Dream To Berich is a Bold vintage style serif font with strong character and soft features. modern and classic serif font with a clear and bold look. It’s a very versatile font that works great in large. Its comes with two style regular and italic / slant, Dream To Berich was built with openType features, stylistic Alternate and Ligature makes your project will be awesome!! Perfect for editorial projects, Logo design, web font, clothing branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Lodge Introducing our retro chunky serif font, a bold and nostalgic typeface that brings a classic and timeless design to your projects. With its thick, distinctive serifs and strong character set, this font is perfect for creating eye catching headlines, vintage posters, and stylish branding. Embrace the 1970s-inspired aesthetics with this unique typography that adds a touch of nostalgia to your designs. Whether you're working on print materials, display graphics, or editorial layouts, our retro chunky serif font will give your projects a bold and timeless appeal.

Fargo is a decorative logotype font. Drawn and created by Mans Greback in 2020, this vintage sport lettering works has velocity, style and class. Use [ ] < > after any word to create a swash. Example: Snow] For a longer swash, use several characters: Decorative>>>> The typeface is provided in four styles: Regular, Italic, Bold and Bold Italic. Each style contains an alternate alphabet and ligatures, giving the calligraphy true customized possibilities. The font has extensive lingual support, covering all European Latin scripts. It contains all characters you'll ever need, including all punctuation and numbers.

Rundfunk Grotesk was produced together with Rundfunk Antiqua by the Linotype Design Studio in 1933-1935. The combination was originally intended for small point sizes and shorter texts. Unfortunately, this typeface was never completed and consists only of Antiqua roman and Grotesk bold. This unusual combination was chosen because small newspaper ads often use a semi bold for the headlines and a regular antique for the text. Rundfunk Grotesk is intended to be used exclusively in headlines and reflects in its unique character the spirit of the 1930s.

Ring Neck incredibly elegant and at the same time effortless. Another graceful set of Ring font family! Introducing Ring Neck is a condensed sans serif which has styles from thin to black to make your design more variative and unique. Good for bold branding, titling and headline who has come to be seriously and fun. This typeface can be so serious, fun, and bold it depends on for what purpose. Ring Neck like an other fonts of Ring family is still ready to meet the challenges of everyday life.

We have created this family from the numerous derivatives in use for newspapers since the middle of the 1800s to the 1970s, inspired by the well known Clarendon. Mainly, the patterns are those used to print Le Petit Journal, a popular French Newspaper of the era (published from 1863 to 1937). The present version contains Normal, Italic, Bold and Bold Italic styles, in two sub families: 1906 French News for texts and titlings with upper and lower case, and 1906 French News Caps (Caps, small caps, small numerals, for texts and titlings).

Nelona An elegant font designed when in a creative mood and perfect shape, inspired by the bold, natural look of serifs so beautiful for today's fashion. bold, balanced and varied, born for luxury and beauty. including uppercase letters, numbers, and various kinds of punctuation. Nelona is perfect for invitations, logos & branding, photography, advertising, watermarks, social media posts, product packaging, product designs, labels, wedding designs, stationery, special events or anything else needed to create a theme. Hope you enjoy our fonts and if you have any questions, feel free to message & I'll be happy to help :)

Arnica is a display font based on a simple geometry that uses circles (and modules) as a structure. It is an experimental project where, in place of upercases, has alternate characters and swashes. Furthermore, arnica has 50 discretionary ligatures which, when activated, give a totally different touch to the font and also has the bold weight, which reinforce the experimentalism of the project. Combining lowercases with upercases, plus discretionary ligatures and bolds, you can write the same word in several different ways. The character set offers more than 400 glyphs and support for many languages.

Koran Sans is a clean family sans humasnist style that is absolutely perfect for editorial headlines. The complete font family of upright and italic letters is easy for you to use 18 styles in many projects. This font is complete with symbols and multilingual. This font style is bold, bold, and sleek, making it perfect for editorial, web, posters, t-shirts, and magazine covers. . etc Including: Uppercase Letters, Numbers, Punctuation & Symbols. Multilingual Support Koran sans exudes character but is still useful thanks to its restrained geometric styling and modern construction.

36Dope is a display typeface with an experimental serif design. It draws from the event ’36DaysOfType’ held in 2023. Created as part of the ’36DaysOfPower’ theme, this font showcases unique and unconventional serifs, reflecting the creative and powerful spirit of the event. With its bold and experimental look, 36dope is well-suited for attention-grabbing headlines, titles, or graphic design projects that aim to convey a sense of strength and artistic innovation. This font is intended for eye-catching headlines, titles, or other graphic design projects that require a bold and experimental look.

“Byblos” is the name of a town in Lebanon and the name of a famous hotel in St. Tropez. Some time ago I discovered their original logo in an old french magazine, just 5 by 3 centimeters small without any text, address, telephone number not even a picture. They did not need that, that’s how famous the hotel and its old logo was. Well they abandoned their identity when the place was sold to a big chain – I think. But the logotype, just those five letters inspired me to this new font. It evokes times past and has a little Bauhaus in it – as well as a really modern touch, all depends on the way you use it. Your strange typedesigner Gert Wiescher

The condensed version of Hans van Maanen's Aragon is a headline star. The elements that made Aragon a popular "Dutch Garamond" text repeat here, with the slight stress shifts and tapering stems optimized for headline use. Aragon Condensed also comes in bold and italic variations. All three fonts contain extended language support, superiors and inferiors, and class-based kerning.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Introducing Black Dope is a bold brush font, it has a strong character. Inspired by the bold lettering found in classic show-cards and advertisements, it will add character to any design. This font is a blast from the past and a step into future. It’s bold, it has a strong character and it is full of life. Works perfectly in small size and large size. Eye-catching details show the temperament of the font. especially if you need to put a unique and strong character designed for your posters, headlines, T-shirt designs, labels, signage nameplates, brands etc. A Million Thanks www.colllabstudio.com

I originally wanted to call this font Instant Pudding. When I was a kid, we sometimes had instant pudding (the ‘add cold milk and rest in the fridge’ kind) for dessert. My brother and I loved the stuff, especially when some of the pudding powder had not dissolved and had turned into brightly coloured speckles! But this font, alas, did not ‘feel’ like instant pudding, so I hunted the internet for other, more obscure, puddings. I found Spoonbread. Apparently it is a pudding-like Southern American dish, made from cornmeal. I have never tasted it, nor do I particularly like corn (most of it is GMO anyway), but the font and the name became friends. And who am I to tear this beautiful relationship asunder? Spoonbread - use it for your packaging, your books, your posters and your games. And when you make Spoonbread, use organic cornmeal!

Droid Sans Pro Font Family (2 fonts) are a humanist sans serif typeface designed by Steve Matteson, Type Director of Ascender Corp. The Font Family is an approachable, friendly set of typefaces optimized for display on screen. It was designed to provide optimal quality and legibility. It features upright stress, open forms and a neutral appearance. The font was optimized for user interfaces and to be comfortable for reading on a mobile handset in menus, web browser and other screen text. The font family contains Old Style Figures (requires an application that support advanced OpenType typographic features) and extensive character set coverage including Western Europe, Eastern/Central Europe, Baltic, Cyrillic, Greek and Turkish support. Contains: Droid Sans Pro Regular & Droid Sans Pro Bold

Poliphilus is a facsimile of the text of the 'Hypnerotomachia Poliphili', after which it is named, published by Aldus Manutius in Venice in 1499, using a type that had been cut by Francesco Griffo. As a design, Poliphilus is related to Bembo, but whereas Bembo was redrawn, with the intention of making a new face based on an old design, Poliphilus is an exact copy of fifteenth century printing on hand made paper. So exact in fact that even the original ink spread is reproduced. This may not seem like a very sound idea for a typeface, but the letterforms are good and the design is functionally successful. Blado, the italic for use with Poliphilus, was used by Antonio Blado in 1539, and designed by the calligrapher Ludovico degli Arrighi. The Poliphilus type is used mainly for book and text work."

De Scripto is a flea market-inspired font borrowing letterforms from old letters, postcards and hand written notes.

CHARACTERISTICS The font name is a pun on the Ger­man word "Kitt­chen" (English prison/jail) and the English "Hell’s Kit­chen". The cha­rac­ter of the font looks as though the scum here — the guilty and inno­cent pri­soners carved/scratched their signs and mes­sa­ges at the pri­son walls of their jail cell. The cold, creepy and scratchy cha­rac­ter of the hand­writ­ten type­face is a very uni­que gloomy atmosphere. APPLICATION AREA The scary, dark, hor­ror, trash, hand­writ­ten script font "Hells Kitt­chen Devil God" with many symbols/dingbats would look creepy good at rusty dis­play size for head­lines. Maga­zi­nes or web­sites, movie pos­ters, music covers or webbanner. TECHNICAL SPECIFICATIONS Head­line Font / Dis­play Font / Trash Script "Hells Kitt­chen Devil God" Open­Type Font with 375 gly­phs — many symbols/dingbats, alter­na­tive let­ters and liga­tures (with accents &€) & 2 style (regu­lar, bold)

Roxborough CF is a dramatic serif, influenced by calligraphy and hand lettering. Built around a distinctive single-storey 'a' and full of rich detail, Roxborough pairs well with its expressive italics, lending an artful touch to text across print and digital. Roxborough CF pairs nicely with simple, bold headline typefaces, like Greycliff CF and Articulat CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Bazoka font is a display style that mimics the look of hand-drawn graffiti lettering. The letters are rounded and bubbly in shape, with a bold appearance. This style is perfect for informal or urban-themed designs, such as posters, flyers, and street art. Overall, graffiti bubble font is a fun and energetic way to add personality to your design. and this font include 3 styles regular, outline and extrude.

Our Luckiest Guy Pro was inspired by hand-lettering by vintage 1950’s advertisements. The uber-bold unicase letterforms exude charm and light-heartedness, while the SmallCaps and extensive figure sets expand the range of usability and appeal. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Kingfish is a perfectly playful display font with sweet ligatures. Inspired by hand lettering marker pen with bold, thick and strong style. The unique characteristics of kingfish make it suitable for logotype, packaging, branding, heading, poster, apparel, title, and more kids content. With a set of ligature characters make your have many choices to be creative. It brings joyful and happiness to all of us.

Crunold is a bold hand-drawn with dingbats as his mate. Inspired by today's popular designs, abstract shapes as an important element in both digital and print designs. Crunold is perfect for your creative projects. Because, a combination of typography, and the abstract shape of art. Makes your design perfect, also easier in the process. Crunold is perfect for branding, headlines, packaging, and many more.

Introducing! Merlandio is a hand painted font with a style natural, sweet and simple. Made with great care to provide the natural and modern elements. This font will look great if used single even with other pairing fonts. The great thing about this font is you can find some style when you use it, examples such as natural handwriting style, unique, simple, elegant, and bold.

If Mister Frisky is a bit too kooky for your project, try Woodrow. The big floppy serifs and hand-drawn strokes give this font very "Chanky" characteristics. Woodrow is bold, bouncy, fun and legible like Mister Frisky, but it is also a little more traditional and structured. Chank created Woodrow in 1997. It was named in honor of The Chank Company's first office assistant, Scott "Woodrow" Macdonald.

Aglio was developed from letterforms originally painted by muralist/artist Tanya Zabinski. Aglio maintains the character of bold brushstrokes with random gaps and marks, and there are flourishes of articulated endstrokes. This typeface merges the looseness and freedom of hand painting with a decorative artistic sensitivity. Aglio (the Italian word for garlic) has an organic construction that evokes the spirit of this most assertive culinary favorite.

In 1931, The Times of London commissioned a new text type design from Stanley Morison and the Monotype Corporation, after Morison had written an article criticizing The Times for being badly printed and typographically behind the times. The new design was supervised by Stanley Morison and drawn by Victor Lardent, an artist from the advertising department of The Times. Morison used an older typeface, Plantin, as the basis for his design, but made revisions for legibility and economy of space (always important concerns for newspapers). As the old type used by the newspaper had been called Times Old Roman," Morison's revision became "Times New Roman." The Times of London debuted the new typeface in October 1932, and after one year the design was released for commercial sale. The Times New Roman World Version is an extension of the original Times New Roman with several other scripts like with the Helvetica World fonts. It is part of the Windows Vista system. The following code pages are supported:1250 Latin 2: Eastern European 1251 Cyrillic 1253 Greek 1254 Turkish 1255 Hebrew 1256 Arabic Note: The Roman and Bold versions include the arabic scripts but they are not part in the corresponding italic versions. 1257 Windows Baltic 1258 Windows Vietnamese

Introducing Tooth & Nail; a rustic & hearty hand-painted dry brush font, designed to work in both all-caps as well as lowercase. It also includes a bonus vector pack, featuring 24 elements designed to boost your text and reaffirm it's hand-made style. With rough bold strokes and high quality textures throughout, Tooth & Nail is the perfect workhorse font for product packaging, promotional messages, handwritten quotes, home decor and branding projects. Tooth & Nail is reliable and familiar, like meeting someone for the first time and feeling like you've been reunited with an old friend. Tooth & Nail consists of 2 styles: 1. Tooth & Nail • A handwritten brush font containing upper & lowercase characters, numerals and a large range of punctuation. 2. Tooth & Nail Alt • This is a second version of Tooth & Nail, with a completely new set of lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option.

An ad in the May 27, 1939 issue of "Motion Picture Herald" for the film "Young Mr. Lincoln" featured the film's title hand lettered in a squared, bold pen lettering with rounded terminals along with an incised 'engraving' line. This formed the basis for Political Trend JNL, which available in both regular and oblique versions.

Bigroads Script is a layered bold script with extruding, inspired by a Retro aesthetic. Made in combination with hand lettering, it comes with dramatic movement and it’s great for any next creative project that needs a retro vibe or modern touch. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards.

Rooster Scratch is an uppercase handwritten typeface, it'ill give your work natural and hand crafted feel. Now you can see what happens, when rooster takes a marker pen in its foot. Perfect for quotes, logos, magazine & poster design, bold headers, apparel, packaging & label design. In other words this typeface is perfect for your next project!

Say Hello to Ballsye, a Superb bold display font. This font is a very bold font so it has a strong impression. But other than that, this font can also be a fun and playful font. Ballsye is perfect for branding design, posters, apparel, for logotype, website header, fashion design and any more. Come with Opentype feature with a lot of alternates, its help you to make great lettering. This font is also support multi language.

ROMANICA is a relaxed humanist sans with subtly curved corners and slightly flared glyphic terminals that are expressively angled where appropriate. Romanica has the authority of the ages without the harshness of many classically inspired typefaces. All eight fonts include a full complement of Latin Extended-A characters, Welsh diacritics, Irish dotted consonants, and additional oldstyle numerals. ROMANICA is available in three packages - • Basic Family (Regular, Italic, Bold & Bold Italic) • Light (Light & Light Italic) • Medium (Medium & Medium Italic)

Crossfit is a new headline font for great sizes, such as big movie posters, advertising or editorials. Matching topics might be adventures, sports, strong nature and all kind of challenging life events. Its bold stability transforms your creation into a non questionable design. It is bold, clear and also friendly thanks to its rounded corners. www.typethis.studio Thank you for checking out Crossfit font family. If you have any questions, please send us an email: hello@typethis.studio

A wide and thin hand lettered Art Deco design from the vintage French lettering book "L'Art du Tracé Rationnel de la Lettre" was the inspiration for French Deco JNL; available in both regular and oblique versions.

Cafeterio is a hand drawn cute font which makes it great for any children's design, be it a book cover, a t-shirt or a poster. Font includes latin and cyrillic characters, diacritics, numbers and punctuation.

Fluffy Tiger - Hand made brush font Soft & passionately handwritten by brush font perfect for statement, flyers, greeting and invitation cards, social media quotes, logo design, apparel design, label and packaging design, heading, scrapbooking, calendars, book covers.

Zuzana Licko's goal for Fairplex was to create a text face which would achieve legibility by avoiding contrast, especially in the Book weight. As a result of its low contrast, the Fairplex Book weight is somewhat reminiscent of a sans serif, yet the slight serifs preserve the recognition of serif letterforms. When creating the accompanying weights, the challenge was to balance the contrast and stem weight with the serifs. To provide a comprehensive family, Licko wanted the boldest weight to be quite heavy. This meant that the "Black" weight would need more contrast than the Book weight in order to avoid clogging up. But harmonizing the serifs proved difficult. The initial serif treatments she tried didn't stand up to the robust character of the Black weight. Several months passed without much progress, and then one evening she attended a talk by Alastair Johnston on his book "Alphabets to Order," a survey of nineteenth century type specimens. Johnston pointed out that slab serifs (also known as "Egyptians") are really more of a variation on sans serifs than on serif designs. In other words, slab serif type is more akin to sans-serif type with serifs added on than it is to a version of serif type. This sparked the idea that the solution to her serif problem for Fairplex Black might be a slab serif treatment. After all, the Book weight already shared features of sans-serif types. Shortly after this came the idea to angle the serifs. This was suggested by her husband, and was probably conjured up from his years of subconscious assimilation of the S. F. Giants logo while watching baseball, and reinforced by a similar serif treatment in John Downer's recent Council typeface design. The angled serifs added visual interest to the otherwise austere slab serifs. The intermediate weights were then derived by interpolating the Book and Black, with the exception of several characters, such as the "n," which required specially designed features to avoid collisions of serifs, and to yield a pleasing weight balance. A range of weights was interpolated before deciding on the Medium and Bold weights.

Regina-Cursiv is a warm, bold, casual typeface. Its friendly, rounded curves remind me of the line from a gospel song by the Canton Spirituals, about "smoothin' up the roughway." Jointly released by the Bauer and Berthold foundries of Germany during the fin-de-siecle period, this typeface has some cultural flexibility. There are alternate versions of the uppercase ‘H’ and ‘I’ that can be chosen to reflect a humanist or blackletter tradition, whichever you prefer. Other alternates offer various stylistic choices. Regina Cursiv is a friendly, comfortable font. You will enjoy using it. Alternative letters: D, E, G, I, K, S, T, d, h, k, m, n and z. The numerals are old-style figures.

S.A.M (Super Active Matrix) combines the big, bright and bold with the microscopic and mathematically precise. Inspired by old science fiction films and new technologies, S.A.M merges the rigid constraints of display mechanics with the free-flowing curves of neon signs. This font is great for a classic sci-fi look – perfect for headlines/logotype. S.A.M also works for blocks of text, unlike some other display fonts. The matrix exists to bring order to an idea – it tames the free-flowing curves of neon signage into a repeatable structure while maintaining a retro aesthetic. Each character, glyph or symbol is drawn on a bitmap grid, merged with a dot matrix to round off the edges.