Imagine a hot summer day with a cool breeze, watching the sun set over the beach, ice cold lemonade in your hand and some of your favorite music playing in the background. A perfect postcard moment! Use Barbary Pirates to make awesome type designs for logos, posters, album covers, packaging, Instagram posts...

This is a type design based on a retrospective food design posters from 1950 in the United States. The intention was to create handmade letters ideal for handmade projects. The principal reference was the book of Steven Heller Mid-Century Ads. This typeface was the graduation project of my degree as graphic designer.

Hexide JNL was modeled and modified from an original design created by the late sign artist Alf R. Becker for Signs of the Times® Magazine. Thanks to Tod Swormstedt of ST Publications, Inc. and the American Sign Museum of Cincinnati, Ohio for providing the reference material used to make this font.

Almost a straightened italic typeface, August explores the idea of taking italic and script letterforms out of context and creating a typeface with a mix of references that does not look like too soft and feminine, but has a sharpness and angularity in some of its characters that jars against this softness.

RMU Trifels is a revival of Heinrich Wieynck’s great design which was released by Bauer in 1905. This beautiful Art Nouveau font comes with a long s and a historical form of the letter H. Border and adorning elements were added which you can reach by typing [alt] + P and [alt] + p.

Fashion is a statement, and so do fonts. Push yourself to the breakthrough of the visual trend with TRANT. An experimental display font, with the elegant slick yet glamorous vibes in every letter. Carefully tailored with reference to the couture fashion, implemented as ready-to-wear stuff in the form of the typeface.

In today's day and age, the term "calling card" refers to a prepaid means of making long distance phone calls. In a more gentler time, the calling card (similar to a business card) was what a gentleman presented to a housekeeper or butler when visiting (calling) on a friend or business contact.

Groovy Boss is a decorative type, inspired by the playful aesthetics from the 60s and 70s. Groovy and Boss were words used in those decades to refer to something as cool or trendy. Great for titles or short phrases, the curves and psychedelic forms of each letter will contribute to creating amazing compositions.

Branden – Casual Sans Serif Font is a modern sans serif font family whose design refers us to the style of casual sans serif. The distinctive features of Branden – Casual Sans Serif Font are the relatively low contrast of strokes, the slightly squarish shapes of round characters and the emphasized business like simplicity.

Pershal is something of an oddball, and that's the point. Dynamic and fast, Pershal attracts interest. Its architecture evokes growth and progress. Inspired by the futuristic styles of the 1990s, Pershal started on an aircraft ride as a sketch on a napkin. I set the concept aside for almost a decade before I went back to play with the typeface. Pershal is planned to complement applications in consumer finance, technology firms or biotechnology. As such, it has a complete set of both tabular and proportional figures. For the lowercase, Pershal features a distinctive shape that emphasizes its x-height. Its horizontal movement is highlighted by some of its other features, such as its crossbars. To emphasize growth, acceleration and inventiveness, crossbars and other elements are cut at a dynamic angle. It's a sans serif without a lot of contrast. Another unique feature of this typeface is the vast number of OpenType alternates. If you prefer a more conventional appearance to your sans, with stylistic alternates, you have that option. Altogether, there are more than seven separate sets of stylistic alternates and about 250 alternates for characters. This enables you to mix-and-match and create your own personal typeface. For branding, this makes it very useful. For your next project that requires a dynamic and technological appearance, give Pershal a shot.

Alf Becker graced the pages of "Signs of the Times" magazine month after month for decades, presenting attractive and unusual hand lettered alphabets as inspiration for other sign painters and show card writers. From straightforward text faces to novelty ideas, Becker's talent as a master sign crafter was constant in his work. Show Card Casual JNL is one example of what is referred to as a "one stroke" alphabet (utilizing a single brush stroke in each direction to form the letter or number). Its casual look and playful charm allow for a message to be presented in an informal format that is pleasing to the eye. The type design is available in both regular and oblique versions. Special thanks to Tod Swormstedt of ST Publications for providing the reference material.

Das Riese, a type specimen by the most productive Brazilian type foundry, Intellecta Design, is a mix of victorian and art deco influences. A beautiful display type for tiling with uppercases only. It's shadows and volumes refer to pre-modern age whereas its surface to last century 20's. This heavy sans serif strokes characters have a particular appearance, a parallel line texture that reminds Bifur, typeface created in 1929 by A. M. Cassandre. The sideways absence of volume at some leaning letters right side in addition to the patchy darkness of shadows support its handmade design. A type full of historical references designed to small titles printed in big sizes. It's impossible not to think about posters when you look at Das Riese strong face. - (source Slanted Magazine #8)

What does a 1932 movie about a love affair between a circus' trapeze artist and a sideshow "little person" have to do with the 1960s counter-culture? They both share some commonalities. The title card for Tod Browning's "Freaks" inspired the lettering design for Hippie Freak JNL. It's in a retro style that was embraced by the youth movement that had its epicenter in the Haight-Ashbury district of San Francisco. Circus performers with birth defect abnormalities were displayed in what was referred to as "freak shows"; while young men with long hair and beards who sought peace, love and an end to the war in Vietnam were commonly referred to as "hippie freaks". As the saying goes "the more things change, the more they stay the same".

Spective is a unique and stylish Display serif font that is absolutely perfect for editorial headlines. Her natural, bold and slender figure is perfect for posters, t-shirts, and magazine and movie covers. This calm and bold typeface is a content creator's best friend. Hope you enjoy this font!

A traditional Sans serif with a modern flair and uniform consistent weight to the vertical and horizontal stokes. Vanquish was designed for all media and can be used in a wide range of point sizes. Vanquish was kerned for text point sizes but requires subjective display kerning and compensation.

Harvey is a work of American graphic designer Dale R. Kramer. It is an all capital sans serif typeface which features a distinctive, light-hearted look and includes both conventional and unusual letter forms. Alternate letters give Harvey even more flexibility, making it a great typeface for any headline.

Although appearing at first as a no-nonsense bold titling face, Gordon actually offers a much greater complexity through the addition of a wide range of special superscript ornaments. This adds an element of spice and depth to the face, creating a wide variation of creative typographic possibilities.

Emphasis is the work of lettering artist Martin Wait. Its eye-catching double line effect highlights any display in an authoritative, contemporary style. Emphasis is an all caps alphabet which offers an alternative to conventional brush lettering styles, giving a casual yet robust look wherever it is used.

Rabenk is a fun quirky look serif. With a modern look, it looks perfect when paired with conventional serif/sans serifs. It can be used for mastheads, posters, business identities and just about anything. Use this font to beautify your designs and make your work look more beautiful.

Useful links: TT Supermolot Neue PDF Type Specimen TT Supermolot Neue graphic presentation at Behance Looking for a custom version of TT Supermolot Neue? TT Supermolot Neue is a redesigned, extended and greatly enhanced reincarnation of the popular TT Supermolot and TT Supermolot Condensed font families. During its existence, the hammers (‘molot’ in Russian) managed to get into the spotlight in a huge number of projects, for example, in popular video games, films, and branding. Despite its popularity, the limited composition of old families put boundaries their development, which prompted us to release a completely redesigned and greatly extended version. And while the old families could offer designers only a limited number of tools, in the new version you can already find 54 fonts, and each individual font now consists of more than 620 glyphs. First, we have added a completely new subfamily, TT Supermolot Neue Extended. But this is only the tip of the iceberg—in order to achieve visual harmony between the three subfamilies, we completely revised the distribution of widths among them. As a result of this work, the width of the TT Supermolot Neue Basic subfamily became a bit narrower, and the width of the TT Supermolot Neue Condensed subfamily became even narrower than it was in the old version. Secondly, we’ve increased the number of weights. While in the old versions there were only 5 weights, in the new ones there are 9 in each of the subfamilies. In addition, we gave a facelift to the lowercase and uppercase letters. In TT Supermolot Neue, the design of all controversial grapheme forms was soothed and now the family can also be used in the text set. We have completely redrawn italics. It took us half a year to compensate for all the circles, to transform italic strokes, to work out the position of the diacritics, to make right the spacing, and to finish kerning. Following a good tradition, in the TT Supermolot Neue extensive support for useful OpenType features was added, and hinting was also improved. If we talk about visual features, we recommend paying closer attention to two stylistic sets: the first set (ss01) is designed to make the typeface more humanist, and when you turn on the second set (ss02), the typeface becomes even more technological. In addition, the typeface has more than 26 items of standard and discretionary ligatures. We also have not forgotten about the figures and we added a set of old-style figures to the standard version. In addition, the typeface has case, ordn, frac, sups, sinf, numr, dnom, onum, tnum, lnum, pnum, calt, liga, dlig, salt, ss01, ss02.

ITC Tiepolo font is from the design team at AlphaOmega Typography and named after Italian artist Dominic Tiepolo. The designers describe it as a sans serif with serifs" and it has also been referred to as a calligraphic design. Similar to Asian calligraphy, ITC Tiepolo font has personality yet does not detract from the text."

An elegant and beautiful looking font that is perfect for your project and supports multilingualism. Can be applied to various kinds of print and digital media such as boutiques and salons, women's jewelry, wedding invitations, business cards, photographer watermarks, clothing, creative posts and more. For reference, see preview. Features: -Uppercase -Lowercase -Numeral -Punctuation -Ligature -Multilingual

Vivian Script was designed from the study of typeface references like Doyald Young. It has optical adjustment in the details and funny contrasts to get an amazing result. It can used to be applied on different commercial topics like street wear, food and traveling for tourism. This is Vivian Script, the love of my life.

VABA is a caps typeface inspired by the work of Vladimir Bartosek, Slovak designer. VABA refers to the Slovak typography in the 30ties of the last century, but it also appears modern and original in today's design. Typeface has plain, broken structure, it is significant in text, which makes it ideal as a display type.

Introducing a vintage font Simply Royal. This typeface has a victorian medieval look. It's an all caps typeface with decorative classic style. Simply royal has three layer fonts for more conenient recoloring. Thank you and have a nice day!

The requirements of Middle Ages scribes who copied and produced books in monasteries were fundamentally to preserve space, due to the high cost of the writing surface. During this long period of the development of Gothic forms, many other variations of the style of black letters appear: Textur or “Gothic-antique”, another group called Rotunda preferred by Italian and Spanish scribes. In 1490, the style "Bâtarde" (according to the the French classification) began to be widely used in Germany with more rounded shapes and named Scwabacher (probably derived from the city of Schwabach, but not certified) Fractur is a more condensed and narrower form than Schwabacher. This style is attributed to Johann Neudörfer of Nuremberg, cut in 1513; it was quickly imitated, therefore a few years later became to be a German national identity that extended over the next four centuries. The shape of its characters can be considered as a fusion of Texture and Schwabacher: the lowercase actually has medium strictly vertical and half curved strokes. The first expressions of the baroque influence this writing whose appearance of movement is due to the ornaments applied to the uppercase letters and the ascending and descending features of the lowercase. Despite having spent so many years and being a typeface not suitable for extensive reading texts, the Gothic Fractur has endured over time for possessing a strong and solid characteristic, as well as being closely linked to the spirit of gothic cathedrals of countries in northen Europe. In fact, it is probably that this expressive feature leads them to be chosen in the most varied graphic communication needs, which run from from banks and financial companies, insurers, law offices, publishers, newspapers and TV networks, till alcoholic drinks, funeral tombstones, packaging and even tattoos.

Hophus Roghus is a Display Serif font, inspired by vintage brewery logos. This font family comes with a layer system: Regular, Inset and Shadow. You need to unlock the uppercase alternative character for the main course. This font will be suitable for your any design needs. Like branding, logo, sign, header, etc. So final question: what are you waiting for just looking around like that ? Buy this font asap so your urge will be fulfilled.

fj Meduza is a new typographical system designed by Franco Jonas Hernández, born as an exploring process from the classic model from —modern or didones style— typhography from XIX century. fj Meduza also explores the posibilities of Optical Adjustments —from 8 or 10 to 72 pts— offering a version to compose preferent reduced sizes —newspapers— and another version to titles with long-standing. Ideally for Branding, Headlines and especially complex editiorial contexts.

Regnante was created with all of my heart. It has a luxury style, is stylish and lovely, and has a strong personality, so it will catch your attention. This font is ideal for a wide range of tasks including branding, logos, packaging, and more. Regnante includes 12 fonts, including 4 weight variations and Italic style. Regular and Alternate are come separately. You can make your selection based on your personal preferences and requirements.

WORKSHOP Brush is one more of three WORKSHOP handwritten fonts, created to imitate a manuscript written with brush. You can use the alternates and ligatures to give your design a realistic, hand painted look. If you find a single repeating glyph, you can change that by toggling between Stylistic Alternates. There are Cyrillic glyphs and few Stains in the same style. WORKSHOP Brush is the perfect choice for those who prefer more expressive typography.

Goudy Stout was designed by Frederic W. Goudy in 1930. This version was created by Vincent Connare while at Microsoft. Goudy Stout is a decorative typeface that is quite unusual, a novelty of sorts among Goudy's many typographic achievements. The Goudy Stout font is considered a frivolous typeface. Goudy wrote In a moment of typographic weakness I attempted to produce a 'black' letter that would interest those advertisers who like the bizarre in their print."

The Plena font offers a modern all-caps experience. All glyphs have incision and unified alternatives and can be shaped for your intended use. This font is crafted for different design trends and would look great for your large print banner headers. It can be preferred by the designer in accordance with its intended use and can be used impressively and strikingly with its large family on different platforms. Plena also offers multilingual support.