eastern Europe, Scandinavia and the Baltic. Kereru is very legible and easy on the eye, without sacrificing calligraphic flair. A pdf description of the Stylistic Sets and their usage is included with the font package, which comprises regular, bold and italic variations. Kereru Italic supercedes and improves upon its previous incarnation, Shire Regular. The name Kereru comes from New Zealand's Maori language - it is our native wood pigeon, a bird of generous and rounded form, like the font itself.

Note: only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.

A revival of one of the popular wooden type fonts of the 19th century, regular, slab serifs, a very useful design for display, upper and lower case.

Note: Only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.

Designed for ATF in 1913, Morris Fuller Benton’s version of Nicholas Jenson’s roman, the best of the Venetians and a model for regularity in color and fit.

It is a redesign of "Loyola". This family contains Light, Regular, Bold, ExtraBold, Black, also a set of shadows and dingbats, special for short titles and children.

The playful, casual hand lettering on the 1941 movie poster for “Blondie Goes Latin” inspired Latin Fiesta JNL which is available in both regular and oblique versions.