In StamperRS all the letters are on little stamps. The upper-case letters are have black letters on white stamps and the lower-case letters have white letters on black stamps. The character set is limited. The letters are from the typeface Myhota, also by Ingrimayne Type. StamperRS was first released in 1995 with the name Stamper.

We RECOMMEND that you purchase both of these fonts to get the look like in the font preview image. Youtube Tutorials : https://www.youtube.com/@madhalinestudio Mask n eyes is a carefully crafted font, which features a very heavy black metal feel. Mask n eyes suitable for metal band logos, merchandise, clothing, apparel, or anything that needs a black metal feel.

3 weights (Light, Regular, Bold) 613 glyphs Character set A-Z Uppercase & Lowercase Numerals & Punctuation Multilingual Language support: Latin, Greek, Cyrillic Works on PC & Mac Kica is a modern display typeface that is characterized by its clean lines, bold strokes, and geometric shapes. This typeface was designed with the intention of creating a strong visual impact and capturing attention.

Avenir Next Paneuropean is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though, in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from UltraLight to Heavy, this 56-font collection offers condensed and semi condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Complete your designs with these perfect pairings: Dante™, Joanna® Nova, Kairos™, Menhart™, Soho® and ITC New Veljovic®.

Normaliq is a geometric and modern sans serif family that exudes a unique and minimalist charm. comes in nine weights, ranging from Thin to Black, combined with an Italic style, as well as the addition of Black Outline and Black Italic Outline. The balance of hard lines and subtle curves provides strength and eye-catching for every weight of the family. Each font in the family can stand alone, dynamic and authoritative. This font family offers versatility for a variety of design needs, designed specifically for looks such as titles, branding, logos, books, branding and other impactful editorial work.

Endorphin is a stylish oblique sans-serif font family with weights ranging from Thin (100) to Black (900). Features: Available in 9 weights Over 550 glyphs supporting extended Latin Ideal for display texts: Titles, Logos and Headlines etc. Perfect for branding and rebranding Supports OpenTypes features like Ligatures and Stylistic Alternates Symbols for 10 major currencies including Bitcoin provided in all weights Description: The Endorphin font signifies racing forward. Each oblique character manifests that feeling of achievement and happiness that one gets after a great workout or after a refreshing game. Every character effortlessly integrates with modern design standards and interfaces. The fonts are professional and have a strong personality in them. This makes Endorphin perfect for use in modern apps and websites. Endorphin is built for the designing and marketing squads. It has a trendy geometric characteristic which is ideal for any branding and rebranding. Endorphin has lot of OpenType features (like ligatures and alternates) and the Extended Latin character set supports over a hundred languages. Race Forward!

*Mont Specimen: http://bit.ly/montsp *Scroll down for the FREE DEMO fonts Features: • 744 glyphs in 20 styles; • Extended Latin, Cyrillic and Greek; • Perfect for headlines and logos; • Prominent x-height; • Distinctive pointed triangular bracketed “t”; • Coverage of multiple OpenType features; • Suitable for web, print, motion graphics etc. Mont is a geometric sans serif consisting of 10 weights ranging from Hairline to Black with matching italics. It supports Extended Latin, Cyrillic and Greek — more than 130 languages all together. The balanced characteristic of Mont with unique details, such as the pointed “t” and the prominent x-height makes it perfect for strong headlines and outstanding logos, but also suitable for long text. Mont comes with a range of OpenType features — including tabular figures, advanced typographic features such as ligatures, fractions, case-sensitive forms, superscripts, subscripts etc. The typefaceʼs versatility and merits make it easy to confront any graphic design challenge — web, print, motion graphics etc. Up with Mont to the top and beyond!Mont™ Font Field Guide including best practices, font pairings and alternatives.

Preto Semi is an experiment. It is an attempt to create a readable type for text point sizes (other than sans-serif and serif). Preto Semi is not a Sans with added serifs or Serif with serifs removed. The use of the serifs is redefined and used for other purpose(s). The serifs became the extension of the stroke, they help to solve the spacing problem of sans-serif types and they use the primary function of serifs – keeping the eye on the baseline and emphasize the horizontal rhythm of the lines of text. Preto Semi is intended for magazines and editorial design, as other members of Preto family. Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black). Every weight has a companion Italic style as well.

Preto Semi is an experiment. It is an attempt to create a readable type for text point sizes (other than sans-serif and serif). Preto Semi is not a Sans with added serifs or Serif with serifs removed. The use of the serifs is redefined and used for other purpose(s). The serifs became the extension of the stroke, they help to solve the spacing problem of sans-serif types and they use the primary function of serifs – keeping the eye on the baseline and emphasize the horizontal rhythm of the lines of text. Preto Semi is intended for magazines and editorial design, as other members of Preto family. Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black). Every weight has a companion Italic style as well.

Gentleman font is a sans-serif font family of 10 weights – from hairline to black – designed by Juraj Chrastina. It is a legible typeface with clear geometry and spiced with nice humanist terminals enhancing its identity. We think Gentleman name suits perfectly to this family because of its beautiful outlines and elegant letterforms yet looking tight, compact and with own presence. Gentleman is surely a good choice both for screen applications and print media. Its multipurpose spreads over poster design, logos, headlines, body texts, stationery and back labels. Also very good for books, magazines and newspapers – an excellent choice even for small text size.

I'm Roberto Teixeira, a Brazilian graphic designer. After looking for a form quite different from the existing types, created in 2019, Di Barros Fonts Family is composed by Di Barros Regular...for while. This,form covers the following, according to the Windows character map: Basic Latin, Latin Supplement 1, Extended Latin A, Extended Latin B, Additional Latin, Cyrillic, Greek, Greek Extended, Armenian and several other special types, such as currency symbols, numbers, fractions, Roman numerals, arrows, symbol of electricity, hearts and vector images, of own authorship and more. Di Barros, with a good length, serves several languages. I think Di Barros applies to fine environments, such as jewelry stores, fashion stores, cultural events and others, where a beautiful and non-aggressive look is required. But there is no better application than the one chosen for its inspiration and creativity. Di Barros Fonts Family was made for you. Thank you for using it.

FECKTOR - MODULAR TYPEFACE Fecktor is a decorative typeface made for display needs, headlines, logos etc. Made with minimalism inspired by the shape of butterfly wings combined with modular to produce a modern Art deco impression and style. Fecktor has 8 variations ( light, regular, bold, solid, extended light, extended regular, extended bold and extended solid ) equipped with uppercase, lowercase, numbers and some symbols

Prosper Rules is a distinguished serif font that exudes sophistication and refinement. With its timeless serifs and carefully crafted extended lines, this typeface brings an air of elegance to your designs. The defining feature of Prosper Rules lies in its extended lines, gracefully integrated into select letters. These extended lines add a touch of distinction and visual interest, elevating the font's overall composition. Each letter is meticulously designed to strike the perfect balance between tradition and modernity. Inspired by classic typographic elements, Prosper Rules captures the essence of timeless beauty. The serifs, with their subtle flares, provide a sense of stability and sophistication. The extended lines offer a contemporary twist, infusing the font with a touch of creativity and uniqueness. The uppercase letterforms of Prosper Rules are meticulously crafted, showcasing clean lines and well-balanced proportions. The extended lines, thoughtfully placed in specific letters, create a sense of flow and purpose. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Prosper Rules fits for headings, titles, logos, and any design project that seeks to make a refined and memorable statement. Whether you're working on editorial layouts, branding materials, invitations, or any project that demands a touch of sophistication, this font will lend a sense of timeless beauty. It is particularly well-suited for applications related to luxury, fashion, fine arts, and high-end products. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Arable Font Is "Unique Display Font" refers to a specific type of typography that is characterized by its distinctive, one-of-a-kind design, and it is typically used for eye-catching and decorative purposes. Here's a detailed explanation of what a unique display font is: -Distinctive Design: Unique display fonts stand out because of their distinct and unconventional design. They often deviate from traditional letterforms and can take on a wide range of creative and artistic shapes. Unlike standard, legible fonts used for body text, display fonts prioritize aesthetics over readability. -Specialized Use: Display fonts are not intended for extended reading. Instead, they are used in small quantities for headlines, titles, logos, posters, banners, invitations, and other design elements where visual impact is essential. Their unique and attention-grabbing design makes them ideal for drawing attention to specific text. -Creative Freedom: Designers have creative freedom when creating unique display fonts. This allows for a wide array of styles, from whimsical and ornate to futuristic and abstract. Some display fonts may be inspired by art movements, cultures, historical periods, or nature, leading to highly original and thematic designs. -Limited Character Set: Display fonts often have a limited character set compared to standard fonts. They typically include uppercase letters, numbers, and basic punctuation marks, but may lack lowercase letters or extended characters. This limitation is due to their specialized use and focus on visual impact. -Customization: Some unique display fonts are custom-designed for specific projects or brands. Designers work closely with clients to create a font that aligns with the brand's identity or the project's theme, ensuring a truly unique and tailored result. -Combination with Other Fonts: In many design projects, unique display fonts are paired with more standard, legible fonts to achieve a balance between visual impact and readability. This combination allows for a harmonious and effective overall design.

Zoltana is a lively decorative typeface family designed for elaborate titling or text layouts, with an elaborate form and filled with delicate details, this font aims to grab attention and fill the viewer with a sense of wonder. Thanks to an extensive glyph palette, this single typeface offers a range of letterforms through alternate letters, small capitals, ligatures or swash letters and includes a selection of typographic fleurons that can be used in the layouts or individually.

Conica is a bold, condensed typeface that aims to grab your attention. By playing with heavy, dark shapes and small counters, this single weight typeface explores the contrast between defined shapes and gentle curves to produce a surprising headline font. It equally includes a range of Opentype features, with a set of small capitals, stylistic alternates and ligatures, users can choose which forms best suit their needs. Conica includes an extended Latin glyph set covering most Latin based languages.

A very black letter packs a lot of punch, great for paperbacks, posters and most powerful headlines

Get ready to groove with the Okezone Chamoon Groovy Display Serif Font! This font is the perfect blend of retro 80s style, funky cartoon vibes, and a dash of modern flair. With its wavy lines, extensive ligature options, and a whopping 758 characters, Okezone Chamoon is the ultimate choice for designers looking to infuse a playful and nostalgic touch into their projects. Key Features: Groovy 80s Aesthetics: Okezone Chamoon takes you on a trip back to the 1980s with its groovy and wavy design. It's like stepping into a time machine and bringing the funky, vibrant spirit of the 80s into your designs.Funky Cartoon Vibe: This font exudes a playful and fun-loving attitude that's perfect for creating eye-catching headlines, posters, and logos with a whimsical twist. Versatile Ligatures: Okezone Chamoon offers an extensive range of ligatures that seamlessly connect characters, enhancing the flow and style of your text. Experiment with ligatures to create custom and captivating typography. 758 Characters: With a whopping 758 characters at your disposal, you have a wide variety of options to make your text truly unique. Add special characters, symbols, and emojis to express your creativity. Multilingual Support: Don't let language barriers hold you back. Okezone Chamoon supports multiple languages, making it a font that can connect with audiences worldwide. Digital and Print-Ready: Whether you're designing for the web or print, Okezone Chamoon is optimized for both mediums. Your designs will look stunning on screens and in physical publications. Unique Branding: If you want your brand to stand out and be remembered, Okezone Chamoon is the font to make it happen. Its distinct style is sure to leave a lasting impression. Endless Possibilities: Whether you're working on advertising campaigns, retro-themed projects, or simply want to add a touch of nostalgia to your designs, Okezone Chamoon empowers you with endless creative possibilities. With Okezone Chamoon Groovy Display Serif Font, your designs will turn heads, evoke nostalgia, and radiate a playful spirit. Embrace the funky 80s vibe and let your creativity run wild!

This condensed block is a true knockout. VT Showcard is a heavy-hitting headliner with presence. Inspired by the boxing showcards of the 60’s and 70’s, VT Showcard towers over body copy and demands attention. This tall and mighty athletic display typeface features chiseled corners and subtle embellishments that reinforce a steady rhythm across its dramatic letterforms. With 7 weights, VT Showcard provides a versatility for sports headlines and similar projects.

Introducing Buddy Smile, a unique handwritten font that adds a splash of color, cheerfulness, and playfulness to your designs. With its charming and lively style, this font is perfect for enhancing your brand identity, book covers, children's events, quotes, and more. Buddy Smile brings a touch of personality to your projects with its combination of uppercase and lowercase letters. The fluid and organic strokes create a friendly and approachable feel, making your text feel warm and inviting. Whether you're designing a logo or crafting a heartfelt message, this font will leave a lasting impression. With its extensive language support, Buddy Smile ensures that your message can reach a diverse audience. Express yourself in different languages and connect with people from around the world. The font also includes numbers and punctuation marks, allowing you to maintain consistency throughout your designs. Experience the convenience of PUA (Private Use Area) Encoding, which provides access to special characters and glyphs. Customize your typography and add extra flair to your compositions, making them truly one-of-a-kind.

Philip Bouwsma makes use of his extensive calligraphy and type design experience by reaching into his vault and completing one of his unfinished projects from the mid-1990s. The result is Styx, a four-font connected-script family, with rough and smooth variations, each containing two sets of majuscules and plenty of alternates sprinkled throughout the character map. The Styx family comes in all popular font formats, and includes an extended range of language support covering Western and Central/Eastern European languages, Turkish, Baltic, Esperanto and Celtic/Welsh. The OpenType fonts contain both flat and class-based kerning.

HiTone emulates a natural hand-lettered typeface that provides exceptional legibility with a quirky style. It comes in three widths, the narrowest of which enables text to be placed compactly within a limited space. The widest, on the other hand, increases readability while maintaining the same stroke weight. In addition, each width comes in two weights, regular and black, enabling the user to provide emphasis or headline display without changing the essential style of writing. The font is most useful as a stylish text font. The font has all the features of a fully professional typeface. Language support includes all European character sets.

Meet Monni, a clean and balanced sans-serif typeface family—fresh-faced and cosmopolitan with a high x-height. Monni sports finely crafted angles, complemented by confident squared punctuation. This sans-serif has a universal appeal accentuated by select modern angles. Perfect for campaign work with its memorable lines, clear consistency, and optimization for screens. Noteworthy for both headline and body copy needs. Monni is sure to aid in brand retention. Monni is generously multilingual, including Ukrainian and comes in 5 weights, from light to black. With nearly 800 total glyphs, Monni’s versatility will make an excellent addition to any professional font collection.

Fluffenhaus is a vintage bold retro-font, the glyphs are soft serve ice cream, sorta Cooper Black after to much party. A fun playful look that suggests the 1960's and 1970s rock posters and cereal box art as well. Fluffenhaus is a fat bold font, apply to projects that need an attention grabbing headline that expresses the fun of the information being convened. Tightly spaced in the metric, suggested uses would be for it to be used BIG and then bigger. Fluffenhaus is a groovy beautiful and tuned into the psycho-fab of the now!

John Baskerville spared no effort to create the ultimate typographic book. He prepared deep black inks and smoothed paper to show to full effect the letters that he had John Handy cut from his own brilliant designs, based on a lifetime of calligraphy and stonecutting. Punches and matrices survive at the Cambridge University Press. The present design is an accurate recutting, with particular attention to George W. Jones’ revision from the metal of Baskerville’s English (14pt) roman and italic in 1929 for Linotype & Machinery Ltd; Mergenthaler Linotype imported this design to the USA two years later.

West Shine is a retro Slab Serif font that captures the timeless charm of the Western cowboy era. Designed specifically for headlines and logos, this font adds the perfect touch to your design projects. With its distinct Slab Serif characters, West Shine brings a strong, masculine, and captivating vibe. Combining retro design elements with a modern twist, this font creates a delightful and unique harmony. With its bold and expressive features, West Shine exudes courage and adventure. Its well-balanced letter thickness and exceptional clarity ensure that your message is read loud and clear across all media. West Shine is ready to bring your logos, headlines, and branding designs to life with its classic yet relevant Western cowboy flair. Publish West Shine font on Creativemarket and give your designs an unforgettable and authentic appeal.

Say hello to Glary Tropic, the top choice for stunning, tropical-inspired designs. With boldness and strength imbued in every accent, this font brings a bold touch that immediately steals the show. Glary Tropic's bold style brings strong and eye-catching design elements. Filled with a fun tropical feel, each letter creates a fresh, vibrant atmosphere, perfect for projects that require exceptional visual appeal. This font is designed to provide maximum clarity and impact. With a strong tropical theme, Glary Tropic will be the perfect choice for posters, announcements, branding designs, or other creative projects that require a fresh and dynamic touch. Enhance your creativity and create unforgettable designs with Glary Tropic. With strength and uniqueness in every accent, this font will be an undeniable choice to take your design projects to the next level.

IT’S MAILBAG TIME! Dear Jolly JG Roshell and Rascally Richard Starkings, Comicraft Fonts are a thing of Beauty and a Joy Forever! You guys must be a Wild Bunch, and I roar with delight whenever a new comicbookfonts release appears in my emailbox. But I have to level with you daredevils...what about us Letterhacks? We need representation too! We haven’t spent years hammering away on our typewriters to be ignored! BRING BACK THE LETTER HACK! In fearless font form. You know it makes sense! Truly Yours, Forbush, Irving, senior.

Introducing, The Marysville. A retro bold script which will bring you back to 60s feel.This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Supaduper PB is a font inspired by some wonderfully funky hand-lettered greeting cards from the 1980's. The delightfully awkward and animated playfulness of this lettering style was maintained throughout the fleshing out from the original specimens - and I think you're going to have a lot of fun typing with this. Even if you haven't seen these old greeting cards, the lettering style has a familiar visual to it. Bring back a little nostalgia, add a little wonkiness, or just have fun typing with Supaduper PB today!

Introducing, Raksana. A retro bold script which will bring you back to 60s feel. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

The Azbuka™ typeface family has its roots in a fairly pedestrian source. “The idea came in part from an old sign in London that read ‘SPRINKLER STOP VALVE’,” says Dave Farey, designer of the typeface. Like all good sign spotters, Farey took a photograph of the sign and filed it away for possible use in a lettering or typeface design project. In Prague a number of years later, the street signs reminded Farey of the London signage - and his camera came out again. Comparing the two back in his studio, he realized that the signs from London and Prague were not as similar as he initially thought. However, they were enough alike to serve as the foundation for a no-frills, 21st century sans serif typeface family. “I wanted to draw a wide range of weights, italic and condensed designs all in one go,” recalls Farey, “rather than add on to the family later.” His goal was to create a family that could be used for text and display copy, with sufficient weights to provide a broad typographic palette. Indeed, the completed design, created in collaboration with fellow type designer Richard Dawson, consists of twenty typefaces in eight weights ranging from extra light to extra black. The five mid-range designs have complementary italics. Seven condensed designs round out the family. Azbuka’s lighter weights perform remarkably well in blocks of text composition. “They’re clean and legible - and perhaps a little boring,” says Farey, “but they are perfect for copy with a down-to-earth, yet contemporary flavor.” The heavier weights are equally well suited for a variety of display uses. The designs are authoritative but not overbearing and will readily make a strong statement without calling attention to themselves. The condensed weights of Azbuka are ideal for those instances where you have a lot to say - and not much room to say it. The name Azbuka? It’s Russian for “alphabet.” And what more appropriate name could there be for this utilitarian, industrial-strength type family than alphabet? The Azbuka family is available as a suite of OpenType Pro fonts. Graphic communicators can now work with this versatile design while taking advantage of OpenType’s capabilities. The Azbuka Pro fonts also offer an extended character set that supports most Central European and many Eastern European languages

Wood Type Calendar JNL is a set of components for making monthly calendar pages. Based on a set of vintage wood type numbers, the dates 1 through 31 are found on the "A-Z" and "a-e" keys; the 23/30 and 24/31 ligatures are on the "f" and "g" keys. On the "h" and "i" keys are blank outline and solid blocks for balancing the calendar layout. The "j" through "u" keys have the names of the months, and the "1" through "7" keys contain the days of the week.

Shocka Family is a confident serif. Designed to reflect nature, it creates a sense of softness and natural expression. We pushed the concept in a usability-focused direction, to work as a bold tool and a beautiful communicator. Variable Shocka enables fluid design in 9 weights, italics and 2 styles with major latin based languages. The right slant advances aesthetics, brings energy and makes it suitable for modern designs. The type family blends organic curves and soft repetition into strong and harmonious types. At large dot sizes you can appreciate the shape of the letters, while the same control and focus creates an even texture for small dot sizes and long reads. Fonts extend their use by giving weights ranging from light to black. The natural curve, a swollen and sloping stem, grows in character as the font gains weight. While the thinner weight has lowered contrast and optical correction to create a warm and soft look. The Shocka Family character set combines additional symbols, style alternatives, unique binding, and case sensitive punctuation - resulting in a stable, hard-working family ready to tackle projects of any size. I can't wait to see what you do with Shocka Family! Feel free to use the #Skinny_Type and #Shocka Family font tags to show what you've done visit my Instagram : https://www.instagram.com/skinny.type/ Thank you!

The Eskapade font family is the result of Alisa Nowak’s research into Roman and German blackletter forms, mainly Fraktur letters. The idea was to adapt these broken forms into a contemporary family instead of creating a faithful revival of a historical typeface. On one hand, the ten normal Eskapade styles are conceived for continuous text in books and magazines with good legibility in smaller sizes. On the other hand, the six angled Eskapade Fraktur styles capture the reader’s attention in headlines with its mixture of round and straight forms as seen in ‘e’, ‘g’, and ‘o’. Eskapade works exceptionally well for branding, logotypes, and visual identities, for editorials like magazines, fanzines, or posters, and for packaging. Eskapade roman adopts a humanist structure, but is more condensed than other oldstyle serifs. The reason behind this stems from the goal of closely resembling the Fraktur style to create harmony in mixed text settings. Legibility is enhanced by its low contrast between thick and thin strokes and its tall x-height. Eskapade offers an airy and light typographic colour with its smooth design. Eskapade italic is based on the Cancellaresca script and shows some particularities in its condensed and round forms. This structure also provided the base for Eskapade Fraktur italic. Eskapade Fraktur is more contrasted and slightly bolder than the usual darkness of a regular weight. The innovative Eskapade Fraktur italic, equally based on the Cancellaresca script previously mentioned, is secondarily influenced by the Sütterlin forms — an unique script practiced in Germany in the vanishingly short period between 1915 and 1941. The new ornaments are also hybrid Sütterlin forms to fit with the smooth roman styles. Although there are many Fraktur-style typefaces available today, they usually lack italics, and their italics are usually slanted uprights rather than proper italics. This motivated extensive experimentation with the italic Fraktur shapes and resulted in Eskapade Fraktur’s unusual and interesting solutions. In addition to standard capitals, it offers a second set of more decorative capitals with double-stroke lines to intensify creative application and encourage experimental use. The Thin and Black Fraktur styles are meant for display sizes (headlines, posters, branding, and signage). A typeface with this much tension needs to keep a good harmony between strokes and counters, so Eskapade Black has amplified inktraps and a more dynamic structure seen in the contrast between straight and round forms. These qualities make the family bolder and more enticing, especially with the included uppercase alternates. The Fraktur’s black weights are strident, refusing to let the white of the paper win the tug-of-war. It also won’t give away its secrets: Is it modern or historic, edgy or amicable, beguiling ornamentation or brutish presentation? That all depends on how the radically expanded Eskapade family is used, but its 16 fonts certainly aren’t tame.

Monthly Calendar JNL is a companion font to Calendar Blocks JNL, and features classic wood type lettering and numerals from the 1800s. A set of large numbers are on their own keys, while the numbers 1-31 reside on the A-Z and a-e keys respectively. The days of the week are on the lower case “f” through “l” keys, while the names of the months are found on the “m” through “x” positions. An open rectangle is on the lower case “y” key, and a solid black rectangle is on the “z”. For those who wish to use the 23/30 and 24/31 configurations, they can be found on the left and right parenthesis.

Gotika, designed by Mans Greback, is a collection of blackletter fonts that masterfully blend Gothic influences with modern sensibilities. Comprising Gotika Black, Gotika Strict, and Gotika Ornament, this font family showcases the craftsmanship of calligraphy and the elegance of the medieval era. Gotika Black is a bold, street-inspired typeface, while Gotika Strict combines the historic charm of blackletter calligraphy with geometric precision. Gotika Ornament is a decorative font with Middle Ages-inspired floral designs, perfect for creating intricate and eye-catching visuals. Each font within the Gotika family is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. The family has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Mans Greback is a Swedish typeface designer, dedicated to crafting diverse and versatile fonts. With a passion for design and typography, he has developed a broad range of fonts that are utilized by designers around the world.

Axia is a robust sans serif of concise letter forms. It comes in ten weights from Light to Black with extended language support, a host of OpenType features including Small Caps, multiple figure styles, and more. Each, the roman and italic weights harmonize perfectly in line width. Text set in Light or Black results in the same fit. Stencil display weights with a unique aesthetic and perfect for captivating type sizes add further distinctive options to the typographic palette. The stencil display weights consist of abstract floating parts that seduce the eye and form nicely proportioned type when united. Originally designed for the Rice University School of Architecture in 2011, this contemporary sans found some inspiration in the TwinCities™ typeface family created by Sibylle Hagmann for the University of Minnesota in 2003. Orchestrated from scratch, the inner arched strokes off the stem on the lowercases 'n' or 'd', for example, progressively open the letter forms and express conceptual clarity throughout the system. A feature doing double duty that contributes to great legibility in the heavier weights and attributes to the versatility of individual weights.

DTC Black Market is best used for price tags and signs in shops, especially in stores and markets.

Valgan is a bold, slanted, all-capital display font designed to energize sport-themed apparel and related content. Its dynamic style exudes power and motion, making it perfect for team logos, jerseys, posters, and event branding. Versatile and contemporary, Valgan ensures your designs command attention and convey the spirit of competition.