Groundage is a Gothic Blackletter font that offers three styles: Outline, Regular, and Shadow. With its bold and clean calligraphic strokes, this typeface boasts a modern-vintage look that exudes elegance and masculinity. Its Y2K-inspired design makes it perfect for stylish posters, marketing materials, logotypes, and headlines. Additionally, it is great for art and craft projects, y2k-streetwear designs, and much more. What sets Groundage apart from other Gothic Blackletter fonts is its unique combination of traditional and modern design elements. Its clean lines and bold strokes give it a contemporary feel while its Blackletter roots pay homage to its historical origins. Groundage also includes both Latin and Cyrillic character sets, making it a versatile option for a range of projects. This font pairs well with other modern-vintage fonts and looks great alongside sans-serif fonts for contrast. Its three styles allow for versatility in design and can be used for a variety of creative projects. Groundage was designed with the intention of creating a stylish, masculine font that could be used in a variety of contexts. Its Y2K-inspired design concept was chosen to evoke nostalgia while still feeling fresh and modern. The combination of traditional Blackletter elements with a contemporary twist creates a unique aesthetic that stands out from other fonts in its category. Groundage is not based on any historical design, but its Blackletter roots pay homage to centuries of typographical tradition. Its modern twist on the classic Gothic style creates a unique and versatile font that can be used in a range of creative projects.

Linotype Graphena is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. It is a handwriting font designed by the Italian artist Giancarlo Barison. Consciously irregular and erratic, the letters dance across a page, large and small, tilted and erect. Linotype Graphena could be described as angular, restless, even mischievous. It should be set in point sizes no smaller than 12 and is best used for headlines and displays.

Legible, simple and very lovely sans serif is based on art deco advertisement from 1800s to early 20th. The sweetest sans for your retro-style project. This font include ligatures and small capital for advanced typography.

Merge is a soft family of sans, available in 4 weights. Readable at small sizes, it sets open and wide. At display sizes, the softness makes for a friendlier, more casual alternative to other rounded sans.

Agmena™ has no historical precursor; it was designed from scratch by Jovica Veljovi? whose aim was to create a new book typeface. Although it generally has certain similarities with the group of Renaissance Antiqua fonts, it is not clearly derived from any of these. Clear and open forms, large counters and a relatively generous x-height ensure that the characters that make up Agmena are readily legible even in small point sizes. The slightly tapering serifs with their curved attachments to letter stems soften the rigidity of the typeface, bringing Agmena to life. This non-formal quality is further enhanced by numerous tiny variations to the letter shapes. For example, there are slight differences to the terminals of the b", the "d" and the "h" and minor dissimilarities in the forms and lengths of serifs of many of the letters. The tittles over the "i" and "j" and those of the German umlauts are almost circular, while the diamond shape that is more characteristic of a calligraphic script is used for the punctuation marks. Although many of these variations are only apparent on closer inspection, they are enough to give Agmena the feeling of a hand-made typeface. It is in the larger point sizes that this feature of Agmena comes particularly into play, and individual characters gain an almost sculptural quality. The italic variants of Agmena are actually real cursives. The narrower and thus markedly dynamically formed lowercase letters have a wider range of contrast in terms of line thickness and have the appearance of having been manually produced with a quill thanks to the variations in their terminals. The lowercase "a" assumes a closed form and the "f" has a descender. The italic capitals, on the other hand, have been consciously conceived to act as a stabilising element, although the way they have been inclined does not produce a simply mechanical effect. This visual convergence with the upright characters actually means that it is possible to use letters from both styles in combination. Agmena is available in four weights: Book, Regular, Semibold and Bold, and each has its matching italic variant. Veljovi? designed Book and Regular not only to provide an optical balance between various point sizes, such as between that used for the text and that used in footnotes, but also to take account of different paper forms: Regular for lined paper and Book for publishing paper. Agmena's range of characters leaves nothing to be desired. All variants include small caps and various numeral sets with oldstyle and lining figures for setting proportional text and table columns. Thanks to its pan-European language support, Agmena can be used to set texts not only in languages that use the Latin alphabet as it also features Cyrillic and Greek characters. The set of standard ligatures has been extended to include special combinations for setting Greek and Serbian. Agmena also has some initial letters, alternative glyphs and ornaments. Agmena is a poetic text font with forms and spacing that have been optimised over years of work to provide a typeface that is ideal for setting books. But its letters also cut a good figure in the larger font sizes thanks to their individual, vibrant and, in some cases, sculptural effects. Its robust forms are not merely suited to a printed environment, but are also at home among the complex conditions on terminal screens. You can thus also use Agmena as a web font when designing your internet page."Agmena has received the Certificate of Excellence in Type Design at the Type Directors Club of New York TDC2 competition in 2013.

Say Hello to Nostalgia! A Modern Font with a retro feeling 3 Fonts Regular, Effect and Flowers Go back in time and travel through the magazines and graphics from the fabulous 1970´s. Different serif typefaces, rounded and bold were the big focus to add a spark of life and modernity to the products. Nostalgia is our contemporary interpretation of this beautiful collection of fonts. Our aim is to draw the positive mood of these nostalgic letterforms with softened edges and rounded terminations, to evoke a fresh and contemporary view on this graphic approach. An extended set of alternates & swashes specially designed to create stylish lettering compositions have been included. You can Access your OpenType features and discover all the possibilities. Combining the glyphs with "Nostalgia Icons" as well as changes of color you'll feel the magic. This endless collection of flowers and decorative forms will boost the vintage mood to any project. The result is a very versatile font that works in a wide range request, from logos, headlines, branding, magazine design to wedding cards, poster and so much more.

Meet the Yuk Ngexi Font: Strong, Bold, and Fun in Gaming Style. Who says design has to be boring? With the Yuk Ngexi Font, you can bring a touch of power, thickness, and gaming style fun to your every project. The Yuk Ngexi font is the perfect solution for various projects that require a unique theme. Whether it's for movies, games, or streaming game events, this font provides unmatched appeal. This font is designed with a strong gaming touch, giving each character a bold and striking feel. The Yuk Ngexi font comes in four different style variants: Regular, Blury, Outline, and Shadow. This gives you the flexibility to bring in a variety of nuances in your designs. Yuk Ngexi also supports multiple languages, allowing you to connect with a global audience easily. With Yuk Ngexi Font, you don't just get a font, you get the key to bringing creativity, power, and fun to each of your designs. Download the Yuk Ngexi Font now and watch how your design turns into something extraordinary!

Mr Eaves is the often requested and finally finished sans-serif companion to Mrs Eaves, one of Emigre’s classic typeface designs. Created by Zuzana Licko, this 2009 addition to the Emigre Type Library expands the versatility of the original Mrs Eaves with two complimentary families: Mr Eaves Sans and Mr Eaves Modern. Mr Eaves was based on the proportions of Mrs Eaves, but Licko took some liberty with its design. One of the main concerns was to avoid creating a typeface that looked like it simply had its serifs cut off. And while it matches Mrs Eaves in weight, color, and armature, Mr Eaves stands as its own typeface with many unique characteristics. The Sans version relates most directly to the original serif version, noticeably in the roman lower case letters a, e, and g, as well as in subtle details such as the angled lead in strokes, the counter forms of the b, d, p, and q, and the flared leg of the capital R, the tail of the Q. The distinctly loose-fitting letter spacing of Mrs Eaves was applied also to the Sans version. This, together with generous built-in line spacing due to a small x-height and extended ascenders and descenders, renders the same kind of lightness and airiness when setting text that is so characteristic of Mrs Eaves. Deviations from the original Mrs Eaves are evident in the overall decrease of contrast, as well as in details such as the flag and tail of the f and j, and the finial of the t, which were shortened to maintain a cleaner, sans serif look. And the lower case c had to be balanced out differently after it lost its top ball terminal. And with the loss of serifs, Mr Eaves set width is slightly narrower. Mr Eaves Italic also carries over many forms from its Mrs Eaves model, most notably the v, w, and z, which are unusually flamboyant for a sans italic design. It also utilizes lead in and terminal tails that are reminiscent of the serif italic. The biggest departure here is the width of the characters. The extra narrow gauge and delicate features seemed more appropriate for the Serif than the Sans. To allow for a comfortable fit, Mr Eaves Italic has a more robust design and wider character width. Meanwhile, the Modern family provides an overall less humanistic look, with simpler and more geometric-looking shapes, most noticeably in the squared-off terminals and symmetric lower case counters. This family has moved furthest from its roots, yet still contains some of Mrs Eaves’ DNA. The Modern Italic is free of tails, and overall the Modern exhibits more repetition of forms, projecting a cleaner look. This provides stronger differentiation from the serif version whenever a more contrasting look is desired. Each version (Sans and Modern) contains its own set of alternates providing unique options for applications such as headlines, word logos, letterheads, pull quotes, and other short text settings. Both the Sans and Modern come in six weights. The simpler forms of a sans-serif provide the opportunity of more weights than do serif letter forms, which are more complex in structure, making it difficult to accommodate additional weight without distortions. Regular and Bold match the original Mrs Eaves weights, while the Heavy provides an additional weight for extra emphasis.

Aviator, also known as Ventura Slim, is based on an old 1930s lettering style popularized by Carl Holmes in his wonderful book on the subject. Angular and at the same time aerodynamic, this low-waisted typeface is great for tight-fitting headlines and other condensed titling situations. You may find it equally useful in developing company logos with a truly retro look. This resurrected digital version of Aviator comes with a convenient and stylish set of alternate characters and small figures. Now enjoy your flight! Aviator is now available in the OpenType Std format. Some new characters have been added to this OpenType version including stylistic alternates and historical forms. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Cargo TRF is a revision of existing Cargo typeface dated 2001. The new version of Cargo consists of three styles—A (plain), B (punch-out holes) and C (screw heads). Cargo TRF is recommended for use in big sizes as a display typeface. It is available in OpenType format with Western CP1252 character set.

Doblo is a colorful and slightly retro layered type family designed by Joël Carrouché. Consisting of one master character, 8 different layers and a collection of extra ornaments, this fancy family allows several creative combinations and produces unique results. The fonts are delivered in OpenType format and include diacritics for most western & central European languages.

When a formation of jets flies over the top of a stadium before a big game, there is an unparalleled sense of excitement in the crowd. Flyover, a display typeface, captures that moment with an italic base, left-facing serifs, hollowed notches and a change in angle representing the instant the jets pass overhead.

Another one of those faces that caught my eye in one of my art deco type books, and I wanted it. After I finished the face, I noticed that there is a more clean-cut version of this face in digital format, but my version retains more of the funkiness of the original drawings.

Here comes a New font, Lonesome is a All Caps Brush Font that is written casually and quickly. Letters are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why Lonesome has Stylish and strong characteristic more natural look to your text with a more modern look to your text.

Atyp Kido with softened stem ends is a great alternative if you are creating branding or logotype with a feeling of warmth, love and playfulness. Atyp Kido comes in six weights with a rich language palette of expanded Latin, Cyrillic and Greek. The available variable format is a clear benefit for creating quality responsive design.

Farmer's Market PW is suitable for display use for titles, as well as paragraphs of text. This font contains tons of characters. Uppercase, lowercase, numerals, foreign characters, fractions, lots of alternates and ligatures as well as punctuation. Farmer's Market PW is available in OpenType and TrueType format which are both included in the same package.

Tiranti Solid is based on the original textured Tiranti created by English designer Tony Forster. This typeface lends itself more easily for use in digital formats while still maintaining the free-flowing calligraphy of the earlier design. Tiranti Solid consists of initial swash capitals complemented by a more reserved lowercase with many alternate letters.

OMG it's got a smiley face underscoring the exclamation point! What a sweet, charming handwriting font from the wrist of an 18-year-old Norwegian girl. A sassy skip and a flowery flair lift this particular marker font up a notch above the rest. Now available in OpenType format for your Personal or Commercial Use.

Shield 2 Letters Monogram Font is a perfect shield shaped monogram font consisting of 52 letters and 1 basic frame. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Shield 2 Letters Monogram Font comes with font file in OTF format.

Benoa is a versatile font family for your design, consist of 6 weights from thin to black with dozens of alternates. Benoa works well with any style of design concept, from branding to a nice bold modern look! Benoa also available in Variable format, multilingual support, numbers, and currency symbols, and dozens of alternates.

Bagins Sans Serif is a balanced, smooth, elegant and stylish sans serif font. He has a beautiful character. It fits perfectly with invitation card designs, company logos, movie titles, movie names, business cards, book titles, brand names and various other designs. Bagins Sans Serif is a subtle Sans serif font that exudes sophistication and elegance. Its stylish alternations and ligatures make this font the perfect partner for any project. FEATURE : - Ligature - Uppercase and lowercase - Numbering and Punctuation - Works on PC or Mac - Simple Installation - Supports Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works in Microsoft Word Hope you like it. Thank you.

Urbane Condensed is an addition to the popular Urbane series, a versatile all-purpose sans-serif family of six weights plus italics. Perfect for headlines and running text, it is clear, classic and authoritative. It explores the same idea-space as early geometric modernist sans such as Futura, Erbar, Spartan and Elegant Sans, with a single-story a, a contemporary high x-height and very slightly condensed bowls. Unusually for a geometric moderne sans, letter-widths are optically balanced, giving an even colour in setting. Includes a full international character set, lining, tabular and old-style numerals.

Urbane Rounded is a curved, friendly version of Urbane, a versatile all-purpose sans-serif family of six weights plus italics. It explores the same idea-space as early geometric modernist sans such as Futura, Erbar, Spartan and Elegant Sans, with a single-story a, a contemporary high x-height and very slightly condensed bowls. Perfect for headlines and running text, it is clear, classic and authoritative. Unusually for a geometric moderne sans, letter-widths are optically balanced, giving an even colour in setting. Includes a full international character set, lining, tabular and old-style numerals.

As designers, we seek perfection and originality. The more we step back and look at our work, the more changes we tend to find necessary. Drastic modifications are inevitable. The same is true of Grayfel. Grayfel began as an exercise at insigne to explore the crowded space of neutral sans. While the world of sans serifs is admittedly crowded, I still managed to find something new and different. The final Grayfel consists of 42 full-featured OpenType fonts containing three widths: Regular, Condensed, and Extended. Every width consists of 14 fonts--seven weights with matching italics, making it a good companion for setting clear text and headlines for print and screen. OpenType features are also available. There’s figure choices, such as proportional and old style figures. Additionally, Greyfel includes sophisticated typographic attributes: ligatures, fractions, alternate characters, small caps, superscripts and subscripts. Its extended character set supports Central, Western and Eastern European languages. Optical compensations also mean the outcome of this family is a hybrid of humanistic proportions. It’s a well-finished design with optimized kerning gives it a friendly look. If you like sans serifs within the tradition of Futura, Helvetica, Avant Garde and Avenir, then you’ll love Greyfel, too. Grayfel works well in a variety of applications. Subtly neutral yet fun, it’s suitable for headlines of all sizes as well as for text. Put it to the task for marketing, packaging, editorial work, branding and even on-screen projects. Try it out: it’s not just fun and playful; it’s Grayfel.

HD Colton is a 90-style super-sans from London Design Studio HyperDeluxe®. Using a combination of horizontal & vertical terminals along with squarish ovals, it is built with a confident structure that feels so much more than a neutral sans, it feels iconic. Engineered in 5 widths, compressed to extra wide, and in nine weights, HD Colton features a huge 90 styles that will offer your brand ultimate flexibility and variation in one font family. The black weights will help bring prominence to your brand while the light to mid weights will help you tell your story at a smaller size. HD Colton includes 1200+ glyphs per style, providing you with a workhorse sans that supports 200+ languages including extended Latin, extended Cyrillic and basic Greek. Also included are 5 stylistic sets, 2 arrow sets & numerous OpenType features (see last poster for complete list). The HD Colton complete family package comes with a single, 3-axis variable font so you'll have an infinite amount of combinations and uses for you to experiment with and add that touch of finesse to your visuals. Variable fonts are tech friendly providing smaller sizes for developers to work with, while also being responsive and used for motion design on the web. HD Colton key features: 3-Axis Variable Font. 90 Styles. 1200+ Glyphs Per Style. 5 Widths (Compressed, Condensed, Regular, Wide, Extra Wide). 200+ Languages Supported. Extended Latin, Extended Cyrillic, Greek Support. Stylistic Alternates for some key glyphs (J, Q, G, l, &, Arrows). Extensive OpenType features.

Linotype Agogo is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designed by British artist Ed Bugg, the font is reminiscent of the elegant 1920s and 1930s. It is a calligraphy font with five weights, one regular and four swash. The regular weight alone is clear and legible enough even for longer texts, although when used with swash characters, the texts should be shorter or headlines.

Brewery Factory This is a vintage font collection inspired by old brewery, pubs, bars and the style of their design. This collection includes 16 font styles - Serif and Script has a regular, rough, vintage, halftone style, as well as a regular and rough style for Serif and Script there are shadows in two versions - short and long. The script font includes alternatives for Uppercase and Lowercase, as well as swashes. This font is easy to use has OpenType features.

EPOXY - A font that exudes the playful and iconic vibes of the y2k era, inspired by the beloved Barbie cartoon style, where all hues are dipped in pretty pink. With 6 captivating styles for each type - Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic Features: Epoxy Main File Has 6 Variable: Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic Instructions (Access special characters, even in Cricut Design) Simple Installations PUA Encoded Characters Dharmas Studio

We were marveling one day at a colleague's handwriting. We noticed that it managed all at once to be casual and modern looking, yet admirably regular and legible as well. We took a few specimens of their writing as the inspiration for 'Sophie J', a family of two typefaces offered in regular and bold weights. Sophie J is ideal for posters, fun party invitations and anything else where a feeling of friendliness and warmth is required.

P22 Araminta is a new font family from the prolific hand of Ted Staunton. Araminta Regular is a Tuscan style decorative font in the Victorian tradition. The Araminta Caps features a multi-font chromatic type system which allows for layering in colors using optional floral embellishments or simple colorful splashes in drop cap settings. Araminta Regular includes over 390 glyphs for multiple language options, while the multi-layer caps fonts contain only the capital letters A–Z.

With two styles available for each type - Regular and Script, KNEEHOLE is your ideal choice for crafting logos, signboards, or elegant wordmarks. This font draws inspiration from the iconic typography trends of the late 60s and throughout the 70s, adding a touch of nostalgic flair to your creative projects. Features: Kneehole Main File Has 2 Families: Regular and Script Instructions (Access special characters, even in Cricut Design) Unique Letterforms Works on PC & Mac Enjoy Designing! Dharmas Studio

A new 100% handmade brush script font family with lots of swashes, alternates and extras. Caps letters in the script font can also be used as a separate font, so you are getting three, not two, fonts + some extras such as catchwords & design elements. Each letter was carefully traced by hand and have clear edges so both fonts can be safely used on a website (sans serif is 61kB and script is 150kB only!). The font is fully unicode mapped. Most letters in the script typeface have few different swash styles that can be accessed via OpenType panel of your application such as Adobe Illustrator, Adobe InDesign, Adobe Photoshope and even MS Word. If you are working in Sihouette Studio, to get an access to all glyphs you may need an additional software (for example, PopChar or Ultra Character Map).

Introducing Ante Cf Fonts. A font that's modern, clean, and bold like the roman sans serif font. This font comes in many weights up to 18 weights. The contrasts between thick and thin make this font unique. This font is made with modern characteristics which can give a bold impression in each character, making this font suitable for corporate needs for larger business needs. For branding purposes? Sure. This font is also made for the needs of this field, so that your branding seems more modern. And this font is also useful for news editorial purposes. Coupled with serif types and scripts are also very suitable. You can see all the examples of using this font above. Ante cf also supports various languages, so that it can make it easier for all countries to use and language usage.

Malou Verlomme’s Madera is a typeface made strictly for graphic designers, created as an indispensable type toolbox that can meet the needs of both print and digital environments. Verlomme has drawn on his extensive experience creating bespoke type for major brands, and Madera is a “typographic synthesis” of this work. Although designed as a restrained sans serif, the typeface has some punchy personality – with sharpened apexes that inject flavour into the design, particularly in the darker weights and when set at all caps. Madera sits alongside fellow geometric designs such as Proxima Nova, Gotham or Avenir, offering a straight-talking tone of voice but with some extra bite. If you’re a large corporation, with a typeface being used in many different environments you want something that's just the right balance of visibility and legibility to sustain an extensive amount of communication.” “The design is very solid but it doesn’t go out of its way to attract attention,” explains Verlomme. “It still has a fair amount of warmth and personality, in a very understated manner. The Madera typeface family has 32 fonts: Upright, Condensed and Italics. It is available in OpenType CFF and TTF fonts formats. Each typeface contains over 650 glyphs with extensive Western, Central and Eastern European language support. It also supports OpenType typographic features like alternatives, ligatures and fractions. Madera Variables are font files which are featuring two axis and have a preset instance from Hairline to Extra Black.

The most exciting new feature of DynaGotesk is the Vintage Italics stylistic set, which activates the decorative forms. It includes the looped "w", curved ascenders and descenders of many lowercase letters. These can significantly change the feel of a poster or invitation. DynaGrotesk may look like a revival of an old typeface, but it is not. It uses only some historical reminiscences, sharp edges and curved shapes, but it’s completely original design aimed at ease of use. The bigger the size, the more evident and pronounced are the spicy details. In smaller and even smallest sizes it’s appearance is qieter, very well suited even for long portions of text. DynaGrotesk was created in 1995 with the use of Multiple Master interpolation. But the MM fonts never achieved the desired application in industry, so designers returned back to single fonts. Over the following decades, the font was modified several times as an old house, and the present re-animation includes the Variable font format. Since its first release in the mid-nineties, it is widely used in all areas of graphic industry from small publishing to international corporate identity. The warm character of DynaGrotesk derives from early sans-serif typefaces, those which appeared before Helvetica. All 60 styles contain common OTF features like Small Caps, various sorts of figures, ligatures, Cyrillics, Greek, and full Latin diacritics. Perfect for branding systems and corporate identities, lettering, as well as cultural posters and catalogs.

Salma Alfasans is a modern sans serif font, created on February 25, 2021. The main inspiration for this font is its modern geometry and bold design, but looks elegant and smooth. This font is well-crafted and has almost no contrast at all. The advantage of the Salma Alfasans font is that it is very appropriate when used as a heading, but also looks good when used as body text. With many weight options, you can freely adjust the design scenario based on your needs. Salma Alfasans is very good for logos, branding, books (headings, sub headings, and body text), invitations, business cards and others. SALMA ALFASANS UPDATE VERSION 2.0 Update Details: - New designs and mayor changes - Tabular and proportional lining figures - Tabular and proportional oldstyle figures - Stylistic set for a, l, y, and G - Numerator, denominator, and fractions - New ligatures for ff, fi, fj, ft, fk, ffk, and more - Case sensitive, and - Arrows Language Support: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, , Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Thank you. Alifinart Studio alifinart@gmail.com Instagram | Behance

Sheet music for the 1930s song "Josephine" had its title hand lettered in a simple, bold sans design that is recreated in Song Sheet JNL. This bold sans is perfect for titling wherever strong emphasis is necessary.

An serif-sans mix offbeat comic font.