Chelsnuts was inspired by old Art Deco typefaces used in poster art back in the 1920s. Yet, in addition it has a playful side that makes it unique to the sharp letterforms typically seen in similar ultra-thick typefaces. Also included are lowercase letters, not typically seen in fonts such as this, and a customized outlined version of the font.

Ornata C is the third of a series of old ornaments that I am trying to save from oblivion. I am not just scanning these, I am completely redesigning the ornaments from scratch, thereby eliminating imperfections. These ornaments have been first designed by a designer named Ben Sussan. The designs date back to about 1910. Your digitizing type-designing savior, Gert Wiescher

Designed with help and inspiration from legendary tattoo artist Dustin Horan. This beautiful time saver was designed specifically for skin application. Short words and initials can instantly be turned into seamless tribal style tattoos. Each glyph links with the next allowing letters to flow endlessly around limbs and in circles. Respecting the rhythm and geometry principles laid forth by American pioneering tribal artist Leo Zulueta, Scribal makes flowing text shapes that disguise themselves as design. When mirrored back to back and rotated vertically, Scribal becomes well-crafted tribal pattern. Typeface wise, Scribal breaks the mold. While a script font, Scribal was designed to be written in all capitals. Each capital is a mono-spaced glyph, providing even spacing. The shape influences are also vast, ranging from scripts, to blackletters, to romans. Making Scribal a very "Americanized" font, reflective of this "Americanized" style of Tribal Tattooing.

Le Typorium présente une nouvelle famille de caractères calligraphiques basés sur une écriture étudiée à travers les manuscrits et autographes de Georges Brassens, poète et musicien (1921-1981). Son tracé, rigoureux et appliqué, souvent minutieux, est à l’image d’une œuvre unique et singulière, immédiatement reconnaissable. Le script Brassens offre des fonctionnalités OpenType telles que des caractères alternatifs pour les majuscules et les minuscules afin de renforcer la fluidité d’une écriture manuelle, des chiffres alternatifs, des fractions et un jeu de caractères accentués étendu pour prendre en charge de nombreuses langues étrangères. Trois graisses ont été créées afin d’offrir une large palette de possibilités graphiques. 60 images d’un poète qui a cassé sa pipe à l’âge de 60 ans., classées en trois séries de vignettes (pictogrammes, symboles, portraits), elles illustrent l’univers imagé et la richesse symbolique de la poésie de Georges Brassens où les représentations mythologiques et allégoriques y tiennent une part importante. Georges Brassens est un poète, auteur-compositeur-interprète né à Sète le 22 octobre 1921, mort à Saint-Gély-du-Fesc le 29 octobre 1981 et enterré au cimetière Le Py de Sète. Auteur de plus de deux cents chansons populaires, il met en musique et interprète ses poèmes en s’accompagnant à la guitare. Outre ses propres textes, il met également en musique des poèmes de François Villon, Victor Hugo, Paul Verlaine, Paul Fort, Antoine Pol, ou encore Louis Aragon. Il reçoit le Grand Prix de Poésie de l’Académie Française e 1967. Un grand nombre d’écoles, salles de spectacle, voies, parcs et jardins portent également son nom, dont à Paris le parc Georges-Brassens, tout proche de l’impasse Florimont où il vécut ses premières années parisiennes, de sa maison de la rue Santos-Dumont et du café Les Sportifs Réunis – Chez Walczak – rue Brancion qui lui inspira « Le Bistrot ». À Sète, l’Espace Georges Brassens ainsi que de nombreux festivals et associations redonnent vie au poète et à son œuvre. The Typorium presents a new calligraphic typeface family based on a writing studied through the manuscripts and autographs of Georges Brassens, poet and musician (1921-1981). Its layout, rigorous and applied, often meticulous, is in the image of a unique and singular work, immediately recognizable. Brassens script offers OpenType features such as alternate characters for upper and lower case to enhance the fluency of handwriting, alternate numbers, fractions and an extended accented character set to support many foreign languages. Three weights have been created to offer a wide range of graphic possibilities. 60 images of a poet who broke his pipe (French expression for passing away) at the age of 60, classified into three series of vignettes (pictograms, symbols, portraits), they illustrate the imagery world and the symbolic richness of Georges Brassens poetry where mythological and allegorical representations hold an important part. Georges Brassens is a poet, singer-songwriter born in Sète on October 22, 1921, died in Saint-Gély-du-Fesc on October 29, 1981 and buried in Le Py cemetery of Sète. Author of more than two hundred popular songs, he sets to music and performs his poems, accompanying himself on the guitar. In addition to his own texts, he also sets to music poems by François Villon, Victor Hugo, Paul Verlaine, Paul Fort, Antoine Pol, or Louis Aragon. He received the Grand Prix of Poetry from the Académie Française in 1967. A large number of schools, theaters, streets, parks and gardens also bear his name, including in Paris the Georges-Brassens park, very close to the impasse Florimont where he lived his first years in Paris, his house in the rue Santos-Dumont and the café Les Sportifs Réunis - Chez Walczak - rue Brancion which inspired "Le Bistrot". In Sète, the Espace Georges Brassens as well as numerous festivals and associations bring the poet and his work back to life.

Based on Transitional Roman forms, this tasteful and well crafted Humanist display face exudes an air of authority along with a subtle playfulness. Narrow proportions allow for space conservation. Alternate letterforms & ligatures give this caps-only font expanded possibilities for any given text setting.

Based on informal handwriting. For use in advertising and display typography. Part of a Handwritten Set that includes 12 fonts carefully selected to represent various styles of writing. These fonts will expand your design capabilities by adding a personal touch to your computer typography.

Based on informal handwriting. For use in advertising and display typography. Part of a Handwritten Set that includes 12 fonts carefully selected to represent various styles of writing. These fonts will expand your design capabilities by adding a personal touch to your computer typography.

Introducing Super Ground Typeface : Expand Your Design Horizons A wide sans serif font designed to amplify your design impact. Its spacious letterforms provide a canvas for bold ideas, from captivating headlines to eye-catching logos. Embrace the power of width and redefine your designs

Aldersgate was designed as a comfortable, easy-to-read sans serif alternative font for a series of retirement community brochures. It was intended to compliment existing sans serif fonts for subheads and captions and is ideal when a conservative but subtly different font is needed.

Bealiva is one of my fonts based on a hand lettering project in 2020. It was very inspired from the famous retro typography designs in late 60's until 70's. It includes the extrude look, so you will not have to add it later.

Based on informal handwriting. For use in advertising and display typography. Part of a Handwritten Set that includes 12 fonts carefully selected to represent various styles of writing. These fonts will expand your design capabilities by adding a personal touch to your computer typography.

Based on informal handwriting. For use in advertising and display typography. Part of a Handwritten Set that includes 12 fonts carefully selected to represent various styles of writing. These fonts will expand your design capabilities by adding a personal touch to your computer typography.

Bastard is a contemporary blackletter typeface and was one of the first created using a personal computer. It was drawn using primitive font design software in 1988, and refined and published two years later. It has now been revised to feature an expanded character set.

RAWBEAT is a Display Font with graffiti style, this font coming with 3 style : Regular, Outline, and Extrude. this font will make your designs or branding stand out and eye catching. 100% hand drawing to get the artistic look and make it more powerfull.

Osaka Chips is a unique all uppercase characters font equipped with extrude effects that make this font look more attractive and very suitable for a variety of funny needs such as chips packaging, snack and food packaging, quotes, needs of school children, and more.

Stonehouse is based on samples of Art Nouveau title lettering, adapted and expanded into a complete titling font. It has a nice intermediate weight ideal for titles on the web or in print, especially for section or topical headers within a body of text.

Based on informal handwriting. For use in advertising and display typography. Part of a Handwritten Set that includes 12 fonts carefully selected to represent various styles of writing. These fonts will expand your design capabilities by adding a personal touch to your computer typography.

Cross Stitch Elaborate is based on upper case characters 25 stitches tall. It is not intended for text use. It was designed specifically for use as fancy monograms or initials. Cross Stitch Majestic has an uppercase alphabet located under the shift+character set keys.

False Idol is based on bad rub-down lettering from 1970s pornographic magazines and home-made religious leaflets. The letterforms were intended to mimic a feeling of cheap glamour but just became seedy. Somehow an alluring beauty emerges from this mix of sleaze and chic...

Based on informal handwriting. For use in advertising and display typography. Part of a Handwritten Set that includes 12 fonts carefully selected to represent various styles of writing. These fonts will expand your design capabilities by adding a personal touch to your computer typography.

Based on informal handwriting. For use in advertising and display typography. Part of a Handwritten Set that includes 12 fonts carefully selected to represent various styles of writing. These fonts will expand your design capabilities by adding a personal touch to your computer typography.

Based on informal handwriting. For use in advertising and display typography. Part of a Handwritten Set that includes 12 fonts carefully selected to represent various styles of writing. These fonts will expand your design capabilities by adding a personal touch to your computer typography.

Wardrum is an expanded sans with four style! Use this font for your new project. Suitable for branding, poster, or your headline! This font contain uppercase only with number, symbol, punctuations and also support multi language! Email us to letterhend@gmail.com for some questions!

A European font from Bauer's foundry was the inspiration for the caps in the font. There was no lowercase, so we designed one. Although the original font was intended for display lines in advertising, our version reads quite well in smaller point sizes, too.

Based on informal handwriting. For use in advertising and display typography. Part of a Handwritten Set that includes 12 fonts carefully selected to represent various styles of writing. These fonts will expand your design capabilities by adding a personal touch to your computer typography.

Based on informal handwriting. For use in advertising and display typography. Part of a Handwritten Set that includes 12 fonts carefully selected to represent various styles of writing. These fonts will expand your design capabilities by adding a personal touch to your computer typography.

Based on informal handwriting. For use in advertising and display typography. Part of a Handwritten Set that includes 12 fonts carefully selected to represent various styles of writing. These fonts will expand your design capabilities by adding a personal touch to your computer typography.

Vernox is a geometric sans serif font inspired by Swiss design. You can completely align the grid to a grid. It is intended for small pieces of text such as titles and qoutes. Vernox comes with 2 weights. It makes perfect for all creative projects.

Based on informal handwriting. For use in advertising and display typography. Part of a Handwritten Set that includes 12 fonts carefully selected to represent various styles of writing. These fonts will expand your design capabilities by adding a personal touch to your computer typography.

Diffan is a serif display typeface with an added layer that enhances the look. Diffan is the prefect font that creates logos, headlines, layouts and more. What's Included? Uppercase, Lowercase, Numbers & Punctuation Multilingual PUA encoded Files Include : Diffan Regular, Smooth, Inline, Extrude, Shadow, Line

Display Brutal Rough is a rough version of my font Display Brutal . It is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Brutal Rough has an uppercase alphabet, numbers, and punctuation.

Balboa is a display design combining elements of early sans serif and grotesque types with contemporary types. It evolved from ATF Headline Gothic, Banner (a headline typeface I drew for the San Francisco Chronicle), and Newsweek No.9, a Stephenson Blake-like grotesque I designed for Roger Black's 1980 redesign of Newsweek Magazine. There are nine styles, including the three new styles that have been added in 2014: Medium, Light and Ultra Light.

In spite of its angular appearance, Origami is composed almost exclusively of curves. Designer Carl Crossgrove derived the typeface from experiments in designing a low resolution type. The resulting face is reminiscent of Eastern European expressionist designers such as Oldrich Menhart and Vojtech Preissig. It is paired with an equally angular chancery italic. Origami works effectively for short blocks of text or at display sizes, while the capitals are especially suitable for titles.

Based on a vintage set of kitchen labels, Jams and Jellies JNL is a font containing 52 of the most common names for jams, jellies and preserves as well as a blank label for creating your own flavor choices. Note: While this font may be used in many commercial advertising applications, any manufacture for retail sale of a complete set (or portion thereof) of these labels requires a special license from the font's author.

EFCO Overhold, a family of 25 fonts, block allcaps with spur serif accent, created as a font pair with other font collections. available with height and width axes which make a lot of possible layouts. and also available in variable font format for unlimited possible layouts. EFCO Overhold is a great typeface for typography logo composition, branding, packaging, signage, print, headline, pair with your illustration, or pair with other ephemera fonts collections, etc.

This condensed block is a true knockout. VT Showcard is a heavy-hitting headliner with presence. Inspired by the boxing showcards of the 60’s and 70’s, VT Showcard towers over body copy and demands attention. This tall and mighty athletic display typeface features chiseled corners and subtle embellishments that reinforce a steady rhythm across its dramatic letterforms. With 7 weights, VT Showcard provides a versatility for sports headlines and similar projects.