Inerta is a neutral, but not flavourless, cross between a geometric sans and a neo-grotesk. It is designed to work perfectly in UI/UX applications, and to remain readable in smallest font sizes. With over 950 glyphs, the font family offers extensive language support and many typesetting options to choose from. The typeface can be customised with several sets of alternate glyphs and OpenType features. The Cyrillic part contains alternates for Bulgarian as well as alternative Ukrainian forms.

Generisch - a german equivalent of generic - sans serif typeface has gain its own place among designers and earn such popularity due to its "simple" design. Generisch is influenced by early grotesk typefaces from early 1900's when sans was starting to get popular and used as a body type. Some old ligatures such as ch ck and ng are present in generisch (not the ct and st tho), old style numeral for better typesetting experience and more.

Cern is a family of20 weights of neutral, yet formally nuanced grotesk typefaces that takes inspiration from the original metal types from Switzerland, yet had a slightly larger x-height for more pronounced legibility. Cern is designed to be highly readable in print and on-screen. The italic variations are true italics and have been designed for smooth, fluid reading and text-setting. The Cern family works equally well for text typesetting and for display design work.

Ideal is a neo-grotesk typeface characterized by exaggerated pro­portions and an un­­con­ventional shift in balance such as in its a, k or s. Following low-contrast construction principles and with a generous x-height, Ideal works well both for expressive headlines and versatile reading sizes. The family consists of ten weights plus corres­ponding Italics. It supports languages written with Latin, Cyrillic or Greek alphabets. Each font includes fractions, tabular and oldsytle figures, arrows, ligatures and more.

Expline typeface finds its roots in modernist design but subtly pays homage to early Modern Industrial Grotesks. This fusion creates a font that encapsulates the essence of tradition while embracing the contemporary. The font incorporates sharp details in select characters and curves, imparting a delicate sweetness while preserving the robust character associated with Grotesk fonts. This unique blend allows Expline to strike a perfect balance between display and text usage, making it a versatile choice for a variety of design projects. Expline's flexibility shines through its extensive weight options. The font family offers eight distinct weights, each thoughtfully crafted to establish a clear typographic hierarchy. Designers can easily choose the right weight to suit the specific needs of their projects, whether it's a bold headline or a refined body text. This variety ensures that your typography will always make the right visual impact. Expline typeface doesn't stop at weights. It provides expansive character sets across each weight, encompassing all Western European diacritics, Punctuation, Mathematics, and Numerics. This ensures that your typography will seamlessly support various languages and punctuation marks, making it a global choice. In addition, the font boasts OpenType features, granting the flexibility to explore multiple subsets. This includes alternate capital letterforms, tabular and lining numerals (both proportional and old-style), enabling endless typographic possibilities. Whether you're designing for print or web, these features allow you to fine-tune your typography for a perfect fit. Expline is a font that bridges the gap between modernist design principles and early industrial influences, resulting in a Neo-Grotesk font with a contemporary twist. Its comprehensive weight options, expansive character sets, and OpenType features make it a versatile choice for any medium between print and screen.

Expline typeface finds its roots in modernist design but subtly pays homage to early Modern Industrial Grotesks. This fusion creates a font that encapsulates the essence of tradition while embracing the contemporary. The font incorporates sharp details in select characters and curves, imparting a delicate sweetness while preserving the robust character associated with grotesk fonts. This unique blend allows Expline to strike a perfect balance between display and text usage, making it a versatile choice for a variety of design projects. Expline's flexibility shines through its extensive weight options. The font family offers eight distinct weights, each thoughtfully crafted to establish a clear typographic hierarchy. Designers can easily choose the right weight to suit the specific needs of their projects, whether it's a bold headline or a refined body text. This variety ensures that your typography will always make the right visual impact. Expline typeface doesn't stop at weights. It provides expansive character sets across each weight, encompassing all Western European diacritics, Punctuation, Mathematics, and Numerics. This ensures that your typography will seamlessly support various languages and punctuation marks, making it a global choice. In addition, the font boasts OpenType features, granting the flexibility to explore multiple subsets. This includes alternate capital letterforms, tabular and lining numerals (both proportional and old-style), enabling endless typographic possibilities. Whether you're designing for print or web, these features allow you to fine-tune your typography for a perfect fit. Expline is a font that bridges the gap between modernist design principles and early industrial influences, resulting in a Neo-Grotesk font with a contemporary twist. Its comprehensive weight options, expansive character sets, and OpenType features make it a versatile choice for any medium between print and screen.

Radar is a revival of the sans serif typeface “Grotesca Radio”, from the Spanish foundry Richard Gans, which existed from 1888 to 1975. His authorship is attributed to the German type designer and master punchcutter Carl Winkow. Although the new version of this font has always tried to keep accurate similarities with the original typeface, Radar is not intended as a strict revival, but as a contemporary interpretation. In this new version the user can find some alternate characters that give the typeface a more art-déco or neutral flair.

Behance Biofolio Ultimate is geometric Grotesk typeface exploration proportion and simplicity in typeface, Inspired by the elegant plainness seen in many of the less common 20th centuries sans Comes in 10 weights matching Italics —20 fonts in all, Biofolio Ultimate supports around 150 languages in the Latin based languages, Designed with multiple OpenType features, such as powerful stylistic alternates, case-sensitive forms, contextual and stylistic alternates. The standard numerals set encompasses tabular figures and symbols, superiors and inferiors, numerators and denominators, plus fractions.

LIETZ Lindham is based on letters taken from an old type specimen folder from 1936 featuring handdrawn sans-serif ABC's. It's kinda bauhausy and straight but also shows the wonderful lively unevenness of hand-drawn letters. Being made for the use in large-scale advertisements and posters, LIETZ Lindham fits perfectly for pro-communist propaganda posters, but also features legibility in smaller sizes, so you can use it for your Neue Typographie manifesto too, Jan. Go grotesk! Go bold! Go neu!

Belfort is a modern sans serif family font with a neo-Grotesk touch, it is a sans serif typeface that tends to be easily accepted by readers, has wide usage possibilities, and shows a simple, bold, and strong personality. The Belfort font contains 2 basic shapes: upright and round. Each has 10 different weights (Thin, Extra Light, Light, Regular, Medium, Semibold, Thick, Extrabold, Black, and Heavy). with ligatures and alternating in several letters. and is equipped with a multilingual accent.

Plasto is a complete grotesk sans serif family. The quirky letterforms and its slight width variation characterized the typeface as fun and playful as "plastic" in a graphic layout, fit for various design spaces, fit for both informal or functional purposes, fit for large display and also small text. Plasto complete family contains 54 styles with two axes; Weight and Width. The weight consists of 18 styles from Thin to Black, and the width consists of 3 styles, condensed, normal and expanded.

The typeface Weiner Grotesk, designed by Rudolf Geyer for the H. Berthold AG foundry of Berlin in 1912, provides the pattern for this classic Jugendstil font. The design is very versatile: used as all caps, you can create elegant, compact headlines; and, as upper and lower, you can create subheads with decidedly dramatic contrast. Either way, this one is a "Weiner". All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

The typeface was designed at the Polygraphmash type design bureau in 1940-56 (project headed by Anatoly Shchukin) based on Erbar-Grotesk typeface of Ludwig & Mayer company, 1929 by Jakob Erbar, and on Metro typeface of Mergenthaler Linotype, 1929 by William A. Dwiggins. A sans serif of geometric style. For use for text and display typography. In 2014 designer Olexa Volochay made some corrections in original digital data and extended character set. The family was rereleased in ParaType in 2014.

Patron is a sans serif influenced by two dissimilar type designers, Günther Gerhard Lange and Roger Excoffon. Patron is a sans serif influenced by two dissimilar type designers, Günther Gerhard Lange and Roger Excoffon. Patron unites their contradictory approaches to create an expressive, yet versatile grotesk. As a result, Patron is characterised by a generous x-height, flared stroke endings and an unconventional shift in balance, inspired by Excoffon and a rigorously precise, modern interpretation for which Lange was most famous.

Oliviar Sans Variable is a modern sans serif with Grotesque touch. It's my experimental to study the new trends for the future fonts that is Variable Fonts. Inspired by a Geometrical fonts and also Humanist Sans serif. Created with 8 Masters that export to the traditional OTF to 28 Styles!. On the Applications that support variable fonts such as Adobe Illustrator & Photoshop, you can get more than only 28, you can customize the Weight, Width and Slant. Weight created from Thin (100) to Bold (900), Width created from Standard (100) to Expanded (900) and Slant based on degree angle from 1˚ to 10˚. There is a new slider icons for accessing this features Check on Last Display Image. Another advantage on the Variable fonts are you just need 1 files to install to your computer and it will install all the styles available. All of the Fonts are support for Multilanguage, Carefully Crafted.

The Adagio Family is a part of Mateusz Machalski's, Warsaw Academy of fine arts Master Degree Diploma in multimedia studio, conducted by Professor Stanisław Wieczorek and his brave PHD Jakub Wróblewski. Adagio is a modern type family. It consists of 3 main varieties: sans, serif and slab. Each one of them has it's own “true italic” set. All of the styles together have over 400 characters in 9 different thicknesses. The Adagio family was created mostly for company identities. The idea was to create a wide range of different varieties which are stylistically consistent. Adagio Sans - In its character, inspired by classical English typefaces. Sharp chamfers add a strong character. Thanks to delicate contrast and proportions of capitals, this variety has features of humanist grotesque. Thanks to large x length, and highly stretched descenders, it also works correct in longer text, while it’s strong detail is good for headlines. The Sans version is a great complement for Adagio Serif and Adagio Slab.

Caribantu Agora is an update of the Caribantu Grotesque typeface, with a new, more consistent and refined design. Being a 100% Latin Plus typeface, it features a wide range of characters for all Latin languages, making it a versatile option for designers worldwide. The kerning has been adjusted to ensure readability and text cohesion, providing a pleasant and professional reading experience. Additionally, Caribantu Agora includes all braille characters, making it accessible, inclusive, and ready for complex signage and packaging projects. With four stylistic sets, this typeface allows users to further customize their designs. Alternative glyphs allow you to change the look to a more modern and tech form, giving even more dynamism to web pages, packaging, and signage. Check out some of the features present in Caribantu Agora: 7 weights and a variable option; 100% Latin Plus; 15 OpenType features; 4 stylistic sets; Monetary symbols for all circulating currencies; Braille character sets; Math symbols; Arrows pointing in all directions.

Known sometimes as “utopia”, “journey” other times, but also named with name´s place where one wants to go, “Ithaca” home of Ulysses. Typographic Cartesian coordinates are usually two, from the skeleton, the narrower, to the black, the widest. Nowadays, Maese Patau had traveled a road made by four Cartesian axes of typographic geography. A road from thick to thin, from expanded to condensed, to offer us a new family, a larger and extensive series than the traditional family. 48 “relatives” in a pure neo-grotesque font, with a large “eye” that makes it especially suitable for display. Solid hinting in small sizes due to it´s pure and simple basic forms. The jazzy cursive, available in all weights, looks as a simply slanted letter, but when works in conjunction with its regular version, generates an outstanding typographic game. As usual, Maese Patau offer us a extensive typeface in weights, extensive on supported languages, and all kind of OpenType´s capabilities.

Segment A is a powerful display type family with 18 styles inspired by condensed European grotesques of 19th-century, but with clear geometric proportions. In Black weights, the letterforms are inspired by the aggressive industrial graphic design of the 1960s and 70s. Both have 3 axes and are adjustable in weight, width and 10˚ italic. It is a typeface with narrow proportions, distinctive character, high-quality outline and lots of details. Characters have oblique cuts, sharp tails and highly visible ink traps. All this makes the font more aggressive and edgy. The huge x-height with short ascenders and descenders allows this typeface to be used in blocks with minimal line spacing. Features: – Total glyph set: 631 glyphs; – 18 styles (3 weights x 3 widths + italic); – Support 210+ languages; – Latin Extended; – Cyrillic Basic + Bulgarian letters; OpenType features: – Proportional numerals, tabular numerals, superiors, fractions; – Punctuations and symbols; – Arrows; – Stylistic alternates (ss01-ss05); – Ligatures; – Case-sensitive forms.

June is a contemporary neo-grotesque sans-serif typeface designed to be highly legible, readable, and usable. The clarity and mathematics were inspired by the research into type form by Adrian Frutiger. June was designed by developing a modern and unique approach to his findings. June's legible features include a near uniform stroke width, open apertures and counters, angular cut stems, and a large x-height. Italics are angled at eight degrees and have been redesigned to provide a stylistic difference without reducing legibility. June comes in seven weights, from Thin to Bold, each equipped with OpenType features. June can be used for all print sizes, and has characteristics that are more visible at larger sizes. June was inspired by a close family member of the designer. A part of all sales will be donated to Alzheimer's Society. Free Variable Font: If you buy the full family, you will also receive the Variable Font version of June, without extra charge.

Core Sans AR Family is a rounded version of Core Sans A that is clean, simple and highly readable. It is a part of the Core Sans Series such as Core Sans N, Core Sans M, Core Sans E, Core Sans A, Core Sans D, Core Sans G, Core Sans R and Core Sans B. Letters in this type family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans AR family consists of 8 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy) with their corresponding italics. Core Sans AR contains complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

VLNL Boulangerie was originally an incomplete set of early 20th century wood type letters, that Donald Roos found in a dust covered carton box stashed away somewhere at the Royal Academy in The Hague. Charmed by the letter forms Donald decided to print them on paper with a printing press. Next he digitised the prints as they came out, including small imperfections and damages. The missing characters were composed and added digitally to complete the alphabet. (See if you can spot those!?) We think VLNL Boulangerie is a little French in appearance (hence the name), it's joyful, warm, a little crunchy and round-ish. It defenitely has that ‘je-ne-sais-quoi’ that seperates it from most wood type grotesques. It can be perfect for lettering on a storefront window of – let's say a bread shop or a lunchroom. Or a logo for a downtown hipster café. VLNL Boulangerie hardly has any limitations actually.

Basic Commercial is a family of fonts based on historical designs from the hot metal type era. First appearing around 1900, these designs were created by type designers whose names have not been recorded, but whose skills cannot be overlooked. These typefaces were popular among groups and movements as diverse as the Bauhaus, Dadaism, and the masters of Swiss/International-Style typography. They influenced a variety of later grotesque fonts, such as Helvetica and Univers. Basic Commercial was distributed for many years in the United States under the name Standard Series. The typeface worked its way into many aspects of daily life and culture; for instance, it became the face chosen for use in the New York City subway system’s signage. The Basic Commercial family members have a clear and objective design. Their forms exhibit almost nothing unusual, but remain both lively and legible nonetheless. Perhaps for this reason, Basic Commercial’s design has been popular with graphic designers for decades.

NEW! Update 3.0 What’s New: • New Narrow version of 18 weights • Bulgarian Localization Support • Tabular Figures • Case-Sensitive Punctuation • Extended Glyph Case • Icon Sets PDF Specimen available: http://myfonts.us/suAc3K Panton has been expanded with Panton Narrow! It has 9 uprights and 9 matching italics ranging from Thin to Heavy. The Panton font family includes 54 fonts - 19 uprights with 19 matching italics and 16 icon sets as a bonus! It is characterized by excellent legibility in both web & print design areas, well-finished geometric designs, optimized kerning, excellent web-font performance and legibility etc. Inspired by the classic grotesque typefaces - Panton has his own unique style, expressed in perfectly softened geometric forms. The font family is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. Panton font styles are applicable for any type of graphic design in web, print, motion graphics etc and perfect for t-shirts and other items like posters and logos.

The Core Sans ES Family is a rounded version of Core Sans E and a part of the Core Sans Series such as Core Sans N, M, A, G, D. This is a modernized grotesque font family with horizontal terminals, low stroke contrast, enclosed apertures and little line width variation. Its tall x-height makes the text legible and the spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans ES Family consists of 9 Weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black) and Italics for each format. It supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Superiors and Inferiors, Fractions, Tabular numbers, Arrows, Mathematical operators and Opentype Features such as Proportional Figures, Tabular Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions, Case Features and Standard Ligatures. We highly recommend it for use in books, web pages, screen displays, and so on.

Pop Manta delivers the perfect punch when impact is needed. Useful on everything from boxes of bubble gum to pro wrestling posters. Pop Manta has been described as "Morris Fuller Benton meets Roy Lichtenstein". Benton's 1903 neo-grotesque letter shapes set to a Pop Art beat. With over 650 glyphs, characters, symbols and ornaments, Pop Manta is a complete design kit in one font. A full range of accents and extras allows Pop Manta to speak well over 70 languages. Including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili, Swedish, Croatian (Latin), Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian, Turkish, Afar, Azerbaijani, Belarusian (Latin), Chichewa, Croatian (Latin), Gikuyu, Greenlandic, Guarani, Igo/Igbo, Kuskokwim, Luba (Ciluba), Malay, isiNdebele, Oromo, Pilipino/Tagalog, Setswana, Sidamo, Somali, Sotho (Northern and Southern), Swazi, XiTsonga, Tuareg, Uzbek (Latin), Vietnamese, Welsh, isiXhosa, Yoruba, and isiZulu.

Fixture is our massive 72-font take on plentiful offerings of the late 19th century’s typefaces, posters and wood letterpress sundry done in the Grotesk genre. Four widths ranging from Ultra Compressed to Expanded each come in nine weights and accompanying italics. Some common sans-serif alternates, such as the a and g, are included in all the fonts. The idea with this design was to put together a workhorse font family with enough functional flexibility to work in multiple environments, from the subtlety of magazine layout or film credits to the visual drama of billboards or packaging. Aesthetically speaking, it is quite interesting — though in retrospect quite unintentional — that each different width and/or weight of this face ended up pulling a different dominant trait from the melting-pot origins of the entire family. It’s almost like a tribute album to some famous band’s covers of older songs. It may also be a good conversation piece on our tools shaping the very things for which they’re used. Can’t really get any more post-Grotesk than this. In the 21st century, this is the one genre to rule them all.

London-based designer David Quay designed ITC Quay Sans in 1990. One of the precursors to the long run of functionalist European sans serif faces that has been a dominating force in type design since the 1990s, ITC Quay sans is based on the proportions of 19th Century Grotesk faces. Grotesk, the German word for sans serif, defines an entire branch of the sans serif movement, which culminated in the 1950s with the design of Helvetica. ITC Quay Sans is made up of very simple, legible letters. The weights of the strokes throughout the alphabet vary very little. Microscopic flares on the ends of each terminal add a bit of dimension to the design. This helps prevent the onset of the monotony, a danger when one repeats countless near mono-weight stroked letters throughout a large body of text. ITC Quay Sans is a very readable face; it works equally well in all sizes. Six fonts of the ITC Quay Sans typeface are available: Book, Book Italic, Medium, Medium Italic, Black, and Black Italic. ITC Quay Sans is similar to Hans Eduard Meier's Syntax, and Tim Ahrens' Linotype Aroma."

Get ready for a modern spin on your typographic projects with the Typical Pro Sans Serif Font 9 Weight. This font offers a clean, grotesk feel that is perfect for any technical or heading design. Its contemporary design makes a perfect choice for projects with a modern flair. With clean lines, tight letter spacing, and a classic sans serif style, this font is sure to bring a unique edge to any project. Enjoy the perfect mix of texture and proportion with this modern font. Get ready to take your typography to the next level with Typical Pro Sans Serif Font 9 Weight. Typical Pro Sans Serif Font is a grotesk typeface of modern design, with technical precision and a clean finish. Its 9 weight offers clear and refined letters that provide perfect legibility for headlines and other text styles. Its line height is consistent and balanced, making it suitable for producing high-impact visual messages. Its modern, straightforward letterforms give projects an air of sophistication, while retaining a firm technical backbone. With nine different weights, it is the perfect choice for any heading or label that requires a strong, contemporary look.

Refrankt is a multifunctional sans-serif type family with 18 styles, ranging from Thin to Black with matching italic styles. The key visual feature of Refrankt is its wider characters and expanded proportions, which accentuate the character of the type family and extend its application. Refrankt works well as a display font but can also be used comfortably in headings and larger bodies of text. Refrankt offers a clean and thoughtful take on the functional grotesque sans-serif style and can be used in a wide variety of projects, from UI/UX design to packaging and branding. It can also be employed as a font for logos and word marks. Whether you're looking for bold, sturdy letterforms or dynamic flexibility, Refrankt readily adapts to any task. Refrankt would look at home in projects related to technology, athletics, industrial design and many more. The functionality of Refrankt is defined by its multilingual support (200+ languages) and its extensive OpenType features, such as Case-Sensitive Punctuation and Stylistic Alternates, among many others. In addition to a standard set of figures, Refrankt includes tabular figures, old-style figures, superiors, inferiors, and fractions. The entire character set comprises over 800 glyphs. Free trials available on our website: https://groteskly.xyz/ Refrankt Features: • 18 Fonts (9 Upright & 9 Italic) • Variable Font • 800+ characters/font • 200+ languages supported • Extensive OpenType Features • Versatile and Multifunctional

Matahari (English : Sun) is the power source of life. The symbol of power and energy that synergies with other part of daily lives. It is one of the most fundamental thing us humans need, just like communication. And like Matahari itself, words are powerful enough to make a living. Referring to Grotesque Font and influenced by the works of Eric Gill, Matahari Typeface is available in 3 widths and 7 weights, also in Oblique version in each font. The font uses oldstyle and transitional letters (double-story ‘a’ and ‘g’). It has a humanist gesture, the thickness of the font is semi-monolinear where the horizontal and vertical size is almost equal, making the font reach its maximum optical readability even in small sizes. The font anatomy refers to the basic geometric square-sized of the letter ‘M’, while the letters of S/C/G/c/e have uneven curve shape which give the sense of humanist and flexibility. This typeface is ideal for various design needs, from Printing to On-Screen/Digital Reading, from Brand Identity, Posters, Caption, Headline, to Body Text. With the numbers of widths available, the font can be used for all kinds of purposes (Label, Signage, Packaging, Website, etc). Supported well over 75+ languages, including Greek & Cyrillic, Matahari Typeface will give you an excellent way in aesthetic communication and message-delivering.

As its name suggests, Multiple is a family with multiple font styles. The idea that sums up the concept behind the typeface is “workhorse”. The challenge was to develop a useful font fit for any scenario and suitable for any design needs: editorial design, packaging, branding, screen use, etc. Multiple features soft, rounded shapes and large counterforms which make it well-suited for both text and display usage. The proportions are based on classic typefaces yet its design was specially created to provide a high degree of versatility. Multiple contains different stylistic sets whose variety of glyphs provides a wide range of choices for any design project. Partly humanist and partly grotesque, Multiple comes with a number of font variants that will help you choose the style that will best meet your needs. The font also includes a serif version with the same number of variants as its sans counterpart. The sans version includes 4 stylistic sets while its slab companion comes with 3 sets, both available as separate alt family packages (ideal for those seeking ready-to-use alternate glyph sets). These alternate characters are also available as OpenType features in the regular versions. Multiple comes in 5 weights—ranging from Extra Light to Bold - with matching italics, and contains a 395-character set that supports 207 different languages. Multiple: one font, multiple faces.

Quarion is a clean, neo-humanist sans with a contemporary geometric approach. Its design started as an exploration of geometric fonts from the early 20th century, like Futura, Neuzeit Grotesk or Recta which allows the typeface to generate an inviting but sophisticated feel on the page. Although, less contrasting, geometric designs have been quite popular around type designers until today, Quarion finds its niche by combining circular elements with a medium stroke contrast, resulting in a versatile and robust workhorse for any analog or digital application.

Franklin Gothic was designed between 1903 and 1912 by Morris Fuller Benton for the American Type Founders Company. The font serves as the American Grotesk prototype. It was named after Benjamin Franklin. Even today, Franklin Gothic remains one of the most widely used sans serif typefaces. The robust character of the font gives text a modern feel. It is widely used in newspapers and advertising and is frequently seen in posters, placards and other material where space is restricted. Featured in: Best Fonts for Tattoos

Generisch Mono is a monospaced version of Generisch Sans. Generisch - a german equivalent of generic - sans serif typeface has gain its own place among designers and earn such popularity due to its "simple" design. Generisch is influenced by early grotesk typefaces from early 1900's when sans was starting to get popular and used as a body type. Some old ligatures such as ch ck and ng are present in generisch (not the ct and st tho), old style numeral for better typesetting experience and more.

Introducing MARY GOODS, the sans-serif bold font that's perfect for making your brand, product, and design shine. MARY GOODS isn't just a font it's a branding powerhouse. Incorporate it into your design to instantly enhance your brand's visual identity. Complete with ligatures alternates regular hollow icon kerning multilingual support

Niveau Serif - the companion of Niveau Grotesk - is a type family of six weights plus matching italics & small caps. It was designed by Hannes von Döhren in 2013. Influenced by classical nineteenth century engravers faces, the fonts are based on geometric forms. Niveau Serif has a contemporary feel and combines the clearness of a Sans with the elegance of a typeface with serifs. Niveau Serif is equipped for complex, professional typography with alternate letters, arrows, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.

Taxon is a straightlined Sans with a clean, fresh and unsentimental look. Related to classical faces like Optima and Imago, it appears more contemporary and merges the austere linearity of the Grotesk with the elegance of the Antiqua. The Taxon family consists of 12 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Karibu™ is a 100-font original, ultra versatile geometric grotesk family with a lot of character. It is designed for modern projects, to serve as display as well as paragraph text typeface. It is perfect for lots of design situations - from magazine editorial use, logo design & branding, to web design, user interfaces and mobile applications. Main features: - 5 widths (Narrow, Condensed, Normal, Expanded, Wide), each consisting 20 fonts - 10 weights for each width (from Hairline to Black) - handdrawn, carefully crafted italics - alternate stylistic set for more technical and minimalistic projects - pronounced ink traps and large x-height improving legibility in small sizes and adding strong personality to display sizes - flatten letter shapes adding vertical rhythm and elegance to narrow widths - extended latin language support - OpenType features (case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, oldstyle and tabular figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols)

Interlaken™ is a modern display & branding typeface allowing to design creative logotypes, posters and headlines with ease. It is an uppercase family of six OpenType fonts and one 2-axis variable font, packed with features such as stylistic alternates and tons of original ligatures. The family’s purpose is to make the creative process of designing logotype a blast. It has a wide set of OpenType features crafted especially to make your life easier, allowing you to accomplish your projects in less time. Interlaken has a powerful and very modern character, it comes in three width variants, making it a good fit in various design scenarios. Its cutout details make it look unique and create an impression of inner shadows when set on a dark background. Interlaken is a great typographic tool for such industries as sports, fitness, modern technology, fashion and gaming. It works perfect as a pairing typeface with Rothorn, Conthey and Conthey Inline and Axalp Grotesk.