Meet Gnuolane Jump, the lighthearted typeface that bounces with personality. Inspired by early twentieth-century grotesque designs, Gnuolane Jump is a typeface with a playful 1960s twist. Its superelliptical appearance gives it a unique charm that sets it apart from other headline fonts. Gnuolane Jump features old-style numerals, adding to its vintage appeal. But what really makes this font stand out is its OpenType ligatures. With tailored combos that automatically substitute common character sequences, Gnuolane Jump creates a bouncing effect that brings your text to life. If you’re looking for a more subdued style, be sure to check out Gnuolane and Gnuolane Stencil. But if you want to inject some fun and personality into your headlines, give Gnuolane Jump a try. Its lively spirit and unique character will add an extra touch of charm to your design. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Baby Chipmunk is a cute and sweet handwritten font with an incredibly friendly feel. Get inspired by its playful feel! This font is PUA encoded which means you can access all of the cute glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Salsa Billa is new, fresh, funny, interesting, cute calligraphy font. It includes hearts and cute cords as alternatives. It is suitable for greeting cards, branding materials, business cards, quotes, posters, and more! Salsa Billa is coded with Unicode PUA, which provides full access to all additional characters without having special design software.

Sweet Unicorn is a cute and sweet handwritten font with an incredibly friendly feel. Get inspired by its playful feel! This font is PUA encoded which means you can access all of the cute glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Fictionalism is carefully handcrafted slab serif, slightly condensed to fit lots of beautiful text wherever you need. It's handwritten, but neat as a pin; it's tidy, but has a lively character that grabs attention in a friendly way. Use it for branding, posters, text, or a million and one other design applications.

ITC Jellybaby is the work of British designer Timothy Donaldson, bouncing all over the place but somehow remaining compact and legible. It began as an extremely fattened version of Donaldson't typeface Pink but then became transformed into a play on the futuristic" typefaces of the 1960s. Jellybaby expresses both retro and modern design."

In NailsNStaples the letters are made up of nails and staples. (The staples are not the staples one uses to join paper, but the kind one hammers into wood.) It is not often that one needs a typeface made of nails and staples, but if one does, there is a font for that.

Introducing, Saint Capital. a new handwritten script font. Saints Capital is a cute handwritten font with feminine touch to emphasize your design and bring more cute and feminine feel to your design. this font is perfect for branding, packaging, merchandise, printing, quotes, etc. Saint Capital also come with multilingual support and PUA encoded.

Meet Strangeways! A cute handwritten font in 2 weights, bold & italic, with: A-Z, a-z, 0-9, accents punctuation and symbols Ligatures Extra squiggles that can be used to underline, strike through or decorate your text. New! Cyrillic alphabet Strangeways great for any of your cute designs, in quotes, postcards, logos.

Dogiesland! A cute and playful display font was created to bring a playful and little bit infantile feeling to any design. cute clean letters look simple and modern. All node was cleaned in fairly natural shape. Its friendly feel makes this font incredibly versatile, fitting a wide range of kids' design projects.

There are worms in the earth, hairy bugs under the bed and strange bloodshot eyeballs peering at you from out of the closet. Lilou's Creepy Crawly font is perfect for scaring away Trick-or-Treaters, just install our font and print out your signs with the legend: WE EAT LITTLE CHILDREN HERE!

Chucara next is the newest font designed by Juan Pablo De Gregorio, a typeface aimed at high readability when set in paragraphs or large chunks of text. Its predecessor "Chúcara", born in 2003, sought after increasing readability by achieving big and simple counterforms. This time around Juan Pablo went further by increasing the X-height and trimming both ascenders and descenders, thus the font appears to be much larger than it is and can be readable at smaller sizes. The DNA of the whole font is marked by the terminal of the "a" character. Juan Pablo used a specially crafted cut to design this counterform, and this shape together with the graceful and winding forms of the letter resembles the form of a horse, hence the name Chúcara, or untamed. The italic version has a 10-degree angle and a 10% condensation, making it way more streamlined than a regular italic font. The Philosophy of a larger counterform is maintained through and through in the italic variant. This version looks different not only due to its inclination, but the sheer effort put into carefully taking care of the condensation and the gestures allow the italic to enrich the texts gracefully, for the highlighting of the words stands out without affecting the grey of the paragraph. Chucara next is a typeface optimal for being used in books, newspapers, magazines, texts, printing, headlines, editorial, quotes, corporate identity, and lo res printing. The typeface has 8 weights, ranging from “thin” to “black”, and two versions: "regular" and "italic". Its 16 files contain 635 characters with small caps, stylistic sets and different kind of numbers. It supports 219 Latin-based languages, spanning through 212 different countries. Chucara next supports this languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwich’in, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotc?k (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, M?ori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni.

Starless Shutters is my slightly rough handmade all-caps headline font. With its crunchy outline, the font is suitable for most things that needs an organic look. That could be organic products, children's books or toys, book covers or poster. I have added 4 slightly different versions of each letter, and they automatically cycles as you type - or you can manually choose the ones that suits you the best.

Sheet music for the song “The Little Thing You Used to Do” (from the 1935 motion picture “Go into your Dance” starring Al Jolson and Ruby Keeler) had its title set in what closely resembled Bank Gothic Condensed. [Bank Gothic was originally designed by Morris Fuller Benton for American Type Founders circa 1930.] This reinterpreted version is now known as Stenographer JNL, and is available in both regular and oblique versions.

This font is inspired by all those end-of-the-pier amusement arcades and fairground rides. It’s also a bit of a nod to comic book graphics of the Marvel era and the superheroes who deliver knockout punches in a spew of drop shadow typography. With Pier Arcade you can now create your own fairground ride or comic book adventure. Enjoy! See also my other fun fonts Bebopalula, Barrowboy and Calypso.

Introducing our new product called Lamphier a Spooky Playful Serif Font, Lamphier inspired by Playful style with spooky style typography theme. This font is suitable for book covers, children's books, comics, posters, packaging, merchandise, logotypes and much more. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Happy Designing!

NorB Comic fonts are handwritten text fonts inspired from my childhood comic comic-books, they can be used with any word processing program for text and display use, print and web projects, apps and ePub, Comic Books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations … or even just for fun! NorB Comic fonts come with 6 weights each with their matching italics and in a Normal and Condensed version.

A circa-1920s book on lettering entitled "Book of Alphabets" by Regan Publishing displayed an example of a Grotesk typeface (a popular style of sans serif of the time). This design was re-drawn digitally as Not So Grotesk JNL and is available in four varieties - regular, oblique, condensed and condensed oblique. Not So Grotesk JNL is the perfect companion font family to use alongside Simply Grotesk JNL.

Designed at Polygraphmash type design bureau in 1984 by Vladimir Yefimov, with the addition of demi and demi italic. Based on a hot-metal typeface (1962) by Moscow book designer Vadim Lazurski (1909–1994), inspired by the early 16th century typefaces of Italian Renaissance. The typeface is useful for text and display composition, in fiction and art books. An 'expert set' was added by ParaType (ParaGraph) in 1997.

Duper Hamburges is here! With a funny, playful and modern looks, Duper Hamburges can bring happiness for both of writers and readers. If you want to write something fun, happy and cheerful, try to use Duper Hamburges. Enjoy this font in your children book, birthday card, fun poster, comic book, and any other arts. We're honored and proud if Duper Hamburges can be the part of your special works. Thank you :)

Picturesque Stencil JNL gets its name and design from the title of a circa-1920s children’s stencil activity book entitled “Dean’s Picturesque Stencil Book No. 10 - Series 75”; published by the F. Weber Company of Philadelphia and printed in England by Dean. The book’s stenciled title was hand lettered in a bold Roman design in the Art Nouveau style. Picturesque Stencil JNL is available in both regular and oblique versions.

The Belucian series offers a distinguished text design supported by dynamic headline structure. In need of a distinctive display style, Smart magazine asked Font Bureau in 1990 to revise the work of Lucian Bernhard from 1925. David Berlow prepared Belucian Demi, now accompanied by Kelly Ehrgott-Milligan’s 1994 Demi Italic, added Book and Book Italic for text, and designed Ultra for dynamic impact in headlines; FB 1990–94

Comicoon is a vibrant and playful comic-style font that bursts with fun and liveliness. Inspired by the bold and dynamic lettering found in classic comic books, Comicoon captures the essence of joyful storytelling. Each letter is adorned with expressive details, reminiscent of hand-drawn illustrations. It brings a sense of energy and excitement to any design, making it a perfect choice for comic books, graphic novels, and playful branding.

Zahar type family is based on the lettering developed by the famous Ukrainian graphic artist Georgi Yakutovich and designed for Ivan Franko's book Zakhar Berkut. It is good for the design of children's books, folk tales, songs, etc. Zahar is easy to read in short texts. It supports Extended Latin and Cyrillic (including Old Church Slavonic). A special OT-feature is added to support the Old Church Slavonic alphabetic numeral system.

S P O I L E R A L E R T ! We don't want to be a drag, a wet blanket or a spoilsport, but we're here to tell you that everything before “but” is bulls*it! Yep, if you're a merrymaker, a carouser, a jester, a reveler or a live wire, we're here to poop your party with our latest knicker-twister, KILLJOY! Call us cynics, call us crabs, grouches, grumpy old men, sourpusses or bores, but we're the kind of Killjoys who just have to make some noise... sound effects (sic) everybody, so listen up even if you can't handle the truth... and here’s OUR truth; Keep Calm and be a Fabulous Killjoy! Yes, it’s easy to be mean -- but why should anybody else have all the fun? Or all the fonts?

Arrear is a modern sans-serif font family. It includes three weights: regular, medium and bold. Has cut corners for lowercase letters. This is a versatile font that suits any project and is modern and easy to read. With it, you can create websites, logos, use in advertising, packaging, magazines and much more. This font will inspire you to create impressive designs that will amaze everyone! Multilingual support: extended latin and cyrillic.

Georges Peignot designed the font Nicolas Cochin based on copper engravings of the 18th century and Charles Malin cut the typeface in 1912 for the Paris foundry Deberny & Peignot. The font is named after the French engraver Charles Nicolas Cochin (1715-1790) although its style had little to do with that of the copper artist. Nicholas Cochin is a freer variation of another Peignot font, Cochin, a bit more balanced and elegant.

A modern sports font with classic roots. Jawbreak's three distinct styles and alternate cuts makes it incredibly versatile and perfect for logotypes, sports branding, posters, apparel design, magazine headlines, labels and so much more. Jawbreak features a full Adobe Latin 1 character set, with support for most western languages including: Afrikaants, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish.

Introducing Megatrans: A font from the future, where innovation and design meet. With its sleek lines and visionary style, Megatrans embodies a sense of futuristic aesthetics. Transform your projects with Megatrans' cutting-edge presence, adding a touch of tomorrow to your creative endeavors. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Cadency is a cool and modern script font, monolinear with cut sharp ends. Can be used for your various design projects such as logotype, poster, digital lettering arts, clean design, branding design, signs, and more. Features: - Uppercase - Lowercase - Numeral & Punctuation - Standard Ligatures - Stylistic Alternates - PUA Encoded - Multilingual Support To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Photoshop, Indesign & CorelDraw X6-X7 and more.

Trop Magus is a rugged typeface following in the tradition of Ramon Llull and Jean Jannon. Llull’s illuminated manuscripts from the Middle Ages inspired many later Alchemical texts in the Renaissance. And it was during this era, in 1615, that Jannon cut the matrices for Typi Academiae. The Trop Magus typeface includes: - Sixty-five Alchemical and Astrological symbols - Multi-language glyph set - Old Style figures - Four sets of alternate glyphs - Pseudo-Random OpenType features

With the intention to create a family of modern calligraphy, Vild Scapes offers different feels in different effects. The Normal option cuts back the imperfections created from freehand writing, while Inkless keeps those details. There’s also the Rust option, which imitates letterpress printing effects. In addition, the family comes in three designs: Brush (big paint brush style), Script (small paint brush style), and Marker (brush tip maker style), offering you more possibilities for creativity.

Presenting MBF Avee – a cutting-edge sans-serif font meticulously crafted to embody the essence of modernity and versatility. With its clean lines and minimalist design, MBF Avee offers a sleek typographic solution for a wide range of applications. Whether used in print or digital media, its timeless aesthetic ensures a sophisticated and impactful presentation. Elevate your design projects with MBF Avee, where clarity meets contemporary style for a truly refined visual experience.

My Sister is a new modern calligraphy typeface built in 658 glyphs. It has OpenType features with PUA encode. This is a smart font works with popular design software such as Photoshop, Corel Draw X version, Illustrator, Microsoft Office, etc. This modern calligraphy typeface welcomes you to use it for various purposes such as logo, card, wedding invitation, headings, signatures, t-shirt, letterhead, cutting, hot stamping, signage, labels, posters and more. It's very craft friendly.

Yaro is a modern sans serif geometric font, includes upper and lower case characters, Latin, Cyrillic, Latin Extended symbols and other. The Yaro family consists of 20 fonts, divided into 4 subgroups (according to the type of style - St, Op, Rg, Cut, Bl), and have the 4 types of thickness in each subgroup. Yaro fonts will be useful in developing a brand, creating posters and other graphic products, and for word processing.

Hand lettered Art Deco lettering for the title on the cover of the 1930s-era song "And I Still Do" provided the inspiration for Swing Era JNL. A bold, casual and friendly typeface, it features an intersecting inline through some of the characters. One could almost picture the hottest big band of the day promoted on a lobby card with this alphabet, beckoning all to come on in and "cut a rug".

An inspiration for two fonts of FA Modernista was the second page of Polish vanguard magazine "Praesens" Nr 1 from 1926 designed (as the first page) by Henryk Stażewski. The type applied - Baccarat was a sans serif from Polish foundry Jan Idźkowski i S-ka. Fonts FA Modernista imitate the effect of letterpress with spilled printing ink. Letters of two cuts vary in distortion as in the old days of letterpress technology.

Similar in design to Franklin Gothic, News Gothic was one of a number of sans serif faces manufactured by American Type Founders in the early years of the twentieth century. Initially cut as a light sans, heavier versions were made in the 1940s and 50s along with some condensed weights. The News Gothic font family offers an uncomplicated design that is well suited for use in newspapers and magazines for headlines and in advertisements.

The Janson font was based on the matrices made for the typeface in the 17th century. It originated from the Dutch typeface designer Anton Janson and was cut by Nicholas Kis. The strong main strokes and fine hair strokes were influenced by the art of copper engraving. In 1983, Prof. Horst Heiderhoff led the expansion of the Janson into a font family with various stroke contrasts and gave it the name Janson Text.

Available in 3 ​fresh ​cuts plus a sweet picture font, Strange Times is a serifed hand-drawn family. Or is it handwritten? Either way, it’s quite a handy family​​ with a generous touch of quirkiness and packed with lowercase alternates for a nice organic feel. Powered by Contextual Alternates programming, these alternates will cleverly cycle at the ​simple ​click of a button. Strange Times are here. Let’s have a good time​. Cheers!​