Want to give your design a bit of that vintage look we all love? Great idea, because the right font can change the way people see your brand. Introducing Nostalgiz - a Vintage Modern Font. Whether you’re designing presentations, ads, social media campaigns, or merchandise, Nostalgiz can step up to the task. Try it out and see what a difference a unique font can make. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Introducing Resita, a sophisticated and elegant Serif font perfect for adding a touch of luxury to your design projects. Resita's thin strokes and delicate curves create a refined and modern look that is perfect for luxury branding, editorial design, and high-end fashion projects. With its unique and distinctive letterforms, Resita stands out from other Serif fonts and adds an air of sophistication and refinement to any design. Its legibility and versatility make it a great choice for a wide range of design applications, from elegant wedding invitations to stylish fashion magazines. Resita is also versatile and easy to work with, making it a great choice for both print and digital projects. Whether you're creating a logo, designing a website, or working on a branding project, Resita's timeless elegance and sophistication will help you create stunning designs that stand out from the crowd. Choose Resita for your next design project and experience the benefits of this luxurious and refined Serif font.

The origin story of HANLEY FONT COLLECTION all starts with the Script. We were designing logos and kept feeling like we needed a different kind of script, vintage feeling but not dated, and not too baseball-y or too formal. We couldn’t find exactly what we were looking for, so we decided to create it ourselves. After that we realized what we really wanted was good wood block looking lettering especially with small caps. And the collection just grew from there - a tall slim style, a monoline version of the script and of course a good sans. We topped off the group with a large selection of catchwords and extras with plenty of swirls, swashes and frames. Hanley has just enough irregularity to the edges to impart a human feel, but it’s still clean. Super versatile, all the styles work well together and can look authentically vintage or modern and hand-crafted.

Honeydrop is a script that mimics the action of a heavily-laden inky pointed brush, dancing across the page . Designed by Jeremy Dooley, its unique form is great for branding and packaging, especially for all-natural food items. The typeface also has a bit of Eastern flavor to it. Five different distressed variants make Honeydrop stand out. Its many alternatives help to advance your project. These variants allow you to change the final character of the lowercase letters. Besides, there are ligatures that extend the natural writing feel. Opentype override options round out the fonts, including random replacements to create a unique look and feel; each time you use the font you get a unique result. Each font has sixty five alternate characters. Also included are many unique textures that help the typeface adapt to different situations; you will find them of great use. Grab the extra sweet and flavorful typeface Honeydrop today.

The Eixample project is inspired by modernist signage of various examples found in the Eixample neighbourhood in Barcelona. The name of each subfamily is related to its location or to specific elements of the original sign. Dip is the abbreviation for Carrer Diputació (Diputació Street), where the original sign spells Farmacia Específicos Diputación. The reference taken from the pharmacy sign is a curious model, where sans-serif lowercase letters coexist with script uppercase. This fundamentals create the system that we have introduced in Eixample Dip. The capitals are built with contained decoration to achieve maximum compatibility between letters. The script capitals are the default uppercase but we have also included alternative capitals, a slab style that can be combined with the scripts. The narrow influence of the original sign is correlated with the Narrow styles of the Dip family. But for more versatility, Eixample Dip explores normal widths and weights as well. Furthermore an Inline version was added to the suite.

Binomic is a sort of monospaced font family. "Sort of" because it was not designed with the sole purpose of being used as a coding font, but rather as a nice alternative to monospaced fonts in graphic design projects. It's a friendly mix between your average fixed-width font and a more geometric, wider sans, thus more of a display font than a text one. The Binomic family has both upright and slanted versions, each in four convenient weights. The family is equipped with 480+ glyphs, has Latin Extended and Cyrillic support (both Russian and Bulgarian), oldstyle figures, as well as a set of cute technical characters, alternates and symbols. The Binomic family is clean, amiable and really versatile, so it will fit most design applications - from greeting cards, menus, merchandise, book covers and packaging materials to websites and apps. It is legible and modern, kind of sleek but without any pretensions.

Higery – Serif Typeface: Uniquely Engaging Distinctive Tapered Details: Higery – Serif Typeface stands out with its unique tapered serifs. These details add a sophisticated charm. This font is ideal for captivating visual displays. Perfect for Visual Displays: Higery’s elegant tapering makes it perfect for eye-catching displays. It excels in adding an artistic touch to posters, ads, and more. Its uniqueness ensures your design stands out. Versatility in Design: Though unique, Higery remains versatile for various design needs. It seamlessly fits into digital and print media. This adaptability makes it a valuable tool for designers. Ease of Use for All: Higery is designed with user-friendliness in mind. It’s easy to use for designers of all skill levels. This approachability makes it a popular choice in the design community. Elevating Aesthetic Appeal: Incorporating Higery into your projects can significantly enhance their aesthetic appeal. Its distinctive serifs and elegant design elevate any content. Higery isn’t just a typeface; it’s a visual experience.

Do we have a volunteer from the audience! Yes, you young lady, step into the ring, there's no need to be afraid! What's your name? Hypnotique? How appropriate! Now, don't turn away, look into my eyes, look into my eyes, the eyes, the eyes, not around the eyes, don't look around my eyes, look into my eyes, aaaannnndd you're under. And on the menu of mesmerism tonight is a waking dream of letterforms that will keep you on the threshold of consciousness and yet illuminate your every hypnagogic hallucination! Now that we have your focused attention and reduced your peripheral awareness you have an enhanced capacity for response to the suggestion that you should not only purchase this font, but our entire library of fonts. On the count of three you will wake up and you will think of nothing else but acquiring all the tools all good graphic designers should have in their font library. And all we had to do was snap our fingers.

Retro style is hip, so are early 20th century poster fonts. Size is based on these extra condensed letter forms. In the 19th century the need to communicate commercial messages on limited poster space brought up extremely condensed fonts creating a new typographical look. Since not really legible in small sizes these fonts nearly disappeared with the change in the commercial communication in the 20th century. For a couple of years now, these extra condensed fonts have a revival copying the exact historical appearance of its predecessors. Size, though also seeking the inspiration in the historical draft, furthermore aims to interpret this compressed look in a more vivid way by not closing in on the open counters of the round letters, but having its stroke endings slightly curved. Since other characters are defined by straight strokes, Size displays a look more vital and candid, but still distinct, compared to its historical predecessors.

Katsudon is a Japanese crumbed and deep fried pork cutlet, typically served on rice with egg drizzled over it. There is also a chicken variety. I have been to Japan numerous times (it is my favourite country) and each time I revelled in the great variety of foods being served in street stalls and hole-in-the-wall eateries. I especially love the grandma-and-grandpa eateries that are tucked away in alleys behind the major shopping streets. They never speak English and my Japanese is shaky (to say the least), but the food is always good and we always seem to understand each other. This year, I couldn’t travel to Japan, because of the Covid outbreak, but I can tell you that I miss Japan a lot! Katsudon is a crumbed and deep fried font. It comes with a splash of authenticity, a sprinkling of cheekiness and a generous dose of oomph. Oh, yeah, and double letter ligatures, plus a few alternates as well.

A neo-grotesk with a bit more bite, this is Schizotype Grotesk. It's not your usual grot; this is purely display typography. Notches cut deep into the letterforms and the thick/thin contrast isn't always where you might expect. It's intended to be a challenging typeface - not beautiful or particularly 'useful' in any conventional sense, but it is at the very least interesting. In a world where everyone and their dog has their own grotesk offering, perhaps being interesting and that little bit different is in itself enough to give the face its utility. Besides, beauty is in the eye of the beholder. What really matters is what you think! Schizotype Grotesk isn't bogged down with a million and one OpenType features you'll never use, but it does include proportional and tabular lining figures; automatic fractions; numerators and denominators; superscript and subscript numerals; case sensitive forms; and five stylistic sets that change [a], [g], [y], [IJ], and [@] respectively.

Exuberantly delicious and lusciously sweet! VLNL Bon Bon embodies the perfect after dinner treat. Chocolate is a known aphrodisiac and bonbons are its most romantic carrier. Bonbon is not for nothing the French word for ‘good’ twice! You could definitely consider VLNL Bonbon the typographic equivalent of these exquisite chocolate sweets. Inspired by lettering on an Amsterdam church facade and a ladies clothing store window, Donald DBXL Beekman started drawing the first incarnation of Bon Bon already in 2004. The original idea was an alphabet design with slanted oval inner shapes and extremely long and striking serifs. This proved to be a quite demanding design job, so It took Bon Bon some time to get finished. But now it’s here in all its extravagant glory. Most recently a number of lowercase characters were added to make Bon Bon more versatile. Totally insane and over-top-the-top it has been called. But hey, we all love Bon Bon. Don't we?

Basic Commercial is a family of fonts based on historical designs from the hot metal type era. First appearing around 1900, these designs were created by type designers whose names have not been recorded, but whose skills cannot be overlooked. These typefaces were popular among groups and movements as diverse as the Bauhaus, Dadaism, and the masters of Swiss/International-Style typography. They influenced a variety of later grotesque fonts, such as Helvetica and Univers. Basic Commercial was distributed for many years in the United States under the name Standard Series. The typeface worked its way into many aspects of daily life and culture; for instance, it became the face chosen for use in the New York City subway system’s signage. The Basic Commercial family members have a clear and objective design. Their forms exhibit almost nothing unusual, but remain both lively and legible nonetheless. Perhaps for this reason, Basic Commercial’s design has been popular with graphic designers for decades.

The infield dirt is raked, the outfield grass is mowed and the baselines chalked. So grab a beer, smother a stadium dog with mustard and relish, take a seat on the bleachers and get ready -- that handsome devil SPILLS is back on the mound and ready for a comeback! It’s true, Manager [the person who coaches a baseball team is a ‘manager’ not a coach] John JG Roshell has coaxed the wily veteran out of retirement, and he’s returned to the field with the wisdom of extra years and the addition of five new pitches (fonts): Stadium, Dugout, Outfield, Infield, Pennant and Base. The stadium is packed to capacity and we're pretty sure the first time he’s at the plate, it’s gonna be strike-out city! [to continue the logic of the baseball pitching ace as font metaphor, the pitcher would hopefully prevent a home run not facilitate one.] See the families related to Spills: SpillProof .

Kidwriting is a hand-drawn font, originally released in 2007. Now, we are proud to present a totally redrawn and improved font: Kidwriting Pro, which include not just a softer appearance but also an extended set of characters and new typographic features that makes it a professional tool. The childlike appearance of Kidwriting Pro allows to apply it to any child related project like teaching material or games. It effectively recreate the charming and somehow bumbling qualities of a child’s handwriting, but is balanced enough for comfortable reading. Kidwriting Pro has many Open Type features such as Old Style figures, discretionary ligatures, ordinals and fractions. Composed of more than 500 glyphs, Kidwriting Pro supports Western European, Central/Eastern European, Baltic, Turkish and Romanian Languages. Kidwriting Pro is complemented with a set of 62 selected dingbats which evoque the children world. And the best: it comes also in the same five weights to match completely with each one of the fonts.

It was originally inspired by my winter scarf knitting exploits. I discovered that making wool scarves was generating beautiful patterns and I wanted them to become a source of inspiration for a style. I made a few collages, and they became letters. Other characters came up with ease. It is readable, but long essays are not its main purpose. It is decorative and will look casual and very attractive on any ad as a title or a short phrase. It also demonstrates very good performance in automatic 3D generators, like Xara 3D maker, used in making examples of how this font can be utilised. It was designed to be thin, soft, with the capacity to cover empty space and to create a vibrant environment. Small characters are different from capital letters, they are stylistic alternates. Some letters are slightly ominous or dynamic, others create a soothing feeling. Using several colors make it shine, but it is complex, it looks good in monochromatic compositions as well.

Vermost is display retro sans serif font. This font is very unique and unlike other fonts, the difference is that the horizontal body is thicker than the vertical. This font also goes into a classic style, with a neat and soft shape. There is a rough/texture version too. I strengthen the vintage/retro impression with the character ligatures, there are 88 ligatures in this font. But if you want to use this font with a neater impression, you can disable this ligature feature. This font is perfect for projects with vintage/retro and classic themes. But this font is also suitable for logos, branding, greeting cards, invitation cards, advertisements, titles, healines, book titles, stickers, packaging, quotes, posters, t-shirts/apparel, billboards and others. This font is also support multi language. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw.

This font was inspired by the Latin script used in European monasteries from circa the 5th to 8th centuries, before the Carolingian “Caroline” (look at our 825 Karolus). It was a regular script, rounded, written slowly, used mainly for specially meticulous books, with a few ligatures, legible, but only with lowercase. The capitals consisted of enlarged lower cases, but here, we have preferred to use two slightly different patterns. Our lower cases are a synthesis from a lot of variants (mainly from the “First Bible” of Charles The Bald), the upper cases were mainly inspired from a 700’s manuscript from the abbey of Fécamp (France). We have adapted the font for contemporary users, differentiating between U and V, I and J, which has no relevance for ancient Latin scribes, and naturally with Thorn, Oslash, Lslash, K, W... punctuation and the usual accented characters which did not exist at the time. It can be used with 799 Insular Title.

Are you looking for a way to enhance your copy? Looking for a way to stand out from your competition? Maybe you are missing that “something”. Introducing Fitriyah-A Display Font Fitriyah was fully thought out to easily meld inside your designs. These fonts make a good foundation of what you want it to be! Discover the beauty in your own imagination while this font gives you a quick kickstart to what it can be. Wait no more, this beautiful font can be yours right now! This custom made font was specifically designed to fit whatever you need! Perfect for social media posts and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. Fitriyah includes Multilingual Options to make your branding globally acceptable. Features: Standard Ligatures Alternates Stylistic Sets Swashes Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

BUNK is an 11 font system that can be layered in different ways to create various classic titling effects, think Old Timey signage 'COME IN WE'RE OPEN'. It's a display font that produces the different results by mixing and matching the various fonts together. Bunk's layer combos give you the control to create brilliant bevel, convex and 3-D styles. Each font contains the same metrics, so when your title is set, copy and paste-in-place to create layers of different weights/styles to build out your desired effect. Unlike other Layered Fonts out there, BUNK has upper case and lower case as well as currency symbols and lots of foreign characters too. Over 180 glyphs!. Five of the fonts (Shades 1,2,3,4,5) are clearly dependent on each other to create a complete font, so theses are only available in the Full family pack (11 fonts) or in the Layer Kit Family pack (7 fonts).

Wedge’ is the outcome of a search for the essence of a formal alphabet for text — for 26 letters of the simplest form consistent with ease of reading.. Noted New Zealand architect Bruce Rotherham (1926–2004) was inspired by Herbert Bayer’s ‘universal alphabet’ created at the Bauhaus in 1927. While he admired Bayer’s pure geometry, Rotherham felt it was ‘virtually unreadable’. The Bauhaus-inspired inclination for architectural publications to use sans serif faces provoked Rotherham to consider how a readable Roman book face might be approached using some of Bayer’s same principles of simplification, but also retracing the evolution and use of the Roman form in an analytic manner. The Wedge alphabet was started in 1947 when Rotherham was an architecture student at the University of Auckland. It was worked on and refined over several decades but never commercially released, until now. Over sixty years after it was first conceived, Wedge is available from P22.

Chop chop! VLNL Cleaver is an important tool in the Vette Letters’ kitchen. It’s a butcher knife of a font. Razor sharp, ultra heavy and with pointy slanted serifs. At first glance it seems straight-lined, but a closer look revails that all straight lines are curved inward slightly, which enhances the sharp image even more. Cleaver was originally designed by DBXL for cutting meat - hell, it even hacks right through bone. It can easily splice a chicken in one slash or seperate ribs, just like that. You can also very well use it to chop up hard vegetables like pumpkin or squash on the chopping block. It gets better, the opposite blunt side can be deployed to crush ingredients like garlic, nuts or spices like black pepper. You could use a grinder, but with Cleaver it’s more fun, isn’t it? VLNL Cleaver is suitable to give a sharp edge to flyers, posters, logos (Heavy metal bands and other) or magazine headlines.

Film-P2 is an Ultra Condensed sans serif display typeface designed by Bartosz Panek. It is the follower of the geometric 'Film Poster' (https://www.myfonts.com/fonts/fontsphere/film-poster/) which was inspired by futuristic movie posters. In Film-P2, the letter design is more neutral, the font is more versatile, but no less expressive, which was one of the assumptions of the project. This allows many different application possibilities. In titles, headings, longer text compositions, bold and custom juxtapositions, and in many different formats. The differences in the width of the letters in the narrow, regular, wide versions are not significant, they are fairly balanced, but they give a lot of variation depending on the method of application and design characteristics, e.g. text size, background type, etc. The entire Film-P2 family offers many creative possibilities in graphic design, branding, printing and website design. Each font include multilingual support, numerals and a large range of special characters.

The drawings, for what is now Triplex Italic, were done in Iowa City in 1985 by John Downer. The italic was originally conceived as a companion for another typeface being drawn at the same time called Arcatext, which (like Triplex) could be described as a "humanist sans-serif" having simplified character shapes constructed mostly of geometric parts. At one stage, a certain customer was interested in Arcatext but wanted a different italic drawn for it, so the plan for the italic took another direction and the idea for this one was dropped. Five years later, Emigre decided to commission the abandoned italic as a digital typeface in three weights as companions to the Triplex Sans and Serif families designed by Zuzana Licko in early 1990. The ascenders and descenders have been shortened to match those of Triplex and the new capitals embody more of the features that distinguish the lower case, but otherwise the digital version closely follows the original drawings. See also Triplex OT.

Introducing the new Billiers Modern Ligature Typeface!!!Billiers is a luxury and glamour serif typeface. This font is both modern and nostalgic and works great for logos, magazine, social media. Already matched up and ready to be used together for your next design! For those of you who are needing a touch of elegant, stylish, classy, chic and modernity for your designs, this font was created for you! Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image. No special software is required to type out the standard characters of the Typeface. To access the Opentype Ligatures, you will need software that supports Opentype features in fonts. Current Language Support : Danish, English, Finnish, French, German, German (Switzerland), Norwegian Bokmål, Norwegian Nynorsk, Portuguese, Spanish, Swedish, Swiss German. Feel free to follow, like and share. Thanks so much for checking out my shop

Fonts Café is offering a brand new pack of fonts and elements; The Bold Pressing Pack, full of bold, strong, powerful, vintage fonts which really stand out to make a strong impact. These fonts bring us back to a time when ink was placed onto wooden blocks, which were then pressed down onto the paper, creating big, bold letters, with the beautiful flaws of a time when things of import were given the due attention they deserved. This pack is designed to quickly capture the attention of anyone who sees it, while making a statement that says you mean business. It includes five different font styles, as well as two different element styles. There's everything from a standard letterpress font, to a font which truly emulates the imperfections of those days, as well as one that stands out above the rest to make a truly bold statement, and more. Check below these powerful fonts in more detail.

The inspiration source for MFC Phonograph Monogram is a vintage monogram specimen named “Kent” showing only a CBA sample. It was a style I could find no other reference for, but was desperate to recreate this record like styling of monogram. Finally, it all comes to life in MFC Phonograph Monogram. I even threw in a little dog and phonograph icons hidden in the font as decorative icons reminicent of old Victrola records. Phonograph Monogram supports two and three letter monograms, although the two letter style break from the circular record design and creates a zulu style shield design. MFC Phonograph Monogram uses the Ligatures feature, available in most OpenType savvy applications, such as Adobe Illustrator CS (see Fig. 1). The Ligatures feature is typically enabled automatically, but you may need to confirm this in your program if you are not certain. If any second lowercase letter typed does not automatically switch to form the right side of the rounded form, you do not have Ligatures enabled.

Sneakers was a typeface that I originally drew all the way back in 2005, with a release in 2006. Its most recent iteration, Sneakers Pro was released in 2009. Since then, the idea of reworking the design has lingered in the back of my head, but I wanted to add additional flexibility and value to anything offered beyond the originals. Sneakers Max does just that and I am happy to see it released and available to everyone. Sneakers Max raises the bar in terms of functionality… incorporating all of the options found in Sneakers Pro (e.g. Small Caps and a biform/unicase located now in Titling Alternates), but it expands the character offering, improves on letter designs (everything was redrawn) and explores more flexible settings by providing 5 distinct counter widths to keep more uniform multi-line settings with mixed letter heights. Special thanks to Potch Auacherdkul for his additions to the original character set and for his engineering skills.

Zombie Apocalypse is way more versatile as its name would suggest. It might be used as a horror font (red color tones in horror games, movie covers) or in ads for an Offroad Experience Tour (or wherever it comes to dirt, mud and spatters in combination with brown tones). When used with light blue/red/yellow/orange colors, the font can express creativity and freedom (on fashion, inspirational art and advertising) because it is not bound to classic straight-lined fonts. In various shades of gray or in black, it can be used to support a "worn out" look. Zombie Apocalypse - with its "worn out" look and many details - is espacially designed for use with large font sizes, for example in high resolution print media or in large images on digital media. The font is designed to be used in many different languages. It has a large set of accented characters and diacritical marks.

Looking for a serif font that will make your brand stand out? Introducing Wylie Voigen – A Modern Serif Font. A mix of culture and style, Wylie Voigen is excellent for showing what makes your business unique. Wylie Voigen allows you to make stunning web pages, apps, ads, merchandise, printed cards, and anything else your business needs. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Several roads have been closed around my village, so I need to drive alongside narrow country roads ro get my groceries done. The roads are so narrow that two cars cannot pass, so you need to use the (muddy) kerbs. A lot of cars these days have Xenon lights and they shine really bright and blue. I am non xenon-phobic, but I can tell you that the ‘old’ yellowish headlight were softer on the eyes, especially when you’re trying to navigate narrow country roads! Yes, I know, a long story leading nowhere, but a little personal story (in my opinion) is better than a boring text full of technical bla bla. A font is a font after all and I don’t need to explain what it looks like, because you can see that for yourself! Headlight Blue is a handmade, all caps display font. It comes with all the trimmings, including two sets of alternates that cycle as you type.

We used to have a composite worktop in our 'old' kitchen. It was cheap and the kitchen-guy warned us not to put any hot pans on the worktop, as it could crack due to Thermal Shock. Duh... When we installed our new kitchen, we opted for a ceramic worktop, which can handle hot pans being placed on it! Thermal Shock font is a very nice, handmade brush font. If you ever bought any brush fonts of mine, you will know that I almost always use Chinese ink and cheap brushes to create 'the look'. It is always a bit of a surprise how a Chinese ink brush font turns out: I created one the other day and it looked horrible, so it was banned.. Thermal Shock turned out to be a looker. Thermal Shock comes with one set of alternate glyphs, extensive language support (including Greek and Vietnamese) and a guarantee it won't crack in super hot designs.

The Bix Bats symbol family was developed in 2003 by Argentinean designer Victor Garcia to complement his display text font Bix Plain. Bix Bats contains four different symbol fonts. Most of the characters in these fonts have their lower halves reversed out. Typing a line of text in these symbol fonts, or mixing these symbol fonts with Bix Plain, will create a very interesting text effect: the bottom half of your lines of text will be reversed out, on top of a colored bar. Bix Bats Arrows contains numerous possible arrow combinations, from archery references to the American recycling symbol. Bix Bats Funny includes all of the symbols needed for a party, from beer steins to bunny rabbits! Bix Bats Shiny has enough starbursts to light up a night sky, and in Bix Bats Wired you will find all of the technological accessories needed to be in the now. All four fonts are included in the Take Type 5 collection from Linotype GmbH."

Direct mail designers rejoice! Finally, a font family made just for you. Created to be as in-your-face as possible: for use as a primary headline; for dates and phone numbers; and for coupon heads and price points. Tired of kerning numbers for your coupons and prices? Then you'll love this font! All of the kerning has been done for you. (No more spacey 1's!) Designed for a tight kern - just track it in on larger sizes. Instead of standard weights, this font was designed to fit different width needs. Have a long headline, but your client wants it in one line and tall? Use the extra-condensed. Need something really bold for a phone number or price point, but you don't have much height available? Use the fat. And there are two more widths for those in-betweens. And to top it off - you can get them all in an oblique as well.

Sudtipos is proud to announce the release of Découpe, a display typeface program of eight fonts, designed by María Carla Mazzitelli and born during her Masters in Typography at the University of Buenos Aires (FADU-UBA). Inspired by gestural graphic expressions –like paper cut-outs (découpes) and spontaneous handwriting– from the most diverse postmodern and contemporaneous artists of the design world, Découpe has been created specifically to be used in big sizes. A little bit irreverent and effervescent from time to time, this gestural sans serif family reveals its contrasts and asymmetrical shapes when it breaks through display functions. From Light to Extra Bold, it reaches the most extreme weights, looking for power and impact. This program is meant to catch the eye in typographic compositions, to shout it out loud and clear. Definitely, to be seen. *Découpe has been recently selected to be part of different typography exhibitions such as Tipos Latinos and the Type Directors Club.

This series, with 104 illustrations in three files, collects original ink drawings with absurdities, bizarre people, whimsical personalities and risky behaviors! There is a very peculiar sense of narrative in the sucession of characters, even if they came out rather spontaneously and their order is random.With a vintage look and feel, these people seem to come out of a time capsule from Victorian times. Almost everything in the Bizarries (and also in their close relatives, our Illustries, Whimsies, Ombres, Absurdies and Genteta dingbats) is invented and drawn with no references —just a handful of images were sketched from historical photography. These illustrations can be very useful for a variety of projects, either in black and white, or colored in a paint or drawing application. You can use them at any size, from a small spot illustration to a huge poster, depending on your needs. The outlines remain crisp and clear no matter how much you enlarge, reduce, distort or tweak their shapes.

Built tall and strong, the Goodland font family is ready to do the heavy lifting in your next design project! Inspired by painted signs on industrial buildings in the town of Goleta, California, Goodland combines a mid-20th century aesthetic with modern features. Three widths: Normal, Condensed and Compressed Eight weights from ExtraLight to UltraBold Matching italics for all 584 glyphs support 223 languages, including Vietnamese & Cyrillics Two sets of Stylistic Alternates Variable font to select any amount of width, weight or slant The Goodland font family is a versatile branding solution. Extreme Light and Bold weights stand out in headlines and display type, while the mid-range Regular and Medium make for easily readable body text on light or dark backgrounds. Dial in the exact look you need with Stylistic Alternates and Variable Font features. Explore the many features of the Goodland font with wonderful things that have come out of the Goodland!

On a cold winter's night, George Ryan, of Galápagos Design Group, began musing on the possibilities for a “truly original” sans serif typeface. What came out of his musing, and his always-present sketchpad, was ITC Adderville, a typeface whose visual impact is immediate and strong. Ryan explains how he did it: “The rounded ends of its strokes and their skewed baseline contact create an illusion of dancing feet. The tops of lowercase stems emit serif buds, suggesting transition into or out of the serifed form. The spear-like lowercase stroke terminators, along with other distinctive elements such as the stylized reticulation of the lowercase 'g' segments, the salute of that same character's spur, and the bold, non-self-conscious 'i' and 'j' dots, all contribute to the playful and unique nature of this design.” The result is a friendly, lively type family whose graduated weights -- book, medium, and heavy -- lend themselves especially well to use at small display sizes and in short blocks of text.

OmegaPixel Font Description I created this font for the game Hyper Ninja Blast (but made it useful to all kinds of games!). While creating the game, I searched for pixel fonts, but could not find a suitable one. The fonts were generally ugly and lacking the basic variations (italic and bold). So I decided to create my own pixel font. Just as pixel art can be better than a high-resolution painting, so pixel fonts don’t need to be always worse than traditional fonts. In OmegaPixel I tried to achieve elegance, readability and flexibility within the limitations of a 6 pixel x-height. With 4 versions (regular, italic, bold and bold italic), and a neutral feel, OmegaPixel can be used in any genre of games. Considering the general lack of money among indie game devs, I’m giving the regular version for free! For inspiration, I often remebered Minion’s lowercase ‘a’, Galliard italic lowercase ‘g’, and the calligraphy of Chinese emperor Huizong.

Want to give your design a vintage look that still speaks to modern audiences today? Choosing the right font can do the trick. Introducing Groovy - A Vintage Modern Font. Use this unique font for web pages, social media, apps, ads, printed materials, clothing, packaging, and anything else your brand needs to stand out from the crowd. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.