This formal calligraphic face is light, and delicate with beautiful lines and curves. The Pro version adds extra elegance with alternate caps and beginning and ending swashes. Explora has over 600 glyphs and features international languages including the entire Cherokee Nation character set.

Cast and Crew JNL is a condensed monoline font that lends itself well to any text project where more copy needs to fit into a limited space. A perfect example of this is a movie poster's cast, director, producer and other acknowledgements.

Bubbly Kids Font is a cute and fun display font. This will add a cheerful, happy touch to your design. Features: Uppercase & lowercase Numbers and punctuation Multilingual PUA Encoding Full Character Set !"#$%&()*+,-./0123456789:;?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_abcdefghijklmnopqrstuvwxyz{|}~ ¡¢£¤¥§©ª«­®°±²³¹º»¿ÀÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖ×ØÙÛÜÝÞßàáâãäåæçèéêëìíîïñòóôõö÷øùúûüýþÿıŒœŠšŸž–—‘’“”†‹›€−…·•/‚„

Astrospy JNL is a square-shaped, futuristic techno-style font from Jeff Levine. It is very well suited for short phrases, but caution should be used in setting too many words with it because of legibility issues. Best used in larger point sizes.

Introducing, Laksmi is a clean Variable Sans Serif Typeface for your Design that is fit for your next creative project such as logos, product packaging, Logotype, Letterhead, Poster, Apparel Design, Label, and etc. This Laksmi Typeface includes also support a Multilingual Characters.

Pimpernel is a tall and narrow typeface. It was handwritten on course paper to create a certain roughness, yet it retains an elegant feel. Pimpernel comes in 6 great styles, all of which will add that little extra oomph to your designs.

Stencil Press JNL was based on just a few existing sample punches from a 1920's stencil machine made by the Diagraph-Bradley company. Thanks to Neal Haynes at Diagraph for the samples and the ability to preserve this design in digital format.

A WPA poster announcing the latest production by—guess who?—the Big Tent Players inspired this eye-catching, if somewhat unconventional, typeface. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

The OpenType version of Farmer contains two sets of slightly different upper-case letters. The alternate version is accessible as Titling Caps in OpenType feature enabled software. Mixed and matched they create a strong and persuasive headline, logo or For Sale notice.

Mjollnir is the name given to the hammer carried by the Norse god of thunder, Thor. Crafted by dwarves and destined to be used in the final battle of Ragnarok, this font has a compliment of European characters fit for a Viking!

Beringin is a signature font that is unique and elegant. It is designed with an original hand stroke so it will be very suitable for your design projects. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Swash

Foppish Birdie is a font family with character of birds that was inspired by the font Guakala by RodrigoTypo. Foppish Birdie - dynamic, cheerful, a special typeface for children's short titles and brands, containing the Cyrillic set. Take each letter and make game!

Smileday embodies fun, quirkiness and authenticity. Use this gorgeous and unique display font to bring any DIY project to life! What will you get ? Uppercase Lowercase Numeral Punctuation Ligatures Multilingual characters support Thank you and have a nice day ! Dedi T A

Woodhaven Initials JNL were designed using an outline cast shadow wood type set against a rectangle with horizontal "engraving" lines to add background texture to the initials. An ampersand is on the corresponding keystroke, and a blank rectangle is on the period key.

Ali SRF is named for Stella's son, and was designed for Stella Roberts by Ray Larabie of Typodermic Fonts. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

This font is a nod to paper notebooks in which a long time ago students made notes. That's why the font looks like written by hand. The inspiration of this family font is the phrase, "Let me go back to the past".

The GEOMETRY Font is based on a specific grid. The grid is made of vertical, horizontal, diagonal lines and circles. Every single letter, number and symbol fits perfectly in the grid, no exception! The GEOMETRY Font includes uppercase, lowercase, numbers and punctuation symbols.

Coldsmith uses the OpenType ligature feature to substitute a unique pair of distressed characters when any upper or lower case letter is keyed twice in a row. Coldsmith Pro extends the character set to support Eastern European Latin, Baltic, Greek and Turkish.

Kunze font was inspired by the work of German graphic artist Carl Kunze (Minden, 1884). Kunze is a fat display font; a little rough around the edges, a little wonky in places, but very distinguishable and useful. Comes with extensive language support.

“Albion’s White Christmas” can only be described as a snowy blackletter. In the tradition of old childrens' comics, yuletide magazine mastheads and vintage Christmas cards, it is a snow draped blackletter ideal for the winter holidays and letting in the spirit of Christmas.

Trade Printer JNL is another font design inspired by an old rubber stamp sign printing set. In this case, the lettering has a classic "wood type" look, reminiscent of the letterheads, billheads and fliers made by local printers of the 1880s-1920s.

A tasty jambalaya of two different weights of wood type, Thunderhouse has alternates for every capital and lowercase letter, consecutive characters are controlled with the OpenType Ligature feature. Thunderhouse Pro extends the character set to support Eastern European Latin, Baltic, Greek and Turkish.

Built on a square grid, Blok's variable axis conforms to your canvas. With pre-defined weights ranging from 2x1, through to 1x16, Blok is as flexible as it is structured. Character Set: A-Z, Period & Exclamation Mark Weights: 6 Normal & 6 Rounded

Wavy Rounded is a stylized sans serif display typeface by Japanese designer Hajime Kawakami. Some of the characters possess quirky features that randomly create fun visual “waves”. There is a handful of alternate characters including an old style figure set. Catch the Wave.

Brooklyn Samuels is a sans-serif family of fonts designed by Hans Samuelson. Based on geometrical shapes it is primarily intended for headline use but also offers excellent legibility in small sizes. Stylistic sets offer a more text-friendly alternative for some letters.

Galicia is a looser calligraphic serif that has unusual forms that are seen to good effect in characters like the lower case a. It is suggested for use where a more formal and classic yet still warm and calligraphic look is appropriate.

Fokers, a new display typeface with classy and luxury look! Fokers' different styles works perfectly for headline, logotype, apparel, invitation, branding, packaging, advertising, and more. Fokers comes in uppercase, lowercase, with punctuation, symbols, numerals, stylistic set alternate, ligatures and also multi-lingual support.

LHF Spencer exemplifies the quirkiness of late 1800's lettering. Uppercase is set below the baseline, adding a hand drawn look. Curved swashes juxtaposed with traditional thick and thin strokes make Spencer's letters stand out in a design. Includes 29 OpenType alternates.

Mindful that Hiragino Sans (Kaku Gothic) would be used in conjunction with Hiragino Serif (Mincho), SCREEN developed a font that anticipated today’s world where most people do their reading on displays and yet still has an orthodox letterform that does not blur when printed on paper. In short, our goal with this font was to create a new concept that responds to the demands of today’s times. This font offers weight variations from W0 to W9 and is extremely versatile. This makes it well-suited to all visual expression media including paper, metallic textures, resins, cloth, television, movies, broadcasting, websites, and electronic displays. One of the design’s strongpoints is that it elides serif on the right side of each stroke, thus delivering more spacious counters and a comfortable appearance. Thanks to this, the typeface not only delivers a contemporary, lively impression same as Latin sans serif typefaces, but also heightens the natural continuity and readability of text whether it is set vertically or horizontally. As a result, it makes it possible to bring a strong appealing power to text. Without a doubt, this is typeface that above else embodies the role of Sans Serif.

Meows Display Font is a fun and playful font that is perfect for a variety of design projects. This font features a unique paw print in place of a traditional dot over the letter "i" giving it a playful and whimsical feel. The Meows Display Font is a bold and attention-grabbing font that is sure to make a statement in any design. The paw print feature gives the font a touch of personality and quirkiness, making it ideal for use in children's books, animal-themed designs, and other creative projects. The Meows Display Font is designed to be used as a display font, meaning it is best used in larger sizes such as headlines, titles, and logos. The font includes a full set of upper and lowercase letters, as well as numbers and punctuation, making it a versatile and practical choice for designers. Overall, Meows Display Font is a fun and unique font that brings a touch of playfulness and quirkiness to any design project. Whether you're creating a children's book, designing a pet-themed product, or working on a logo, this font is sure to make your project stand out.

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph's skeleton from scratch for the four main subsets of the super family along with their italics. Each glyph across the super family is 'connected at the hip' with each style—each character carries the no frills, simple architecture that endeared so many users to it. The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.

A very angular font, not one curve in sight - it's hip to be square! The font includes quite a few alternate letterforms, which I've also made available in combinations with diacritics. These alternates are available via your programs' glyph palette or using the OpenType functions "Stylistic Alternates" and/or "Stylistic Sets ss01-ss04". ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Look back to learn how to look forward - Joe Girard Find yourself and share your purpose with the Caride Script. With its bold vintage script type, sometimes you need to remind others that we must look to the past to pave a better way for our future. It’s time for you to unleash the old school retro trend again. Leather jackets? Making a comeback. Pompadour hairdos? Definitely cool. 70s music? They’re sampled in the music all over our radio stations! The magnificence of the past will surely help you give a new and fresh breath of life to your projects. This font was designed for you to use in any kind of projects that you might have! They were specifically designed to fit in anywhere you want them to be. We assure you that there will be no awkwardness in the relationship between your text and your designs, they’ll get along well like old-timey partners! The Caride Script is the perfect addition to bring your perspective to the world. Have the world see you and your encompassing view of the human experience with your creations!

Mikha, designed by Carine de Wandeleer, is a delightfully handwritten family font which keeps the casual drawing of a marker with clean strokes. Its slight bounce and intentional irregularity, gives your words a wonderful flow. This new font family with 736 glyphs, includes Regular, Condensed and Sans. It has OpenType features such as Stylistics alternates, Swashes, Ligatures, up to five Stylistic sets by letter, initial and terminal forms in upper and lower, ornaments that allow you to mix and match pairs of letters and a Central European language support to fit your design. This OpenType features may only be accessible via OpenType-aware applications, or the Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. This will help your creativity and make it easier to make expressive and elegant your typographic work. Also with Mikha Sans it is possible to write all in capitals. Mikha looks lovely on wedding invitations, greeting cards, logos, posters, labels, t-shirt design, logos, business-cards and is perfect for using in ink or watercolor based designs, fashion, magazines, food packaging and menus, book covers and whatever your imagination holds! Enjoy it!

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph's skeleton from scratch for the four main subsets of the super family along with their italics. Each glyph across the super family is 'connected at the hip' with each style—each character carries the no frills, simple architecture that endeared so many users to it. The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.

“Liebelei” – dalliance, flirtation, hanky-panky; kind of diminutive of “Liebe” (German for love) The typeface Liebelei has its roots back in 1932, when Vienna-based painter Rudolf Vogl created the poster for a movie called Liebelei after the popular play by Arthur Schnitzler. Only the title letters existed of that typeface. I loved the letters from first sight and proceeded by adventurously interpreting the missing characters. The goal was to create letterforms that fit to the original from the 1930s and represent a modern multi-purpose font. It should be an easy-to-use italic font with warm and friendly details and a huge variety of alternates and languages. The characteristic curled ends of most letters provide a script touch to the Liebelei. The first font entirely designed was the bold one which corresponds to the original poster lettering, although I tweaked the proportions a tiny bit to a more contemporary shape. Liebelei covers Western, Central European, and Central Eastern European Languages and contains also complete Greek and Cyrillic character sets. Liebelei is best for poster design as well as detailed usage, for example handsome tables, since it supports small caps, different kinds of numerals and fractions.

Meow Tails is a cute, adorable display font inspired by cat theme. All of its letters and characters are designed in flowing and round shapes to express soft and smooth nuances like a sleeping cat. Furthermore, the insertion of additional objects to the letters functions to suggest a cat’s characteristics, such as cute eyes, whiskers, and a long tail. Meow Tails, of which available features and a clipart bonus you can enjoy, will live up and charm your designs in order to attract the audience with the theme you have. In fact, it will also help you build up your brand identity to be unique and memorable, particularly brands related to cats or pets. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Meow Tails fits best for various design projects, such as brandings, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Brown Amsonia is a lovely script font of which letters are in handwriting to express unique, personal nuances in your designs. Such a handwriting font is available in high contrasts having noticeable differences between the bright and the dark letter parts to produce clear, firm displays making the designs look professional and modern. Besides, Brown Amsonia can express personal, artistic displays to create more interesting, noticeable designs. The letters are interconnected and their details show sharp, curvy scratches on the edges. Due to the complex font style details, this font is better to apply for big text sizes. In addition, you may enjoy the available features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Brown Amsonia fits best for various design projects, such as brandings, invitations, greeting cards, name cards, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

ULGA Grid Rounded is the smooth, rounded sibling of ULGA Grid and ULGA Grid Solid. The typeface consists of three weights, regular, medium and bold, with corresponding oblique styles. Every character in the extended ULGA Grid family shares the same width. ULGA Grid Rounded features a rounded square design, giving this typeface a soft, yet sturdy appearance. A contradictory mix of stiffness and suppleness, characters slide around like lead-filled snakes trying to find their way through a maze. If this typeface were a snack, it would be a smooth, chocolatey treat - too much of it and you’ll feel dizzy and a bit sick. But, hey, I’m not your dad, do what you want. Learn from your mistakes, that’s what I say. A versatile display typeface that can be used for a wide range of purposes including CD covers, posters, packaging, advertising, name badges for robots, brochures and film titles. Mix and match with ULGA Grid and ULGA Grid Solid, use the alternatives, sneak in an oblique style to spice things up, but most of all this is a fun typeface family. The character set supports Western Europe, Vietnamese, Central/Eastern Europe, Baltic, Turkish and Romanian.