Annexia is a serif font with a several styles from Light to Bold. Serifs and stretched letters connect two times the past and the future, creating a perfect present. This font doesn't have a specific mood. Depending on the tasks, it can show itself in different ways. The font is perfect for both text, headlines, and branding. The font was designed by Pavel Bruev and released by Koshemare studio in 2021

Introducing “SLOB DOUGH” is a super bold typeface that is very suitable for use with various print and digital media, with its thickness capable of attracting attention when used as a headline or logo. SLOB DOUGH also comes with a textured version which is your choice for project design needs that are classic or vintage in style. Features: Uppercase – All caps Rounded & textured version Symbol and punctuation Multilingual support

Stories is a Charming Quotable font with a Brush style and extended kerning, special for your quotes. It puts a bold accent to your projects and it will inspire you to create something playful and unique. Stories will help you create special and touching typographical designs for your display quote projects. It is perfect for headings, flyers, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, and album covers.

At one time, the Hampton Publishing Company of New York specialized in producing reading and activity books for children. The “Letters and Numbers Stencil Book” (probably from the late 1940s or early 1950s) was the basis for Kiddie Stencil JNL. This bold sans serif type style replicates the handmade steel rule dies used for cutting the stencil pages of the book, and is available in both regular and oblique versions.

Put on your climbing boots and go on an adventure! Climbing Nevis is a modern condensed display font which comes in 3 exciting styles. With big, bold characters, Climbing Nevis is a perfect choice for headings, branding, signage, advertising, magazine layouts and much more! Working on an adventure themed project? Try Climbing Nevis Rough for a rugged, outdoor look. FEATURES Uppercase and lowercase letters Numbers, punctuation and symbols Multilingual support

Say hello to HEARTBEAR! A new handwritten bold script font with a simple and classy style! Really befit to all your design project,like invitation card,product logo,quotes, business card, food brand logo and much more. Heartbear coming with open type features like stylistic set 01and stylistic alternates and support PUA Encoded font files for use with software that doesn't support OpenType features such as Silhouette, Inkscape, etc

Suitnice is a retro font type with a fun and bold style that is a perfect fit for your retro vintage-themed projects. Try out some alternate characters for another visual result! There's some connected letters and some alternates suitable in graphic design projects such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes etc. These fonts have multilingual support, and alternate characters.

Kenwyn is a bold, geometric, Egyptian style slab-serif display font. It comes in two variations — Single Dot and Double Dot — each with an accompanying Stencil variation. Essentially a blend of circles and squares, Single Dot features a circular counter at the centre of each character, while Double Dot uses a lower and upper circle. Although the two variations are similar in principle, the results are visually quite different.

Magr is a modern and powerful sans font designed to elevate your sports team and athletic designs. With its sleek and dynamic appeal, Magr brings a professional touch to your projects, leaving a lasting impression. Unlock your creativity with Magr's six styles and twelve fonts, including both upright and italic options. Stand out from the crowd and make a bold statement with this versatile font that complements your sports-themed materials.

Museo Sans is based on the well-known Museo . It is a sturdy, low contrast, geometric, highly legible sans serif typeface very well suited for any display and text use. This OpenType font family offers also support for CE languages and even Esperanto. Besides ligatures, automatic fractions, proportional/tabular lining and old-style figures, numerators, denominators, superiors, and inferiors, Museo Sans also has a ‘case’ feature for case sensitive forms.

Souses — original fontfamily, which are made by hand. Universal typefaces formula of 10 fonts: Thin, Light, Regular, Bold, Black and Italics. Souses ideal for use in themes: ecology, village, natural, handmade & toys. Handmade style of the fonts — an advantage that will create loyalty to your products & company. Scope: animation, packaging, logotypes, movie titles, children's products, ecology, cafes, menus, posters, interiors, outdoor advertising. Optimized for the websites, mobile applications and printing materials.

EKUHOT Racing Font is a font that is designed with a precise shape and has many alternate variations and various ligature styles that make every word beautiful when written, make this font for various titles and text in your special projects so that your project looks beautiful. dignified character, bold and sporty. This font is perfect for headlines as well as others, what are you waiting for, use this font now.

Introducing a new script font with a bold and clear style. Yes you can use this font in your projects and make it even more classy. It can be applied to logos, video previews, crafts, apparel products, packaging, photographer watermarks, and any of your other awesome projects. for an overview you can see some of the previews above. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -Alternate -Ligature -Swash Thanks.

Wallet is an expressive handwritten font with loads of personality, suitable for many different projects. It comes in three styles: Felt, Felt bold and Chalk. Wallet has 391 glyphs and supports multiple languages. Opentype features, such as contextual alternates, for replacing beginning and ending glyphs as you type and double letter ligatures are also included. To make full use of its potential Wallet requires an opentype-savvy application.

Mark Stanczyk designed Linotype Typo American in 1999. The font is an excellent revival of American style typewriter type. As most of us can remember from our childhood years, or through old stories and movies, everyone used to type with typewriters before the invention of computers. Unlike computers, most individual typewriters only had one typestyle, or font, to chose from. To make matters worse, the letters in a typewriter font would wear down with use. Over time, text typed out on a typewriter would look more and more corroded, old, and uneven. Stanczyk has captured exactly these features in this “revival” font! Also like most older typewriter styles, Linotype Typo American’s letters are all mono-spaced, i.e., the letter i is the same width as the letter w. Typewriter letters also all tended to be cast in the same size, around 12 points or so. When using typewriter-style fonts, it is best to keep setting your text in similar sizes. (Of course, you can set really large and fun headlines with Linotype Typo American, too; if anything the unevenness of the design will come even more across in these applications.)

Aderos is a refined and professional slab serif font family that offers a fresh take on the modern and bold aesthetic of its predecessor, Adero. This font family introduces a range of styles that provide versatility and visual impact. With its four width variations – Normal, Extended, Wide, and Stretch – Aderos delivers an exciting array of extreme wide letterforms that command attention. Designed with precision and attention to detail, Aderos is particularly well-suited for branding projects, where it can lend a distinctive and authoritative presence. Its strong and bold letterforms make it an excellent choice for titles and headings that demand impact and legibility. The spacious layout of Aderos further enhances its professional appeal, allowing for clear and organized content presentation. Whether used in print or digital applications, Aderos brings a sense of sophistication and professionalism to a variety of design projects. Its versatility and range of styles make it a valuable asset for designers seeking to create visually compelling and memorable visuals. With Aderos, you can elevate your designs with its refined slab serif style and confidently communicate your message to your audience.

“Chalkís” or “Chalkida” was the capital of the Euboea island in old Greece. The name derived from the Greek and it means copper - bronze. Colonist from this area founded several important cities in the Magna Graecia, such as Cumae (coastal area of Southern Italy), where our alphabet come from. At the beginning, first scribes draw the signs in mono-line, but later on, the influence of materials, tools and the skill of calligraphers, developed the refinement of the lettering. “Calcis” is a family of sans serif fonts, characterized by its austere, functional and clear style, emerged from straight lines and primary shapes; but enriched by the contribution of countless anonymous calligraphers who have polished and embellished their forms over the years. “Calcis” is presented in five weights and italic style. It has good legibility in small sizes, elegance and strong visual impact in headlines as well. Each font of the family contain 377 glyphs with accurate kerning pairs careful controlled, and advanced typographical support with OpenType features such as: old style numerals, ligatures, discretional ligatures and case-sensitive forms. It also contain diacritics for Central European languages.

Introducing Patihan, the font that will bring your designs to life! With sharp, strong, bold characters. Patihan font family is a combination of three different styles – Sans, Slab, and Serif – each with nine different weights: Thin, Extra Light, Light, Regular, Medium, Semibold, Bold, Extrabold, and Black. This font has beautiful Ligature and Stylistic Alternate settings, Patihan font is also equipped with the Smallcaps feature which gives more control over the typography, allowing you to create elegant and unique typography. Sans version of this typeface is versatile and easy to read, with a minimalist but impactful aesthetic. The Slab version is characterized by its solid, powerful strokes, while the Serif style has that extra classic flair with elegant curves and extreme contrast to its look. Patihan font is optimized for readability, making it a great choice for headlines, titles, and any long-form content. Ligature settings and discretionary styling add an extra layer of sophistication, making this font a great choice for magazines, branding and advertising. Overall, this font is a great choice for those looking to make a lasting impression. Its versatility, readability and unique features make it an excellent choice for any project.

In the last years our society has change a lot. Nowadays cities and countries are no longer static territories with well-drawn borders and a population perfectly defined. Globalization is a fact and the best consequence of it is the mixture of races, ideas and cultures, and this is exactly what this typography aims to show. Albollón is at once a semi-serif and a semi-sans serif typeface; it is a mixture made with the best parts from both sides. This way is how I understand a healthy society and a healthy design too. Albollón is designed to work in all types of text, both long and shorts, big and small ones.

Duvall is an idealization created from the Edward J. Duvall lettering. Mr. Duvall was a teacher in lettering, who was well known for his book “Modern Sign Painting” in the late 40s and early 50s. Duvall cursive script is presented in five weights, Duvall 1, as a light version, to Duvall 5 as a bold version, and Duvall Style a decorative typeface with Inline, ideal for set in color layers combined with Duvall 5. Duvall is a Script font with low contrast, not intended to be used as a type of reading, but is however well adapted to small sizes because its simple form is easy to read. It is advisable to use this font for large to medium sizes. Duvall is ideal for composition, ordinal, superior and inferior numbers, and thanks to the OpenType features you can compose with alternate characters, old style numbers and with a complete set of glyphs for Eastern and Western European languages. The Duvall set comes with a font called Duvall Ribbons, a dingbats font with which you can create interesting headlines with the taste of the advertising of the 50s. Duvall FunWords is a dingbats playing with funny words in English, French and Spanish phrases. Duvall is ideal for packaging, signs, banners, branding and graphic design in general and can be combined harmonically with your favorite sans fonts.

Century Gothic™ is based on Monotype 20th Century, which was drawn by Sol Hess between 1936 and 1947. Century Gothic maintains the basic design of 20th Century but has an enlarged x-height and has been modified to ensure satisfactory output from modern digital systems. The design is influenced by the geometric style sans serif faces which were popular during the 1920s and 30s. The Century Gothic font family is useful for headlines and general display work and for small quantities of text, particularly in advertising. Century Gothic family has been extended to 14 weights in a Pan-European character set from Thin to Black and their corresponding Italics. The already existing 4 weights of Regular and Bold with their Italics are additionally still available in the STD character set. For international communication, the W1G versions offer the appropriate character set. They contain Latin, Greek and Cyrillic characters and thus support all languages and writing systems that are in official use in Western, Eastern and Central Europe. Century Gothic Variable is features two axes: Weight and Italic. The Weight axis has preset instances from Light to Black. The Italic axis is a switch between upright and italic. Looking for the perfect way to complete your project? Check out Aptifer™ Slab, ITC Berkeley Old Style®, FF Franziska™, Frutiger®, ITC Legacy® Square Serif or Plantin®.

Century Gothic™ is based on Monotype 20th Century, which was drawn by Sol Hess between 1936 and 1947. Century Gothic maintains the basic design of 20th Century but has an enlarged x-height and has been modified to ensure satisfactory output from modern digital systems. The design is influenced by the geometric style sans serif faces which were popular during the 1920s and 30s. The Century Gothic font family is useful for headlines and general display work and for small quantities of text, particularly in advertising. Century Gothic family has been extended to 14 weights in a Pan-European character set from Thin to Black and their corresponding Italics. The already existing 4 weights of Regular and Bold with their Italics are additionally still available in the STD character set. For international communication, the W1G versions offer the appropriate character set. They contain Latin, Greek and Cyrillic characters and thus support all languages and writing systems that are in official use in Western, Eastern and Central Europe. Century Gothic Variable is features two axes: Weight and Italic. The Weight axis has preset instances from Light to Black. The Italic axis is a switch between upright and italic. Looking for the perfect way to complete your project? Check out Aptifer™ Slab, ITC Berkeley Old Style®, FF Franziska™, Frutiger®, ITC Legacy® Square Serif or Plantin®.

Pellegrino Artusi was a celebrated Italian food writer, who is credited with the creation of one of the most influential cookbooks in the history of Italian cuisine. Taking inspiration from his legacy, Francesco Canovaro decided to work on a typographic homage to the delicacy and finesse of Italian traditional cuisine. Aptly named Artusi, the typeface is an enchanting combination of traditional Italian style, contemporary refinement and a playful touch of innovation. It is a transitional serif typeface with both text and display versions, developed on a wide range of seven weights and including a huge range of alternates, OpenType features and ligatures. Each weight of Artusi works like a different course in a balanced meal. Lighter weights are our starters, with their high contrast between thicks and thins, delicate curves, balanced proportions and subtle spiky serifs. The main course are naturally the regular and bold weights, where traditional Italian old style is enriched with a peppery kick of modern details. For dessert, the heavy weights offer luscious curves, opulent calligraphic swashes and eye-catching details, suitable for packaging and logos. When it comes to typography, let Pellegrino Artusi’s legacy inspire you. From packaging to web pages, Artusi typeface will bring a feeling of tradition, craft and quality to any project. Because, as Pellegrino would say, “To make a great impression, you have to choose the finest ingredients”... Buon Appetito!

Aeroboost is a sporty look with a strong and sporty feel, perfect for your titles, logos, typography, flyers and various design needs, making your designs more modern and professional. Aeroboost comes with these all caps making them look strong and bold, giving them a bold and modern feel, so enjoy creating any project that will showcase your main idea!

Khayla Almira is a clean and elegant sans serif font, this font also provides ligature and alternate letters, this font itself has 6 families, namely regular, line, bold, regular italic, line italic and bold italic. for use as logos, display designs, and also for other purposes, make sure you have this font collection on your device.

3 weights (Light, Regular, Bold) 613 glyphs Character set A-Z Uppercase & Lowercase Numerals & Punctuation Multilingual Language support: Latin, Greek, Cyrillic Works on PC & Mac Kica is a modern display typeface that is characterized by its clean lines, bold strokes, and geometric shapes. This typeface was designed with the intention of creating a strong visual impact and capturing attention.

The hand lettered cast credits for the 1932 George Arliss film “The Man Who Played God” inspired Lobby Poster JNL, which is available in both regular and oblique versions. A bold and playful Art Deco poster alphabet, its nonconformist character widths and shapes are casual enough for informal designs yet bold enough to get any point across.

Maca Bold is a friendly, modern and youthful handwritten font. It's unique handwritten look is ideal for design projects such as logos, social media posts, invitations, packaging or blog headlines. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, ligatures and multilingual support. Maca Bold will definitely make your text stand out.

Wrought is a bold geometric display font by Jon Cartagena. It's purpose is to give a rugged, heavy feeling to your designs. Wrought is available in four weights: Thin, Light, Regular, and Bold. Each character is carefully designed to be vertically aligned at the center. This gives Wrought a unique flair, while promoting a harmonious look through each word.

As a display typeface in expanded form, SpaceLab is a futuristic font of rigorous geometric construction designed for headlines or to label the intergalactic ships and other electronic and mechanical devices of the future. SpaceLab has a set of ligatures that make it more versatile to use. SpaceLab comes in two versions: Regular, Regular-Italic, Bold and Bold-Italic.

Goldie Boxing is a Bold Brushed Handdrawn Font. Goldie Boxing is a bold display font with an autumn theme. Add this chunky lettered font to your designs and notice how it makes them come alive! Goldie Boxing also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

IA Airship Captain is a good readable comic book dialogue font made with a marker with wavy lines, giving it uniqueness and recognition. The family includes Regular, Italic, Bold, and Bold Italic. And contains a large number of kerning pairs. Added extended Latin, extended Cyrillic and contextual autoreplacing crossbar "I" in words like I, I'm, etc.

Time to EMbrace the new EMerging typeface from WiltonFoundry : EM consisting of EM Regular, EM Italic, EM Bold, EM Bold Italic. Loosely based on our very popular Cyan typeface, EM is EMphatically the most distinctive and modern typeface we’ve created yet. Slight variations between thick and thin with stenciled effects, and Flared stem EMphasis for character. Go get’EM!!

Sugaqi is a visual embodiment of courage in the form of a superhero display font. Tailor-made for projects that require a bold, bold, and punchy look like movies, games, or standout designs. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Cielo font family consists of Cielo Light, Cielo Light Italic, Cielo Regular, Cielo Italic, Cielo Bold, Cielo Bold Italic, and Cielo Stencil (Regular weight) Cielo is a versatile contemporary typeface family that will serve you well in many design situations like advertising, corporate communications, etc. Buying all seven weights make it an excellent value for money!

Scriptissimo-Forte is the bold version of Scriptissimo. When using the normal cut of Scriptissimo I sometimes had the feeling that I could well use a bolder cut to make a bigger impression, so I simply made that cut for myself. I think you can use it too; try it out. Yours very bold scriptissimo, Gert Wiescher

Mizwinki Display is an all caps sans serif font family that seamlessly blends organic elegance with ornate industrial precission reminiscent of the Art Deco period. The typeface has organic forms that give it a clean decorative and somewhat oriental appeal. This trendsetting trio consists of three font styles, all denoted as MD (Mizwinki Display): MD-Base: This style forms the foundation of the font family, featuring smooth stems and geometric terminals. It blends organic and industrial designs, with letterforms like E, F, W, N, and M crafted from continuous flowing geometry. MD-Ink: Building upon MD-Base, this style introduces spurs and slits, evoking the ornate look synonymous with classic tattoo art letterforms. MD-InkLine: A unique offshoot of MD-Ink, this style features an inline aesthetic that enhances the ornate appeal. Tighter spacing between letterforms allows the glyphs to blend into each other while maintaining legibility within the inline letter silhouettes. Ideal for logos, headlines, packaging, digital ephemera, and apparel, Mizwinki Display is versatile. Despite being a display font, it works well at smaller sizes and is suitable for low-count body copy. Technical Specs: _____________________________________________________ 3 Font Styles / 12 Open Type Features / Extended Latin Character set (Basic Latin; Western, Central and South Eastern European Latin) / Currency Symbols / Punctuation and Parenthesis / Arrows / Basic Mathematical Symbols / Special Symbols / Basic Numerals / Circled Numerals / Numerators and Denominators / Table Figures / Inferiors and Superiors & Fractions Support for 112 Languages: _____________________________________________________ Afrikaans / Akan / Albanian / Asturian / Asu / Bafia / Basque / Bemba / Bena / Breton / Catalan / Chiga / Colognian / Cornish / Croatian / Czech / Danish / Duala / Dutch / Embu / English / Estonian / Ewe / Faroese / Filipino / Finnish / French / Friulian / Fulah / Galician / Ganda / German / Gusii / Hungarian / Icelandic / Igbo / Inari Sami / Indonesian / Irish / Italian / Jola-Fonyi / Kabuverdianu / Kalenjin / Kamba / Kikuyu / Kinyarwanda / Koyraboro Senni / Koyra Chiini / Langi / Latvian / Lingala / Lithuanian / Lower Sorbian / Luba-Katanga / Luo / Luxembourgish / Luyia / Machame / Makhuwa-Meetto / Makonde / Malagasy / Maltese / Manx / Masai / Meru / Metaʼ / Morisyen / Northern Sami / North Ndebele / Norwegian Bokmål / Norwegian Nynorsk / Nuer / Nyankole / Oromo / Polish / Portuguese / Quechua / Romanian / Romansh / Rombo / Rundi / Rwa / Samburu / Sango / Scottish Gaelic / Sena / Serbian / Shambala / Shona / Slovak / Soga / Somali / Spanish / Swahili / Swedish / Swiss German / Taita / Tasawaq / Teso / Turkish / Upper Sorbian / Uzbek (Latin) / Vai / Volapük / Vunjo / Walser / Welsh / Western Frisian / Yoruba / Zarma / Zulu

When ITC Officina was first released in 1990, as a paired family of serif and sans serif faces in two weights with italics, it was intended as a workhorse typeface for business correspondence. But the typeface proved popular in many more areas than correspondence. Erik Spiekermann, ITC Officina's designer: Once ITC Officina got picked up by the trendsetters to denote 'coolness,' it had lost its innocence. No pretending anymore that it only needed two weights for office correspondence. As a face used in magazines and advertising, it needed proper headline weights and one more weight in between the original Book and Bold."" To add the new weights and small caps, Spiekermann collaborated with Ole Schaefer, director of typography and type design at MetaDesign. The extended ITC Officina family now includes Medium, Extra Bold, and Black weights with matching italics-all in both Sans and Serif -- as well as new small caps fonts for the original Book and Bold weights.

When ITC Officina was first released in 1990, as a paired family of serif and sans serif faces in two weights with italics, it was intended as a workhorse typeface for business correspondence. But the typeface proved popular in many more areas than correspondence. Erik Spiekermann, ITC Officina's designer: Once ITC Officina got picked up by the trendsetters to denote 'coolness,' it had lost its innocence. No pretending anymore that it only needed two weights for office correspondence. As a face used in magazines and advertising, it needed proper headline weights and one more weight in between the original Book and Bold."" To add the new weights and small caps, Spiekermann collaborated with Ole Schaefer, director of typography and type design at MetaDesign. The extended ITC Officina family now includes Medium, Extra Bold, and Black weights with matching italics-all in both Sans and Serif -- as well as new small caps fonts for the original Book and Bold weights.