Jill Bell's typefaces are energetic, highly decorative, and refreshingly unpredictable. Some are friendly and childlike, while others are rough and nervous. Her latest creation is ITC Swank, a connected script whose shabby-chic" sophistication communicates a worn elegance. Bell begins the design process "with black stuff on white paper," she explains, preferring to draw letters before she digitizes them. Often the inspiration for her typefaces comes from a piece of hand-lettering. "Bruno began as a reminder to buy cat food," she says, "and ITC Swank started out as a small bit of lettering for Wurlitzer Pianos." Bell finds that working with blocks of lettering is a good start for script typefaces. "If I'm drawing a script typeface, I have to write out sentences in the letters first," she explains. "Drawing each letter separately doesn't establish the flow and spontaneity that scripts deserve." Bell's newest design is ITC Swank. It's a somewhat tattered formal script with definite links to early copperplate scripts. Though probably not for wedding invitations, Swank's elegant underpinnings are evident, with its slightly narrow proportions and a baseline that can best be called "bouncy." Graphic designers will appreciate the abundance of swash letters, making it easy to create distinctive headlines and short blocks of copy. Bell has a fondness for the "open, genuine" quality of Chinese and Japanese calligraphy. "Eastern styles incorporate the natural flow of the hand," she says. "Natural, human qualities shine through. Mistakes are accepted, not scorned as in the 'white-out' Western culture." This philosophy is evident in Bell's own designs. Whether it's ITC Clover 's carefree spirit, the slightly spooky Hollyweird, Caribbean 's< rustic charm or the weathered elegance of ITC Swank, there is a natural honesty in her work."

Art Deco and Western styles fuse into one design in Bootspur JNL. A rounded A,M,N and W along with the Art Deco curvature found in the K,R,X and Y set Bootspur JNL apart from many of the other condensed Western fonts currently available.

One of the classic display types of the 19th century, an Egyptian with bracketed serifs. There are many variants of this face and its uses are many, this a modified version lacking the teardrop or ball terminals on a, c, f, g, j, r, f, y.

The extra bold version of R. Hunter Middleton's "Karnak" (produced in 1936 for Ludlow) served as the model for Bookkeeping JNL and is a companion to Bookkeeper JNL (the light weight version of this type design). Middleton based his "Karnak" family of typefaces on the geometric slab-serif "Memphis", which was designed in 1929 by Dr. Rudolf Wolf and released originally by the Stempel Type Foundry of Germany. According to Wikipedia, "Karnak" "was named after the Karnak Temple Complex in Egypt, in reference to the fact that early slab serifs were often called 'Egyptians' as an exoticism by nineteenth-century type founders." Bookkeeping JNL is available in both regular and oblique versions.

Titling Stencil JNL is an extra bold stencil treatment of R. Hunter Middleton’s ‘Karnak’ (produced in 1936 for Ludlow) and is a companion font to both Bookkeeping JNL and Bookkeeper JNL (a lightweight version of the type design). Middleton based his ‘Karnak’ family of typefaces on the geometric slab-serif ‘Memphis’, which was designed in 1929 by Dr. Rudolf Wolf and released originally by the Stempel Type Foundry of Germany. According to Wikipedia, ‘Karnak’ was named after the Karnak Temple Complex in Egypt, in reference to the fact that early slab serifs were often called “Egyptians” as an exoticism by nineteenth-century type founders.” Titling Stencil JNL is available in both regular and oblique versions.

This family was created from the set of font faces used in Lima (Peru) by Antonio Ricardo in 1584 for the first publication ever printed in Southern America: a four-page leaflet in Spanish entitled "Pragm·tica sanciÛn" with information about the new Georgian calendar of 1582 which had not yet been communicated to the colonies. In our two styles (Regular & Italic), font faces, kernings and spacing are as close as possible to the original. This Pro font covers Western, Eastern and Central European languages (including Celtic), Baltic and Turkish, with standard and “long s” ligatures in each of the two styles. A,B,D,E,F,M,N,P,R,V,W swashed capitals in the italic style.

Botobe is a new script from Swedish type designer Bo Berndal and the T4 font foundry. Botobe is a playful and friendly script that has lots of character. It gives text a genuine handwritten style and comes in two different cuts, regular and italic. It is an OpenType creation, for both PC and Mac.

Inspired by punk rock flyers.

Introducing Vilanders, a must-have hand-drawn pair script and san serif font collection designed exclusively for graphic designers. With three unique style fonts (regular, rough, and stamp) and an additional 20 hand-drawn motorcycle illustrations, this versatile package is perfect for logo creation, branding, apparel design, and more. Infuse your designs with vintage and stamp font flair and explore the possibilities with Vilanders. Vilanders font features : - 3 style typefaces (regular, rough and stamp) - Uppercase, lowercase, numeral, symbol, punctuation and alternate in script font - All-caps, numeral, symbol and punctuation in sans serif font - Multilingual - PUA Encoded Vilanders includes : - 7 fonts (script, sans serif and dingbat) - 20 hand-drawn illustrations in dingbat

Say Hello to Magenta - luxurious and carefree signature script font that was lovingly created by hand. This font is perfect addition to the professional designers font. Magenta has 2 version, signature and monoline script, It's perfect fit for signature logos, printed quotes, blog , social media headers, product packaging and a lot more Whats Included ? Magenta Regular Magenta Bold Magenta Monoline Regular Magenta Monoline Bold This font has given PUA unicode (specially coded fonts). If you've got any questions feel free to leave a comment or send me a message. Thank you

Summer Days is a cute handwritten script font with ornaments and swashes, perfect for any design that needs an adorable handmade feel. Use this font family for signatures and logos, notes and quotes, social media posts, and branding and packaging. This set includes: 1 script font in two styles: regular and slant, with ligatues for a smooth handwritten font. 1 ornaments font, with 72 cute handmade drawings (fruits, animals, sweets, plants, etc) in two styles: regular and blackout, for easy layering. 1 swashes font, with lots of swirls and underlines.

Building Script is a modern calligraphy design, including Regular. Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and more.

Local Brewery is back with a new vintage inspired font collection that includes a script, two sans serif fonts, icons and extras. The sans serif fonts and the script include regular, semi-bold and bold weights. The script is monoline with smooth edges. The sans serif fonts have a smooth edge with all caps letters. Local Brewery Script comes with caps and lowercase alternates. These alternates will give your designs an extra flair and uniqueness. The script and sans serif fonts work exceptionally well together. Use Local Brewery for packaging, products, websites, marketing and beer branding.

UT Triumph Script by Uniontype is a modern type family inspired by classic Americana scripts. The family consists of regular, vintage, and press styles. Also it contains shadow layers with which you can quickly & easily add depth of UT Triumph Script by duplicating the text layer and switching it to Shadow. Choose сolor and offset according to your taste. UT Triumph Script provides advanced typographical support with contextual alternates, ligatures and swashes. UT Triumph Script is good for menu, signs, packaging, posters, letterings and logos. Use the vintage and press styles to feel the true spirit of new retro!

The Occidental family is a geometric, sans-serif text face marked by its angular construction. Occidental is suitable and economical enough to set large blocks of copy, but at display sizes Occidental's inherent character takes over making it useful for headline setting as well. The family includes four weights, each with corresponding italics (excepting Display) for a total of seven fonts.

Marmalade Script by Uniontype is a modern multilingual type family inspired by vintage monoline fonts. The family consists of light, regular, bold and printed styles. Choose сolor and offset according to your taste. Marmalade Script provides advanced typographical support with contextual alternates, ligatures and swashes. That way, you’ll have automatic access to the dozens extra glyphs in each of the fonts. Marmalade Script is good for menu, signs, packaging, posters, letterings and logos.

Marttabuck Script - The bold and straight-forward look script. This script comes with two types, the regular and special. The special type has its unique tiny slices which gives more personal touch and makes the font looks being customized. This font is suitable to use as a logotype, apparel, wedding invitation, signboard, sport club, motor / car, etc. This font has many opentype features like ligature, stylistic alternate, contextual alternate, swash, etc and support multi language.

DIAMONDS AND RUST FONT DUO - a new fresh handmade calligraphy font. DAR Regular - Italic - Outline Script Historical SANS and SCRIPT MULTILANGUAGE OK Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more!This font are perfect for wedding postcard. Or you can create perfect and unique design of your logo, blog, stationery, marketing, magazines and more :) Features: Ligatures Script UpperCase & Lowercase Numerals & Punctuations All style font Multilingualcharacters(AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸŸ ÆŒßÞàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ)

Airwave is suitable for display and logo work. It comes in three faces and would work well for technical designs or for giving a fresh, modern look. It is an all cap font with a few (A, E, N, R) lower cap alternates and contains West European diacritics.

Harvey is a work of American graphic designer Dale R. Kramer. It is an all capital sans serif typeface which features a distinctive, light-hearted look and includes both conventional and unusual letter forms. Alternate letters give Harvey even more flexibility, making it a great typeface for any headline.

A Clean Sans Serif font family with a few stylish glyphs to give extra character e.g., L-R-Q-Z-W-g-t. Usage: Any applications is appropriate especially signs, directions, posters, graphics and use especially in Ads and billboards. There's 13 font variations in Civic Sans Font Family.

Arabetics Aladdin is a monoshape font family with a fixed single shape per each Arabic Unicode character. Glyphs are designed to incorporate the traditional Arabetic visual characteristics found in all four varying shapes, isolated, initial, medial, and final, for each letter. The overall design also emphasizes the line-like (khat) horizontal look and feel of the Arabetic scripts without sacrificing legibility. This font family supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It includes two weights: regular and bold, each of which has normal and left-slanted (Italic) versions. The design of this font family follows the Arabetics Mutamathil style design principles utilizing varying x-heights and no glyph substitutions. The Mutamathil type style was introduced by the designer more than 18 years ago. The Arabetics Aladdin font family includes all required Lam-Alif ligatures in addition to all soft vowel diacritics (harakat), which are selectively positioned with most of them appearing on similar high and low levels—top left corner—to clearly distinguish them from the letters. The Tatweel or Kashida lengthening character is a zero-width glyph.

Khatt tries to mimic the concept behind the meaning of the Arabic word Khatt: a straight horizontal line. The word Khatt is also the word for calligraphy in the Arabic language. Even though Khatt is a cursive style font it offers clearly distinguished and visually unified letter shapes in every position of a word. Khatt supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It comes with five weights, regular, medium, bold, light, and ultra-light. Each weight has normal and left-slanted “italic” styles. The script design of this font family follows the Arabetics Mutamathil Taqlidi style and utilizes varying x-heights. The Mutamathil Taqlidi type style uses one glyph per every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for each freely-connecting letter in an Arabic text. Khatt includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Katts’s soft-vowel diacritic marks (harakat) are positioned with most of them appearing on similar lower or upper positions to emphasize they are not part of letters.

Nagham was designed using uniform glyph thickness throughout and exaggerated letter heights to offer a vertical look and feel. It supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. This font family includes two letter spacing flavors: isolated for small text and overlapped for large or display text. The two flavors come with two weights, regular and bold, each of which has normal and left-slanted Italic versions. The script design of this font family follows the Arabetics Mutamathil Taqlidi style utilizing varying x-heights. The Mutamathil Taqlidi type style uses one glyph per every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for each freely-connecting letter of the Arabic cursive text. Nagham includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Soft-vowel diacritic marks (harakat) are selectively positioned with most of them appearing on similar high and low levels—top left corner—, to clearly distinguish them from the letters. Tatweel is a zero-width glyph.

Yenthida Script is a modern calligraphy design, including Regular. This font is casual and beautiful with strokes. Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and more. Yenthida Script includes changes in OpenType stylistics, binding, and international support for most Western languages.

Brighter script is a bold casual and fun script that stands out from the crowd. It contains two styles: regular and rough. It's perfect to be used especially for logo type, signatures, photography, quotes, apparel design, and any design need. As usual, the font comes with many OpenType features such as ligatures, stylistic set alternates and also multilingual support.

Blanche is a hand-drawn, retro script font. This font is perfect for all your fun designs! Use Blanche to create logos, branding, stickers, shirts, signs, posters, quotes, instagram posts, procreation designs and more! Includes shadow/extrude versions that are perfectly sized to fit Blanche Regular - so you can layer both fonts easily! Blanche Regular Blanche Extrude Thank You!

Slivky is a condensed rounded font family. It includes 6 styles: All Caps, All Caps Swash, Regular, Regular Swash, Small Caps, Small Caps Swash. Swash fonts have large capitals in the style of handwritten / script fonts. This cute rounded font is quite versatile due to the different styles. Good for logos, packaging, posters, advertisements and more.

Introducing original label font named Power Gym. This font family has an additional characters and multilungual support (check out all available characters on previews). Regular and Script fonts has seven styles: Regular, Effect, Shadow, Texture, Shadow FX, Texture FX, Grunge. This font will look good on any sport styled designs like a poster, T-shirt, label, logo, etc.

Dorothy Clark Script is a stylish script comes with 3 styles, regular script, signature script and ink script. This typeface has unique opentype feature as you can see the explanation at 2nd preview image. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. This font comes with 3 style, Regular script that gives you the weight of calligraphy feel, Signature that gives you a consistent stroke with the same weight, and ink to add handfcrafted inky feel. All of them just in one font! Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded contextual alternate We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Email us to letterhend@gmail.com if you need something! Happy Designing!

Mocombo JNL is a slightly modified version of one of the numerous alphabets created by the late Alf R. Becker for Signs of the Times Magazine during the period of the 1930s through the 1950s. Tod Swormstedt of ST Media—who is also the curator of the American Sign Museum in Cincinnati, Ohio—supplied Jeff Levine a wealth of source material from which this font is derived. The angular style of this typeface was originally referred to as “German Poster Lettering” by Becker, but it can represent many styles from 1940s night clubs to African safaris and just about anything in-between.

Thirdlone is a handmade typeface with monoline script and sans. This font is perfect to be used as t-shirt designs, logo/brands, signatures, headlines, lettering quotes, and more. It also comes in uppercase, lowercase, punctuation, symbols, numerals, stylistic set alternate, ligatures, and multi-lingual support. Thirdlone Script includes 3 different styles: Regular, Stamp, and Ink. Thirdlone Sans includes 4 different styles: Regular, Stamp, Ink, and Edge. Regular styles are a regular style that have clean look on it. Stamp styles give you aged texture on the font that will push out the vintage feel. Ink styles will give the font a little bit of an ink feel. The Edge style give this font a rough feel on its edge. You can choose one of the styles mentioned above that match perfectly for your style, or just mix and match it.

Aisha Lovely is inspired by classic typography and brings its own unique style to every design project. This fantastic script font is best suited for headers of all sizes, and for blocks of text that have maximum and minimum variations. Be it for the web, printing, moving images or whatever – Aisha Lovely will look spectacular.This font is PUA encoded which means you can access all the funny glyphs and swash easily! It also has many special features including alternative glyphs

Braxton - brush flavored script font family includes 5 unique font weights. The font family is characterized by excellent legibility in both - web & print design areas, well-finished calligraphic designs, optimized kerning etc. Braxton is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. The font styles are applicable for any type of graphic design – web, print, motion graphics etc and perfect for t-shirts and other items like posters, logos.

Rough. Torn. Shredded. Worn. Weary. Gritty. Uneven. Irregular. Ripped. Scraped. Cracked. Eroded. Deteriorated. And now ready to present your powerful message in 65 languages! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Hardcore Hipsta is a vintage display font. Comes in regular and rough styles which are perfect for your next project. It's strong, bold, tough, and has confident looks. Designed with block-based, curveless, and sharp edges that give a brave approach. A great choice to apply to many purposes such as sports, posters, jerseys, labels, storefronts, coffee, sticker, logos, badges, headlines, and many more! Hardcore Hipsta is an all-caps font that consists of uppercase, extra alternate characters, and multilingual support.

Warrior is a chunky typeface design inspired by a Russian Egyptian-style block alphabet (original designer unknown). Now available in seven weights (Hairline, Extra Light, Light, Medium, Regular, Bold, Black) in addition to three decorative styles: Shaded (3-dimensional), Inline, and Open. With its blocky letters and stable slab serifs, Warrior will add a bold, masculine look to your design. All members of the Warrior family support most European languages including modern Greek, and, of course, languages that use the Cyrillic alphabet.

Noyram is a strong brush script typeface with stunning alternate glyphs. With so many alternative glyphs, you can make an experiment by combining regular and alternate glyphs to get cool phrase with great preview.

The Birthstone Family is a set of fonts that are not only diverse but perfectly compatible to interchange styles in a single block of text. There are 3 precious gems: Script, Casual, and Formal. Plus for added luster, there's Bounce (both Medium and Light weights) plus a Titling font— A truncated version that includes caps and ending swashed forms. You won't believe your eyes. All 4 styles are uniquely compatible to one another, but distinctly different. See how easily the fonts may change according to the needs of the look. The Pro version contains the three main styles: Script, Casual and Formal plus the lighter weight version of Bounce. You will also have lots of Opentype feature options.

Type designer Hannes von Döhren created Klint. A sans serif typeface with a technical appearance and humanistic streak. The family includes five weights; each weight ships in three widths: condensed, regular, and extended. All of the 15 Klint variants have a companion Italic, rounding out family at 30 fonts. Klint's large x-height makes the design especially legible at small point sizes. In today's day and age, appliance manufacturers and/or companies in the mobile phone, computer hardware and software or Internet sectors are becoming ever more important. Klint fills the rising need for superfamilies with a technical feeling that are also legible in both text and display settings. Through conspicuous letters like R, K, k, or g, as well as the independent nature of its Italic, Klint exudes an ethos that separates it from the competition. Longer text passages in brochures, catalogs, or magazines would be well served by Klint's Light, Regular, and Medium weights. The heavier cuts are optimized for poster settings and headlines."