The letterforms are based on Inserat Cursive, a bold script popular in the late nineteenth century; the treatment was suggested by cover artwork for Graphic Styles from Victorian to Post-Modern, written by Stephen Heller and designed by Seymour Chwast. Included in the font are several handy ink blots (section mark and superior numbers positions), a stylish tailpiece (florin position), and a couple of ink bottles patterned after those on the bookcover (bar and broken bar).

I am reading a great book by David Mitchell, called Number 9 Dream. One of the characters is called Buntaro, so I decided to call my new inky font after him. Like the book, Buntaro is quite unusual: it has no real baseline, comes with some strange characters, feels familiar, but surprises you nonetheless. It was made with a broken bamboo satay-skewer, Chinese ink and a lot of patience. Buntaro comes with a wealth of diacritics.

Volcano is titling family of four is broken down into a gothic and island style. The island style features a "toothed" look that gives it a very unique look that can be used for a variation of project styles: Jungle, Island, Cruise, Vacation, Tiki, Retro, and Comicbook. The gothic style features a more industrial look and was inspired by gaspipe lettering styles. Each style features a different inline font file that can be layered over to produce striking headlines.

Herb is based on 16th century cursive broken scripts and printing types. Originally designed by Tim Ahrens in the MA Typeface Design course at the University of Reading, it was further refined and extended in 2010. The idea for Herb was to develop a typeface that has the positive properties of blackletter but does not evoke the same negative connotations – a type that has the complex, humane character of fraktur without looking conservative, aggressive or intolerant.

Prestissimo Classy is a combination font package between copperplate script and retro serif style. A perfect combo for you who need elegant, stylish, retro, casual & professional look on the same plate. Save your priceless time with the best solution! The easiest way to bring professional calligrapher, Penmanship or spencerian script. Now you have this unique opportunity to try the early American handwriting. Really bring classy vibes & easy to use, powered with opentype features & PUA encoded. Our Prestissimo Classy is feature with contextual alternates and stylistic sets to broaden your possibilities - Common and extended ligatures are included. The set is supplemented by flourish ornaments to round out your design. Each style feature full Western Latin character support (multi language), formatted in OpenType (OTF) and will work on your Machintosh or PC. Perfect For: wedding invitations stationary logos postcards letterpress address titles

Saffran is a project of Erasmo Ciufo and Alessio D’Ellena. Saffran is a clear sans-serif with big x-height, short ascenders and descenders, that works well both for headlines and main bodies of text. The objective of the design is to improve readability of small size texts, by clearing the junctions and enlightening the structure of each letter as a consequence. The broken junctions, inspired from the hebrew alphabet, turn into spiky endings that connect to the flat sides only under 7pt.

And now something completely different. Keks has broken elements like a blackletter typeface, but the actual forms are roman. That keeps it very legible although there is no curve at all. What was the inspiration for designing the font? Blackletter has an interesting history here in Germany. We need to find contemporary interpretations for this tradition. What are its main characteristics and features? Legible roman blackletter Usage recommendations: any usage that needs a black letter athmosphere where legibility is important.

I have always liked Scandinavian folklore, although I have to admit that I didn’t know about the Fossegrim. Fossegrim is a fiddle or harp playing water sprite - usually friendly, but he has been known to lure children and women in deep water with his music. Fossegrim font is a little bit weird as well: I made it using a broken bamboo satay skewer and Chinese ink. It comes with extensive language support and a set of alternates for the lower case letters.

For some reason I had to think of Moby Dick (the classic book by Herman Melville) when I was busy working on this font. No, I don’t live near the sea, nor do I have a pet whale. It’s just one of those things… Whalebone (named after Captain Ahab’s prosthetic leg) is a handmade, all caps brush font. It wasn’t actually made with a brush; I used a broken satay skewer and Chinese ink. Whalebone comes with discretionary ligatures for double letter combinations.

Gin is a futuristic decorative font that combines calligraphy, graffiti and typography. This font is inspired by the street art called calligraffiti where it is abstract and elegant. This font is suitable for those who are anti mainstream and out of the zone, this is a new face in the world of fonts, for those who are against this font it will be considered broken but for those who are from the future, this font is an answer to futuristic design needs

Flavery is a vintage slab serif font that is perfect for creating a rustic and rugged aesthetic with its hand-drawn slab serif style. This font is ideal for evoking the old-fashioned cowboy era or the classic vintage vibes era and is great for display purposes. Flavery features alternate glyphs and supports multilingual Latin characters to enhance your designs with a touch of old-world charm. Its bold and distinctive style will make your designs stand out and give them a unique character. Whether you're working on a poster, packaging, or branding project, Flavery will add a touch of vintage authenticity to your work.

Big Sur is a six-width slab serif font family with a unique look. At first glance, it is clearly in the tradition of old west style alphabets, with its chunky top and bottom strokes and serifs. But it also features a whimsical vibe in the curvy and pointed flourishes, the wavy baseline, and the swash terminals on many of the glyphs. It's a true standout with unique identifiers, and is bound to grab the eye as something new and different; yet it's traditional enough to establish a solid Western or vintage Americana style. Great for rodeo, county or state fairs, saloons, pubs & taverns, cowboy gear, and even vintage psychedelic posters.

Around 1931, the Los Angeles Times (in partnership with the Richfield Oil Company) installed on its building a moving message board similar to the one at the New York Times in New York City which they dubbed an “electric newspaper”. The style of characters used on this electronic sign were the basis for the namesake font Electric Newspaper JNL, which is available in both regular and oblique versions. A blank space to place between words is available on both the solid bar and broken bar keystrokes.

Around 2018 or 2019, the State of Florida introduced new letter and number characters on its auto plates. Inspired by this change, Jeff Levine Fonts offers up a digital version of this lettering named New Car Tag JNL, which is available in both regular and oblique versions (for those who want a more sporty look). Some people prefer a rounded 'zero' to differentiate between the regular zero and the letter 'O'. You can find this alternate character located on both the solid bar and broken bar glyphs.

Metalizer sketched with calligraphy flat pen, then vectorized with Ai & generated with font creator. Inspired by the amazing style from Raghuveer G. Some Metalizer character is composed by broken strokes, adding a handmade feeling to this geometric kind of calligraphy. Metalizer contains some interesting alternates and ligatures that make this type more real. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyph : http://adobe.ly/1m1fn4Y Cheers!

The Raleigh Hotel at 18th Street and Collins Avenue on Miami Beach is an Art Deco landmark and part of the city's popular tourist district. A vintage matchbook from the hotel had its name hand lettered in what is now Beachfront Hotel JNL; available in both regular and oblique versions. The lower case letters have been made more traditional, eliminating the Deco-influenced "overhangs" present on the capital letters, and an alternate "E" from the original matchbook design is available on the bar and broken bar keys.

A display fontface for titles inspired on Latin America, Ethnic, Native, Tribal, Mysthical, Handmade, Aboriginal, Pre-Hispanic, Pre-Columbian, Textured. By mid-1997 I was developed the early type edition was called «Muisca Sans» as my work for the degree in Graphic Design (Universidad Nacional de Colombia), based on the concept of pre-Columbian figures characteristics within some of the very few visual elements recovered from the Muisca culture, ancient pre-Columbian tribe disappeared before the arrival of the Spaniards in what is now central Colombia. In fact, the name of the capital Bogotá (the capital of Colombia) goes back to Bacatá as primary or village downtown of what was once the imperial capital of tribe Muisca. Although this unfinished early typographic project has not yet been published, Tequendama is the evolution of the first one. Tequendama reminds the myth of Muisca culture and religion of this tribe. The god Bochica, a wise old man with a white beard heard the cries of his tribe suffered against flooding of their land losing harvests before the divine punishment resulted by the offended god Chibchacun. However Bochica appeared wearing a white robe sitting on a huge rainbow and he broken the mountain towards the southwest wise old man with a golden staff broke the mountain to drain the flooded savanna. This emblematic and iconic place would later be called as «Salto de Tequendama». Tequendama name also been adopted to a nearby province to Bogotá.

Maskule Combo is a vintage combination pairing font that captures the essence of hand-painted signs. It features two fonts: Maskule Regular and Script, which work harmoniously together. With its charming and nostalgic style, it's the perfect choice for creating designs with a vintage theme. Whether you're working on headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotypes, or album covers, Maskule Combo will add a touch of timeless appeal to your projects.

My kids have a tin box filled with crayon and pencil leftovers: bits and pieces that have fallen or broken off, but are still good enough to use. For me it is a treasure trove, as I often find a nice bit of crayon to use for a new font. In this case, I created Leftover Crayon. Leftover Crayon is a fat, crumbling and seriously eroded crayon font. Completely hand made, completely legible and full of character. Use it for your bedtime stories, product packaging and invitations. Comes filled to the brim with diacritics.

Deco Slaughter is a unique typeface that blends the elegant Art Deco style with the visceral and broken aesthetic of horror typography. Each letter is meticulously crafted to evoke a sense of intrigue and mystery. The sophisticated and geometric lines of Art Deco intertwine with shattered and bleeding details, creating a striking contrast. This typeface is perfect for projects that aim to break conventions and stand out with a provocative aesthetic. Deco Slaughter captures the essence of classic style with a dark and disturbing twist, providing your designs with a distinctive and memorable character.

Twirrewyn is Frisian for ‘Whirlwind’. I have always liked the Frisian language; it’s like a crossover between English and Dutch. When I studied journalism in Zwolle (a city close to Fryslân) there were a lot of Frisian students and I did pick up a few words! Twirrewyn is a handmade font family: the fat version was made using a brush and ink; the light version was made using that same ink, but with a broken satay skewer instead of a brush. And yes, you have guessed right, we eat a lot of Satay! ;-)

LUAZERVA is a font that is quite unique because the base is a classic serif font with the Victorian genre, why is it unique, because this font has a characteristic that is broken and loses the thin body of the letter itself, so besides being unique this font also has a rather difficult readability. So this font is really a display font that is not suitable for making long text. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

Comicraft's latest joint has us swollen with pride! This one caps 'em all! Yes, it may look a little bony and stick out at right angles to our shins, but we reckon we'll win the a whole bunch of contests with this one... if we get up off our haunches and hobble up on stage. Trust your knee jerk reaction and download KnobblyKnees now, they look good on Kate and Angelina, they'll look good on you too! Features: Five fonts (Regular, Bold, Light, Broken & Open) with upper and lower case characters.

CHARACTERISTICS The dark and sharp character of the typeface is a very unique atmosphere. The letter-forms can with broken trees, rotten and old and branches are associated. The partially pointed edges remind thorns (bushes) a rose. APPLICATION AREA The edgy, contrasty horror and fantasy font »Viktors Littl Creepy Horror« would look good at display size for headlines in magazines or websites, movie posters, music covers or webbanner. TECHNICAL SPECIFICATIONS Headline Font / Display Font / Fancy Font »Viktors Littl Creepy Horror« OpenType Font with 354 glyphs - alternative letters and ligatures (with accents & €) & 1 style (regular)

Tucked inside the November 5, 1927 issue of a German signpainters' trade paper was a single sheet headed Der Schilder und Schriftenmaler, which featured an alphabet called "Neue Fraktur". An exuberant (if somewhat unconventional) combination of Art Deco sensibilities and blackletter forms, the font retains its freshness, even today. Included in this version are Deco bishops fingers at the bar and broken bar positions, and a styling, horn-blowing herald at ASCII circumflex and tilde positions. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

2 font faces that combine together with attached lower case glyphs. A combo type-face that can be used with or without joining its lower case.

This font definitely reflects the name: Tenderfoot sort of gives that Home Sweet Home feeling. No, the little cowpoke on the pony isn't me, a close friend was kind enough to let me use his childhood photo for this font.

The world has ended, and all that remains is chaos and destruction. The remnants of civilization are scattered, and the once-great cities are now nothing more than ruins. In this post-apocalyptic wasteland, communication is more critical than ever. Your message needs to cut through the noise and grab attention, but how can you do that when everything around you is broken and damaged? Enter Octynaz—a typeface that perfectly captures the desperate spirit of this new world. With its severe damage and broken counters, Octynaz embodies the shattered landscape of the post-apocalypse. But it’s not just a broken typeface—in fact, it’s even more powerful because of its flaws. OpenType-aware programs will automatically substitute bespoke pairs to produce a grungy, realistic appearance that will make your message stand out. When you use Octynaz, you infuse your words with frantic authority and shattered vigor. You’re not just communicating—you’re commanding attention. Your message becomes a rallying cry for those who remain, a beacon of hope amidst the darkness. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Bradrock, a vintage slab serif typeface. Inspired by old-school cowboy design, and circus-style. Bradrock has a more decorative typeface by adding bold bifurcated serif on the letterforms. This font is a perfect choice for vintage or old-school themes. Bradrock is an all-caps font, which represented strength, confidence, and an old-school aesthetic. You can use this font for many purposes such as vintage logos, mugs, embroidery, prints, display, short text, packaging, cards, emblem, signage, and many more! Equipped with special characters to get your design more powerful. TTF & OTF in a zip file including : Uppercase Small-caps Numbers & punctuation Accented characters Stylistic alternates Stylistic set 01-03 That's all, folks! Thank you for visiting.

Main Street is a revival of the old font Soutache, the original version of this decorative alphabet was created in 1873 by Julius Herriet, a type designer active during the period marked by the Western expansion. Main Street with its split serifs and ornate scrollwork reflects the romantic splendor of the old west from fancy garb and Cowboy Saddles to Ice Cream Parlors and painted window signage. Main Street goes one step further by creating a base fill font which can be placed behind the regular Main Street font giving this font more of an inline appearance. You will need an application that allows layering of your fonts in order to take advantage of FontMesa Fill fonts.

Benedictus Brush is a stylish, fresh new layered brush script font family. With lots of alternate characters (415+) and more than 340 realistically created standard ligatures. The letters are made with brush pen and scanned thereafter carefully drawn into vector format. Benedict Brush is a versatile multilungual font family and comes with several of OpenType features: - 340+ Standard Ligatures - Stylistic Set - Character Variant - Terminal Forms - Proportional Figures - Tabular Figures - More than 1140 Glyphs - Multilingual To make you more better eye-catching and colorful designs, Benedictus Brush is a layered font! There are 7 variants of Benedictus Brush, to add even more flexibility to your designs: Solid Base, Shine Solo, Shadow Solo, Combo One, Combo Two, Combo Three and Complex. These are features that offers virtually endless variation. Enjoy!

Alles Kaputt means ‘everything’s broken’ in German. I always wonder why my stuff breaks so easily, especially my mobile phones (I have had 7 in the last two years). Maybe I am careless, but I believe that there is a more or less scientific explanation that chaos and destruction are far easier than harmony and creation. I am no scientist, so don’t take my word for it! Alles Kaputt is a nice script font. I made it with a felt tip pen I borrowed from the kids. Use it for texts on product packaging, book covers and websites. Or, whatever you fancy!

What's that, bub? Looking for a whole train full of whupass? A six pack of adamantium shred? Listen, are you talking to me or chewing a brick? Either way you're gonna get all your teeth broken. And if you think that's all just Tough Talk, make your move, bub. (Our new font, ToughTalk, put the words in Wolverine's mouth in the pages of Steve Skroce's WOLVERINE: BLOOD DEBT, but don't tell the short Canadian over there, he's likely to get upset at the mere suggestion that people put words in his --) What? No, I didn't, uh, say you were -- ulp -- short...

StoneWash is a funky, grunge font, with a monumental marble finish. The font combines an “old as the hills grunge” look with IN YOUR FACE, modern lines. It has a look of very old, washed out denim, about to disintegrate. StoneWash has all of the grunge characteristics: -- it’s dirty and corroded -- it’s coarse & broken -- it’s rough & pitted It also has the characteristics of an African style font: -- it’s ethnic -- it’s irregular -- it’s primitive -- it’s rustic -- it’s vibrant Use StoneWash for a great variety of applications: -- think advertisements - think flyers - think graffiti art - think posters - think magazine pages. You have to have StoneWash.

Meteora is a font designed for headlines by Carlos Fabian Camargo Guerrero. Its purpose is to be useful tool for solving decorative problems in graphic design which require broken letters without ascending and descending strokes. Due to its vertical and horizontal proportions these letters are compact, appealing and special to compose headlines and featured with worn look in covers, magazines, posters and advertising material. The first Meteora sketches were made by hand, photocopying and deforming letters of an old Letraset catalog, specifically from slab serif typefaces from the Nineteenth Century. Hence, uppers cases and lower cases were merged in the same height x, obtaining a narrow width, endings with some serifs and stencil cuts here and there. The amount of low contrast between thick and thin strokes brings strength and consistency with the contours apparently brokens. Thus, developed features slab serif and sans-serif proposing empty and full shapes connoting decomposition and noise; and from a rigorous process of scanning letters I set up damaged letters, but drawn with the greatest possible thoroughness and high definition in 438 glyphs per font. Finally, in regular and bold variables I included opentype features with some discretionary ligatures and a few titling alternates. In Meteora bold all glyphs are framed simulating the effect of letters cut out of paper.

Introducing Masterson, the strong slab serif that inspired from cowboy and western style. Masterson has three styles : Regular, Spurs and College that you can combine as a unite in your design project. Masterson is all-caps font, the good choice for your logo, logotype, badges, store front, headline, sub headline, even body text because the shapes already set to keep the readability when it's use in small size. This font is recommended for western style, vintage, retro, pop art or minimalist. 300+ Glyphs included with 27 accents : Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish, Zulu. Masterson has catchwords to give you more variants in your design.

The term Old West conjures up memories of vintage movies and TV shows featuring saloons and dancehall girls. Old wanted posters and cowboys. Rowdy prospectors in the Goldrush, mountains and lots of wide open space. Many of the lettering styles of those days are still in use, reflecting the past, present, and probably the future here. Western style fonts appear in the signage of bars, restaurants, casinos and ski areas. It's a style that speaks of the way it once was in a nostalgic way. This family of three fonts pays tribute to the Old West and its colorful history, with a semi-plain style, a decorated style, and a really lively rendition of our gaudy and raucous history from a century or more ago.

Tex Mex is simply a spurred version of our Saloon Girl font family. When you think of a classic western font you think of spurs in the letters, with Tex Mex we set out to create a font that stands out and says Western. Whether you're making a new steakhouse menu or a new logo for your cowboy boot and hat company Tex Mex is the font you're looking for. If you're a pioneer in the culinary scene Tex Mex is perfect for you're next cookbook cover, chili cook off or barbecue competition. Just like our Saloon Girl font Tex Mex also works in layers, to make a layered font image you'll need an application that works in layers such as Illustrator or Photoshop.