A light hearted comic and clumsy typestyle inspired by an old pulp novel called "The Astronaut". Several fun ornament characters can be accessed by turning on Discretionary alternates and typing "jones" for the Astronaut Head in an O, "atom" for a spirograph atom symbol, "little dipper" and "big dipper" for the constellations, as well as alternate "the", "and", and stacked "and the" characters.

NorB Scribe is a handwritten text font witch can be used with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! It comes with 6 weights featuring Light, Normal, Bold with their Italic version.

Lichtspiele Reklame is the ultra condensed version of Lichtspiele inspired by the 1920s — the golden age of cinema — where neon lights and marquee letters decorated cinema facades. Lichtspiele Reklame is crafted for large narrow formats and contains the display font and two italics (italic & contra-italic), like in these 20s, a time where movie announcements were shown on huge so called Litfaßsäulen.

This ‘pear-shaped’ typeface literally defines its original design inspiration in the first capital letter. The clean-cut lines and uniquely curved letterforms, combined with a thoughtful mix of squared & rounded terminals, all help make Avocado Sans such a stylish and legible font, very easy on the eye. Available in two practical weights, Light & Regular, each offering alternate style options.

A narrow sans serif, FUD Grotesk was inspired by brutalist architecture and modernist typography. There is a subtle stroke contrast, many inktraps, and even some microserifs (look for them in the main strokes!). Note the closed bowl apertures, exaggerated in the alternate forms, which result in a dense, ornate typeset. Five weights (from Light to Bold), and a large set of discretionary ligatures.

Hustine Font is a stylish and elegant handwritten signature script font that comes in two variants: light and regular. This font features a flowing and graceful handwritten style, capturing the essence of a personal signature. Both variants maintain the authenticity and natural beauty of handwritten script, making them suitable for various design projects such as logos, branding, invitations, and more.

Belhampton is a lively display family, full of the spirit of the Edwardian era. Six typefaces are offered: regular, bold, light, oblique, embossed and outline. All include an extensive range of stylistic alternates and discretionary ligatures, as well as lining and old-style numerals. Belhampton is ideal for poster and display work, or just the thing for any piece of Belle Epoque design.

German type designer Frank Heine created this display FontFont in 1994. The family contains 2 weights: Light and Bold and is ideally suited for festive occasions, editorial and publishing, poster and billboards as well as software and gaming. FF Instanter provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining and proportional oldstyle figures.

In August 1930, Jan Tschichold described a new typeface, that is "producable by everybody without further knowledge" in the publication Börsenblatt für den Deutschen Buchhandel. Sebastian Nagel has extended the original drawing to 7 weights (black, extrabold, bold, semibold, regular, semilight and light), with full coverage of the Latin 1 character set. All fonts also include small caps and alternate characters.

Borba is light, fresh and friendly at first glace. It's simple, modern and elegant due to its monoline and minimalistic form. It is really readable which makes it perfect for long texts but it looks great in titles and short sentences as well. To sum up, borba is a universal typeface which may be used whenever you need a stylish and modern typography.

Varvara is a new display typefaces family create as a tribute to the work of Barbara Stepanova (1894-1958). Varvara family has light, medium and bold weights in 6 differents versions (normal, rough, screen, inline, shadow and star), all with alternates letters. All versions are provided in latin, cyrillic and greek alphabets. It can be use for text as for titling applications.

Amundsen is an all-caps stencil-like face with a unique look due to several originally shaped glyphs and overlapping letters. The font is equipped with automatic discretionary ligatures and it comes with a fine-tuned kerning. As the ligatures combine light letters, the overall look remains balanced even with wider display oriented spacing. Amundsen supports West as well as Central European languages.

Luxury Home is a slab serif typeface of 9 weights from Extra Light to Extra Black and can be used as both a headline and text face. "Luxury Home" is recommended for using in long-form writing and articles, since a serif is far more readable for longer passages of text. The typeface has a carefully crafted weight range, with ligatures .

Saffron is a contemporary, luxurious sans-serif font family with weights ranging from Light (300) to Bold (700). Features: Available in 5 weights Over 320 glyphs supporting extended Latin Ideal for display texts: Titles, Logos and Headlines etc. Perfect for branding and rebranding Supports OpenTypes features like Ligatures and Stylistic Alternates Symbols for 10 major currencies including Bitcoin provided in all weights

Kaldi is a tall condensed typeface that has gone through a natural process of handcraft and refinement to produce a speciality blend. On consumption expect light and dense notes with an earthy undertone. This font family was inspired by the legend of Kaldi – the goat herder who discovered the coffee plant after his goats started dancing after eating the coffee cherries.

Trump Mediaeval is an Old Face font developed by Georg Trump between 1954 and 1962. All cuts have both normal and old style numbers and their robust characters make them suitable even for inferior paper. Light and legible, the open forms of the lower case letters allow this font to be legible in text with as small a point size as 5.

Shortly after the creation of Chauncy Deluxxe, Chank realized that he needed a condensed font to go with the regular version of his handwriting. The solution was Coffeedance, a fun, light, dancing, dandy handmade font. Makes me think of frozen treats as the lines wiggle a bit like they’re shivering. Brrrr. Coffeedance was Chank’s Font of the Month for November 1998.

Detori makes its appearance offering you a clean and unpretentious typeface. It embraces a dreamy quality owing to its slightly wider apertures, creating a more informal look for your writing. Available in 9 weights (all with matching obliques), Detori has you covered for all uses, including modern-looking discrete thin and light weights to Bold and Black where extra emphasis is required.

Churchward Isabella is a five weight typeface family originally designed during the 1980's by the late type designer Joseph Churchward, from New Zealand. A straightforward, geometric sans serif, it is a no-nonsense, highly legible workhorse design, readable on screen as well as in print, for text, headline and display. The family includes Light, Regular, Medium, Bold and Extra Bold.

Spike was designed as a Latin type family, with the characteristic triangular serifs, but with more character and range of weights than the more common latin faces available. Designed as a display face, it could be used as a flavorful text face in special situations. The complete family consists of four fonts: light, regular, bold and an all-caps incised version.

Battleslab is a slab serif made for setting few words in large sizes. Two heavily contrasted weights work well when combined, with its mono-line wide light and heavy black it is perfect for making that "one-two punch" in headlines or logotypes. Display oriented Battleslab derived from Battlefin Family (which is much more comprehensive with its ligatures, italics and SC).

This font is inspired by graffiti calligraphy, it's only block letters in a modern style and more readable. The name "Marins Perdus" is from a novel by Jean-Claude Izzo "Les Marins Perdus", set in Marseille. The letters of "Marins Perdus" have a light inclination to the left, slim letters in a cool style, perfect for a title or a street event.

Koara is a handmade font family inspired by nature. It's composed of two versions, (rough and wild) and available in the weights, light, regular and bold, with an alternative capital K, linear lowercase and capital numbers. It's recommended for large titrations, small paragraphs, typographic compositions and logotype, Koara shines on several backgrounds like leafs, jungle, nature images and even organic food.

Xyngia is a professional modern sans serif typeface. Thanks to its excellent legibility it is a great choice both for on-screen use as well as print purposes. Xyngia is designed for use in long and short paragraphs of text, headlines and user interfaces. Its design nuances gives it distinctive character making it an interesting option for brand identification and logo design. Xyngia consists of 22 fonts - 11 weights and their corresponding italics. It has extended language support (over 1000 glyphs) and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, oldstyle, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Introducing Rotten Banquet, our first victorian display font. This font inspired by 1800s typography design with some modern touch at it. We made this font without too much swashy efefct on the letterform. Just gave it two bold ripple floral effect at the tail is enough. So this font will more readable and not too complicated thus you could make any kind of projects with this font. In the preview we give you a sample ideas. We made it with one style design for the continuity but of course you could make your own style display for your own project purposes. This font contained with 370+ total glyphs. Each uppercase and lowercase have their own stylistic alternate at least one.

Akwe Pro™ is a professional, ultra versatile sans serif typeface characterized by excellent legibility and modern design perfect for all design purposes. It is designed for use in long and short paragraphs of text, headlines and user interfaces. Its distinctive character and carefully crafted proportions make it a great option for brand identification and logo design. Akwe Pro™ mega family consists of 164 fonts - each weight in uprights, italics and small caps versions. It has extended language support and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, old style, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

In May of this year, I went to Japan with my (then 11 year old) son Sam. It was his dream to visit Japan, probably because of my tall tales, stemming from the time I was a tour guide! Sam really wanted to try all kinds of Japanese delicacies and one day, when walking around Tokyo, we came across a little stall selling Taiyaki. Taiyaki are fish-shaped waffle/cakes with a red bean or sweet potato filling. They are really delicious! This nice ‘oriental looking’ font was made with a broken popsicle stick and Chinese ink. You are now wondering why I always use Chinese ink and not Japanese ink. Well, I have a stash of the Chinese stuff and it’ll last me a lifetime!

Magenos is a modern geometric sans serif family characterized by its simplicity and extensive functionality. With its open apertures, geometric architecture and low contrast strokes, it expresses a sincere tone with a modernistic, neutral, yet friendly personality. It has been designed to work well for a wide range of applications and is a reliable workhorse. Equally suitable for print and screen usage, it works well for both text and display at a wide range of point sizes. The addition of true italics gives the whole family a dynamic edge and flexibility. Magenos comes with many OpenType features including stylistic alternates, standard ligatures, oldstyle and lining (proportional and tabular) numerals, slashed zero and a variety of symbols, making it a perfect choice for contemporary and professional typography.

Whomp takes its inspiration from the work of an American master in sign painting and alphabet manipulation: Alf Becker . In 1932, Becker began designing a series of alphabets to be published in Signs of the Times magazine at the rate of one alphabet per month. Nine years later, 100 of those alphabets were compiled in one book that became an enormous success among sign painters. In the late 1990s and early 2000s, many Alf Becker alphabets were digitized with blurbs that falsely credit an “Alf Becker typeface”. Alf Becker was not really a typeface kind of guy. He was more of a calligrapher and sign painter. His alphabets were either incomplete or full of variations on different letters, and didn't become typefaces until the digital era. This particular Becker alphabet was quite incomplete. In fact, it wasn't a showing of an alphabet, but words on a poster. Alejandro Paul took the challenge of drawing, digitizing, restructuring, and finally building a complete usable typeface from that partial alphabet. He then extended his pleasure by once again playing with the wonderful possibilities of OpenType. Whomp comes with more than 100 alternates, tons of swashy endings and ligatures, all built into the font and accessible through OpenType palettes in programs that support such features. This is the in-your-face kind of font that stands among other Becker-based alphabets as paying most homage to the vision of this great American artist who saw letters as live ever-changing beings. Whomp is right at home when used on packaging, signage, posters, and entertainment related products.

Core Sans A Family from S-Core is a modern sans-serif typeface that is clean, simple and highly readable. It is a part of the Core Sans Series (Core Sans N SC, Core Sans N, Core Sans NR, Core Sans M and Core Sans G). Letters in this type family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans A family consists of 8 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy) with their corresponding italics. Core Sans A contains complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

The Nixt Font Family is a new font with currently seven styles. As an alternative to Helvetica, Arial, Gill Sans, Futura, & Gotham, Nixt has a similar design aesthetic to those aforementioned in that its design, structure, and feel crosses decades of appeal. From Mid-Century, through the stark '60s, decades of succeeding modern architecture through the turn of the 21st Century, Nixt's glyphs are timeless, clear, ultra-legible in all styles and weights. Best use in Advertising, Branding, Signage, Architecture, Fashion, Posters, Headlines, and By-Lines, Print & Digital, and of course Labels. There are currently, at first release, 7 Styles: Extra Light, Light, Regular, Italic, Book, Bold, & Extra Bold. There are more in process and will be added when completed. The inspiration behind the Nixt Fonts is the Bauhaus, Mid Century Industrial Design, Art Deco through Moderne Era Architecture, American Pottery and American Design of The Twentieth Century.

The Dutch word “leuk" translates loosely to English as pleasant, jolly, funny, witty, clever, nice, sweet, kind, nice, amusing, entertaining, and funny. Leuk, the font, is a small, highly legible font with a witty, sociable personality that engages it’s readers. My challenge in designing Leuk was to find a unique feature to set apart the font without losing the fundamentals of type design. In the process of doing so, I created a virtual font “smile and wink” in the “o” upper and lowercase with integrated stencil-connecting strokes within the “a,e, k, z, o, ß” to reveal Leuk’s calligraphic roots. Legible and friendly, Leuk is designed for use in advertising, brochures, promotion, book cover design, packaging, and the like. The Leuk family consists of Leuk Light, Leuk Light Italic, Leuk Regular, Leuk Italic, Leuk Bold, Leuk Bold Italic, Leuk Black, Leuk Black Italic in Opentype format.

Sweet Revenge Is A Modern Family Font Serif Including 8 Font Style. Font Features : Sweet Revenge Thin OTF/TTF/WOFF/WOFF2 Sweet Revenge Extra Light OTF/TTF/WOFF/WOFF2 Sweet Revenge Light OTF/TTF/WOFF/WOFF2 Sweet Revenge Regular OTF/TTF/WOFF/WOFF2 Sweet Revenge Medium OTF/TTF/WOFF/WOFF2 Sweet Revenge Semi Bold OTF/TTF/WOFF/WOFF2 Sweet Revenge Bold OTF/TTF/WOFF/WOFF2 Sweet Revenge Extra Bold OTF/TTF/WOFF/WOFF2 SOFTWARE REQUIREMENTS : Fonts and alternate : No special software required they may be used in any basic program /website apps that allows standard fonts That's it folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

Spongy is a rubbery sans-serif typeface. It has round, soft shapes but a stiff and funny character. A quirky, clowny font, Spongy's highlighted cartoon letters looks like levitating balloons. Drawn and created by Mans Greback in 2021, this comic lettering has a satirical style and a light-hearted personality. It is provided as Highlighted, Bold, Light, Solid and Outlined! The combination of these jolly jelly fonts makes for the perfect set of party and birthday types. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Core Sans C family is a part of the Core Sans Series, such as N, M, E, A, D, G, R and B. Core Sans C is inspired by classic geometric sans (Futura, Avenir, Avant Garde etc.). It is based on geometric shapes, like near-perfect circle and square. It has a much higher x-height (height of lowercase letters), an effect which promotes readability especially at small print sizes. The Core Sans C Family consists of 9 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy, Black) and Italics for each format. Core Sans C supports complete Basic Latin, Cyrillic, Greek, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. Core Sans C is an ideal font family for use in magazines, web pages, screens, displays, and so on.

Eurostile Next is Linotype's redrawn and expanded version of Aldo Novarese's 1962 design. This new version refers back to the original metal types and to its mid-century modern aesthetic of squarish characters and subtle curves. Eurostile Next brings back the gentle curves, which were lost in other digital versions, therefore regaining the spirit of the original design and its somewhat softer demeanor. The family has been greatly expanded, now consisting of five different weights: ultra light, light, regular, semibold, and bold. Along with the regular width, all weights also have extended and condensed versions. Stylistically, Eurostile Next is well suited for designs in the fashion of the 50's and 60's, yet it still has a remarkably new and contemporary feeling. Its numerous variations and typographic features are invaluable for projects ranging from extensive corporate branding to one-off posters and from large signage to small print text.

Ryo Gothic is a new Japanese sans serif (or gothic) kana typeface design. Created by Adobe type designer Ryoko Nishizuka , the typeface has a bright and speedy calligraphic touch and can be used to compose readable body text, as it gives a calm and well-controlled color to the typeset page. Supplied in OpenType format, each Ryo Gothic font includes hiragana, katakana and some punctuation marks and should be combined with the kanji and other glyphs in existing Japanese gothic typefaces that contain full character sets. This typeface family is available in seven weights--extra light, light, regular, medium, bold, heavy, and ultra heavy--which allow end users to select the best-matching weight for their favorite full-set Japanese gothic typeface. Creative professionals using the Japanese version of Adobe InDesign may use that program's Composite Font tool to easily combine Ryo Gothic with other typefaces.

Eurostile Next is Linotype's redrawn and expanded version of Aldo Novarese's 1962 design. This new version refers back to the original metal types and to its mid-century modern aesthetic of squarish characters and subtle curves. Eurostile Next brings back the gentle curves, which were lost in other digital versions, therefore regaining the spirit of the original design and its somewhat softer demeanor. The family has been greatly expanded, now consisting of five different weights: ultra light, light, regular, semibold, and bold. Along with the regular width, all weights also have extended and condensed versions. Stylistically, Eurostile Next is well suited for designs in the fashion of the 50's and 60's, yet it still has a remarkably new and contemporary feeling. Its numerous variations and typographic features are invaluable for projects ranging from extensive corporate branding to one-off posters and from large signage to small print text.

Created with the needs of branding design in mind, Jan Hendrik Weber's Unitext is a crisp, clean typeface that functions well across print and online use. It blends humanist and grotesque qualities, adopting a style that the designer describes as “neo grotesque”. Narrow spacing is what sets this typeface apart, however it also uses open counters and angled details to boost readability. “The ideal font should work at every touchpoint,” says Weber. “And designers shouldn’t need an introduction or a set of rules on how to handle this typeface. Unitext allows designers to work without explanation.” The Unitext family includes 7 weights, spread across 14 fonts with extensive Western, Central and Eastern European language support. Unitext Variables are font files which are featuring one axis and have 14 names instances: Hairline, Hairline Italic, Extralight, Extralight Italic, Light, Light Italic, Regular, Italic, Semibold, Semibold Italic, Bold, Bold Italic, Black, Black Italic