Dante was designed by Giovanni Mardersteig. Mardersteig started work on Dante after the Second World War when printing at the Officina Bodoni returned to full production. He drew on his experience of using Monotype Bembo and Centaur to design a new book face with an italic which worked harmoniously with the roman. Originally hand-cut by Charles Malin, Dante was adapted for mechanical composition by Monotype in 1957. The new digital font version has been re drawn, by Monotype's Ron Carpenter, free from any restrictions imposed by hot metal technology. The Dante font family was issued in 1993 in a range of three weights with a set of titling capitals. Dante is a beautiful book face which can also be used to good effect in magazines, periodicals etc. Dante® font field guide including best practices, font pairings and alternatives.

Hallymoon is a monoline display font script, a typeface inspired by old neon signs. Its very suitable to use on many of your design projects such as Signage , Book Covers, Invitation, Packaging, Logotype and more. I made this with love for your project. Hope you enjoy it!

IA Harold the Hunter is a daring good readable Wild West style font with spurs, inspired by old comic books about cowboys. The font contains a basic character set and some decorative alternates. In addition to basic Latin, there is also an extended Latin and basic Cyrillic.

Visual Fantasy is a great, all caps display font. It was based on an old font of mine called Plakkaat, which was made using a flat brush and acrylic paint. Visual Fantasy is great for poster work, book covers and product packaging. Comes with extensive language support.

I was listening to an old Van Halen album when I made this font. I named it after one of my favorites: ‘Ice Cream Man’. Ice Cream Man is a happy, sloppy, wobbly kids font. Use it for your book covers, posters and ice cream packaging!

If you like thematic fonts, this is for you. It appeared in an old lettering book (from the 1930s, if memory serves) and later came out as a film font for photolettering machines. We cleaned it up and drew the missing characters, and here it is. Enjoy.

An entry in the Second Linotype Design Contest, Linotype Brewery, designed by Gustavs Andrejs Grinbergs, became part of the TakeType Collection in 1997. Brewery No 2 represents a significantly improved version of its precursor, and the typeface has been both extended and enhanced. When asked about prototypes, Grinbergs cites German typefaces of the early 20th century. It is thus not surprising that the characters of Brewery™ No 2 are based on geometrical forms. However, this is no mere synthetic Grotesque-derived typeface. It has significant contrasts in line thickness and triangular line terminals that are not unlike serifs, placing it in the middle ground somewhere between a Grotesque and serif font. The contrast between the features of a synthetic Grotesque and an Antiqua gives the characters of Brewery No 2 their distinctive charm and is the distinguishing attribute of this contemporary typeface. Additional vibrancy is provided by bevelled line endings (as in the case of the 'E' and the 'F'), the circular punctuation marks and the slight curve of the descending bar of the 'k'. Thanks to a generous x-height and its open counters, Brewery No 2 is also highly legible in small point sizes. Only in its bolder versions is another aspect of Brewery No 2 apparent; Grinbergs has here made the linking elements more rectangular and has emphasized the counters, so that the Bold variants of Brewery No 2 exhibit elements typical of a broken typeface. Brewery No 2 is available in seven finely graduated weights, ranging from Light to Black. Every variant has a corresponding, slightly narrower Italic version. In addition, the lowercase 'a' is given a closed form, the 'e' is more rounded and the 'f' has a descender. The character sets of Brewery No 2 leave nothing to be desired. In addition to small caps and ligatures, there are various numeral sets with old style and lining figures for setting proportional text and table columns. In its most extensive form (the Pan-European variant), Brewery No 2 can be used to set texts in many languages that employ the Latin alphabet and also texts in international languages that use Cyrillic or monotonic Greek orthography. Although some of the features of Brewery No 2, such as the tiny serifs, are only evident in the larger point sizes, this typeface is not just at home when used to set headlines. Brewery No 2 also cuts a good figure in short or medium length texts. This contemporary typeface with its formally elegant quality looks good, for example, on posters, in newspapers and promotional material. It can also be used for websites as it is also available as a web font.

An entry in the Second Linotype Design Contest, Linotype Brewery, designed by Gustavs Andrejs Grinbergs, became part of the TakeType Collection in 1997. Brewery No 2 represents a significantly improved version of its precursor, and the typeface has been both extended and enhanced. When asked about prototypes, Grinbergs cites German typefaces of the early 20th century. It is thus not surprising that the characters of Brewery™ No 2 are based on geometrical forms. However, this is no mere synthetic Grotesque-derived typeface. It has significant contrasts in line thickness and triangular line terminals that are not unlike serifs, placing it in the middle ground somewhere between a Grotesque and serif font. The contrast between the features of a synthetic Grotesque and an Antiqua gives the characters of Brewery No 2 their distinctive charm and is the distinguishing attribute of this contemporary typeface. Additional vibrancy is provided by bevelled line endings (as in the case of the 'E' and the 'F'), the circular punctuation marks and the slight curve of the descending bar of the 'k'. Thanks to a generous x-height and its open counters, Brewery No 2 is also highly legible in small point sizes. Only in its bolder versions is another aspect of Brewery No 2 apparent; Grinbergs has here made the linking elements more rectangular and has emphasized the counters, so that the Bold variants of Brewery No 2 exhibit elements typical of a broken typeface. Brewery No 2 is available in seven finely graduated weights, ranging from Light to Black. Every variant has a corresponding, slightly narrower Italic version. In addition, the lowercase 'a' is given a closed form, the 'e' is more rounded and the 'f' has a descender. The character sets of Brewery No 2 leave nothing to be desired. In addition to small caps and ligatures, there are various numeral sets with old style and lining figures for setting proportional text and table columns. In its most extensive form (the Pan-European variant), Brewery No 2 can be used to set texts in many languages that employ the Latin alphabet and also texts in international languages that use Cyrillic or monotonic Greek orthography. Although some of the features of Brewery No 2, such as the tiny serifs, are only evident in the larger point sizes, this typeface is not just at home when used to set headlines. Brewery No 2 also cuts a good figure in short or medium length texts. This contemporary typeface with its formally elegant quality looks good, for example, on posters, in newspapers and promotional material. It can also be used for websites as it is also available as a web font.

Athewe is a display font with a strong and courageous superhero theme. Created specifically for projects that require a bold, impressive impression, this font is the perfect solution for creating bold and bold designs. With Athewe, you can bring an awesome superhero feel to any of your projects. This font brings strength and boldness to your designs, creating a look that is both impressive and full of character. Each letter expresses a strong and daring style, delivering a memorable message to your audience. With features such as ligature and alternate, Athewe provides unlimited flexibility and creativity. You can combine these font elements to create unique and interesting variations of the style. In addition, multilingual support allows you to use Athewe in multiple languages, so your project can reach a global audience. If you’re looking for an alluring, powerful, and superhero-themed font, Athewe is the right choice. With a striking style and features that allow for creative experimentation, this font will catch the eye and inspire your potential customers. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Blackheat is a bold, condensed sans with 4 styles inspired by the title of the sports poster. We designed it to look very energetic, taking into account the thickness and density of each glyph. Extra ligatures give you even more possibilities. This family is suitable for the titles, clothes, posters, magazines, brochures, packaging, websites and much more.

Lanvier is an all capital display face, inspired by the thirties streamline era look. The family is offered in four style, Regular, Oblique, Double Oblique and Reverse Oblique, as well as two weights, Regular and bold. Bring the thirties back to life in all their chromium plated, streamlined and fast moving glory with the Lanvier family.

Rolls Sling this is a font that comes from its predecessor with us modifying it into a soft tattoo and very friendly to use, this design will depict luxury in a very confident form, there are several alternatives that you can use, to make your design look more manly and bold include : numeric punctuation alternate Thank You Very Much

Milkyway, a bubbly-bold font that is perfect for making your project looks even more fun! It’s rounded and curvy shape makes it more unique. Milkyway is very ideal for variety design projects, such as posters, Invitations, greeting cards, logo, and many more. Milkyway will jolly up you and your audiences! Get this font now to magnify your design!

The Macksen is a new, bold script font which has two styles: Clean and Textured. With those kind of styles, The Macksen will give your designs a vintage and classic look. The Macksen is great for logotype, branding design, logo design, digital lettering arts, t-shirts/apparel, posters, magazines, signs, advertising design, and any vintage design needs.

Notelia The elegant font I work with is creative in mood and perfect in shape, inspired by today's beautiful serif look. bold, balanced and varied, born for luxury and beauty. includes uppercase letters, numbers, and a wide variety of punctuation marks. Serif font with a modern style. Made for posters, web design, branding, illustrations, badges and many other works.

Kandel 205 is a geometric, tri-line, display and headline font available in a family of three weights. Its bold, graphic styling gives it great stand-out qualities and a highly individual look. It’s particularly well suited to bringing energy to designs, or for designs with a sporting theme. It’s also available with character variations as Kandel 105 .

Arequipa is a Latin font with serifs generally top left. The style is influenced by Aztec and Inca designs the Bold weight is excellant for Headline and the lighter weights work well in limited text. The geometric shape of the serifs, ij dots, full point, comma and cap Q give the font an unusual and distinctive look.

Sinami is a chic handwritten font. The authentic texture makes it a perfect choice. It has a bold classic calligraphy look making it perfect for branding and digital designs, logos, invitations, business cards, web, Instagram, social media, quotes, prints, wall decor, Branding projects, and more! Whats you get: Works on PC & Mac Simple installations Supports multilingual

Use this font in your branding to showcase your personality. It's clean, professional and bold. Each letter is its own character. Perfect for use on social media posts and other marketing materials. Make your business stand out by writing in a way that’s unique to you. Use our handwriting font and give your brand a distinctive look.

Skipper is a bold and flowing connected script. Skipper is equipped with three alternate characters for every basic letter: click on Swash, Stylistic or Titling Alternates on any OpenType savvy programs to create custom looking designs. Inside Skipper there’s a set of 35 ornaments designed to support the font. Access the ornaments from the Glyph Palette.

Kaffe is a display typeface inspired by the retro and psychedelic typefaces out. with a bold style and we provide a combination outline style that fits both of them to make it look very trendy and more standout.. easy to use for branding, logo, digital marketing, and any more. Features : Uppercase & Lowercase Outline Number Multilingual Support Punctuation

Introducing Marige, a bold, high contrast typeface that stands out and exudes strength and confidence. Marige has 550+ glyphs, including advanced open type features like stylistic set, standard ligature, discretionary ligature, oldstyle figure, and smallcap. Ideal for any aspect of design, such as logos, headlines, posters, and so on, and will give your projects a classic yet contemporary look.

One of the type examples found within the pages of “Lettering” by Harry B. Wright (1950) is a bold hand lettered serif typeface with a unique twist – the slab serifs had rounded corners, looking very much like show card lettering of the early 1900s. This design is now available digitally as Maybrook JNL, in both regular and oblique versions.

“Brushfire” is a playful font with a handbrush texture, featuring rough edges and uneven strokes for a rustic and organic look. It adds a bold and edgy feel to any project and creates a sense of depth and dimension with its textured appearance. The font is both legible and expressive, making it perfect for a variety of design projects.

Alnis is a bold type font with a round but straight shape. This font creates a formal yet relaxed vibe for any of your projects. Best font for designers. Alnis is excellent for logos, posters, cards, ext. Make your project look fascinating by combining it with another font. This font comes up with full uppercase, lowercase, and multilingual letters.

FTF Brotein is a Handwritten font that will make your designs look Powerful, Playful, Bold, and good. It is a great font for events, Wedding Project, signature, album covers, logos, branding, magazines, social media posts, advertisements, but it also works great for other projects. Add it to your fonts’ library, and it will enhance your creativity!

Amerta is a versatile, modern and unique serif font. Designed by Eotype Studio, It has a unique style with stylistic, alternates, ligatures and supports multilingual languages. Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose Amerta for any graphics that require a bold look with a elegant flair.

Crosseur is a versatile, modern and unique condensed san serif font. Designed by Eotype Studio, It has a unique style with stylistic, alternates, ligatures and supports multilingual languages. Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose Crosseur for any graphics that require a bold look with a unique.

NTRODUCING BROMAN!! BROMAN is a bold modern display font with serif style. It's modern and classic font with a unique and deference look . Perfect if you need a dose of fun in your project. Perfect for editorial projects, Logo design, web font, clothing branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Breakout is a carefully hand-lettered bold script font. Breakout comes in two styles; Regular and Rough Version. Breakout has a lots alternative of each letter to make it look unique and attractive. It is can give a solid and standout impression. Breakout is suitable for logotype, digital printing, packaging, T-shirt, social media post, Merchandise, and many more.

BIONCA is a bold modern display font with sans serif style. It's modern and classic font with a unique and deference look . Perfect if you need a dose of fun in your project. Perfect for editorial projects, Logo design, web font, clothing branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

HansHand started out in 2003 as a simple free font, the adaption of my grimy handwriting. For its 10th anniversary it got a complete overhaul and lots of new characters. Now also available in BOLD for the first time, featuring scribbles, strokes, circles and boxes to underline the fast taking-notes-while-on-the-phone look!

Cuadrifonte was freely inspired by the lettering from a 1917 poster – the only recorded poster designed by the architect and furniture designer Gerrit Rietveld. It is a hand-drawn bold and boxy typeface, available in 3 handcrafted styles. The family also comes with a very nice picture font, loaded with illustrations that match the typeface look and feel.

Belta is a decorative all-caps handwritten font, perfect for display use. It is available in light, regular and bold, providing a wide range of possibilities and combinations since the glyphs vary from one style to another, allowing a more informal and script look. It's glyph coverage supports languages such as English, Spanish, French, Portuguese, Italian, Swedish, among others.

Baren is a bold sans serif font, it will look great both in modern design and in vintage projects. This font family has only Capital letters and includes 9 styles: Regular, Outline, Round, Round Outline, Rough, Rough Outline, Vintage, Halftone, Lines style. In the Vintage, Halftone and Lines style, upper and lower sets have different textures.

The Twist font is a bold typeface with a playful appearance. I tried to combine 2 fonts inspired by TV broadcasts, mid-century storybooks. It is suitable for broadcast, labels, logos, magazines, clothing and other commercial purposes. You can choose from three styles, regular, round, and rough, so you can get the retro/modern look you want

Where Headlined creates bold statements, Headlined Solid states facts. Simple, sans serif and steady as a rock, Headlined Solid does what needs to be done, no more and no less. For pragmatism and clarity of form this font couldn’t be better. Alternatively if you're looking for something a little more filthy, check out the original Headlined.

Millano Script is a bold script font, with a strong and masculine style that is equipped with some unique ligatures and alternates so that it can provide an interesting look Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software

Cyber rock Brush Script bold, cool, cursive, design, editorial, grunge, handpaint, handwritten, ink, letter, logo, logotype, magazine, marker, modern, paint, ragged, ROUGH BRUSH, script, sign, style, stylish, swash, tag tagging, textured, trend, trendy, urban, vintage, written handwritten brush script dry brush cursive font with rough and dynamic look. Ideal for quotes, posters, branding, packaging, illustration, social media.

Kandel 105 is a geometric, tri-line, display and headline font available in a family of three weights. Its bold, graphic styling gives it great stand-out qualities and a highly individual look. It’s particularly well suited to bringing energy to designs, or for designs with a sporting theme. It’s also available with character variations as Kandel 205 .