MB NOIR is a 4 weight with italics font family that visually has different layers of style, at first glance its a modern clean geometry based face with some nice retro touches, it also has hints of the vintage about it, with a nod to the art deco style, with alternates and ligatures it gives a lot of scope for its uses and works very well at large and small sizes.

MB NEGATIVESPACE was inspired on a trip to Birmingham with my wife, seeing a billboard with the main text and parts of it missing. The idea is to use it sparingly; use a good amount of tracking to fill in the blanks and it works even better. Great for headlines, displays logotypes and short texts.

MB Vinatage is a 6 weight font family with italics that has its roots based firmly in the type and font design of the early 20th Century. With some art deco touches in the standard caps like the N and the low bars on the E, F & H, by using the stylistic alternates these can be changed to give the font a more contemporary look. The same applies to the lower case letters, with an alternate a and g and a stylistic lowercase t. The family works great as a display font using the thin and heavy weights and just as well for smaller & bulk text. Stay traditional or go contemporary or mix it up.

MB Empire is a font that like MB vintage has its roots in early 20th century design, It has a distinctly english feel with its style references to the classic Gill Sans. It has a very traditional look whilst still maintaining its own modernist individuality. It comes in six weights with italics and has extended language support. With many opentype features including oldstlye & lining figures, automatic fractions and more its a font family that will work for almost any application.

Inspired from geometric curves and circles, an audacious lower case display face with some alternate characters in Upper and Lower case glyphs. Great for Logos and Logotypes, headlines and larger text. Works well with smaller strap lines as well.

MV Boli™ was first introduced with Windows XP to support Thaana script, which is used for the Dhivehi language of the Maldives. Thaana font is similar to the Arabic script and is written right to left. Thaana font uses vowel signs and spaces between words. Character Set: Latin-1, Thaana

While uniqueness might be considered the main goal among type designers, our goal in this project was to be as far away from that uniqueness as possible. We designed MB Grotesk with strictest typography standards, holding fast to the type axioms long understood from the beginning of modern typography. After more than 600 hours of work — creation, production & release — the whole typeface family the MB Grotesk is a flawless branching away from the original Grotesque category. Included are 351 standard glyphs designed with geometric rules and grotesque type theories. MB Grotesk has 7 weights & their italics. It supports many languages including most languages which use both Latin and Cyrillic alphabets. We are looking toward extending this family to include condensed, extended & Arabic versions as soon as possible.

A Hand Made hand painted font with over 100 ligatures to give the text a real free flowing and hand written feel. Great for wide range of applications and works best as upper and lowercase text in a range of sizes.

All Caps Art Deco font with alternate characters in Upper and Lower Case glyphs, some nice ligatures to create interesting letter sets. Great for Logotypes, Headlines, Straplines and smaller descriptive text to give that authentic Art Deco look and feel.

A heavy black display face with lots of retro 'cool'. Modernist to the extreme MB SIXTYTHREE oozes 'mod' culture. Great for magazines & headlines, logotypes, posters, album artwork.

Bombay is serif type family by ManVsType. It is ideal to use at larger sizes as a display font. The family comes in 5 weights in 2 styles (normal stem height and low stem height). This font is variable in its weight and "connection" heights in the letters a, b, d, h, m, n, p, q, r and u. The typeface has a number of ligature including an R+s ligature that automatically turns into the ₹ (rupee symbol) to solve a major problem in the Indian subcontinent where people don't know how to type it. Bombay is inspired by the colonial version of the city. The city being a melting pot of all kinds of people. Poets, writers, filmmakers enjoyed the city and it quickly became the cultural hub of the entire country.

MB Narrow is a very compressed display font that comes in three weights. with is full use of the 20 stylistic sets it gives the user a lot of scope to how it look. without using them it has a very rounded and geometric look but with alternates for the Capital A, M, N, V, W, X, Y and the lowercase a, f, g, v, w, x & y you can create a more traditional 'movie poster' look. with standard & discretional ligatures and oldstyle figures there are plenty of opentype features.

Corporative Sans Rounded Condensed is the narrowed version of Corporative Sans Rounded that offers high performance when using for text, what makes it the perfect match for Andes Rounded. The font works well at both display and small sizes. Corporative Sans Rounded Condensed is the perfect choice for logotypes, posters, signs, branding, packaging and so on! Corporative Sans Rounded Condensed comes with Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative Sans Rounded Condensed provides users with a wide range of characters and weights for every project. By combining different variants, designers can achieve the best results. The family consists of 32 fonts: a basic family that includes 8 weights plus italics and an alternative family of 8 weights with matching italics as well. Corporative Sans Rounded Condensed was created by Latinotype Team and developed by Elizabeth Hernández and Rodrigo Fuenzalida, under the supervision of Luciano Vergara and Daniel Hernández.

Bague Round is a soft contemporary geometric typeface which blends distinct minimalist characteristics with mainstream details. It originates from Bague Universal, a superfamily with a warm well-balanced texture and a distinct personality. Usually, round sans letterforms tend to look rather organic and playful at heavier weights. This problem was avoided in Bague Round by applying all necessary optical corrections at the rounded corners in order to retain its robust qualities. Mechanical replacement of the stem endings with standard arcs was not implemented and each round form of the horizontal, vertical and diagonal strokes was treated differently from the other. Whilst the rounded endings at heavier weights become gradually more flat at acute corners, the round stems in letters such as A, b, m, p, s are perfectly matched with sharp diagonals in letters such as M, N, w, v, in a very distinct manner. A remarkable feature of Bague Round is its vast array of uppercase alternates and ligatures which truly shine when set at display sizes. Make your selection from 6 distinct groups of alternates as well as a rich set of discretionary ligatures and watch it transform into a flexible, charming and stylish typeface with strong modern aesthetics. This typeface offers enormous possibilities and variations for editorial design, branding and corporate identity. The Bague Round type family includes 14 weights from Thin to Ultra Black and matching true-italics with a consistent and well-refined structure. Each style consists of 1017 glyphs with more that 280 alternates and ligatures and an extended set of characters which supports Latin, Cyrillic and Greek. PDF Specimen Bague Round on Behance

Auto-Techno-Motive Stance in a softer package. Bruno Ace Rounded Pro is a fresh derivative of our Bruno Ace Pro typeface. It draws its inspiration from modern automotive logotypes. This geometric sans-serif has a wide stance with a tall x-height for a strong look and appeal, as well as ease of legibility. The SmallCaps and extensive figure sets offer a more extensive range of use as well as a more intense vibe. Bruno Ace Rounded Pro has an obviously softer feel to it compared to the original. See the 5th graphic for a comprehensive character map preview. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Every year, more and more text is read directly on a computer screen in office applications, or from freshly printed sheets from a copier or laser printer. Clear, legible text faces are more imperative to office communication than ever before. Yet every worker desires a small bit of personality in the corporate world. Most office environments are only equipped with a few basic fonts that are truly optimized for use in text, with laser printers, and on screen. The Linotype Office Alliance fonts guarantee data clarity. All of the font weights within the individual family have the same character measurements; individual letters or words may have their styles changed without line wrap being affected! All numbers, mathematical signs, and currency symbols are tabular; they share the same set character width, ensuring that nothing stands in the way of clear graph, chart, and table design. In addition to being extremely open and legible, the characters in this collection's fonts also share the same capital letter height and the same x-height. The production and reading of financial reports is duly streamlined with the Linotype Office Alliance fonts. The Neuzeit Office family is designed after the model of the original sans serif family Neuzeit S, which was produced by D. Stempel AG and the Linotype Design Studio in 1966. Neuzeit S itself was a redesign of D. Stempel AG's DIN Neuzeit, created by Wilhelm Pischner between 1928 and 1939. Intended to represent its own time, DIN Neuzeit must have struck a harmonious chord. DIN Neuzeit is a constructed, geometric sans serif. It was born during the 1920s, a time of design experimentation and standardization, whose ethos has been made famous by the Bauhaus and De Stijl movements in art, architecture, and design. Upon its redesign as Neuzeit S in the 1960s, other developments in sans serif letter design were taken into account. Neuzeit S looks less geometric, and more gothic, or industrial. Separating it from typefaces like Futura, it has a double-storey a, instead of a less legible, single-storey variant. Unlike more popular grotesque sans serifs like Helvetica, Neuzeit S and especially the redesigned Neuzeit Office contain more open, legible letterforms. Neuzeit Office preserves the characteristic number forms that have been associated with its design for years. After four decades, Neuzeit has been retooled once again, and it is more a child of its age than ever before. Akira Kobayashi, Linotype's Type Director, created the revised and updated Neuzeit Office in 2006. His greatest change was to retool the design to make its performance in text far more optimal. Additionally, he created companion oblique to help emphasize text. The other three families in the Office Alliance system include Metro Office, Times Europa Office and Trump Mediaeval Office.Some weights of the Neuzeit Office are availabla as soft rounded versions. "

Bebas Neue SemiRounded is the Bebas Neue with rounded corners. As you know, Bebas Neue is the most widely used free font recently. This semi-rounded version is the new style for more widely use. The basic theory and proportion are same as Bebas Neue but rounded shape gives a warm, soft and natural impression. A bit more rigid than Bebas Neue Rounded. Available at an affordable price.

M Bitmap Round HK is a graphic style Traditional Chinese typeface. Graphic font designs have strong personalities and visual impact. Graphic style Traditional Chinese fonts feature decorative elements and pronounced graphics characteristics, suitable for catching attention in display applications.

The family tree of this friendly face runs deep. Its primary inspiration is Twentieth Century, designed by Saul Hess as a monoline version of Paul Renner’s Futura. The design was reinterpreted by Herb Lubalin as Avant Garde in the 1970s. This version softens the harsh geometry of the original designs with rounded line endings: the result is a warm, inviting face that is elegant, confident and inviting. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

A remixed variation, available in three weights, of the popular Talbot Type geometric sans Kaleko 105 Round . The addition of occasional flourishes at the intersections of strokes, in both upper and lower case, adds character charm, making the font a perfect titling font to accompany Kaleko 105 and/or Kaleko 105 Round , or a display font in its own right. Kaleko 105 Round Remix features a comprehensive glyph set including accented characters for central European languages.

Albeit Grotesk Rounded Caps is a graphic geometric rounded all caps display font family of four weights (Light, Regular, Medium and Bold) with slightly exaggarated diacritics for better readability making it ideal for headlines.

Novel Sans Rounded Pro is the humanist grotesque typeface family within the largely extended award winning Novel Collection], also containing Novel Pro, Novel Sans Pro, Novel Sans Hair Pro, Novel Sans Condensed Pro, Novel Mono Pro, Novel Sans Rounded Pro and Novel Sans Office Pro. Novel Sans Rounded Pro has a carefully attuned character design and a well balanced weight contrast. Classic proportions and the almost upright italic makes Novel Sans Pro being a modern humanist. Many similarities with the other typeface families within the Novel Collection enable designers to combine the families and reach highest quality in typography. Novel Sans Rounded Pro [1020 glyphs] comes in 6 styles and contains small caps, an extra set of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], small caps figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior figures, fractions, extensive language support, arrows for uppercase and lowercase and many more OpenType™ features.

Great type font inspirations can come from any time period and any location in the world. A Febuary, 1932 issue of an Estonian woman’s magazine called “Eesti Naine” had its name hand lettered using a round nib lettering pen. This extra-wide Art Deco design is now available as Round Nib Deco JNL, and is available in both regular and oblique versions.

The font was intended primarily to have a stronger body. It has a simple geometrical surface. This font has a strong personality, that makes it perfect for use in headline sizes but means it also works gracefully within text blocks. Finalists Round Slab is carefully crafted and a unique slab serif. Use for websites, print, motion graphics, logo design, packaging design, t-shirts and more. **UPDATES:** -16 Agust 2021: New version 2.0 Variable Font -28 January 2022: Some bug fixes You can enjoy using it.

An original slab serif design inspired by the slab serif designs of the 19th century, with a modern geometric look, bold version, extended.

VAG Rounded Next Variable Regular is a single font file that features one axis: Weight. For your convenience, the Weight axis has preset instances from Light to Extra Black. This Roman (upright) font is provided as an option to customers who do not need Italics, and want to keep file sizes to a minimum.

Basic Commercial is a font based on historical designs from the hot metal typeface era. It first appeared around 1900, and was created by type designers whose names have not been recorded but whose skills cannot be overlooked. This typeface's design has been popular among groups and movements as diverse as the Bauhaus, Dadaism, and the masters of Swiss/International-Style typography. It influenced for a variety of later grotesque fonts, such as Helvetica and Univers. Basic Commercial was distributed for many years in the United States under the name Standard Series. The typeface worked its way into many aspects of daily life and culture; for instance, it became the face chosen for use in the New York City subway system's signage. The Basic Commercial's font family members have a clear and objective design. Their forms exhibit almost nothing unusual, but remain both lively and legible nonetheless. Perhaps for this reason, Basic Commercial's design has been popular with graphic designers for decades. To read more about the history of typefaces like Basic Commercial, visit our font feature, The Sans Serif Typefaces. In addition several weights of this typefamily are available as soft rounded versions."

Varial Two typefaces are new and updated versions of Varial family created 2014: Extra-condensed Opentype™ sans-serifs with small caps, extended character set (european languages support) and extra features (fractions, ligatures and alternatives). Varial Two Super Rounded family is versatile in all design applications, for example all headlines, branding, display use, infographics and more!

An original slab serif design inspired by the slab serif designs of the 19th century, with a modern geometric look, bold version.

See also Modula.

An original slab serif design inspired by the slab serif designs of the 19th century, with a modern geometric look, extra bold.

Examples of a wood type alphabet for letterpress are the basis for Rounded Sans Wood JNL. Clean and bold, the rounded ends give a softer, more informal look to any display copy.