A chunky, whimsical number that strikes just the right chord for modern and retro projects. Loaded with stylistic alternatives, ligatures and Vietnamese support.

With the publication of the “Today Sans Now” Elsner+Flake extends its offering of the “Today Sans Serif” type family, developed in 1988 by Volker Küster for Scangraphic, by another cut so that the gradation of the stroke width can now be more finely calibrated. The type complement is available for 72 Latin-based languages as well as Cyrillic. Where available, small caps were integrated, and mathematical symbols as well as fractions were included. In order to make the symbols for text applications in regard to headlines more flexible, the insertions which were formerly added, for technical reasons in order to sharpen the corners, were eliminated, and the optical size adjustments of the vertical and diagonal stem endings (I, v, H, V) to the horizontal bars (z, Z) were scaled back. Already since the end of 1984, Volker Küster experimented with broad sticks of chalk and a broad felt pen in order to develop a new sans serif typeface which, in the interest of easy legibility, would be built on the basic structures and proportions of the Renaissance-Antiqua. Using a normal angle of writing, his experiments lead to the form structure of the characters: a small contrast between bold and light weights, serif-like beginning and end strokes in some of the lower-case characters, and the typical, left-leaning slant of all round lower-case letters and the typical left-leaning axis of all round letter forms. In this way, a rhythmization of a line of type was achieved which created a lively image without being “noisy”. With this concept, Volker Küster has enlarged the Sans Serif by a distinctive, trend-setting form variation.

Maulo is a modern serif font that's vintage in the 60s style, has a bold shape, with a pretty alternative and is multilingual, making it incredibly versatile. This font has a unique shape, especially if the alternative has a thick, threaded shape that makes this font unique. This font is suitable for branding needs, posters, wedding cards, logo identification cards, novels, books, labels, texts, magazines. so what are you waiting for! What's included? Uppercase Characters Lowercase Characters Support 75+ Language FEATURES Maulo (OTF) So what are you waiting for? immediately purchase this font, feel free to comment, or send me my PM or email at khoirtypework@gmail.com Thank you for seein.

A futuristic stylistic font with smooth curves, and rounded corners. Comes with more than 500 different ligatures that curl and swurl the letters in funky forms.

Oakleaf Font This pair was inspired by the retro poster design that i saw on some coffee shop, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. Opentype features Oakleaf font has 156 character set included Cricket Font is very good looking in logo, labels, t-shirt prints, product packaging, invitations, advertising and others. What includes Multilingual support (Western European characters). Thank you for using this font. LS

Introducing "Matcha // Unique Ligature Serif Font" Matcha is modern serif font that come with more than 20 ligature. This font has unique ligature which you can create in your project designs such as branding, logo design, magazines and many more. I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

In the 1920 edition of “How to Paint Signs and Sho’ Cards” by E. C. Matthews is an example of what is termed “poster lettering” that is so free form and unusual it borders on the eccentric. Resembling lettering more commonly found in 1960s “underground comics” of the Hippie generation rather than of the Art Nouveau period, it oddly enough works well in both styles. This novelty typeface is now available as Hippie Comics JNL in both regular and oblique versions.

We live only to discover beauty, all else is a form of waiting. --- Khalil Gibran Wait no more, this beautiful font can be yours right now! This custom made font was specifically designed to fit whatever you need! The curvature of the Casira Script was fully thought out to easily meld inside your designs. These fonts make a good foundation of what you want it to be! Discover the beauty in your own imagination while this font gives you a quick kickstart to what it can be. Everything’s well with cursive! Show your opulence and decadence with this fancy font and blow your audience’s mind away as you put these cursive letters in your projects. Communicate the extent of your mind so that whoever views your designs understand not just what you write, but also the tone and feel of it! The Casira Script makes a perfect addition for your collection of fonts, show love and bring out the true you! Feel free to contact us if you need anything else! If you have a request on what kind of fonts you’d like to see, tell us that too!

Helvetian Times is an unusual typeface. It clearly thinks it's a standard text font, but the offbeat letter shapes and inconsistent serifs combine to form something that defies conventional categorization. Helvetian Times works well at any size, but generally evokes the impression that something's not quite right.

Solantra is a solidly crafted handwritten script. I’ve long felt that beautiful writing is more pleasing to the eye than the more attention grabbing swashes and flourishes. That being said, both have their role in design and Solantra has a large slice of each. Solantra combines vintage style handwriting with all its quirks and English Roundhand of that same era. The result is a solid setting script filled with charm and personality. With default Adobe Illustrator settings for Ligatures and Contextual Alternates active, the vintage charm is in full display. Want to add more flair? There are loads of more embellished letters inside the full version. Solantro takes into account how scripts are actually written so that connections from letter to letter are more fluid and rhythmic than the average script font. In natural script/handwriting most letters end at the bottom right and move up to connect with the next. Some letters like o, v, and w, however; end at the top right. Rather than force these letters to dip down and go back up they should ideally connect from that upper right point. This is accomplished through a series of alternate letters and ligatures with extensive contextual feature programming. So, for example, you might get one version of a ligature in the middle of a word and a different one at the beginning or end of that word. Solantra also takes into account another often overlooked feature of natural handwriting. When you write you inevitably pick your pen up from the paper at times. This is often just to reposition the hand, but in the days of writing with dip pens this was also needed to attain a fresh supply of ink. Having these occasional breaks in connections makes the writing less static and more rhythmic. While the Basic versions are limited to a standard character set and several ligatures and alternates for better settings of text, the full pro versions contains 1292 glyphs and an abundance of features. Even with numbers there are options like Oldstyle numbers, fractions, and ordinals. Central European language support is included as well as some select ligatures that use accents. To see more on the technical aspects and instructions on using Solantra, please check out the user’s guide in the Gallery section. **Note: The Pro versions of Solantra which do not have the word “Basic” attached to the title, have everything in them. So if you license a Pro version there is no need to get the Basic versions.

Ensenada is a typeface designed based on hand-cut lettering that adorns businesses throughout the city of Ensenada in Baja California in Mexico. - What was the inspiration for designing the font? Looking at the hand-cut lettering in Ensenada, Mexico. Variations on this type of lettering are often used by Mexican pop-techno acts. - What are its main characteristics and features? It is a geometric display face that works in both retro and futuristic settings. - Usage recommendations: Display type

In a typeface category that has been sorely under-represented until now, Aziga is a high (occasionally reversed) contrast, postmodern, deconstructed-reconstructed, serifless (mostly), fashion didone! Aziga lends itself to being set loud and proud, and the consistent angles throughout the glyphs make it a good candidate for more abstract typographic compositions. For the really graphically inclined (excuse the pun) a rotation of 66° will make the main diagonals in the font horizontal and vertical. Cool right? Features include stylistic and contextual alternates, ligatures and case sensitive forms. This is an unusual font, that’s for sure, but give it a try and you'll be rewarded with layouts that really stand out from the crowd.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Fonts never fit your designs ? They’re just not flexible enough, not modern enough or too old-fashioned? And you’re too busy to keep looking for a font that fits the bill, right? The market is flooded with all kinds of fonts, but none of them is simple and elegant. Valienta Script is what you’re looking for. It’s an elegant typeface created to make your designs stand out from the crowd, and to add a touch of luxury. A Million Thanks www.colllabstudio.com

Here's a fun font that is quirky, jumpy and uneven. It's also unpredictable, but not more than your text will be clear and legible...but in a fun way! :) I've added several lowercase versions that automatically cycles as you type. A great way to make your text random and lively

Strawn is my Wobbly and curvy funk font with bouncy serifs. Watch it bounce its way down the street, or into your next project - you know, that one that needs a fresh breath of fun! Comes with both fi and fl ligatures! You will need to use OpenType supporting applications to use the autoligatures.

Inklination is a new grotesque that goes against the 'genre rules' and has a low x-height. It breathes quite better than larger x-height typefaces, with the sensation of air and more whitespace. This, combined with long ascenders and descenders, makes it look luxurious, elegant and refined. The family has two sets of italics, a regular one with 10º of inclination, and a more brutalist one with 20º. A monospaced version of five weights complete this versatile family. For more info visit emtype website.

Introducing Signature Mango - The Epitome of Modern Retro Serif Elegance! Signature Mango is the font that's redefining modern retro serif typography and setting the design world on fire. This font is the epitome of sophistication, seamlessly blending timeless retro aesthetics with the contemporary chic that's all the rage in today's design trends. With its versatility and wide range of stylistic options, Signature Mango is your passport to creating stunning designs that stand out in today's competitive landscape. Whether you're designing a high-end fashion brand's logo, an upscale menu, or a luxurious wedding invitation, this font adds a touch of refined glamour that's in high demand right now. Here's what you get: Regular and Italic All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

I have always liked the word ‘quite’ - you can stick it in a sentence and all of a sudden that sentence looks quite sophisticated! Quite Something may not be all that sophisticated; in fact, it is a rather messy font. But that’s where the fun begins! Use it for your children’s book covers, toy packaging and posters. I am sure people will say that your designs are Quite Something!

EKUHOT Racing Font is a font that is designed with a precise shape and has many alternate variations and various ligature styles that make every word beautiful when written, make this font for various titles and text in your special projects so that your project looks beautiful. dignified character, bold and sporty. This font is perfect for headlines as well as others, what are you waiting for, use this font now.

A nice legible, slanted handwritten font with occasional rough lines. That is exactly what Ankertill Brewer is! Use this font to copycat real handwriting with big success!

Imagine you've decided to cut letters out of paper thereby creating a modern sans-serif for a broad application range. What result would you get? We already know the answer! Pines is a font family that we've carefully cut out of paper and then added lots of emotions and a few bright natural accidental details. Now you can create any text layouts and contemporary design with special warmth and friendliness that was inspired by paper. Pines font family is great for any ecological design theme. Use if for websites, hand-made items, and eco-friendly products packaging. Our font family is also great for ecological brand identity and navigation. We've named the font family Pines since it perfectly integrates into the natural environment and looks authentic and harmonious as if it came from the pine forest itself.

Developed over several years by the late Otl Aicher and first released in the late 1980s, the Rotis® typeface has become a timeless classic. ROTIS II SANS HISTORY Aicher was a renowned German designer and corporate image consultant. He created the four basic designs of Rotis – sans serif, semi sans, semi seif and serif – within an extended typeface family concept, wherein all designs share a common cap height, lowercase x-height, basic stem weight and general proportions. While each version is part of the large, integrated family, each was also designed to function on its own as a distinctive typestyle. The result is that all members of the Rotis family combine smoothly with each other. Aicher, however, did not design the Rotis family with the weights and proportions normal for more contemporary releases. Rotis Sans Serif, for example, was drawn with just six weights and only two italics. Starting in 2010, Robin Nicholas, senior designer for Monotype Imaging in the UK, and freelance designer Alice Savoie collaborated to bring Rotis Sans Serif up to current standards. The result is Rotis II Sans, a completely new addition to the Rotis family. “We devised our approach together,” recalls Savoie, “deciding which weights to start with, what kind of alterations to make to the original Rotis, etc. I went to work on the typefaces, regularly submitting proofs to Robin. We would then decide in tandem on the next steps to take.” Nicholas elaborates, “We revisited the range of weights and added matching italics so that the new additions to the family offer increased versatility. We optimized the outlines, corrected the weight of several letters and re-examined overall spacing and kerning. In addition to a new set of numerals, with a height similar to the capitals, we also drew case-sensitive punctuation.” ROTIS II SANS USAGE The new Rotis II Sans suite comprises 14 typefaces: seven weights, ranging from extra light to black, each with a companion italic. The designs are available as OpenType® Pro fonts, allowing for automatic insertion of ligatures and fractions. Pro fonts also offer an extended character set supporting most Central European and many Eastern European languages. Aicher’s original Rotis designs were widely used for branding and advertising. With the addition of Rotis II Sans, the family is again poised to become a powerful communicator.

Some typefaces are staid, somber design tools. Then again, there's ITC Cinderella from Patricia Lillie: a typeface that's light-footed as a ballerina and joyful as a child at play. “There is a group of display faces that I simply love. Type that just seems to dance, type that makes me smile, designs that, when I see them, I say, "Boy, do I wish that was one of mine" says Lillie. “Although I never wanted to imitate these designs, when Cinderella started to emerge, I felt like it was the closest I've come to that quality.” ITC Cinderella projects gaiety and freedom. Capitals harmonize with a lowercase that bounces along with a lively, carefree attitude. Stroke weight stress is, well, all over the place. Curlicues abound. This delightful design is just that: brimming with delight.

A collision between some stylin' caps from legendary lettering artist Samuel Welo and a lowercase loosely based on ATF’s Romany Script yields this curious little wonder. Named after a 70s song which averred that all it took to be “the coolest guy what is what am” is to talk fast, walk slow and look good wearing that 'hair. Please note that, due to the exaggerated overhang of the many of the uppercase characters, this font has been optimized for upper- and lowercase uses. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Inversion is a display typeface that is based on a rare bit of lettering from a 1910 German lettering book. What was the inspiration for designing the font? I found the base lettering years ago in a specimen and scanned it. I've used it perennially for assorted metal bands' logos, and finally decided to digitize it. What are its main characteristics and features? It is a spidery bit of lettering that would work well in Harry Potter movies or on album covers. Usage recommendations: Display type for use in materials that are meant to have a hand-wrought look circa the turn of the century.

We are pleased to offer a unique typewriter font. Consists of two versions, namely regular and italic, Smart Chameleon has more than 650 glyphs and can be used in more than 150 languages. We present it in a handwritten version with untidy curve that makes you even more exasperated. Smart Chameleon has a vintage style that is packaged in the current version. Suitable for all styles, you only need to replace the color and background of the design and the appearance will totally change, from children's style to fancy, retro or modern youth style. Just like a chameleon that changes according to the conditions. Enjoy.

Cruller is a display typeface that is based on a rare bit of lettering from a 1910 German lettering book. What was the inspiration for designing the font? I found the base lettering years ago in a specimen and scanned it. I've used it perennially for assorted metal bands' logos, and finally decided to digitize it. What are its main characteristics and features? It is a spidery bit of lettering that would work well in Harry Potter movies or on album covers. Usage recommendations: Display type for use in materials that are meant to have a hand-wrought look circa the turn of the century.

Block Atella is a retro, vintage and playful typeface that has a quirky and cute characteristic. This font will be suitable for logos, labels, packaging, invitations, branding, advertising and other designs that need stand-out typeface for the design. What you'll get: Uppercase and lowercase Numbers and punctuation Multilingual support Unique Ligatures We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps so that you can see and access all Glyph variations. We hope you enjoy our font!

Power Grotesk is a sans serif typeface with details that give typography that has its own characteristics from the thinnest to the thickest that is slightly widened. The goal is to create a typeface with legibility and good contrast between black and white so that it is suitable for different sizes. The typeface has a special feature that aids in reading and reproducing, trapping the right-sized ink for the text to work. The geometric shapes and structures reflect the inspiration and influence of medieval typography. Power Grotesk moves between the vast historical material that makes up modern typography, combining contemporary details with classic styles.

Aargh is a deconstructed, twisted mess of what maybe used to be Courier or Typewriter that is maybe a little tight for the genre, but it is effective.

‘FRIENDLY SHADED SANS’ is just what the name says. It’s a chubby and cheerful Sans Serif typeface that is ideal for poster work, headings and informal design generally.

What about some spooky type? Nd Harquied is great for Halloween, Comics, Monsters, or maybe something that you came up with melting cheese! How creative can you be?

A font based upon my own handwriting (when I am concentrating and making each letter legible!) Very suitable for anything that needs a handwritten feeling. I've added 4 (slightly) different versions of each lowercase letter, and that really helps making your text look more like real handwriting rather than "just a font"

Contrary to its name, Curmudgeon is a fun and whimsical typeface that's perfect for children's books, holiday announcements or anything that needs a charmingly playful touch. Its naive and bouncy personality will add interest to any project, whether it be a logo, packaging, or any other project that needs some quirky character.

Dolcissimo is a sans serif typeface with a geometric skeleton that has been built drawn by hand which makes it a friendly typeface. This font has more than 28 decorative styles, that can be overlapped, because Dolcissimo is a layered font. We highly recommend to use Dolcissimo for packaging design, logo branding, ads.

Simply Paranoid is elegant monoline font that comes with various kinds of alternate that will make design very awesome and elegant Feature and what will you get: Uppercase and lowercase Number Punctuation Multilingual support Beautiful alternate Please fell free to contact me on Hipenculture@gmail.com if you have any question Thank you

Harbour is a clash of Latin and Germanic typestyles - two conflicting letterforms, culturally, politically and aesthetically. Latin letterforms have a geometric base, blackletter types are calligraphic. Harbour takes calligraphic forms that derive from writing with quills, but is a typeface that is clearly drawn‚ rather than written‚ to produce graphic, dynamic letterforms.

Drillepind is a kidder in danish. You know, someone who teases, without being rude. Once you start typing with Drillepind, you will notice that the font does the same, in a playful way. You never know what happens next, when using the font - but you do know that it'll be loads of fun!

In the world of graphic design, the right typeface can make or break a project. It’s not just about choosing a font that’s legible, but one that speaks to the essence of your brand or message. If you’re looking for a typeface that embodies classic charm and warmth, then look no further than Telephoto. Telephoto is a sans-serif typeface that harkens back to the twentieth century when analog was king. Its gentle, analog feel sets it apart from other typefaces on the market. When you use Telephoto, you’ll notice that it has a smooth personality that immediately injects classic ambience into your projects. But what really sets Telephoto apart are the subtle letter pair ligatures. These ligatures are a true testament to the attention to detail that went into creating this typeface. They break up the monotony of plainly repeating letters, creating a soft and organic feel that’s hard to find in today’s digital world. OpenType-savvy programs are where Telephoto truly shines, so make sure to turn off your application’s “standard ligatures” function to fully appreciate this effect. Telephoto is perfect for photographers, designers, and anyone who wants to bring a soft, analog feel to their work. Its delicate rendering is truly one-of-a-kind and adds a level of sophistication to any project. So why settle for a run-of-the-mill typeface when you can use Telephoto to make your work stand out? Give it a try and see the difference it can make. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

And now something completely different. Keks has broken elements like a blackletter typeface, but the actual forms are roman. That keeps it very legible although there is no curve at all. What was the inspiration for designing the font? Blackletter has an interesting history here in Germany. We need to find contemporary interpretations for this tradition. What are its main characteristics and features? Legible roman blackletter Usage recommendations: any usage that needs a black letter athmosphere where legibility is important.