A well-polished typeface is like the sweet sound of a melodious voice. Soprano is designed for elegant and luxury design elements. Whether it's brands for watches, jewelry, cars or fine wines, Soprano adds the undeniable and outstanding beauty of a professional designed elegant typeface. Soprano offers 5 weights and a full set of upper & lowercase letters, ligatures, old-style & lining figures as well as ​broad Latin​ language support. www.typethis.studio

Artigo is an old style inspired typeface system for text. It was inspired by the handwriting aspect of the first roman types but it intends to be a contemporary interpretation. Its abilities are in small text with personality. The italics capture a lot of its dynamic feeling even more expressive on the display version that stands as the most handwritten one. It gives text a lot of personality and great readability.

Rum Sans is designed inside out based on modular counters. Rum Sans is a text & display family suitable for any purpose, any media, any size. A humanistic modular sans serif in five weights containing small caps, italic, swashes, alternative characters, old style, lining, tabular & proportional figures. Design date: 2001-2014 The complete family consists of Sans Serif & Serif in both sharp and soft version + the display fonts Rum Plakat & Rum Silhouette.

Bernhard Modern was designed in 1937 by Lucian Bernhard for ATF. It is his personal version of the small x-height engravers’ old styles popular at the time. A perennial best-seller, Bernhard Modern remains popular in a wide variety of design and typesetting uses more that 60 years after its initial release. Bitstream’s version offers a wide array of typographer sets, including alternates, extensions, small caps and italic swashes.

Call the lettering French Clarendon Condensed, call it circus lettering, wanted poster type or Old West letters, the style of this typeface is one of the most recognizable and evokes all of the above images and more. Tent Show JNL was re-drawn from examples of a vintage set of wood type, and contains all of the eccentricities that are present in these hand-routed classic letter forms.

The “Kiez“ is an old school style font designed by Elena Albertoni in 2016. Inspired by shop and bar signage of the sixties and seventies, which can still be found today in the so called “Kiez“ in Hamburg St. Pauli or in one or another “Kiez“ in Berlin, which means neighborhood here. It also has a cinematic touch, again: think of the sixties and seventies or your favorite b-movie.

Rum Serif is designed inside out based on modular counters. Rum Serif is a text & display family suitable for any purpose, any media, any size. A humanistic modular Serif in five weights containing small caps, italic, swashes, alternative characters, old style, lining, tabular & proportional figures. Design date: 2011-2014 The complete family consists of Sans Serif & Serif in both sharp and soft version + the display fonts Rum Plakat & Rum Silhouette.

The inspiration for MFC Westport Monogram was a heavily soiled vintage lettering & penmanship book which only listed this alphabet specimen as "Banker Tilted". The look and feel of this typestyle is reminiscent of old checks and cartography lettering styles, lending itself a wonderful sense of antiquity for any monogram or headline typeset with it. Download and view the MFC Westport Monogram Guidebook if you would like to learn a little more.

Nersans - Vintage Font with 3 Styles Nersans born from an inspiring vintage display with all caps glyphs. This font gives a feel of a vintage, classic, old, handmade looked like. Already PUA Encoded and I think this font is perfect for people looking for vintage aesthetic or logo-type. Suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc.

From the lab of Open Window comes Farm Girl. Farm Girl was inspired by old Art Nouveau posters from Toulouse Lautrec and others. Farm Girl utilizes the same 'loosey-goosey' quality as those posters. Farm Girl consists of 3 different styles which are designed to be used in combination with each other. Many different variations are possible. It's fresh cut and contemporary. It's ideal use is as a display font.

Circus Wagon is a revival of the old circus style font named Big Top in the Dan Solo catalog. This version has been freshened up with a new matching lowercase. Our original release of this font was named Buckhorn, this 2020 updated release changes the name and adds additional accented glyphs plus Opentype case sensitive forms. You will need an Opentype aware application to access Opentype features in this font.

Introducing our first old english black letter Royal Grande. Quite basic anatomy not the contemporary style. With this not too complicated black letter that make this font good for general display projects. We also make it a black letter family because we rarely see this kind of option in the market. Another good news , we also offer the variable format this time for the new font enthusias community.

In the MacKellar, Smiths & Jordan type specimen book of 1892 are examples of Lining Gothic Extended, a wide sans serif typeface. A lining font has the numerals aligned with the capital letter height, rather than following the “Old Style” method of smaller figures that could also descend below the baseline. Order Form JNL is the digital version of this design, and is available in both regular and oblique versions.

Huginn And Muninn are a pair of ravens that fly all over the world Midgard. They keep the god Odin up to date on the wheelings and dealings of everyone living under the sun. Huginn means 'thought' and Muninn means 'memory' or 'mind' in old Norse. The font is a handwritten notebook-style typeface, messy yet legible. It is ideal to give your designs a lively, personal touch.

The grotesque workhorse: Substance fulfills the primary role of emphasizing content. Containing 8 weights + italics (800+ glyphs each) Substance is a workhorse with loads of subtle OpenType features (small caps, a choice of lining, tabular and old style figures, numerators, denominators, tabular figures and signs, fractions, ligatures), 21 currency signs and a diversity of symbols and arrows. Substance provides everything you need for demanding briefs like signage or corporate design.

Graphen family is a hand drawn typeface with 5 different weights. This font contains script that replaces glyphs with their alternates. It is based on checking the same glyphs in close range - not on a random appearance. Every weight was designed with attention to detail, so it can be used in small sizes and even on big posters. Weights include different features, such as dingbats or old style figures.

Chipa has all the advantages of OpenType technology that allows a variety of combinations: Swashes, old style numerals, standard ligatures, contextual alternates, discretional ligatures, word ending and tails. These fonts were specially designed for creating logotypes and packaging design, can also be used in advertising, flyers and posters, for its good legibility and accurate kerning. Chipa support the Central European character set as well as basic Western languages.

Fair Sans Text is the natural follow-up to the popular Fair Sans - now a text family based on the calligraphic structure and casual construction of its predecessor. As the name implies, Fair Sans Text has proportions for longer text settings, strong headlines, and everything in between. Lively and casual, FST is four weights with true italics. Also included are small caps, old style and tabular numerals, and multi-language glyphs.

Fathom is a refined flared-serif face that is elegant and robust, modern yet suggests a legacy. The generous lower-case x-height make it worm and readable. Seven weights, plus matching italics, cover all headline and text requirements. The addition of old-style numerals and tabular numerals for charts make it a versatile family for brochures, corporations, heritage projects, packaging, book covers, reports, signage, magazines and more.

Sheet music for the 1915 song "Is There Still Room for Me Neath the Old Apple Tree" had the title hand-lettered in a condensed, square sans serif. Although far from the more decorative lettering styles of the Art Nouveau period, this type of simple understatement was also a popular choice for the illustrators of the day. It is presented digitally as Nouveau Square JNL in both regular and oblique versions.

After Marcovaldo, here comes Visconte: a new singularity variant expanding the Calvino typeface family by Andrea Tartarelli with Cosimo Lorenzo Pancini and Francesco Canovaro as a branding font for the Desina Graphic Design Festival in 2023. It takes the design of the original Calvino typeface in the "brutal serif" territory, expanding spiky serifs and creating unexpected distortions and connections while keeping the original calligraphic old style structure of the Calvino Family.

Tisk is a superb blackletter font. The Blackletter typeface (also sometimes referred to as Gothic, Fraktur or Old English) was used in the Guthenburg Bible, one of the first books printed in Europe. This style of typeface is recognizable by its dramatic thin and thick strokes, and in some fonts, the elaborate swirls on the serifs. Use this font for any crafting project that requires a personalized look!

Museo Sans is based on the well-known Museo . It is a sturdy, low contrast, geometric, highly legible sans serif typeface very well suited for any display and text use. This OpenType font family offers also support for CE languages and even Esperanto. Besides ligatures, automatic fractions, proportional/tabular lining and old-style figures, numerators, denominators, superiors, and inferiors, Museo Sans also has a ‘case’ feature for case sensitive forms.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! When you have a project that needs a fun, unique font to make it pop, you can’t go wrong with Funtrude. Funtrude comes in three styles: Basic, Extrude, and Hole. Each style has more than 350 of the most beautiful glyphs you could ever dream of seeing. The Extrude style is great for titles, headings, and any other text where you want to use a bold font but don’t want it to be overly bold; the Basic style will work great for things like product names or subheadings; and the Hole style is perfect for anything else! Each individual style comes with its own swashes—so your fonts can look just as beautiful when they’re all capitalized as they do when they’re in normal text. What makes us so excited about this product is how much we love to use it ourselves. When we saw Funtrude for the first time, we couldn’t believe our eyes—it was everything we had ever wanted in a font, plus it was super affordable. GET IT NOW....!!! A Million Thanks Colllab Studio www.colllabstudio.com

The Anthelope is a retro bold script with groovy style. The Anthelope is perfect for retro lovers and it is perfect for branding and logos such as, barbershop, motorcycle club, clothing, coffee shops and much more!

Bandes is a bold, thick lettered, retro styled display font. Whether you use it for cartoon related designs, children games or just any creation that requires a lovely touch, this font will be an amazing choice.

SoftMaker revives John Schaedler’s popular Tabasco typeface with this release. SoftMaker’s Tabasco comes in regular and bold styles, and the famous bi-line variant (sometimes called “Paprika”) is also available again under the name Tabasco Twin.

Introducing Janger, a bold and fun display font. Janger features a reverse contrast style with a retro and psychedelic look that’s simply ideal for design such as posters, t-shirts, branding, heading, titles and many more

AZ Black was inspired from a need to develop an easily changable Black style font similar to the bold type on US currency. This font was designed for use as a display headline or sub headline.

Grabag is a bold vintage display font that comes with four styles. It will look great for headlines, branding, magazines, logos, and more. Grabag will add a masculine and firm impression in every design you make.

Introducing Fransen Typeface - a bold sans serif font that is very fresh and unique style handmade. Fransen Typeface is perfectly suited to logo, stationery, poster, apparel, branding, wedding invitation, card, tagline, layout design, and much more !!

A revival of old hand painted sign in Old Jaffa, from the mid of 20th century.

Some old broken characters. It reminds me of old labels on walls, streets or on tanks.

Wingman consists of nine fonts, that can work together in perfect harmony to create beautiful designs. Like a true wingman they reinforce each others potential and offer mutual support. Wingman Brush takes the lead and is, with its six styles, well equipped for many challenging typographic tasks. All Brush styles (except Brush Extra) have 815 glyphs and are packed with Open Type magic, e.g. contextual alternates, that automatically replace beginning and ending glyphs as you type. There are lots of swashes to choose from, organized in several stylistic sets. The bold and the regular styles have matching shadow versions. Brush Bold and Brush Silhouette fit together also. Nice logo-like effects can be achieved by layering these styles. On top of that Brush Vintage was added for a rustic feel. Brush Extra has 322 design elements in both smooth and vintage style. Wingman Serif was designed to use together with the brush styles. It comes in a solid and outline version. Both fonts can fly solo, but together with Wingman Brush they make a powerful formation. Wingman Family requires the use of an Open Type savvy application.

Restora Neue is an evolution of its precursor, Restora. While the Restora has an authentic imperfect letterforms, Restora Neue comes with a neater shape and higher contrast. It’s a mix of old-style roman serif styles. Its sharp and longer serif with a bit touch of medieval, makes Restora Neue a versatile type family that can be used in many different themes of design projects, from classic style to modern. It comes in nine weights from thin to black with matching italics. Its mixture of weights provide a wide range of styles that will help you find the best vibe for your projects, for headlines or a short paragraph. The set of special ligatures and stylistic alternates can be perfect mates for your brand. It is well suited for book covers, editorial, branding, advertising and more. To see the complete presentation please visit my Behance profile.

New Kakuji is designed from the Kakuji style of characters originating during the Edo period of Japan. New Kakuji has expanded the historical character set to include the surnames from the ancient Chinese text: Hundred Family Surnames, as well as the most common surnames in Japan, in addition to many other historically and culturally significant words, going well beyond the scope of characters that were used in the Edo period. No other font has expanded the character set of the Kakuji Style to the same extent as New Kakuji. A Latin alphabet expansion inspired by the old Kakuji style has also been included for western audiences and designers. New Kakuji contains over 500 Chinese/Japanese characters along with over 200 additional Latin characters or symbols. The solid and blocky style of New Kakuji is ideal for seal designs or other branding designs and should be used at larger point sizes.

Frasa is a contemporary serif family with characteristics that arise from the charms of Caslon and a touch of transitional style; the design offers distinctive proportions to serve long-running small text and the sturdiness of its own form to help as a headline font. Frasa shows that the family is shaped by the traditions of its ancestors through small details that show the personality of the typeface, such as pointed ball terminals and strong shoulders. The italic weights have their own beauty, which is created to humanize the form based on a stylized and natural cursive style with the aim of emphasizing the text's essential elements. The addition of small caps, old-style figures, ligatures, etc. to this type family satisfies conventional typographic requirements. Frasa typefaces can eventually lead to the use of powerful design tools to create editorial and casual design styles.

This book and newspaper font was designed by Francesco Simoncini in 1958. After the Second World War brought type design to a standstill, the years of reconstruction meant a reconsideration of old values in the typographical world as well as in Europe in general. Aster is the result of this movement, displaying instead of Modern Face influence, a tendency toward Transitional characteristics and giving text a light feel.

VG Sans is a distinctive grotesque font that preserves the features of old grotesques while incorporating new conceptual solutions. Working on the font, its shape has been completely transformed, corrected, and the glyph set has been expanded. The font has a light contrast that increases with weight. VG Sans includes 5 weights, 670 glyphs, an extended Cyrillic/Latin character set, multiple stylistic sets, ligatures, numeral sets, and more.