Habbly is a handwritten brush pen font with smooth ligatures and alternates which makes it look more realistic and natural. The font has a slight bold feeling. In order to get the most out of this typeface be sure to use a program that has opentype capabilities. Suitable for wedding invitations, coffee packages, badges, logos, apparel, stationery, magazines, letterpress, film, books and many others.

Cerlestine is a standout bold script with modern look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded

Soft Fleurons is a dingbats/decorative display font featuring many different styles of flourishes and ornaments. Great for a vintage antique feel.

The Ehrhardt name indicates that this typeface is derived from the roman and italic typefaces of stout Dutch character that the Ehrhardt foundry in Leipzig showed in a late-seventeenth-century specimen book. The designer is unknown, although some historians believe it was the Hungarian Nicholas Kis. Monotype recut the typeface for modern publishers in 1937 to 1938. Ehrhardt has a clean regularity and smooth finish that promote readability, as well as a slight degree of condensation, especially in the italic, that conserves space. Ehrhardt is a fine text face, especially for books.

Chopard is an elegant and modern sans-serif font family. It includes upright and Italic style, each of them has six weights from light to bold. This is a multi-purpose font that is perfect for any project, it is contrasted, modern and easy to read. With it, you can create logos, use in advertising, packaging, book covers and magazines, headings, descriptions and much more. Todes includes stylistic alternates for uppercase and lowercase, with them you can add dynamics to the font and make your project more individual and stylized. This font is easy to use has OpenType features.

Epigraph is a font which has role models in the lapidary letter. The glyphs doesn't have serifs, but it has humanistic qualities and the nucleus of a serif. The differences between thick and thin stokes are small, and the font design is unobtrusive and graceful with traditional proportions. Epigraph has satisfactory readibility, it is suitable for the text and brochures headlines, catalogues, books and other typographic demands with historical, archeological and artistic content, as well as other etiquette. Character map contains all Latin glyphs of European languages and Cyrillic. Besides its regular version it has Italic, Bold, BoldItalic and SmallCaps.

Debira is a contemporary display wedge-serif typeface. Its sharp and longer serif makes Debira a versatile type family that can be used in many different themes of design projects, from classic style to modern. It comes in seven weights from thin to bold with matching italics. Its mixture of weights provide a wide range of styles that will help you find the best vibe for your projects, for headlines or a short paragraph. The set of special ligatures can be perfect mates for your brand. It is well suited for book covers, editorial, branding, advertising and more.

Danish type designer Morten Olsen created this serif and slab FontFont in 2001. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, poster and billboards as well as web and screen design. FF Olsen provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

This is the Cased version of my NorB Pen fonts are being inspired from Arial Round font, I use this font regularly in my jazz lead-sheets. It's a handwritten text font emulating marker permanent pen. You can use this font with any word processing program for text and display use, print and web projects, apps and comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! Pen cased font8 weights, each with their matching italics and in a Light, Normal, Bold and Heavy version.

New Asking Ladies Beautiful Modern Serif . This professional resource is also powerful because each font has its own magical design. Equipped with three versions Regular, Italic & Bold. You can use it for almost anything like blog headers, posters, wedding elements, t-shirts, clothing, book covers, business cards, greeting cards, branding, invitations and quotes, and so on. Feature: Uppercase Lowercase Number Accents (multilingual characters) How To Access Alternate Characters: https://www.youtube.com/watch?v=Go9vacoYmBw https://www.youtube.com/watch?v=XzwjMkbB-wQ https://www.youtube.com/watch?v=x1A_ilsBsGs https://www.youtube.com/watch?v=xFlMwARHusY https://www.youtube.com/watch?v=NVJlZQ3EZU0 Thanks for your purchase!

Dutch type designer Evert Bloemsma created this sans FontFont in 2004. The family has 8 weights, ranging from Light to Bold (including italics) and is ideally suited for book text, editorial and publishing, logo, branding and creative industries as well as small text. FF Legato provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2011, FF Legato received the Letter.2 award.

Syabil is a sans serif font family designed by Eko Bimantara. This font crafted with the intention to present a clean, legible, multipurpose that easy to read wether it on screen or print. Fit for all purposes; Text, display, headline, print, corporate identity, logo, branding, product, infographic, photography and other application and medium. This font consist of 9 weight; Thin, Light, Book, Regular, Medium, SemiBold, Bold, ExtraBold and Heavy with each weight paired by italic. Also including Latin Plus language support with more than 11.700 glyphs in all weight which make this font contain broad language support.

French type designer Xavier Dupré created this serif FontFont in 2001. The family has 6 weights, ranging from Regular to Bold (including italics) and is ideally suited for advertising and packaging, book text as well as festive occasions. FF Reminga provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Reminga super family, which also includes FF Reminga Titling.

I created my new »EXEC« sans font during the years 2018 to mid 2020. The Normal »EXEC«-family has 7 weights, ranging from Thin to Bold (plus 7 italics). This elegant Sans is suited for editorial, book text, advertising and packaging, logo, branding, small text as well as web and screen design. »EXEC« has advanced typographical support including ligatures, small caps, alternate characters, case-sensitive forms, fractions, super- and subscript characters. »EXEC« comes with a range of figures—oldstyle and lining figures, each in tabular and proportional widths. »EXEC« supports Basic-, Western-, and Central-European Latin-based languages.

Jacbos is a playful font with an abstract shape like paper folds, which is unique but elegant and attractive in its use All Capital sans is charming and brave, a font with a bold style and strong character makes your design look bold to convey a message to the audience in every design. This font is perfect for a variety of school design projects, essays, vintage, retro, and various outdoor events, storytelling, branding, banners, posters, movie titles, food and beverages, clothing, and more.

The name “Parchemin” is derived from the word in old English for “parchment.” Our modern word “parchment” changed its spelling to conform with French spelling practices during the French occupation of England. The font was created to suggest an informal but antique form of handwriting written on parchment with a quill pen. The scratchiness of the old quill pen is conveyed in the roughness of the characters. The font was loosely based on the font Queen. Use this font whenever you want to suggest rough informality or antique handwriting. The characters have been letter-spaced and kerned in such a way that they join perfectly with one another giving a completely convincing imitation of genuine handwriting. The font is fully professional in terms of its character set. It contains more than 235 characters — (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). In fact, it has all the accented characters used in the major European languages.

QUALITYPE + VARIABLE FONT FAMILY "QualiTYPE" font extends its use by providing weights from "Thin" to "Black". Natural curves, ridges, and curved bodies grow in character as the font gains weight. "Qualitype" is an exciting serif font with contemporary twists. It has a distinctive sound that preserves the simplicity and elegance of classic "serif" fonts with a fresh, stylish rework. Her personality is bold and fills the space without shouting, she looks elegant and confident. The low X-height provides a great amount of visibility at all weights and is optically corrected for better readability. In the process of working on "Qualitype" we wanted to expand the functionality of the typeface a bit more, so after a few tries two different fonts were born: "Old", "Neo" and "italics" versions. "Qualitype" is perfect for use in magazines, in the fashion industry, in the branding of premium goods and services. "Qualitype" is quite versatile and suitable for use both in headings and in text arrays. In addition, we have done manual hinting in the typeface, and now it can be used with a clear conscience in the web and applications. “Quality” typeface consists of 56 styles: 2 style, 2 Shining, 7 weights and italics. Each typeface style consists of 860+ glyphs (except for the decoratives). “Qualitype” supports over 80+ languages. A variant version of the basic styles has been prepared for the most demanding users. Using the variability slider, you can adjust and select the individual thickness regardless of the current weight distribution. An important clarification - not all programs support variable technologies yet, you can check the support status here: https://v-fonts.com/support/. OPENTYPE FEATURES aalt, dnom, onum, pnum, tnum, lnum, numr, frac, zero, sing, sups, subs, case, c2sc, smack, salt, hist, titl, holing, dig, liga, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, kern FEATURE SUMMARY: - 4 Axes: 2 Style: Old and Neo. 7 weights: Thin, Light, Book, Regular, Medium, Bold and Black. 2 Shining: Dark and Lamp. Matching italics (12º) for all weights and style . - Matching small caps for all weights and widths. - Lining and old style figures (proportional and tabular). - Alternate characters (a, d, g, m, n, p, q, r, u, y). - Unlimeted fractions. - 24 Dingbats. - Extended language support. - Extended currency support. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. You can enjoy using it.

Nosta is a modern text typeface. It was designed to be easily legible and therefore expressly suitable for setting sizeable lengths of continuous text such as magazine articles, books and essays. It achieves this through, amongst other things, finely balanced proportions, optimal character spacing and an adherence to predictable letter forms. Despite this, however, Nosta manages to retain a contemporary look and feel by using a variety of modern type design devices such as the efficacious wedge serif. The italic avoids using too many of the cursive elements that are often found in traditional italics and has only a modest slant, giving it a modern look that does not overly disrupt the text while still providing emphasis. While designed for continuous text, Nosta can also be used as a display face, making it a good all round typeface, suitable for many applications.

Introducing The Shensie. The Shensie Font, is a classic thin font with an italic style. Here you will get beautiful classic fonts. this font is available in several modern swirls that can make your work look elegant, sweet and perfect. With this style, this font would be perfect for logos, branding projects, household designs utensils, product packaging, mugs, quotes, posters, shopping bags, logo, t-shirt, book cover, business card, invitation card, greeting cards, and all your other beautiful projects.

Rock Star is a original sans serif family with a distinct personality. The family has 36 font styles, ranging from ExtraLight to UltraBlack in normal and narrow styles (including italics). A wide range of weights and widths offering tremendous typographic flexibility. Rock Star is a contemporary typeface with roots in the past. It based on the sans-serifs of the late 19th and early 20th century. It would look great for corporate branding, in books and magazines.

This design incorporates different styles into a consistent look. A pinch of script, a little of geometric and some humanistic shapes as well create a very distinguishable sans-serif. It has an overall good feeling specially on the heavier weights that have intended contrast irregularities to create a 'cartoonish' look. On the intermediate weights the design will preform well on small font sizes because of its large counters, low contrast and large x-height, but as you go to the extremes you will see shapes full of personality that will pop out in large font sizes. The font is loaded with opentype features such as small caps, ligatures, alternates, old style figures, and much more. The italic version is deeply rooted in the calligraphic heritage of the Italics. This way the brush inspired strokes are emphasized as well as an overall calligraphic look. Far from being a mere slant, Mangerica Italic had every lowercase glyph redesigned as well as some uppercase, besides that, every glyph was optically adjusted to ensure not only aesthetics but functionality too.

Designed for ParaType in 2002 by Tagir Safayev. Inspired by the letterforms of Antique No. 8 typeface and other similar fonts of the 19th century (Latin Antique, Wide Latin, Etienne Condensed, Wide Renaissance). A face of so-called Latin type has stout triangular serifs and rather unusual curls on several letters in the lower case. Nevertheless it is eminently suitable for a wide variety of settings in advertising and display typography.

Faithful Colony is a modern, elegant, classic typeface with a timeless look. It comes with seven weights ranging from thin to black, matching italics, and a variable format. Faithful Colony is perfect for fashion-related concepts, Luxury and Elegant design, Classy or high-end branding, logo, and many more. Try to combine the regular and italic styles for a modern and elegant look.

Boomtown is a bold, slightly cursive font for advertising, headlines, packaging design, signposts or posters. Although it is highly constructed, it has some handwriting attributes, too. An italic font is in my planning and maybe a light style, too.

Promo is charming rounded sans family. This typeface is defined by multiple features, which give it a friendly feeling. Promo is perfect for branding and display purposes. Entire family consist of 9 styles with italics from Thin to Bold.

Curator family is serif based fonts that has multi language support including all european and basic cyrillic letters. It has bold and italic styles. You may choose letters in glyph panel, because each font has alternative symbols and ligatures.

Hilmar Sans is a neo-grotrsque typeface family in 7 weights, support most European Languages and features. The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.

Magzo is specially designed for food logo brand identity and packaging design projects. Some other industries that are very suitable for this font are beauty cosmetic and handmade projects. Magzo consists of 16 fonts including: 7 normal, 7 italic and 2 alternate (semi Bold) normal and italic versions too. As a note, alternate characters and ligature only available in Magzo Alt regular and italic . You can see an example of using the Magzo Alt font on covers 1 and 3. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!

Sans meets serif. Would you like to express tradition by using a contemporary font? Sintesi might be exactly what you are looking for. Sintesi stands for synthesis: the unification of serif and sans-serif into a contemporary font, which surprises with different facets depending on its application. In copy size Sintesi performs like a sans-serif. It is a compact and well readable font that fulfills all requirements of modern digital media. In larger sizes, Sintesi unfolds its traditional character. Now, its strong contrast and the perceptible feather-ductus stand out clearly, as we appreciate it in a historical old style face. Sintesi is completed by a suitable italic. Its cursive character has more to do with writing-speed than to moderate inclination. Therefore Sintesi may be well-suited for many other purposes, not only for emphasis. The whole font family consists of 20 styles and offers a wide range of Western and Eastern European special characters, typographical ligatures, uppercase, oldstyle and fraction figures. Sintesi (Serif) builds together with Sintesi Semi and Sintesi Sans an extended family. Start combining antiquity with modernity! Download a free trial version of Sintesi with a reduced character set. Check it out!

France 1727, the book Le chemin Royal de la Croix is published. Centuries later the historical publication comes into the hands of Josep Patau, who uses its printed pages as a reference for a new digital typeface. Previously created for printing, those shapes adapt now to the screen and show the sophistication and authenticity of true Garalde types. Frenchute is a multipurpose typeface with 3 optical sizes. All the shapes were modified to cover different typographic needs. The diagonal axis and the moderate stroke contrast are taken further in the italics letterforms, where the design is far more expressive. The character set includes decorative forms and italic capitals with swashes, so the text looks prettier.

Carlisle is a small caps display font with a rough, antique feel. The font includes both upper- and lowercase letters, numbers, and punctuation.

New lobster makes your text look fancy. • alternative packs 1 and 2 • extended latin • connected script and disconnected italic

File Folder JNL and File Folder Italic JNL are a pair of sans serif fonts with a square look.

Knucklebones is a game that is played with the knucklebones of sheep. I bought a set in Mongolia, which I stumbled upon when I was cleaning out the attic. Knucklebones font is a rough brush font, which comes in three styles: Knucklebones Regular, a slightly slanted version, Knucklebones Italic, a very slanted style and Knucklebones Upright, which looks like the name implies. Knucklebones is a very useful all caps typeface, which would look great on posters, product packaging and book covers - but don’t take my word for it: just grab this font and get creative with it!

Giuconda is an elegant and modern sans font. This font provides a cleaner, more geometric look, preserving the essence and structure of an early 20th century sans classic font but with a fresh, clean and contemporary look. Giuconda consists of two subfamilies of 8 weights, ranging from Thin to Heavy, with matching italics, giving a total of 16 fonts. Giuconda is the perfect font for publishing, titles, books, magazines, and corporate designs. Its Alt version is ideal for logo types, branding, packaging, and use on the web and TV. The family contains a 355 character set that supports 207 different languages.

Introducing Walking Broadway - Bold Type, created by ikiiko. Walking Broadway is a serif bold type, that inspired by typography from a vintage movie & newspaper at that era. This typeface is designed to give a formal yet old style look. Walking Broadway has a distinctive bold to light contrast shape. A style commonly used in movie, magazines, and signage in that era. This typeface is perfect for an formal layout, old movie poster, newspaper, magazine cover, and also good for vintage product, food & beverages, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates & Swashes Multilingual Support Works on PC & Mac Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

ITC Élan combines a gothic simplicity with elegance in a distinctive yet subtle typeface design. There is also a feeling of architectural strength which is derived primarily from an optically even line-weight and a sense of vertical stress. The small, almost Latin, serifs add distinction at both display and text sizes. The large x-height, minimum stroke variance, and open counters are ideal design traits for typeface legibility. Additional characteristics which distinguish ITC Élan are the splayed M" and bowls which do not quite close in the "a," "b" and several other letters. In contrast to the roman, there is almost a calligraphic playfulness to the italic. ITC Élan is the second ITC typeface from Albert Boton of France, who also designed ITC Eras. ITC Élan comes in four weights, book, medium, bold, and black, each with a corresponding italic."

Years ago, I developed an interest in the Japanese art of dwarfed potted trees, bonsai. I bought some books on the subject from Brooklyn Botanic Garden. In one -- Handbook on Bonsai: Special Techniques (seventh printing, February 1976) -- the type was bad. Old worn lead type, I suspect, spread wide in the tops of characters and disappearing on the bottoms. Two decades later, I came across my Brooklyn Botanic Garden collection and was struck again by this interesting type. Inspired, I made a typeface. Didn't take me long to decide on a name for it, either: a name with a double-meaning, based both on its look and its inspiration. Bonsai, the typeface, has two styles, a roman and a true italic.