Hallandale JNL is versatile enough to be a headline font as well as a text font, without a loss of style or integrity.

Kona is a display font perfect for branding, homeware design, product packaging, magazine headers - or just perfect as display text against any background.

Data Seventy is a high-tech style font, with the look of old computer lettering. Data Seventy gives any text a futuristic appearance.

Metric Navy PRO is a lightweight monoline developed for short texts and loose phrases in versions: thin, light, normal, regular, bold and black.

Valimo RMX is a destroyed hard-to-read typeface. It's suitable for creating text "textures" where you don't necessarily need any actual content.

Ellen is a charming elegant serif face. Great for headline display and text use. Many alternates and ligatures are included with this font.

Designed as the main header text for the online, interactive, horror novel, DEAD ENDS. Based on historical documents of colonial-era New England.

Grit Sans is a font balanced enough to stand strong on the tippy-toes of its pointed "t" ascenders. Even all caps communicates calm. Dashes of whimsy in the proportionately plump X-Heights tell of the accountant drinking too much sherry at the office Christmas party, but thick, consistent strokes never lets you forget his job title. Ascenders and descenders consistently reach the same heights and depths, further attesting to the reliability of this typeface, at even very small sizes. Available in both regular and bold face, Grit Sans is a faithful complement to thin fonts with a pinch of frivolity such as Heirloom Artcraft. It is ideal in use for titles, subheadings, menus, playbills, custom stamps, logos - anywhere a solid font can speak at a volume just above all others.

Lina round is an Arabic typeface from Lina type family, it has an expressive character with its round and friendly shapes. It's Round, legible, Clear, Flexible, Simple, Modern. With a handful set of OpenType features and alternatives. Lina type family consists of Lina soft, Lina sans, Lina round. the design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Lina round was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes. It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Lina round consists of 7-weight versions from thin to bold.

CAPITALIZED, geometric, bold and round. If the typo­grapher sees a font like that, it's enough to make his toes curl. But sometimes it just has to be that way. Geometrically constructed fonts do not necessarily have to be pointed and angular; It also works consistently around. And if I say it consistently, then in this case, that's done consistently. The basis for the BOULE is the circle. The letters are drawn with constant line width, the “corners“ and endings all have the same radius, the lines are all the same thickness. The BOULE consists only of capitals. There is only one difference in the use of uppercase and lowercase letters: in the uppercase letters, the round letters are circular, while the lowercase letters are narrow. The character set of the Boule contains all letters and accents to support the Western, Northern, Central and Eastern European languages with Latin alphabet. The BOULE is not only very fat, it also runs very tight; that is, the glyphs are very close to each other. To avoid "holes" due to unfortunate letter combinations, the BOULE contains ligatures for FT, ST, TT and TZ. There are also other versions of the font: BOULE Brillant on the one hand. In this version, simple highlights simulate a light incidence from the top right. These light edges give the font a decorative effect that makes it easy to think of wet sausages or balloons in some shapes. And finally the BOULE Contour. As the name implies, it is the outer contour of the letters, combined with a shadow at the bottom left. The name BOULE (French for ball) says it already: this font is globated. Therefore, it is also very suitable for all three-dimensional alienation effects. With simple light and shadow you can achieve a very convincing 3D effect with little effort.

This is an Experimental typeface, a direct descendant of the BD Gitalona font family, which has a supermassive family with Variable technology. However, this version is more on the aesthetic aspect, which is experimental and exploratory. It complements the beauty of the primary typeface that we released separately. If you are a fan of Effectiveness and flexibility, please learn more about BD Gitalona and BD Gitalona Variable! Inspiration The world of entertainment moves non-stop. One by one, figures appeared and left. We expect to create something to entertain previous trends with packaging more relevant to the present. More specifically, we admire and are inspired by some of the world's leading and top singers with a segmented nature. We imagine so many figures that can affect every viewer. However, each artist or singer has a segment because almost all of them have characteristics. The Design The basic design of this typeface begins with a transitional serif shape with sharp, shapeless corners. Then in the middle of the invention, there was an opportunity to explore it further from the readability side by adding an optical variable that can adjust the serif thickness when used together between large, medium to paragraph text sizes for editorials. The shift from serif to sans-serif with the contrast initiated by the shift of the serif family form as a different variable also makes this font richer in terms of the features it contains. Parts are expected to add to the user satisfaction with the complexity of this font. The Features BD Gitalona consists of one sub-family intended for body text with nine weights from Thin(100) to Black(900) and four other display sub-families such as Display serif, Flick, Harmony Sans and Contrast Sans. Each consists of four weights Thin(100), Regular Weight(400), Bold(700), and Black(900). And again, there are also retailed separately; the BD Gitalona Variable font, which is designed to accommodate all Subfamily in 1 font file, and BD Gitalona Moxa, an experimental typeface. A total of 700+ glyphs in each style. Advanced OpenType features functionally and aesthetically, such as Case-sensitive forms, small caps, standard and discretionary ligatures, stylistic alternates, ordinals, fractions, numerator, denominator, superscript, subscript, circled number, slashed zero, old-style figure, tabular and lining figure. Supports multi-languages ​​including Western Europe, Central Europe, Southeast Europe, South America, and Oceania.

The Adelle Sans font family by José Scaglione and Veronika Burian provides a more clean and spirited take on the traditional grotesque sans. As is typical with TypeTogether typefaces, the most demanding editorial design problems were taken into consideration during its creation. The combination of lively character and unobtrusive appearance inherent to grotesque sans serifs make it an utterly versatile tool for every imaginable situation. Whether for global branding, screens, signage and advertising, or UI, the keyword behind Adelle Sans’s use is flexibility. To save space and keep legibility high, Adelle Sans is available in eight weights with matching italics and includes a condensed width of seven weights with their matching italics. Each of these 30 styles hits the perfect tone as a headline punch or subdued background hum, and the condensed widths are adept at setting short texts while retaining the expected personality. Rooted in the belief that broad language support is crucial to modern global type design, the Latin-matching variants are yet another push in TypeTogether’s ongoing multilingual efforts. The Latin script may have been first, but Adelle Sans has thus far been expanded into an exhaustive nine script family with extensive language support. Careful research and close collaboration with type experts yielded typographic consistency, legibility, and cultural awareness among all scripts, as well as filling the need for quality editorial typefaces in Arabic, Armenian, Chinese, Cyrillic, Devanagari, Latin Extended, Greek, and Thai, with more planned for the future. In addition to the 30 Latin styles, all other scripts have between seven and fourteen styles, each of which has been engineered to optically match the proportions of its counterparts. And each script comes bundled with the Latin script to ensure an harmonious fit amongst any two or more Adelle Sans families in the same block of text. The full Adelle Sans family delivers consistent, flexible, and personable results in multilingual documents, in apps, and multicultural branding worldwide. Its wide character set includes typographic niceties, small caps, several sets of figures, icons, and support for over 245 Latin-based languages. Be sure to check out the companions for Adelle Sans: Adelle, for a versatile and authoritative slab serif with no shortage of personality; and Adelle Mono, a two-width family flexible enough for developers and graphic designers alike.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Introducing Marsmila, a luxury beauty calligraphy font inspired by the Victorian era and the Grace of the Roman letterforms as well as modern calligraphic aesthetics. Its graceful, curving lines and elegant swirls are a delight to behold. Marsmila comes with massive number of glyphs and stylistic alternates, including extra beginning and ending swashes. Perfect for your next calligraphy project, or when you want to make your text look fancy! Make your next design projects look like you took them to an expensive calligrapher to be done for hundreds of dollars, but you didn't! You can use it in any design and any way you want. Marsmila typeface works best for logos, posters, styling purposes such as invitations, greeting cards or any design projects which have some elegant vibe to them. A Million Thanks Colllab Studio www.colllabstudio.com

Regato is a hand made font ideal for your graphic project. Usage recommendations : Title, short text, children's book, poster, book cover, brochure, label, magazine

JulianaJoy is a condensed elegant sharp serif typeface for headline display and text use. Several alternate characters are included with this original font design.

Comicbon is a handwritten font that simultates text being writen on a comic, ads, creating logos, branding, teaching websites/apps/games, and many more.

Arcs for framing curved lines of text, in a style common on Victorian posters and almanac covers, and still seen on modern food packaging.

Water is a rounded hand-printed font ideal for graphic project. Usage recommendations : Title, short text, children’s book, poster, book cover, brochure, label, magazine

Try out one of the most distinguished text faces for free! Andron is a new design inspired by the best of classical Roman typefaces.

Environ is a rounded and modular font. Because it utilizes many straight lines, it works well for small blocks of text at small sizes.

Fribble is a delightful, frolicking font that works equally well as text and titling. The open type extras provide additional ‘bounce’ for the font.

Vermouth is a new Layered font family inspired by Italian signs of the 60s You can create awesome colorful display text overlapping some styles.

Brilliante is a geometric, uniform stroke, sans serif font with rounded end strokes. It is ideal for headlines, titles, branding, small blocks of text.

Handtraced comic font. Supersteady and perfect for massive text or just headlines. You will need to use OpenType supporting applications to use the autoligatures.

Hollyday is designed to be practical and use of texts and titles. Ideal for application in graphics and editorial projects and mobile interface design.

Corradine Handwriting is based in the handwriting of Manuel Corradine. Its numerous ligatures and stylistic alternatives give to the text a realistic handwriting appearance.

DoctorBob is a so-called stencil font. Notice the difference between upper- and lowercase; the lowercase has incomplete shapes to vary your text with.

“Corinthiago” feels equally charming and elegant. This stunning handwritten font is a stylish homage to classic calligraphy. It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates Alternates to help enrich your designs: 1. Titling (titl) alternates, are accents for initial letters. is the first stroke that is long and and slightly curved according to the letters, both lowercase and uppercase. 2. Swash (swsh) alternates, is an accent at the end of a letter, is an additional stroke to end writing. 3. Stylistic alternate (Salt), is an alternative glyph to add style emphasis. 4. Stylistic set (SS), some additional glyphs for design alternatives. If you use a combination of two lowercase with a combination of tilt and swsh it will produce a harmonic letter that you can use for a logo, no problem also for a logo consisting of more than two letters, all you have to make sure is starts with a titl and ends with swsh. All glyph alternates (titl, swsh, Salt and SS) are also supported by multiple languages. Another OpenType that is also very important is Ligature (league), this font consists of 51 Ligatures including: Abe, Ade, Ale, Ab, Ad, Af, Aj, Ak, Al, Am, An, Ao, Ap, As, Ax, Ay, Az, aa, ar, be, cc, da, de, di, do, du, dy, ee, er, ii, ir, is, le, ll, lt, om, on, oo, op, or, ov, ow, ox, oy, oz, ss, st, th, tl, tt, ur and uu. We continue to see the possibility to update ligatures in the future. This font is the right choice for a modern design, can be applied to invitations, writing messages in the form of quotes, book and magazine covers, and of course for your brand logo text.

Two fonts entirely of decorative initials of which the uppercase basic letters of RMU Initials One are occupied by Walthari initials, the lowercase ones by Eckmann initials, both released first by Rudhard, '92sche Gie, 'dferei, Offenbach, Germany, about 1900. RMU Initials Two consists of Jubilaeumsinitialen in the uppercases and Augsburger Initialen in the lowercases.

Introducing Frinkle Brush! Frinkle Brush is a readable and finely balanced handwritten font. With consistent and natural detail, Frinkle Brush also come with underline swash (You can access it by typing s1-s3). Frinkle Brush can be placed in many design needs such as, merch, branding, packaging, social media, events, and many more. Thank You!

Cargo TRF is a revision of existing Cargo typeface dated 2001. The new version of Cargo consists of three styles—A (plain), B (punch-out holes) and C (screw heads). Cargo TRF is recommended for use in big sizes as a display typeface. It is available in OpenType format with Western CP1252 character set.

With my dingbats and your favorite software, you can create elegant web graphics in minutes! All these fonts were created with the web designer in mind. Each font consists on 26 original shapes with endless possibilities: virtual jewelry, buttons, framing, interfaces, etc. For examples of what you can do with these fonts: Click Now!

Genius is a clean, geometric typeface with great legibility and modern look, which makes it a perfect typeface for any kind of use. It's especially suitable for branding, advertising, magazines, web design and so on. Created by Ceyhun Birinci, the Genius family consists of 9 weights from thin to black along with their italics.

Spontial consists of two fonts, Script and Slab serif, designed to complement each other perfectly. Whether together or separate, these fonts will add an elegant and classy touch to your design. It is perfect for many different projects such as logos & branding, invitation, stationery, wedding designs, signature, product designs, labels, photography, and much more!

Blood Moon - typeface is a typographic creation that combines unique and captivating elements. Crafted specifically to celebrate the Halloween ambiance, this font carries the aura of a mysterious and thrilling Blood Moon - typeface" With an elegant serif design, the font seamlessly blends sophistication and tension, making it a perfect choice for various design projects.

This family of faces is based on the series Riverside Drive, designed by Peter Max for Photo-Lettering Inc. in the early 1970s. However, several letters have been altered to maintain design consistency and to improve legibility. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Doblo is a colorful and slightly retro layered type family designed by Joël Carrouché. Consisting of one master character, 8 different layers and a collection of extra ornaments, this fancy family allows several creative combinations and produces unique results. The fonts are delivered in OpenType format and include diacritics for most western & central European languages.

Asbel is a simplistic, stylish, modern and rectangular san serif type font, and type family consisting of 9 fonts. The main purpose of creating this font was to be as simple as possible. As a result, Asbel is good to use for titling, poster, Advertising etc. Asbel also features standard ligature, stylistic alternates, and fractions.

The Greater Neue font family is a modern collection consisting of 16 weights, 8 uprights, and matching italics, as well as a Variable font with adjustable weight and slant. It is perfect for packaging, advertisements, headlines, and corporate identities. This font family is well-suited for graphic design and any type of display use.