This style was actually inspired by some old stock certificates Tom had collected. It’s a very versatile font and allows for some horizontal stretching. Fits almost any space.

Whether with pen on paper, or in digital, realistically connecting vertical handwriting is never an easy task to accomplish. After working with many handwriting fonts, and after intently dissecting so many different handwritings, one tends to expect such things to be quirky, disconnected, and almost never upright. In fact, in spite of vertical handwriting’s academically-sung virtues of rationality, efficiency, clarity and logic, very few people manage to deviate from the natural slant when writing. Even fewer manage to make the vertical handwriting connect and keep its natural flow. Calligraphy and upright cursive aside, it is almost impossible to make a vertical letters connect and maintain a real handwriting appearance. This is where the genius of this design comes in to bridge the gap between upright handwriting and calligraphy. Sincerely is based on one of the most fascinating handwriting designs to ever come out of Germany: Karlgeorg Hoefer’s 1968 Elegance for the Ludwig & Mayer foundry. It is a handwriting with the full meaning of the word, yet it possesses the rare, very commanding and appealing trait of being both vertical and connected while managing to remain realistic. It is the ultimate branding iron of handwriting fonts. When set and printed, Sincerely simply cannot be ignored. Ideal for humanity-asserting poster designs, lettering of short wording with plenty of space, poetry, notes, greeting cards, craft literature, book covers, history-related designs, and a whole range of other applications.

Bestina Signature Font is a delicated signature-style script handwriting font. With delicate and graceful lines, this font adds a personal and sophisticated touch to your designs. Use Bestina Signature Font to add an exclusive and elegant touch to logos, invitations, marketing materials, and various other design projects that require a special handwritten style.

A revival of one of the popular sans serif wooden type fonts of the 19th century, narrow, rounded strokes at top and bottom, pointed horizontal devices in centers, no lower case designed.

Goudy Handtooled was done in 1922 and is a shaded version of Goudy Bold. Some authorities credit the design to Charles A. Becker and others to Morris Fuller Benton and Wadsworth Packer.

In 1935 Schriftguss Dresden released Arno Drescher’s famous titling font Helion. This font was brought to life again and carefully extended with Baltic, Turkish and Central European character sets.

A cursive font with a curvilinear feel, named for the Scottish stream immortalized by the poet Robert Burns. Useful for menus, certificates, display lines, short paragraphs or poetry setting.

Skurier is a hand-drawn font inspired by monospaced fonts like Courier. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Inspired by Demeter’s Geperle Fournier, Baroque Pearl is a highly ornate display font of the same style which was carefully extended with Baltic, Turkish and Central European character sets.

PT Baroque Borders A is a baroque ornament-font for borders. Especially in combination with Fleischmann Gotisch you can made very impressive greeting cards, wedding invitations or decorative certificates.

PT Baroque Borders B is a baroque ornament-font for borders. Especially in combination with Fleischmann Gotisch you can made very impressed greeting cards, wedding-greetings or decorative certificates.

Tokyotrail is inspired by the capital of Japan. Over 2,000 square kilometers to explore. Lines run vertically horizontal and aslant. Square and geometric form attracts notice in various scenes.

Alph Deco is an artistic font designed to satisfy devoted friends of art deco. It supports West and Central European tongues as well as Baltic, Turkish and Romanian languages.

Live long and prosper. Barnhart Brothers and Spindler. 1884. Originally named Vulcan. Enough said. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Daniel Berkeley Updike seems to have stimulated the architect Bertram G. Goodhue to design the prototype in 1896 for Ingalls Kimball at the Cheltenham Press. Six years later Morris Fuller Benton at ATF developed it into the design and then the series that we know today. “Owing to certain eccentricities of form,” writes Updike, “it cannot be read comfortably for any length of time.” But he concludes: “It is, however, an exceedingly handsome letter for ephemeral printing.” Mergenthaler bought composing machine rights to the original design c. 1896, but bought the Benton design in 1904.

A revival of one of the popular wooden type fonts of the 19th century, a very useful design for display, lowercase missing, very narrow, unusual splayed serifs at top and bottom of strokes.

In 1928, the application of pure geometric form to sanserifs and slabserifs was in full swing. Morris Fuller Benton applied geometry to the Modern letterform to arrive at Parisian and Broadway for ATF.

In 1928, the application of pure geometric form to sanserifs and slabserifs was in full swing. Morris Fuller Benton applied geometry to the Modern letterform to arrive at Parisian and Broadway for ATF.

A handwritten font created with a 0.5 - 1 mm felt tip pen that works great with illustrations and comics. It seems a bit creepy because of the strokes getting smaller at the bottom.

Exquisite design, delicate but yet strong enough to make a statement just right for that special occasion.

Exquisite design, delicate but yet strong enough to make a statement. Just right for that special occasion.

A nice delicate script made for my little girl, Sadey. This penline script has 26 alternate characters.

Athletico is a layered type family inspired by college and university sportswear lettering. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Bejraby is a handwritten font, which cultivates love, and attracts all the beautiful things in the world. This font was created with the theme of beauty and freedom in love.

Penmanshift JNL by Jeff Levine is actually a semiscript - a vertical text font with the curved lines of a script alphabet, but the look and feel of a poster letter.

The Collegium is a font family inspired by college and university sportswear lettering. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Inspired by the streets of Brazil, Just Pixo is a display typeface that mimics pixação, Brazilian graffiti. In his book Pixação: São Paulo Signature, François Chastanet says, “This alphabet, with its vertical inscriptions axis, is to be directly classified in the king-size, monumental category; the systematic use of capitals, meticulously aligned and justified, their extreme verticality, are symptomatic of this architectural dimension”. As such, we designed Just Pixo for monumental type sizes and vertical alignments—a family with seven weights, alternate glyphs, multiple ligatures and is provided as a Variable Font too. Unique decorative serif capitals and lowercase sans serif versions make Just Pixo the perfect option for large displays, strong headlines, urban logos, and contemporary concepts. Despite its controversial use on the streets, this often politically charged style will typeface will take your next project to the next level.

The Dewani font is a font of original Arabic fonts and is specialized in writing in the offices of the Sultan and the kings of the Arabs. It is also one of the most beautiful Arabic fonts as it has the flexibility to write official graduation certificates, certificates of appreciation, scientific progress and decorations. It is also commonly used in writing posters and sequences for serials, films, medals and decorations on clothes. The Dewani font has its aesthetics derived from its round and interlocking letters.

Franklin Gothic SG is part of the Scangraphic Collection and designed 1902 by Morris Fuller Benton. Franklin Gothic is a trademark or registered trademark of Kingsley/ATF American Type Founders or its legal successors.

Naga is Hans van Maanen's original creation of art deco shapes interected with intricate mazes of what could be Celtic or Mesoamerican knotwork art. The totality of the typeface borders on the mysterious, exotic and yet clearly discernible as far as readability is concerned. Naga comes with a companion outline style that emphasizes its intricacy. Both fonts hold up quite strongly when combined with photo/illustration masks. The Naga family comes in both OTF and TTF formats, and includes an extended range of characters covering most Latin-based languages. A few unicase forms are also included.

A modern sans-serif, Atria is pinched at the junction of certain strokes, providing a distinctive appearance and aiding screen definition at small sizes. The glyphs cover Baltic languages and Cyrillic.

Alarionsa - font with straight horizontal serifs, vertical serifs have a slight angle of inclination. Lowercase letters are designed with somewhat inflated x-height. Perfect for both creating headlines and regular text.

Revers is a rough, grunge slab serif based on newspaper headlines from the 1950s. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Textur Gotisch is a real historic blackletter that contains a wide variety of ligatures and offers, with the Lombardic letters, a sacral style. Ideal for documents like certificates for mediaeval games.

Tygodnik is a font inspired by the logo of the Polish magazine Tygodnik Powszechny. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

What else is there to say? Children's wooden blocks inspired this playful face. Use and enjoy! Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Haldane is an Art Nouveau 'punctuated' (i.e. not joined) script, ideal for certificates, calligraphic lettering and signage. Stroke width vary from almost hairline to extremely wide. Great fun for every application!

Antidotum is a hand-made letterpress font with two different sets of capital letters. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

This high contrast nib strokes and angle make this delicate handwriting stand out on your next greeting card.